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Ted Hughes (Routledge Guides to Literature)
by Terry GiffordFor the first time, one volume surveys the life, works and critical reputation of one of the most significant British writers of the twentieth-century: Ted Hughes. This accessible guide to Hughes’ writing provides a rich exploration of the complete range of his works. In this volume, Terry Gifford: offers clear and detailed discussions of Hughes’ poetry, stories, plays, translations, essays and letters includes new biographical information, and previously unpublished archive material, especially on Hughes’ environmentalism provides a comprehensive account of Hughes’ critical reception, separated into the major themes that have interested readers and critics offers useful suggestions for further reading, and incorporates helpful cross-references between sections of the guide. Part of the Routledge Guides to Literature series, Ted Hughes presents an accessible, fresh, and fascinating introduction to a major British writer whose work continues to be of crucial importance today.
Ted Hughes (Routledge Revivals)
by Thomas WestOriginally published in 1985, this study provides a clear and intelligent introduction to the work of the former Poet Laureate, Ted Hughes. The author presents the main works in a broadly chronological order and brings together the most interesting of Hughes’ own critical remarks from interviews, recordings, letters and articles. Throughout the book West emphasizes the drama and the gestures behind the ‘verbal surface’ of Hughes’ work and at the same time raises questions of value not just for Hughes’ work but for all poetry, such as, what is myth and what is the purpose of poetry? Many well-known poems are used to illustrate his argument and a small number are examined in depth, making this an indispensable guide to Ted Hughes’ work.
Ted Hughes and Trauma: Burning the Foxes
by Danny O'ConnorThis book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.
Ted Hughes, Nature and Culture
by Mark Wormald Terry Gifford Neil RobertsThe fourteen contributors to this new collection of essays begin with Ted Hughes’s proposition that ‘every child is nature’s chance to correct culture’s error.’ Established Hughes scholars alongside new voices draw on a range of approaches to explore the intricate relationships between the natural world and cultural environments — political, as well as geographical — which his work unsettles. Combining close readings of his encounters with animals and places, and explorations of the poets who influenced him, these essays reveal Ted Hughes as a writer we still urgently need. Hughes helps us manage, in his words, ‘the powers of the inner world and the stubborn conditions of the other world, under which ordinary men and women have to live’.
Ted Hughes: Alternative Horizons
by Joanny MoulinThis is the first collection of essays to be published since the poet's death. Continuing a tradition of more than thirty years of Ted Hughes studies, it gathers contributions by most of the major international Hughes scholars, voicing their critical preoccupations at the turn of the century.Over the years, academic criticism on the poetry of Ted Hughes has established some well-trodden paths, which this collection still strongly reflects, however, the productions of the latter Hughes, in poetry as well as in criticism, demand a revisiting of the critical discourse on his work. The biographical dimension, for instance, has gradually gathered momentum, and it is no longer possible to study the work of Ted Hughes without due reference to the life and work of Sylvia Plath. This book is, nonetheless, also motivated by the wish to bring some fresh blood to the Hughes studies by politely rocking the boat of a rather comfortably established critical reception that has prided itself on being the mouthpiece of the poet's own ideological discourse. For this reason, some of the chapters in this collection belong to a continental European tradition that is resolutely foreign to the former partisanships. For all that, Ted Hughes: Alternative Horizons suggests that steering clear of the polemical ruts dug by fans and detractors alike can only benefit the future of scholarly studies devoted to a great poet.
Ted Hughes: From Cambridge to Collected
by Mark Wormald Terry Gifford Neil RobertsThis book offers new insights into neglected but essential aspects of the work of one of the major twentieth-century poets - Ted Hughes. New essays by his friends and fellow poets Seamus Heaney and Simon Armitage lead a collection of largely new voices in Hughes studies offering fresh readings and newly available archival research. Beyond the poetry and stories, these contributors draw upon recordings, notebooks, letters, writing for children, prose essays and translations. Several contributors have carried out new interviews and correspondence for this book. For the first time, this book challenges established views about Hughes's speaking voice, poetic rhythms, study at Cambridge, influence of other poets, engagement with Christianity, farming, fishing and healing. Close readings of popular texts are accompanied by new arguments and contexts that show the importance of works hitherto overlooked.
Ted Hughes: The Life of a Poet
by Elaine FeinsteinTed Hughes is one of the greatest English poets of this century, yet his life was dogged by tragedy and controversy. His marriage to the American poet Sylvia Plath marked his whole life and he never entirely recovered from her suicide in 1963, though he chose to remain silent on the subject for more than 30 years. Many people, including his friend Al Alvarez, have held Hughes's adultery responsible for Plath's death. Elaine Feinstein first met Hughes in 1969, and she was a good friend of his and his sister Olwyn's, both of whom guarded the Plath estate. She knows many of the European and America poets who so influenced Hughes - Seamus Heaney, Thom Gunn, Miroslav Holub, and knows the world in which both he and Plath moved.
Ted Hughes’s South Yorkshire: Made in Mexborough
by Steve ElyTed Hughes's South Yorkshire tells the untold story of Hughes's Mexborough period (1938-1951) and demonstrates conclusively that Hughes's experiences in South Yorkshire in town and country, educationally, in literature and love were decisive in forming him as the poet of his subsequent fame.
Teducation
by Ted JoansBlack Dues! Black Blues! Black News! , Ted Joans trumpets in his tribute to Langston Hughes. What Library Journal wrote in 1969 holds true today: "This collection of his work clearly reveals the influence of Langston Hughes, his mentor and friend. Joans, however, has the harsher and more strident tone necessary to accurately reflect today's society. As he says in one poem: 'We must fall in love and glorify our beautiful black nation / We must create black images / give the world / a black education.'"One of the first black poets to become involved in surrealism and a first generation Beat, Joans is an expatriate poet whose work is enjoying renewed interest. This major collection of poems written during the past forty years is a significant contribution to American letters. Teducation is the first single-volume collection representing the life's work of Joans, a once roommate of Charlie Parker and a contemporary of Allen Ginsberg and Bob Kaufman.Energetic African American Beat poet, surrealist painter, longtime Paris-based expatriate, African traveler, jazz expert and jazz musician, the versatile 71-year old Joans (Black Pow Wow Jazz Poems) has published 35 books, but never, till now, a selected. Joans's rakish, unsatisfiable sensibility can make his work in Beat modes as technically innovative as Burroughs, as polemically exhuberant as Ginsberg and as comic as Corso. His early work, like theirs, depends heavily on surrealist modes; "The rhino roam in the bedroom/ where the lovely virgin wait/ the owl eats a Baptist bat/ adn God almighty is too late." The masterful longer "Timbuktu Tit Tat Toe" packs a few hundred years of Black America's relationship to aftica into four pages of giddy declamation. Likke Amiri Baraka (who lauds Joans's verse), Joans came to enbrace an aesthetic of people's poetry, creating exhuberant forms to meet his needs, stirring the pot with neologism and slogan, and calling on an arsenal of heroes from Malcom X to Jean-Michael Basquiat. "And Then There Were None" locates political rage in Louis Armstrong's famous grin: "you tried to turn him into your 'musical golliwog doll'/ you wanted his trumpet to blow what you said so/ you misinterpreted his wide smile." Repudiatin
Teen Angst: A Celebration of Really Bad Poetry
by Sara BynoeTeen Angst: A Celebration of Really Bad Poetry is the first, the best, and the biggest collection of teen angst poetry ever to be published. Inspired by the popularity of her interactive website, editor Sara Bynoe has compiled the definitive teen angst reader. Divided into 12 categories, including I am Alone and No One Understands My Pain and Obvious Metaphors, this book is for anyone who has ever written truly terrible, meditative, or self-indulgent poetry. Actually, this book is for anyone who survived being a teenager. All of the poets featured in this collection are now adults, living happy, angst-free lives. However, for this special book, they are willing to reveal excerpts from their old tattered notebooks or leather bound journals. Along with the poems, each poet has included a short introduction, giving background information for each work. As Sara Bynoe says, looking back on teen angst poetry brings people together in a "poetry reading meets stand-up comedy meets AA" sort of way.
Teen Ink 2: More Voices, More Visions
by Stephanie H. Meyer John MeyerA collection of stories and poems by teenage writers, arranged under the categories "Family," "Friends," "Challenges," "Love," "Imagination," "School Days," "Fitting In," "Milestones," and "Memories."
Teenagers and Other Poems
by Melissa MarsdenDo you ever feel your teenager is a different species? Do you shake your head in wonder at their music tastes and their laziness? Do they barely mutter a word to you? Do they think they know everything? Do they drive you mad? Well, you are not alone! Do you ever have to deal with your ex? Glad he is out of your life? Glad you got rid of the bastard? You are not the only one! How about getting old? Are your days of clubbing long gone? Is a late night half past eight now? Comes to us all! The poems in this book will provide you with some laughter and light relief about these subjects and more! These are poems that will resonate with many people and are not fancy or fluffy, they tell it like it is! There are some serious poems that have deeper meanings and explore the issues of loneliness, love and loss. Poems that will take you on a journey of emotions as you explore the words and imagery within them. This book provides lighthearted relief, mixed with some touching, emotional poetry for all to enjoy.
Teeth in the Back of my Neck
by Monika Radojevic'This is a courageous, arresting debut from a poet to watch' Independent'A vital contribution to literature' HuckChosen as one of Bustle's Best Debut Books of 2021Chosen as one of Glamour's 'best poetry books' _________________________________________________________An arresting debut collection about identity, ancestry and history, from a young poet selected as an inaugural winner of the #Merky Books New Writers' Prize, dedicated to discovering the best writers of a new generation.Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one's history scattered around the globe - and the way in which your identity is always worn on your skin, whether you like it or not.Bristling with tension and beautifully realised, Monika Radojevic's impressive debut collection is an introduction to one of the most exciting and impressive poets of her generation.
Tehran, I am Your Voice in the World
by Namdar NasserWhen the final battle is over a scratch is enough against the untuned wind when the final battle is over the wound is where the light enters when the final battle is over the fairy tales grow beautiful again The poems in this collection retell personal experiences but also trace the destiny of several others. These poems will give people who never have gone through war and emigration an experience that the media does not cover. Namdar Nasser’s poetry is accessible, full of images, and has a vivid narrative.
Telepathologies
by Cortney Lamar CharlestonCortney Lamar Charleston’s debut collection looks unflinchingly at the state of race in 21st Century America. Today, as much as ever before, the black body is the battleground on which war is being waged in our inner cities, and Charleston bares witness with fear, anger, and glimpses of hope. He watches the injustice on T.V., experiences it firsthand at simple traffic stops, and even gives voice to those like Eric Garner and Sandra Bland who no longer can. Telepathologies is a shout in the darkness, a plea for sanity in an age of insantiy, and an urgent call to action.
Telephone Poles and Other Poems
by John UpdikeWHEN, five years and five books of fiction ago, THE CARPENTERED HEN, John Updike's first collection of verse, was published, Phyllis McGinley wrote: "I have been happily reading Mr. Updike in The New Yorker for some time and am happy, now, to own him collected. When he first appeared in that magazine, I was so elated to see a new name in light verse that I felt like crying with the Ancient Mariner 'A Sail, A Sail!' His is what poetry of this sort exactly out to be--playful but elegant, sharp-eyed, witty." In the Saturday Review, David McCord wrote: "Furthermore, he is a graceful border-crosser (light verse to poem) as Auden has been; as Betjeman and McGinley frequently are." This second collection is equally divided between poems that, in their verbal jugglery and humorous bias, seem to qualify as "light" and poems that, one way or other, cross the problematic border into the general realm of poetry. The distinction cannot be clear-cut. The poet is consistently concerned with Man's cosmic embarrassment, and the same vision illuminates the creatures of "The High Hearts" and "Seagulls." Science and religion, so frequently and variously invoked, frame a single paradox, the paradox of the mundane; and each poem, whether inspired by an antic headline or a suburban landscape, rejoices in the elusive surface of created things.
Telephone Ringing in the Labyrinth: Poems 2004-2006
by Adrienne Rich"Rich's lyrics are powerful and mournful, drenched in memory." --San Francisco Chronicle To view text with line endings as poet intended, please set font size to the smallest size on your device.
Telescope: Selected Poems
by Michael HellerAn original selection of work by one of America's greatest living poets.For more than fifty years, Michael Heller has been building one of the most impressive bodies of work in contemporary American poetry. His poems, shaped by Jewish and Buddhist thought and simultaneously lyrical and philosophical, engage the political and the natural world in an ongoing consideration of the responsibility and imaginative freedom of the poet. Profoundly reflective and deeply sensual, Heller is simply one of the best poets writing today. This new selection of his work, the first in many years, provides a perfect vantage from which to contemplate his achievement.
Tell
by Soraya PeerbayeA collection of poems partially based on the Reena Virk murder case. Virk was an Asian adolescent whose drowned body was found in the Gorge Waterway in a Victoria, BC suburb, in 1997. Some of the poems use found material from court transcripts. The murder made international headlines due to the viciousness employed by Virk's assailants: seven girls and one boy between the ages of 13 and 16, five of whom were white. The poems examine in part the poet's remembrances of girlhood, the unease of adolescence, and the circumstances that enable some to pass through adolescence unhurt.
Tell Me
by Kim AddonizioIn this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.
Tell Me (American Poets Continuum)
by Kim AddonizioIn this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.
Tell Them It Was Mozart
by Angeline SchellenbergLinked poems that uncover the ache and whimsy of raising children on the autism spectrum. Through public judgments, detouring dreams and unspoken prayers, Tell Them It Was Mozart, Angeline Schellenberg’s debut collection, traces both a slow bonding and the emergence of a defiant humour. This is a book that keens and cherishes, a work full of the earthiness and transcendence of mother-love. One of the pleasures of this collection is its playful range of forms: there are erasure poems, prose poems, lists, found poems, laments, odes, monologues and dialogues in the voices of the children, even an oulipo that deconstructs the DSM definition of autism. From a newborn "glossed and quivering" to a child conquering the fear of strange toilets, Tell Them It Was Mozart is bracing in its honesty, healing in its jubilance.
Tell the World
by WriterscorpsThrough poetry we tell the world who we are, where we're from, what we love, what we think, how we feel, and why we hope. Tell the World is a stunning collection of poems by teens who have taken part in workshops run by WritersCorps, a national alliance of literary arts programs for youth. Their words represent the thoughts, hopes, and dreams of teens everywhere, offering both insight and empathy.
Tempestad en víspera de viernes
by Lara MorenoToda la poesía (incluidos poemas inéditos) de la autora ganadora del Premio Cosecha Eñe y elegida por FNAC como Nuevo Talento «Una escritura compleja, vigorosa, rigurosa. [...] No hay nada gratuito. Un hallazgo.»José María Guelbenzu Que un rayo parta el tiempo y no sea mía toda la consecuencia. Tempestad en víspera de viernes reúne la obra hasta el momento de una de las grandes poetas españolas de la actualidad, Lara Moreno, desde su debut con La herida costumbre y los poemas incluidos en Después de la apnea hasta los de su último poemario, Tuve una jaula, así como varias piezas inéditas, algunas compuestas durante la pandemia de 2020. El conjunto es una impactante muestra de una poesía personal, pegada a lo doméstico y descarnadamente visceral, en la que Lara Moreno desnuda con ironía, ternura y calado su intimidad, sensual y dolorosamente perturbadora, la realidad cotidiana que la circunda y su condición de mujer. En este sentido, quizá no sea exagerado afirmar que Lara Moreno es a la poesía lo que Lucia Berlin al relato. La crítica ha dicho...«Una escritura compleja, vigorosa, rigurosa. [...] No hay nada gratuito. Un hallazgo.»José María Guelbenzu «Desde la opresión y en busca de la libertad: así trota Lara Moreno sobre el lenguaje. [...] Una bola de fuego emocional que atraviesa los espacios de intimidad de una mujer que aspira a serlo todo.»Zenda «Una de las más destacadas escritoras de su generación.»Fernando Valls, El País «Lara Moreno escribe con austeridad de relojero.»Care Santos, El Cultural de El Mundo «Una escritora digna de atención.»Alejandro Gándara, El Escorpión «Un talento áureo.»Xurxo Fernández, El Correo Gallego «Lara Moreno, todo un hallazgo.»J. M. Pozuelo Yvancos, ABC «Una voz propia, un estilo punzante que no concede espacio a sentimentalismos.»María Jesús Espinosa de los Monteros, Mercurio Sobre Piel de lobo«Una voz propia, un estilo punzante que no concede espacio a sentimentalismos.»María Jesús Espinosa de los Monteros, Mercurio «Uno de esos libros capaces de transfigurar a una persona. Una obra maestra intensa, dolorosa, necesaria. [...] Un talento áureoXurxo Fernández, El Correo Gallego «Una historia de infrecuente vigor [...]. Un retrato sin concesiones, violento y lúcido, turbador, de la familia.»Santos Sanz Villanueva «Escritura afilada y silenciosa que contiene mucho más de lo que muestra [...]. Una voz propia, un estilo punzante que no concede espacio a sentimentalismos, una medición exacta de la tensión narrativa.»María Jesús Espinosa de los Monteros, Mercurio Sobre Por si se va la luz«Sin rodeos: una de las apariciones más satisfactorias de la temporada. Una primera persona deslumbrante, enemiga del sentimentalismo y obligada a las esperanzas.»Peio H. Riaño, El Confidencial «La característica más obvia de la prosa de Lara Moreno, y que impresiona enseguida al lector, es su capacidad de inquietar. Y no solo por la extrañeza de la realidad que se describe, sino por las elipsis, las lagunas y los agujeros que completan el discurso.»Sonia Hernández, Cultura/s de La Vanguardia «Un intenso viaje intimista [...] en una narración llena de reflexiones y conceptos, tejidas de manera inolvidable por la mano de una poeta.»Carmen Sigüenza, EFE
Ten Bridges I've Burnt: A Memoir in Verse
by Brontez Purnell"This book is brutal and brutally honest, but still perversely addictive because Brontez Purnell is a performer in the truest sense. Reading Ten Bridges I've Burnt, I felt tucked-in with him, along for the intimate ride, and paused only once to write down a part I’d been looking for my whole life." —Miranda JulyFrom the beloved author of 100 Boyfriends, a wrenching, sexy, and exhilaratingly energetic memoir in verse.In Ten Bridges I’ve Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. “The most high-risk homosexual behavior I engage in,” Purnell writes, “is simply existing.”The thirty-eight autobiographical pieces pulsing in Ten Bridges I’ve Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers’ rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I’ve Burnt, a book as original and thrilling as the author himself.