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Real Cowboys
by Jonathan Bean Kate HoeflerIn Kate Hoefler’s realistic and poetic picture book debut about the wide open West, the myth of rowdy, rough-riding cowboys and cowgirls is remade. A timely and multifaceted portrayal reveals a lifestyle that is as diverse as it contrary to what we've come to expect.
Real Mother Goose: with MP3 Downloads (Dover Read and Listen)
by Blanche Fisher WrightTime stands still for Mother Goose and her world: London Bridge is still falling down, Little Bo-Peep continues to search for her lost sheep, and Old King Cole is as merry an old soul as ever. For the past century, millions of children have met Georgy Porgy, Jack Sprat, Miss Muffet, Humpty Dumpty, and other storybook immortals with this classic edition of nursery lore.This new version of The Real Mother Goose retains the marvelous pen-and-watercolor illustrations that enrich every page of the original book. In addition, exclusive MP3 downloads recapture the enchanting rhythms of the most famous rhymes. Kids can read along with the MP3s, or simply listen, or enjoy the book by itself. No child is too young to love these enchanting stories and verses, and no adult is too old to return to the world of Peter Piper or to Sing a Song of Sixpence.
The Real Mother Goose (First Avenue Classics ™)
by Blanche Fisher WrightThe identity of Mother Goose may remain a mystery, but the timeless appeal of the fairy tales and nursery rhymes associated with this cherished imaginary author has lasted for generations of young readers. This collection includes more than three hundred of Mother Goose's best-known and best-loved nursery rhymes for children. Here, Humpty Dumpty has a great fall, Jack and Jill go up the hill, and the dish runs away with the spoon. Peter Piper picks a peck of pickled peppers, little Miss Muffet sits on a tuffet, and Mother Goose herself rides through the air on a very fine gander. Also included are favorites such as "Three Blind Mice," "Little Bo-Peep," "Hot Cross-Buns," and "Mary, Mary, Quite Contrary." This collection, taken from the 1916 copyright edition, features charming full-color illustrations by Blanche Fisher Wright.
The Real Work: Interviews and Talks, 1964-79
by William Scott Mclean Gary SnyderAmerican poet Gary Snyder on poetics, tribalism, ecology, Zen Buddhism, meditation, the writing process, and more. The Real Work is the second volume of Gary Snyder’s prose to be published by New Directions. Where his earlier Earth House Hold(1969) heralded the tribalism of the "coming revolution," the interviews in The Real Work focus on the living out of that process in a particular place and time––the Sierra Nevada foothills of Northern California in the 1970s. The talks and interviews collected here range over fifteen years (1964-79) and encompass styles as different as those of the Berkeley Barb and The New York Quarterly. A "poetics of process" characterizes these exchanges, but in the words of editor Mclean, their chief attraction is "good, plain talk with a man who has a lively and very subtle mind and a wide range of experience and knowledge."
Reality Crumbs: Selected Poems (Excelsior Editions)
by Raquel ChalfiReality Crumbs is the first book-length collection in English of the work of the celebrated Israeli poet, playwright, and filmmaker Raquel Chalfi. Versatile and unpredictable, Chalfi's often visionary and dramatic poetry has been acclaimed for its independence and daring by leading Israeli critics. In the words of poet and critic Eli Hirsch, her work is a "thrilling combination of simplicity and chaos, clarity and mystery."Ever present in Chalfi's poetry is the need to touch, to feel the tangible and sensuous, as well as a desire to break all boundaries and smash so-called conventional wisdoms, be they social, cultural, or linguistic. Her poems are often anxious, restless, inquisitive, nearly physical in their constant search for, and chasing after, that one element that will help them get a step closer to grasping the mystery at their center. And if she takes on the persona of a wild biker or a witch, it is not merely to travel freely in the land of fancy and so taste another's life, but, more importantly, to measure the extent of her empathy.
Reality Sandwiches
by Allen GinsbergAllen Ginsberg's poetry collection, Reality Sandwiches, appeared in 1961. The title came from an earlier poem of his, "On Burroughs' Work," which described his experience of reading the manuscript that became Naked Lunch. Here's an excerpt: "actual visions & actual prisions as seen then and now... A naked lunch is natural to us, we eat reality sandwiches."
A Really Good Brown Girl
by Marilyn DumontMarilyn Dumont’s Metis heritage offers her challenges that few of us welcome. Here she turns them to opportunities: in a voice that is fierce, direct, and true, she explores and transcends the multiple boundaries imposed by society of the self. She mocks, with exasperation and sly humour, the banal exploitation of Indianness (“there it is again, the circle, that goddamned circle, as if we thought in circles, judged things on the merit of their circularity, as if all we ate was bologna and bannock and lived in teepees”); more-Indian-than-thou oneupmanship (“So, I’m having coffee with this treaty guy from up north … I say I’m Metis like it’s an apology and he says, ‘mmh,’ like he forgives me, like he’s got a big heart and mine’s pumping diluted blood”); and white condescension and ignorance (“The White Judges”). She celebrates the person, clearly observing, who defines her own life. These are Indian poems; Canadian poems; human poems.
A Really Good Brown Girl: Brick Books Classics 4
by Marilyn DumontOn the occasion of the press’s 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A Really Good Brown Girl features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst. First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one’s self and one’s Metis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature.
Reasons for Winter
by Naomi GuttmanWinner of the 1992 A.M. Klein Prize for Poetry (QSPELL, now the Quebec Writers Federation) and shortlisted for the 1991 Pat Lowther Award Naomi Guttman's first collection of poems marks the appearance of a deeply emotional, highly intelligent new voice. Its theme is intimacy -- ours, especially women's, experience of intimacy in many forms, how it marks us, how we long for it, the ways in which it is both our fulfilment and our undoing. The personae range from children to old men and women, jailbirds to schoolgirls; the language is chosen without ever becoming deliberate, precise but always musical. These are poems from and of the heart, chastened by experience, taut with craft.
Rebel Souls: Walt Whitman and America's First Bohemians (A Merloyd Lawrence Book)
by Justin MartinIn the shadow of the Civil War, a circle of radicals in a rowdy saloon changed American society and helped set Walt Whitman on the path to poetic immortality.<P><P> Rebel Souls is the first book ever written about the colorful group of artists-- regulars at Pfaff's Saloon in Manhattan--rightly considered America's original Bohemians. Besides a young Whitman, the circle included actor Edwin Booth; trailblazing stand-up comic Artemus Ward; psychedelic drug pioneer and author Fitz Hugh Ludlow; and brazen performer Adah Menken, famous for her Naked Lady routine. Central to their times, the artists managed to forge connections with Ralph Waldo Emerson, Mark Twain, and even Abraham Lincoln. This vibrant tale, packed with original research, offers the pleasures of a great group biography like The Banquet Years or The Metaphysical Club. Justin Martin shows how this first bohemian culture--imported from Paris to a dingy Broadway saloon--seeded and nurtured an American tradition of rebel art that thrives to this day.
Reborn
by Abraham RodriguezDelve into actor Abraham Rodriguez's raw journey of intimacy, sexual identity, religion, and self-discovery through captivating visuals and bilingual verse.Step into the vivid world of Reborn, the second collection of poems and photographs by actor Abraham Rodriguez. Delve into a raw and personal journey of intimacy, sexual identity, religion, and self-discovery through captivating visuals and confessional verse in both English and Spanish. Rodriguez's lens captures the essence of transformation, guiding you through the shadows to embrace a rebirth that illuminates even the darkest nights, fostering healing and unveiling new opportunities. Are you ready to be reborn?
Recalculating
by Charles BernsteinLong anticipated, "Recalculating" is Charles BernsteinOCOs first full-length collection of new poems in seven years. " "As a result of this lengthy time under construction, the scope, scale, and stylistic variation of the poems far surpasses BernsteinOCOs previous work. Together, the poems of "Recalculating "take readers on a journey through the history and poetics of the decades since the end of the Cold War as seen through the lens of social and personal turbulence and tragedy. aThe collectionOCOs title, the nowOCofamiliar GPS expression, suggests a change in direction due to a mistaken or unexpected turn. For Bernstein, formal invention is a necessary swerve in the midst of difficulty. As in all his work since the 1970s, he makes palpable the idea that radically new structures, appropriated forms, an aversion to received ideas and conventions, political engagement, and syntactic novelty will open the doors of perception to exuberance and resonance, from giddiness to pleasure to grief. But at the same time he cautions, with typical deflationary ardor, OC The pen is tinier than the sword. OCO In these poems," "Bernstein makes good on his claim that OC the poetry is not in speaking to the dead but listening to the dead. OCOaIn doing so, "Recalculating "incorporates translations and adaptations of Baudelaire, Cole Porter, Mandelstam, and Paul Celan, as well as several tributes to writers crucial to BernsteinOCOs work and a set of epigrammatic verse essays that combine poetics with wry observation, caustic satire, and aesthetic slapstick. aFormally stunning and emotionally charged, "Recalculating "makes the familiar strangeOCoand in a startling way, makes the strange familiar. Into these poems, brimming with sonic and rhythmic intensity, philosophical wit, and multiple personae, life events intrude, breaking down any easy distinction between artifice and the real. With works that range from elegy to comedy, conceptual to metrical, expressionist to ambient, uproarious to procedural, aphoristic to lyric, Bernstein has created a journey through the dark striated by bolts of imaginative invention and pure delight. a"
Receipt: Poems
by Karen Leona AndersonIn her second collection, Karen Leona Anderson transforms apparently prosaic documents — recipes and receipts — into expressions of human identity. <P><P>From eighteenth-century cookbooks to the Food Network, the recipe becomes a site for definition and disclosure. Like a theatrical script, the recipe directs action and conjures characters. Grace Kelly at a party. In these poems, the pie is a cultural artifact and Betty Crocker, icon of domesticity, looms large. From the little black dress ($49.99 Nordstroms) to an epidural ($25.00 co-pay), Anderson reveals life in the twenty-first century to be equally hampered and enabled by expenditures. Amidst personal and domestic economies, wildness proliferates — bats, deer, ocelots, and fungus — reminding the reader that not all can be assimilated, eaten, or spent.
A Recipe for Bedtime
by Peter BentlyFrom the winner of the Roald Dahl Funny Prize, comes a classic baby bedtime book with a perfect lullaby ending.Baby, baby soft and sweet, almost good enough to eat! It's night-night time so come with me, and hear my bedtime recipe. An utterly charming tale. No bedtime collection should be without it."With its tender, gently soporific rhyming text and pictures so beautifully in tune, I can imagine this becoming a bedtime favourite with many a toddler." - Red Reading Hub
A Recipe for Bedtime
by Peter BentlyA few simple ingredients are all you need for the perfect bedtime.Take one cute-enough-to-eat baby, add a spoonful of kisses, mix with plenty of cuddles, and finish with a sweet lullaby. This recipe for a bedtime routine unfolds in the form of an adorable set of step-by-step instructions. By the end, little ones will be all tucked in and drifting off to sleep. Soothing, lyrical text and warmly rendered artwork make this book sweeter than pie!
Recipe for Disaster
by Aimee LucidoIn this heartfelt middle school drama, Hannah's schemes for throwing her own bat mitzvah unleash family secrets, create rivalries with best friends, and ultimately teach Hannah what being Jewish is all about. <p><p> With a delicious mix of prose, poetry, and recipes, this hybrid novel is another fresh, thoughtful, and accessible Versify novel that is cookin’. - New York Times Best-Selling Author Kwame Alexander <p><p> Hannah Malfa-Adler is Jew . . . ish. Not that she really thinks about it. She'd prefer to focus on her favorite pastime: baking delicious food! But when her best friend has a beyond-awesome Bat Mitzvah, Hannah starts to feel a little envious ...and a little left out. <p><p> Despite her parents firm no, Hannah knows that if she can learn enough about her own faith, she can convince her friends that the party is still in motion. As the secrets mount, a few are bound to explode. When they do, Hannah learns that being Jewish isn't about having a big party and a fancy dress and a first kiss — it's about actually being Jewish. Most importantly, Hannah realizes that the only person's permission she needs to be Jewish, is her own.
A Recipe for Playtime
by Peter BentlyFrom the winner of the Roald Dahl Funny Prize, comes a tender, gentle rhyming story celebrating playtime.Capturing the joy of the simplest games a child plays, including hide-and-seek, chase, and lots of imaginative play. A joyous story with the perfect lullaby ending.Praise for A Recipe for Bedtime: "I can imagine this becoming a bedtime favourite with many a toddler." - Red Reading Hub
Reckless Lovely
by Martha SilanoMartha Silano's new collection begins with The Big Bang and ends with the unleashing of twelve million bees from a jack-knifed semi. In between Reckless Lovely ricochets from Renaissance masterworks to amusement parks, from fissures to fission, praising the peregrine, the paramecium. Reveling in galaxies and marveling at Earth's miracles, Reckless Lovely opens the door to the radiantly inscrutable, the splendidly baffling. These stunning pages, like a "land-less landmass, [a] dollop-y desert dessert loosed," fold moments of joy into 'Reckless Lovely' with inventive, chewy language, and a relentless appreciation of music and delight. -- Aimee Nezhukamatathil
Reckon
by Steve McOrmondAnxious, twitchy, urgent poems—a collection that’s at once sardonic and “chronically wishful.”
Reckoning with Dark Times: 75 Poems of Pash
by Tejwant Singh Gill Avtar Singh SandhuTranslated from the original Punjabi, this work is an anthology of seventy-five poems of Pash, eminent Punjabi poet and revolutionary whose real name was Avtar Singh Sandhu.
Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience
by Charles AltieriMuch current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein's later work that stresses Wittgenstein's parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery's "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats's "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.
Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination
by Julie Goodspeed-ChadwickReclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927–1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets. Julie Goodspeed-Chadwick’s innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes, showing that they often portrayed her in harsh, conflicted, even demeaning terms. Their representations of Wevill established condemnatory narratives that were perpetuated by subsequent critics and biographers and in works of popular culture. In Plath’s literary treatments, Goodspeed-Chadwick locates depictions of both desirable and undesirable femininity, conveyed in images of female bodies as beautiful but barren or as vehicles for dangerous, destructive acts. By contrast, Hughes’s portrayals illustrate the role Wevill occupied in his life as muse and abject object. His late work Capriccio constitutes a sustained meditation on trauma, in which Hughes confronts Wevill’s suicide and her killing of their daughter, Shura. Goodspeed-Chadwick also analyzes Wevill’s self-representations by examining artifacts that she authored or on which she collaborated. Finally, she discusses portrayals of Wevill in recent works of literature, film, and television. In the end, Goodspeed-Chadwick shows that Wevill remains an object of both fascination and anger, as she was for Plath, and a figure of attraction and repulsion, as she was for Hughes. Reclaiming Assia Wevill reconsiders its subject’s tragic life and lasting impact in regard to perceived gender roles and notions of femininity, power dynamics in heterosexual relationships, and the ways in which psychological traumas impact life, art, and literary imagination.
Recognizing Persius (Martin Classical Lectures #23)
by Kenneth J. ReckfordRecognizing Persius is a passionate and in-depth exploration of the libellus--or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that normally would have been recited before a reclining, feasting audience. In highlighting the satires' remarkable honesty, Reckford shows how Persius converted Roman satire into a vehicle of self-exploration and self-challenge that remains relevant to readers today. The book explores the foundations of Roman satire as a performance genre: from the dinner-party recitals of Lucilius, the founder of the genre, through Horace, to Persius's more intense and inward dramatic monologues. Reckford argues that despite satire's significant public function, Persius wrote his pieces first and mainly for himself. Reckford also provides the context for Persius's life and work: his social responsibilities as a landowner; the interplay between his life, his Stoic philosophy, and his art; and finally, his incomplete struggle to become an honest and decent human being. Bringing the modern reader to a closer and more nuanced acquaintance with Persius's work, Recognizing Persius reinstates him to the ranks of the first-rate satirists, alongside Horace and Juvenal.
Recomposing Ecopoetics: North American Poetry Of The Self-Conscious Anthropocene (Under The Sign Of Nature Series)
by Lynn KellerTwo communities have been crucial to the development of this book. The first is the Center for Culture, History, and Environment (CHE) in the Nelson Institute for Environmental Studies at the University of Wisconsin-Madison.