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Recorded Poetry and Poetic Reception From Edna Millay to The Circle of Robert Lowell
by Derek FurrThrough an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U. S. , from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
Recuerda, cuerpo (Flash Poesía #Volumen)
by Constantinos Cavafis<P>La colección «Poesía portátil» presenta Recuerda, cuerpo, una antología del mayor poeta griego del siglo XX, un canto contra el deseo prohibido y una oda a los mitos clásicos. <P>A pesar de ser considerado uno de los poetas más importantes del siglo XX, Cavafis nunca publicó en vida y solo distribuía sus versos entre un círculo reducido de amigos. <P>Esta selección es representativa de una vocación a la que se entregó desde muy joven con rigor y exigencia, una obra breve y minuciosa que despertó la admiración de grandes poetas de la talla de T.S. Eliot o Jaime Gil de Biedma. <P>El amor homosexual -a veces solo implícito pero cargado de sensualidad y erotismo- marca sus versos, así como la evocación de la antigüedad clásica. -------
Red Bird
by Mary OliverMary Oliver's twelfth book of poetry, Red Bird comprises sixty-one poems, the most ever in a single volume of her work. Overflowing with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog Percy, Red Bird is a quintessential collection of Oliver's finest lyrics.
Red Butterfly
by Amy June Bates A. L. SonnichsenA young orphaned girl in modern-day China discovers the meaning of family in this inspiring story told in verse, in the tradition of Inside Out and Back Again and Sold.Kara never met her birth mother. Abandoned as an infant, she was taken in by an American woman living in China. Now eleven, Kara spends most of her time in their apartment, wondering why she and Mama cannot leave the city of Tianjin and go live with Daddy in Montana. Mama tells Kara to be content with what she has...but what if Kara secretly wants more? Told in lyrical, moving verse, Red Butterfly is the story of a girl learning to trust her own voice, discovering that love and family are limitless, and finding the wings she needs to reach new heights.
Red Comet: The Short Life and Blazing Art of Sylvia Plath
by Heather Clark&“Finally, the biography that Sylvia Plath deserves . . . A spectacular achievement.&” —Ruth Franklin, author of Shirley Jackson: A Rather Haunted LifeThe highly anticipated new biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.With a wealth of never-before-accessed materials--including unpublished letters and manuscripts; court, police, and psychiatric records; and new interviews--Heather Clark brings to life the brilliant daughter of Wellesley, Massachusetts who had poetic ambition from a very young age and was an accomplished, published writer of poems and stories even before she became a star English student at Smith College in the early 1950s. Determined not to read Plath's work as if her every act, from childhood on, was a harbinger of her tragic fate, Clark evokes a culture in transition, in the shadow of the atom bomb and the Holocaust, as she explores Plath's world: her early relationships and determination not to become a conventional woman and wife; her conflicted ties to her well-meaning, widowed mother; her troubles at the hands of an unenlightened mental-health industry; her Cambridge years and thunderclap meeting with Ted Hughes, a marriage of true minds that would change the course of poetry in English; and much more. Clark's clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath's suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark's meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.
Red Doc >
by Anne CarsonThis is a sequel to Carson's verse novel 'Autobiography of Red'--the story of a boy named Geryon who was red and had wings and fell in love with Herakles.Red Doc> continues their adventures in a very different style and with changed names.
Red Doc> (Vintage Contemporaries Ser.)
by Anne CarsonA literary event: a follow-up to the internationally acclaimed poetry bestseller Autobiography of Red ("Amazing" -- Alice Munro) that takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called "G," into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover "Sad" (short for Sad But Great), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul.
The Red Files
by Lisa Bird-WilsonThis debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations.Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into "black files" and "red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: "I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father's surname, treaty card, Cree accent echo, metal bits, grit- / and I will still have room to cock a fist."The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.
Red Hot Salsa: Bilingual Poems On Being Young And Latino In The United States
by Lori Marie Carlson Oscar HijuelosIt is always somewhat risky to follow up an anthology like Cool Salsa with a second volume.
Red House, Tree House, Little Bitty Brown Mouse
by Jane GodwinA bit Each Peach Pear Plum, a bit Go, Dog, Go!, this read-aloud joy is deceptively simple yet packed with delights for the very young--a preschool standout deserving of modern-classic status.A little mouse makes her way around the world, and invites preschoolers along as she sets out: Red house / Blue house / Green house / Tree house! / See the tiny mouse in her little brown house? Seamless, simple, and inspiring, the rhyming story abounds in concepts for the very young, with a particular focus on colors, and a delightful search-and-find element on every spread--the intrepid mouse herself!* "Wonderful...Delightful" --Kirkus (starred review)* "Excellent...Perfectly aimed at the very youngest" --The Horn Book (starred review)"Appealing...Calls for engagement on multiple levels" --PW"Fun...offers multiple opportunities for reader interaction" --SLJ
The Red List: A Poem
by Stephen CushmanThe "red list" of Stephen Cushman's new volume of poetry is the endangered species register, and the book begins and ends with the bald eagle, a bird that bounded back from the verge of extinction. The volume marks the inevitability of such changes, from danger to safety, from certainty to uncertainty, from joy to sadness and back again. In a single poem that advances through wordplay and association, Cushman meditates on subjects as vast as the earth's fragile ecosystem and as small as the poet's own deflated fantasy of self-importance: "There aren't any jobs for more Jeremiahs."Simultaneously teasing the present and eulogizing what has been lost, Cushman speaks like a Shakespearean jester, freely and foolishly, but with penetrating insight.
Red Modernism: American Poetry and the Spirit of Communism (Hopkins Studies in Modernism)
by Mark StevenHow did modernist poetry respond—both thematically and technically—to communism?In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem.Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.
The Red Pencil
by Andrea Davis Pinkney Shane W. Evans"Amira, look at me," Muma insists. She collects both my hands in hers. "The Janjaweed attack without warning. If ever they come-- run." <p><p>Finally, Amira is twelve. Old enough to wear a toob, old enough for new responsibilities. And maybe old enough to go to school in Nyala-- Amira's one true dream.<p>But life in her peaceful Sudanese village is shattered when the Janjaweed arrive. The terrifying attackers ravage the town and unleash unspeakable horrors. After she loses nearly everything, Amira needs to dig deep within herself to find the strength to make the long journey-- on foot-- to safety at a refugee camp. Her days are tough at the camp, until the gift of a simple red pencil opens her mind-- and all kinds of possibilities.<p>New York Times bestselling and Coretta Scott King Award-winning author Andrea Davis Pinkney's powerful verse and Coretta Scott King Award-winning artist Shane W. Evans's breathtaking illustrations combine to tell an inspiring tale of one girl's triumph against all odds.
Red Shoes: Poems
by Honor Moore"Sexy, telegraphic, edgy, and rapt. . . . Exquisitely visual, cuttingly witty, Moore's poems are at once cool and searing."--Booklist
Red Sings from Treetops: A Year in Colors
by Joyce SidmanIn winter ... Green waits in the hearts of trees, feeling the earth turn. Color comes alive in this whimsical, innovative book: blue dances on summer lakes, green drips from spring leaves, black wafts mysteriously through autumn evenings. Together, an award-winning poet and a brilliant painter inspire us to look closer at the thrilling colors of the seasons. So what colors can you feel--or hear, or taste, or smell--today?
Red Sox Rhymes: Verses and Curses
by Dick FlavinFrom the voice of Fenway Park comes a collection of sixty-four humorous and nostalgic poems celebrating the Boston Red Sox.A commonwealth institution and popular local television personality who is also the announcer, ambassador, and poet laureate for Fenway Park, Dick Flavin has entertained audiences with his incredible poetic talent and abiding love for the Red Sox before countless home games for more than twenty years. Now, this legendary talent’s poems are gathered together for the first time in this keepsake volume.As a beloved Red Sox insider, Flavin has been privileged to watch history in the making, from the team’s 2004 World Series victory that finally broke its nearly century-long “curse,” to road-tripping with Dom DiMaggio and Johnny Pesky, to witnessing Ted Williams final appearance at the plate. His pithy and comedic verses—including such gems as “The Beards of Summer,” “Long Live Fenway Park,” and his best known, “Teddy at the Bat”—pay homage to the American pastime, New England’s favorite team and players (and the curses and legends that have followed it), and the passionate Nation that has remained faithful through victory and defeat.Illustrated with more than fifty photos from the official Red Sox archives, Red Sox Rhymes honors all of Red Sox fandom and is an essential memento for every BoSox fan.
Red Suitcase (American Poets Continuum #29.00)
by Naomi Shihab NyePoet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders.Valentine for Ernest MannYou can’t order a poem like you order a taco.Walk up to the counter and say, "I’ll take two"and expect it to handed back to youon a shiny plate.Still, I like you spirit.Anyone who says, "Here’s my address,write me a poem," deserves something in reply.So I’ll tell a secret instead:poems hide. In the bottoms of our shoes,they are sleeping. They are the shadowsdrifting across our ceilings the momentbefore we wake up. What we have to dois live in a way that lets us find them.Once I knew a man who gave his wifetwo skunks for a valentine.He couldn’t understand why she was crying."I thought they had such beautiful eyes."And he was serious. He was a serious manwho lived in a serious way. Nothing was uglyjust because the world said so. He reallyliked those skunks. So, he re-invented themas valentines and they became beautiful.At least, to him. And the poems that had been hidingin the eyes of skunks for centuriescrawled out and curled up at his feet.Maybe if we re-invent whatever our lives give uswe find poems. Check your garage, the odd sockin your drawer, the person you almost like, but not quite.And let me know.
Red Suitcase
by Naomi Shihab NyePoet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders.Valentine for Ernest MannYou can't order a poem like you order a taco.Walk up to the counter and say, "I'll take two"and expect it to handed back to youon a shiny plate.Still, I like you spirit.Anyone who says, "Here's my address,write me a poem," deserves something in reply.So I'll tell a secret instead:poems hide. In the bottoms of our shoes,they are sleeping. They are the shadowsdrifting across our ceilings the momentbefore we wake up. What we have to dois live in a way that lets us find them.Once I knew a man who gave his wifetwo skunks for a valentine.He couldn't understand why she was crying."I thought they had such beautiful eyes."And he was serious. He was a serious manwho lived in a serious way. Nothing was uglyjust because the world said so. He reallyliked those skunks. So, he re-invented themas valentines and they became beautiful.At least, to him. And the poems that had been hidingin the eyes of skunks for centuriescrawled out and curled up at his feet.Maybe if we re-invent whatever our lives give uswe find poems. Check your garage, the odd sockin your drawer, the person you almost like, but not quite.And let me know.
Red to the Rind: Poems
by Stan RiceIn these concise, memorable verses, Stan Rice contemplates the stroller-pushing crowd in the American mall; he maps the complex traffic of a marriage; he speaks to the cat bristling in the closet and throughout, Rice sings of the darkness that conflicts us and of the moments of pure consciousness that allow us to transcend darkness.
Red to the Rind
by Stan Rice"Behold the door / the lock's alive," warns Stan Rice in one of the commanding poems that make up this new volume of verse. From the streets of New Orleans during Mardi Gras to the private chambers of the imagination, Rice's work is at times sharp and minimalist and at times over the top in its vivid critique of life and in its regard for the sanctity that lurks in all experience. In these concise, memorable verses, he contemplates the stroller-pushing crowd in the American mall; he maps the complex traffic of a marriage; he speaks to the cat bristling in the closet: "--for you, / For your on-tiptoe hissing / Slit-pupiled arched-backed tail- / Stiffened terror, this song." Throughout, Rice sings of the darkness that conflicts us and of the moments of pure consciousness that allow us to transcend darkness.From the Hardcover edition.
Red Trousseau
by Carol MuskeCarol Muske has been called one of the best poets of her generation. The Pulitzer Prize-winning poet, Carolyn Kizer, commented that her technical dazzle and virtuosity are one of a kind: Mozartian. The poems in her new collection, Red Trousseau, use Los Angeles as a symbol for the seduction of appearances; in the title poem, reality crosses from the Wallace Stevens notion of the sun hovering in its guise of impatient tribunal to a director's reshooting of a tarnished sunset, so that the scene, infinite, rebegins. In Carol Muske's work, red, blue, and yellow dominate, serving to link such disparate things as a soundstage's fake prie dieu, a precinct station map of gang activity, and a schoolgirl's model of the planets, all of which take on the red of Salem burnings, the self-immolation of a political dissident in Prague, and Eros itself, moving like a red shadow over the body of love. Fate in Red Trousseau is drawn by a biochemist as a chemical, recodable spiral inside us, looping back and forth like a mobius of DNA or a movie reel; like a director or a lover, a rebeginning. Muske's Hollywood, also deriving much of its spiraling energy from another modernist, Marianne Moore, circles around its version of reality, infinitely rebeginning, until it becomes wholly the form. Life is made into an object - beautiful, but no longer life. Until, of course, the writer begins a new story, spiraling around a new apprehension of the world that is dangerous, political, and most of all, erotic. Stylistically brilliant and emotionally resonant, the poems in Red Trousseau display the work of a master poet at the peak of her craft.
Red Trousseau
by Carol MuskeRedTrousseau is the latest work from one of America's greatest modern poets. The Los Angeles Times wrote that Carol Muske has discovered a way to work magic within the boundaries of technical achievement ... Her contemplation of experience is personal yet moves further, into the spiritual and philosophical; then it be longs not only to the poet but to all of us. The poems in Red Trousseau use Los Angeles as a symbol for the seduction of appearances; reality crosses from the Wallace Stevens notion of the sun in "Red Trousseau," "hovering in its guise of impatient tribunal," to the sun in "Unsent letter." in which a director reshoots a tarnished sunset so that "the scene, infinite, rebegins" In Muskes poems primary colors dominate, most notably red--the red of Salem burnings, the self-immolation of a political dissident in Prague, and Eros it self, moving like a red shadow over the body of love Stylistically brilliant and emotionally resonant, the poems in Red Trousseau display the work of a master poet at the peak of her craft. "With Red Trousseau, Carol Muske achieves the insight, emotional accuracy, and terrifying sureness of moral discernment she has always sought. She surveys human relations with an acid clairvoyance through which the reckless currents of personal and cultural history course, ripping away all but the essential tones of the human conversation with its humanity: terror, sometimes courage, excessive need, and the stubborn twin habits of hope and representation. This is urgent and beautifully confident work.' --Jorie Graham
Red Walls Redux
by Mark EsterRed Walls is a collection of twenty-seven poems that look at life's more serious side. The poems delve into death, depression, paranoia, banality...but one also finds melancholic but uplifting musings, such as the wisdom of elders and the merits of fatherhood. Whether the poems are inspired by the author's experiences or imaginary, they echo sincerity and believable accounts. One can feel the emotions flowing through the verses.
The Red Wheelbarrow & Other Poems
by William Carlos WilliamsHere is a perfect little gift: the most beloved poems by the most essential American poet of the last century Gathered here are the gems of William Carlos Williams’s astonishing achievements in poetry. Dramatic, energetic, beautiful, and true, this slim selection will delight any reader—The Red Wheelbarrow & Other Poems is a book to be treasured.
Red, White, and Whole
by Rajani LaRoccaA heartbreakingly hopeful #ownvoices novel in verse about an Indian American girl whose life is turned upside down when her mother is diagnosed with leukemia. <p><p>Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart. Then Reha finds out that her Amma is sick. Really sick. <p><p>Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life. <p><p>From Indies Introduce author Rajani LaRocca comes a radiant story about the ties that bind and how to go on in the face of unthinkable loss. This is the perfect next read for fans of Jasmine Warga and Thanhhà Lại.