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Sophistical Practice: Toward a Consistent Relativism
by Barbara CassinSophistics is the paradigm of a discourse that does things with words. It is not pure rhetoric, as Plato wants us to believe, but it provides an alternative to the philosophical mainstream. A sophistic history of philosophy questions the orthodox philosophical history of philosophy: that of ontology and truth in itself.In this book, we discover unusual Presocratics, wreaking havoc with the fetish of true and false. Their logoi perform politics and perform reality. Their sophistic practice can shed crucial light on contemporary events, such as the Truth and Reconciliation Commission in South Africa, where, to quote Desmond Tutu, “words,language, and rhetoric do things,” creating things like the new “rainbow people.” Transitional justice requires a consistent and sustainable relativism: not Truth, but truth for, and enough of the truth for there to be a community.Philosophy itself is about words before it is about concepts. Language manifests itself in reality only as multiplicity; different languages perform different types of worlds; and difficulties of translation are but symptoms of these differences. This desacralized untranslatability undermines and deconstructs the Heideggerian statement that there is a historical language of philosophy that is Greek by essence (being the only language able to say what “is”) and today is German.Sophistical Practice constitutes a major contribution to the debate among philosophical pluralism, unitarism, and pragmatism. It will change how we discuss such words as city, truth, and politics. Philologically and philosophically rethinking the sophistical gesture, relying on performance and translation, it proposes a newparadigm for the human sciences.
Sor Juana Inés de la Cruz: Selected Works
by Julia Alvarez Edith Grossman Juana Inés de la CruzLatin America's great poet rendered into English by the world's most celebrated translator of Spanish-language literature. Sor Juana (1651-1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her "the Tenth Muse" and "the Phoenix of Mexico," names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works: "First Dream," her longest poem and the one that showcases her prodigious intellect and range, and "Response of the Poet to the Very Eminent Sor Filotea de la Cruz," her epistolary feminist defense--evocative of Mary Wollstonecraft and Emily Dickinson--of a woman's right to study and to write. Thirty other works--playful ballads, extraordinary sonnets, intimate poems of love, and a selection from an allegorical play with a distinctive New World flavor--are also included.
Sor Juana: Or, The Traps Of Faith
by Octavio Paz Margaret Sayers PedenMexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age. Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protégée. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six. Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute. Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
Sorry I Haven't Texted You Back
by Alicia CookReturning to the form of Stuff I&’ve Been Feeling Lately, Sorry I Haven&’t Texted You Back is a poetic mixtape dedicated to those who struggle or have struggled with their mental health. Divided into two parts, &“Side A&” holds 92 poems, titled as &“tracks,&” and &“Side B&” holds the &“remixes,&” or blackout-poetry versions, of those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook&’s viral Instagram poem, Sorry I Haven&’t Texted You Back lands in the crossroads of self-help and poetry.
Sorry Tree
by Eileen MylesMyles' trademark punk-lesbian sensibility and intimate knowledge of poetic tradition are at work in this eighth collection, where every love poem is political, and every political poem is, ultimately, about love.
Sorted Books
by Nina KatchadourianDelighting in the look and feel of books, conceptual artist Nina Katchadourian's playful photographic series proves that books' covers--or more specifically, their spines--can speak volumes. Over the past two decades, Katchadourian has perused libraries across the globe, selecting, stacking, and photographing groupings of two, three, four, or five books so that their titles can be read as sentences, creating whimsical narratives from the text found there. Thought-provoking, clever, and at times laugh-out-loud funny (one cluster of titles from the Akron Museum of Art's research library consists of: Primitive Art/Just Imagine/Picasso/Raised by Wolves), Sorted Books is an enthralling collection of visual poems full of wry wit and bookish smarts.
Sotto Voce
by Maureen Hynes*Finalist 2020 Golden Crown Literary Society Awards *Shortlisted 2020 Pat Lowther Memorial AwardPoems that give full attention to a world in shambles, a world in which “mercy is failing.” Maureen Hynes, in her fifth book of poetry, speaks tenderly yet vehemently about the threatened worlds that concern her. From Toronto, where she lives and walks the city’s afflicted watershed, she turns her attention to the near and far, shifting it from the First Nations’ stolen lands to Syria and the refugee crisis in the Mediterranean; from the deaths of family and friends to the newborns into whose care our endangered planet will pass; and from love’s transient regrets to the sustaining love two women share. Hynes’ is a gaze that grieves quietly, delights humbly, and, in the search for solace, never rests. Each poem in Sotto Voce is a recitative of healing. Hear the music in every word and, despite the damaged environments Hynes gives voice to, be restored. This is a book that bears witness to the “dynamite stick of injustice,” one that balances fear and hope, misfortune and renewal, calamity and natural beauty. Sotto Voce carries the complexity and seriousness of its themes lightly—it’s important to know when to speak loudly, and when to whisper. “…Sotto Voce is the sound of one of Canada’s most accomplished poets writing at the height of her powers.” —Jim Johnstone "Whether speaking about nature, or politics, or love, Maureen Hynes does so with candor and compassion. These poems are generous and assured, and the world they circumscribe is the urgent, beautiful, dangerous place where we all live. Read Sotto Voce. Maureen Hynes is a poet at the top of her game.” —Helen Humphreys
Soul Culture: Black Poets, Books, and Questions that Grew Me Up
by Remica Bingham-RisherExamines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footstepsAcclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these:· &“blk/wooomen revolution&”· &“Girls Loving Beyoncé and Their Names&”· &“The Terror of Being Destroyed&”· &“Standing in the Shadows of Love&”· &“Revision as Labyrinth&”Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies—Black studies, women&’s studies, LGBTQIA+ studies, and so on—Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.Examining cultural traditions, myths, and music from the Four Tops to Beyoncé, Bingham-Risher reflects on the enduring gifts of art and community. If you&’ve ever felt alone on your journey into the writing world, the words of these poets are for you.
Soul Looks Back In Wonder
by Tom FeelingsA collection of empowering poetry by acclaimed authors such as Maya Angelou, Langston Hughes, and Askia M. Toure. The collection explores the creativity of the African community and how this creative flow provides hope for future generations.
Soul Psalms: Poems
by U-Meleni Mhlaba-AdeboSoul Psalms, a collection of poems from Zimbabwean American poet U-Meleni Mhlaba-Adebo, is filled with lyrical and vivid imagery that takes you on a emotional journey toward finding self. Exploring themes of family, love, body image, acceptance, and belonging, Mhlaba-Adebo’s words flow melodically and powerfully, bringing readers to a place of peace. The themes in Soul Psalms may be personal, but they appeal to a universal pull: the desire to become.
Soul and Substance: A Poet's Examination Papers
by Jay WrightA collection of new and startlingly original essays from an acclaimed poet, essayist, and playwrightJay Wright is widely recognized as one of the most important American poets of the past half century. But in recent years, he has also written a series of unconventional essays that he calls “examination papers,” which he defines as “designated inquiries to myself.” In these linked essays, most of which resemble prose-poems, with only a few lines set on each page, Wright explores abiding artistic and philosophical concerns, including language, aesthetic form, knowledge, time, and death. Soul and Substance presents these pieces for the first time.Drawing on everything from African mythology to mathematical axioms, Wright reflects on a wide range of topics: the difficulties of defining and confronting death; the challenge of transcending one’s own consciousness; the nature of rhythm and the structure of space; and the relationship among the self, the body, and the material world. Throughout, the book examines the limits of human knowledge and the implications of our always imperfect understanding.Experimental and original, Soul and Substance is an important addition to the work of a major writer.
Sound Poetics
by Seán StreetThis book examines sonic signals as something both heard internally and externally, through imagination, memory and direct response. In doing so it explores how the mind 'makes' sound through experience, as it interprets codes on the written page, and creates an internal leitmotif that then interacts with new sounds made through an aural partnership with the external world, chosen and involuntary exposure to music and sound messages, both friendly and antagonistic to the identity of the self. It creates an argument for sound as an underlying force that links us to the world we inhabit, an essential part of being in the same primal sense as the calls of birds and other inhabitants of a shared earth. Street argues that sound as a poetic force is part of who we are, linked to our visualisation and sense of the world, as idea and presence within us. This incredibly interdisciplinary book will be of great interest to scholars of radio, sound, media and literature as well as philosophy and psychology.
Sound Writing: Experimental Modernism and the Poetics of Articulation
by Tobias WilkeConsiders the avant-garde rethinking of poetic language in terms of physical speech production. Avant-garde writers and artists of the twentieth century radically reconceived poetic language, appropriating scientific theories and techniques as they turned their attention to the physical process of spoken language. This modernist “sound writing” focused on the bodily production of speech, which it rendered in poetic, legible, graphic form. Modernist sound writing aims to capture the acoustic phenomenon of vocal articulation by graphic means. Tobias Wilke considers sound writing from its inception in nineteenth-century disciplines like physiology and experimental phonetics, following its role in the aesthetic practices of the interwar avant-garde and through to its reemergence in the postwar period. These projects work with the possibility of crossing over from the audible to the visible, from speech to notation, from body to trace. Employing various techniques and concepts, this search for new possibilities played a central role in the transformation of poetry into a site of radical linguistic experimentation. Considering the works of writers and artists—including Raoul Hausmann, Kurt Schwitters, Viktor Shklovsky, Hugo Ball, Charles Olson, and Marshall McLuhan—Wilke offers a fresh look at the history of the twentieth-century avant-garde.
Sound Your Mind
by D. Ivan Ursey II Jdamian Brown Tabitha A. DragoLife experiences expressed through inspirational poetry.
Sound and Sight: Poetry and Courtier Culture in the Yongming Era (483-493)
by Meow GohThis is the first book to examine Chinese poetry and courtier culture using the concept of shengse—sound and sight—which connotes "sensual pleasure." Under the moral and political imperative to avoid or even eliminate representations of sense perception, premodern Chinese commentators treated overt displays of artistry with great suspicion, and their influence is still alive in modern and contemporary constructions of literary and cultural history. The Yongming poets, who openly extolled "sound and rhymes," have been deemed the main instigators of a poetic trend toward the sensual. Situating them within the court milieu of their day, Meow Hui Goh asks a simple question: What did shengse mean to the Yongming poets? By unraveling the aural and visual experiences encapsulated in their poems, she argues that their pursuit of "sound and sight" reveals a complex confluence of Buddhist influence, Confucian value, and new sociopolitical conditions. Her study challenges the old perception of the Yongming poets and the common practice of reading classical Chinese poems for semantic meaning only.
Soundings in Context: Poetry's Embodiments (The University at Buffalo Robert Creeley Lectures in Poetry and Poetics)
by James Maynard Judith GoldmanSoundings in Context brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's "Reading (I Mean Articulating) Poetry, a Multi-Player Game," with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's "Dous Chantar: Refrain for a Nightingale," with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Romantics and medieval troubadour poetry to T. S. Eliot, Jackson Mac Low, Jacques Rouboud, and far beyond. Still, they are collectively concerned with questions of voice, recitation, and reception in different contexts; with sonic patterning and its modes of significance; and with foregrounding an embodied experience of oral and written language as opposed to its interpretation. McGann, Robertson, and their interlocutors all propose affective, pragmatic approaches to poetry that allow it to surface as materially formative, alive and lived. Reading their contributions together offers an opportunity to see how these values present themselves in differing cultures of poetic scenography across space and time.
Sounds, Feelings, Thoughts: Seventy Poems by Wislawa Szymborska - Bilingual Edition (The Lockert Library of Poetry in Translation #145)
by Wislawa SzymborskaTranslated and Introduced by Magnus J. Krynski and Robert A. Maguire Regarded as one of the best representatives since World War II of the rich and ancient art of poetry in Poland, Wislawa Szymborska (1923-2012) is, in the translators' words, "that rarest of phenomena: a serious poet who commands a large audience in her native land." The seventy poems in this bilingual edition are among the largest and most representative offering of her work in English, with particular emphasis on the period since 1967. They illustrate virtually all her major themes and most of her important techniques. Describing Szymborka's poetry, Magnus Krynski and Robert Maguire write that her verse is marked by high seriousness, delightful inventiveness, a prodigal imagination, and enormous technical skill. She writes of the diversity, plenitude, and richness of the world, taking delight in observing and naming its phenomena. She looks on with wonder, astonishment, and amusement, but almost never with despair.
Source
by Mark DotyThis bold, wide-ranging collection -- his sixth book of poems -- demonstrates the unmistakable lyricism, fierce observation, and force of feeling that have made Mark Doty's poems special to readers on both sides of the Atlantic. The poems in Source deepen Doty's exploration of the paradox of selfhood. They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.
South American Journals: January–July 1960
by Allen GinsbergThe great Beat poet&’s observations, reflections, poetry, and mind-expanding explorations while traveling through South America When Allen Ginsberg went to South America in 1960, ostensibly to attend a literary conference, he had a different kind of trip in mind. This would be another experience in the Beat poet&’s journey deep into the realm of consciousness, the inward travel explored to exhilarating effect in his writing—whether in the poetry that had already earned him international acclaim or in the idiosyncratic journals that raised self-documentation to a new form of art. In his South American Journals, covering a tumultuous six months, Ginsberg describes his travels through Chile and Peru, his visit to Machu Picchu, and his search for a source for ayahuasca, or yagé, a mind-expanding drug recommended by his friend William S. Burroughs, another writer well traveled in altered states of consciousness.Far from quotidian diary entries, Ginsberg&’s observations in these pages, interspersed with poetry, dream notations, and musings about spirituality, amount to a critical chapter in the poet&’s informal autobiography. Writing more during these six months than in any of his other journals, Ginsberg summons great ferment. In his distinctive accounts of all that he encounters, elevating travel writing to lyrical expression; in an abundance of poems published here for the first time, in both first drafts and polished forms; in his reports of fascinating conversations; and, in particular, in detailed passages that delve into inner recesses of his consciousness, Ginsberg recreates a journey like no other, one that reflects the workings of one of the best minds of his generation in the world of his own making and in its mysterious, immutable counterpart in the South American landscape.
South Side of a Kinless River
by Marilyn DumontFeatured on Quill & Quire's Fall PreviewA nuanced, relational, and community-minded new book from one of Canada's preeminent poets.South Side of a Kinless River wrestles with concepts of Métis identity in a nation and territory that would rather erase it. Métis identity, land loss, sexual relationships between Indigenous women and European men, and midwifery by Indigenous women of the nascent settler communities figure into these poems. They add up to a Métis woman's prairie history, one that helps us feel the violence in how those contributions and wisdoms have been suppressed and denied."Each poem is an anthem, every page showcasing the talent and necessity of this incredible poetic voice. Dumont brings the Métis tone, cadence and intricate stitch-work into all she creates." - Cherie Dimaline, author of The Marrow Thieves and Empire of the Wild"The voice of this Métis woman is as loving, tender and humane, as it is powerful, satirical and political..." - Rita Bouvier, author of a beautiful rebellion
Southern Bred: Poems
by Charles GhignaDiscover the captivating allure of the Deep South through the haunting and powerful verses of one of today's most accomplished poets.Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the reader into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna's southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.
Southern Comfort
by Nin AndrewsIn this collection of linked poems, Andrews describes a childhood during the Vietnam War era on a farm in a divided household with a southern father and northern mother. The memories and trials of childhood come from a fabled place where whiskey and story were shared by children, and superstitions and mythmaking were a way of life.
Southern Edge
by Barbara TempertonIn this collection of three long narrative poems, Temperton conjures up the highs and lows of the coastal environment to explore the effects of nature’s “Powerful forces at work” on human existence.An impressive third collection written with flair, passion and the ability to look unpleasant realities in the eye.
Southern Tongues Leave Us Shining: Poems
by Mark WagenaarIn his third collection, the award-winning author crafts poems that “reckon with the sins of history and the human-made scars on the natural world” (Beth Ann Fennelly, Poet Laureate of Mississippi).Winner of the 2016 Benjamin Saltman Poetry Award, Southern Tongues Leave Us Shining explores the South and its history through the eyes of the living, the dead, and the inbetween.“The songs of Charles Wright, Rilke, and Blind Willie Johnson have tuned Wagenaar’s ear, but the music is his own, irresistibly so. Southern Tongues Leave Us Shining is a brave and difficult grappling, ending with the difficult joy of a child’s birth and the world’s subsequent remaking. This is, simply put, poetry that adds to the glory of the human endeavor.” —Beth Ann Fennelly, author of Heating & Cooling“In Southern Tongues Leave Us Shining, there is a rapturous beauty that encompasses the American South, the United States, and the world, a poetic rooted in the space around the poet and extending outward to the world with questioning, compassion, grief, and hope.” —Afaa M. Weaver, winner of the Kingsley Tufts Poetry Award“The speaker searches constantly for evidence of God’s presence in the world. It is a book of doubt just as much as it is a book of faith. Indeed, doubt threatens, at every line break, to wrest faith from the speaker’s hands. But books of doubt are books of faith, and Southern Tongues understands this.” —Los Angeles Review of Books
Southernmost: Sonnets
by Leo Boix'Vivid ... A memoir of queer love, loss and migration … dazzling’ Karen McCarthy Woolf, author of Top Doll'It all happened a long time ago, no one now remembers this storylet me tell you how it all happened, how we turned unholy.'In Southernmost, Leo Boix takes us on a spellbinding voyage through time and imagination, from the Argentina of his birth – ‘the end of the world, the antipode’ – to a new life in England.Unearthing an old grief, the poet embarks on a glittering, encyclopaedic exploration of his own past and the Latin America he left behind: a continent haunted by the Europeans who once fixed their telescopes on its shores.Southernmost reveals truths hidden in plain sight: colonialism’s violent legacies; dissidents disappeared by the junta; a young mother’s mysterious decline; the clarifying sexuality of a boy whose father can’t bear to acknowledge it. At the same time, it tells a story – as sonnets have often done – about love, through Boix’s intimate and original evocation of gay marriage. Restlessly intelligent, intoxicated by Latin America’s landscapes and rich folklore, this virtuosic net of sonnets offers a glimpse of our world’s interconnecting threads.'In this thrilling collection of sonnets, Leo Boix maps a personal geography out of dynamic encounters between the Old World and the New' Chloe Aridjis, author of Sea Monsters'As sinuous and expansive as the ocean between us’ Urayoán Noel, author of Transversal