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Murdering McKinley: The Making of Theodore Roosevelt's America
by Eric RauchwayWhen President William McKinley was murdered at the Pan-American Exposition in Buffalo, New York, on September 6, 1901, Americans were bereaved and frightened. Rumor ran rampant: A wild-eyed foreign anarchist with an unpronounceable name had killed the commander-in-chief. Eric Rauchway's brilliant Murdering McKinley restages Leon Czolgosz's hastily conducted trial and then traverses America with Dr. Vernon Briggs, a Boston alienist who sets out to discover why Czolgosz rose up to kill his president.
Murdering Mckinley: The Making of Theodore Roosevelt's America
by Eric RauchwayWhen President William McKinley was murdered at the Pan-American Exposition in Buffalo, New York, on September 6, 1901, Americans were bereaved and frightened. Rumor ran rampant: A wild-eyed foreign anarchist with an unpronounceable name had killed the commander-in-chief. Eric Rauchway's brilliant "Murdering McKinley" restages Leon Czolgosz's hastily conducted trial and then traverses America with Dr. Vernon Briggs, a Boston alienist who sets out to discover why Czolgosz rose up to kill his president.
Murdering the President: Alexander Graham Bell and the Race to Save James Garfield
by Fred Rosen Hank GarfieldShortly after being elected president of the United States, James Garfield was shot by Charles Guiteau. But contrary to what is written in most history books, Garfield didn’t linger and die. He survived. Alexander Graham Bell raced against time to invent the world’s first metal detector to locate the bullet in Garfield’s body so that doctors could safely operate. Despite Bell’s efforts to save Garfield, however, and as never before fully revealed, the interventions of Garfield’s friend and doctor, Dr. D. W. Bliss, brought about the demise of the nation’s twentieth president. But why would a medical doctor engage in such monstrous behavior? Did politics, petty jealousy, or failed aspirations spark the fire inside Bliss that led him down the path of homicide? Rosen proves how depraved indifference to human life—second-degree murder—rather than ineptitude led to Garfield’s drawn-out and painful death. Now, more than one hundred years later, historian and homicide investigator Fred Rosen reveals through newly accessed documents and Bell’s own correspondence the long list of Bliss’s criminal acts and malevolent motives that led to his murder of the president.
Murderous Consent: On the Accommodation of Violent Death (Perspectives in Continental Philosophy)
by Marc CréponWinner, 2002 French Translation Prize for NonfictionMurderous Consent details our implication in violence we do not directly inflict but in which we are structurally complicit: famines, civil wars, political repression in far-away places, and war, as it’s classically understood. Marc Crépon insists on a bond between ethics and politics and attributes violence to our treatment of the two as separate spheres. We repeatedly resist the call to responsibility, as expressed by the appeal—by peoples across the world—for the care and attention that their vulnerability enjoins. But Crépon argues that this resistance is not ineluctable, and the book searches for ways that enable us to mitigate it, through rebellion, kindness, irony, critique, and shame. In the process, he engages with a range of writers, from Camus, Sartre, and Freud, to Stefan Zweig and Karl Kraus, to Kenzaburo Oe, Emmanuel Levinas and Judith Butler. The resulting exchange between philosophy and literature enables Crépon to delineate the contours of a possible/impossible ethicosmopolitics—an ethicosmopolitics to come.Pushing against the limits of liberal rationalism, Crépon calls for a more radical understanding of interpersonal responsibility. Not just a work of philosophy but an engagement with life as it’s lived, Murderous Consent works to redefine our global obligations, articulating anew what humanitarianism demands and what an ethically grounded political resistance might mean.
Murderous Women: From Sarah Dazley to Ruth Ellis
by Paul Heslop Arthur McKenzieSerial poisoners, crimes of passion, brutal slayings and infanticide; this new book examines the stories and subsequent trials behind the most infamous cases of British female killers between the early part of the nineteenth century and the 1950s. Among the cases featured here is that of Sarah Dazley, hanged in 1843 for poisoning her second husband; Mary Ann Cotton, who murdered up to twenty-one people, including many members of her own family; Amelia Dyer, the 'baby farmer' who murdered countless numbers of children; Susan Newell, who murdered her newspaper boy; the execution, in 1923 of Edith Thompson for the murder of her husband, a crime she swore she knew nothing about; and, Ruth Ellis, who gunned down her boyfriend outside the Magdala Tavern in 1955, the last woman to lawfully hang in Britain. Retired police detective Paul Heslop has carefully and objectively analysed each of these prominent British cases. His narrative includes post-trial material as well as the executions of the offenders. Finally, he offers his 'verdict', taking into account all the circumstances so that there are times when justice itself is put on trial.
Murrow's Cold War: Public Diplomacy for the Kennedy Administration
by Gregory M. TomlinIn March 1961 America’s most prominent journalist, Edward R. Murrow, ended a quarter-century career with the Columbia Broadcasting System to join the administration of John F. Kennedy as director of the United States Information Agency (USIA). Charged with promoting a positive image abroad, the agency sponsored overseas research programs, produced documentaries, and operated the Voice of America to spread the country’s influence throughout the world. As director of the USIA, Murrow hired African Americans for top spots in the agency and leveraged his celebrity status at home to challenge all Americans to correct the scourge of domestic racism that discouraged developing countries, viewed as strategic assets, from aligning with the West. Using both overt and covert propaganda programs, Murrow forged a positive public image for Kennedy administration policies in an unsettled era that included the rise of the Berlin Wall, the Cuban Missile Crisis, and support for Vietnam’s Ngo Dinh Diem. Murrow’s Cold War tackles an understudied portion of Murrow’s life, reveals how one of America’s most revered journalists improved the global perception of the United States, and exposes the importance of public diplomacy in the advancement of U.S. foreign policy.
Muscular Nationalism: Gender, Violence, and Empire in India and Ireland, 1914-2004 (Routledge Contemporary South Asia Ser.)
by Sikata BanerjeeA particular dark triumph of modern nationalism has been itsability to persuade citizens to sacrifice their lives for a political visionforged by emotional ties to a common identity. Both men and women can respond to nationalistic calls to fight thatportray muscular warriors defending their nation against an easily recognizableenemy. This “us versus them” mentality can be seen in sectarian violencebetween Hindus and Muslims, Tamils and Sinhalas, Serbs and Kosovars, andProtestants and Catholics. In MuscularNationalism, Sikata Banerjee takes a comparative look at Indiaand Ireland andthe relationship among gender, violence, and nationalism. Exploring key textsand events from 1914-2004, Banerjee explores how women negotiate “muscularnationalisms” as they seek to be recognized as legitimate nationalists andequal stakeholders in their national struggles. Banerjee argues that the gendered manner in which dominantnationalism has been imagined in most states in the world has had importantimplications for women’s lived experiences. Drawing on a specific intersection of gender and nationalism, shediscusses the manner in which women negotiate a political and social terraininfused with a masculinized dream of nation-building. India and Ireland—two states shaped by thelegacy of British imperialism and forced to deal with modern political/socialconflict centering on competing nationalisms—provide two provocative casestudies that illuminate the complex interaction between gender and nation.
Muse: Uncovering the Hidden Figures Behind Art History's Masterpieces
by Ruth MillingtonThe fascinating true stories of thirty incredible muses—and their role in some of art history's most well-known masterpieces.We instantly recognize many of their faces from the world's most iconic artworks—but just who was Picasso's 'Weeping Woman'? Or the burglar in Francis Bacon's oeuvre? Why was Grace Jones covered in graffiti? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity, and practical help to artists. However, the perception of the muse is that of a passive, powerless model (usually young, attractive, and female) at the mercy of an influential and older male artist. Could this impression be incorrect and unfair? Is this trope a romanticized myth? Have people embraced, even sought, the status of muse? Most importantly, where would artists be without them? In Muse, Ruth Millington's goal is to re-assess and re-claim that word in a celebratory narrative that takes ownership and demonstrates how outdated the common perception of that word is. Muse also explores the idea of &‘muse&’ in a different way and includes performance artists and celebrities, iconic figures we perhaps haven&’t considered before as muses, such as Tilda Swinton and Grace Jones. By delving into the real-life relationships that models have held with the artists who immortalized them, it will expose the influential and active part they have played in contributing to the artwork they inspired, and explore the various ways people have subverted stereotypical &‘muse&’ roles. From job supervisors to homeless men in Harlem, Muse will reveal the unexpected, overlooked, and forgotten models of art history. Through the stories of thirty remarkable lives, from performing muses to muses who have been turned into messages, this book will deconstruct reductive stereotypes of the muse, and reframe it as a momentous and empowered agent of art history.
Museum Activism (Museum Meanings)
by Richard Sandell Robert R. JanesOnly a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.
Museum Frictions: Public Cultures/Global Transformations
by Ivan Karp Corinne A. Kratz Lynn Szwaja Tomás Ybarra-FraustoMuseum Frictions is the third volume in a bestselling series on culture, society, and museums. The first two volumes in the series, Exhibiting Cultures and Museums and Communities, have become defining books for those interested in the politics of museum display and heritage sites. Another classic in the making, Museum Frictions is a lavishly illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors--scholars, artists, and curators--present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa's oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies. Contributors. Tony Bennett, David Bunn, Gustavo Buntinx, Cuauhtmoc Camarena, Andrea Fraser, Martin Hall, Ivan Karp, Barbara Kirshenblatt-Gimblett, Corinne A. Kratz, Christine Mullen Kreamer, Joseph Masco, Teresa Morales, Howard Morphy, Ingrid Muan, Fred Myers, Ciraj Rassool, Vicente Razo, Fath Davis Ruffins, Lynn Szwaja, Krista A. Thompson, Leslie Witz, Toms Ybarra-Frausto
Museum Representations of Chinese Diasporas: Migration Histories and the Cultural Heritage of the Homeland (Routledge Research on Museums and Heritage in Asia)
by Cangbai WangMuseum Representations of Chinese Diasporas is the first book to analyse the recent upsurge in museums on Chinese diasporas in China. Examining heritage-making beyond the nation state, the book provides a much-needed, critical examination of China’s engagement with its diasporic communities. Drawing on fieldwork in more than ten museums, as well as interviews with museum practitioners and archival study, Wang offers a timely analysis of the complex ways in which Chinese diasporas are represented in the museum space of China, the ancestral homeland. Arguing that diasporic heritage is highly ambivalent and introducing a diasporic perspective to the study of cultural heritage, this book opens up a new avenue of inquiry into the study and management of cultural heritage in China and beyond. Most importantly, perhaps, Wang sheds new light on the dynamic between China and Chinese diasporas through the lens of the museum. Museum Representations of Chinese Diasporas takes a transnational perspective that will draw attention to the under-researched connections between heritage, mobility and meaning in a global context. As such, this cross-disciplinary work will be of interest to scholars and students working in the museum and heritage studies fields, as well as those studying Asia, China, migration and diaspora, anthropology, history and culture.
Museum Rhetoric: Building Civic Identity in National Spaces (RSA Series in Transdisciplinary Rhetoric #5)
by George Sand Gretchen Van SlykeSet in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice.Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language.An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.
Museum Rhetoric: Building Civic Identity in National Spaces (RSA Series in Transdisciplinary Rhetoric #5)
by M. Elizabeth WeiserIn today’s diverse societies, museums are the primary institutions within the public sphere in which individuals can both engage critical thought and celebrate community. This volume uses the lens of rhetoric to explore the role these societal repositories play in establishing and altering cultural heritage and national identity.Based on fieldwork conducted in over sixty museums in twenty-two countries across six continents, Museum Rhetoric explores how heritage museum exhibits persuade visitors to unite their own sense of identity with that of the broader civic society and how the latter changes in response. Elizabeth Weiser explores what compels communities, organizations, and nations to create museum spaces, and how museums operate as sites of both civic engagement and rhetorical persuasion. Moving beyond rhetorical explorations of museums as “memory sites,” she shows how they intentionally straddle the divides between style and content, intellect and affect, unity and diversity, and why their portrayal of the past matters to civic life—and particularly studies of nationalism—in the present and future.Deeply researched and artfully argued, Museum Rhetoric sheds light on the public impact of cultural and aesthetic heritage and opens avenues of inquiry for scholars of museum studies and public history.
Museum-Making in Vietnam, Laos, and Cambodia: Cultural Institutions and Policies from Colonial to Post-Colonial Times
by Jonathan PaquetteBuilding on archival work undertaken in France and fieldwork undertaken in Southeast Asia, Museum-Making in Vietnam, Laos, and Cambodia provides a critical analysis of museum histories and development in three former colonial territories. This work documents the development of museums in French Indochina (1862-1954), specifically Vietnam, Laos, and Cambodia. The book explores the colonial culture of exhibition, traces the growth of museum collections through archaeological missions to Indochina and other parts of Asia, and examines the role of museums in the cultural life of this colonial society. In particular, the author re-contextualizes the role and part played by colonial museums in the implementation of heritage policies during the colonial era in French Indochina, a dimension that is often overlooked. Additionally, the book addresses the effects that the Second World War, the Vichy Regime, and the Japanese occupation had on these cultural institutions. The transformation of these museums in post-independence Vietnam, Laos, and Cambodia is also discussed. Providing comparisons with other colonial and post-colonial experiences, Museum-Making in Vietnam, Laos, and Cambodia will be a valuable resource for researchers in museum and heritage studies. It will also appeal to researchers and graduate students engaged in the study of history, anthropology, sociology, political science, and development and international studies.
Museums and Mass Violence (Rethinking Memory, Representation and Human Rights)
by David Simon Erica Lehrer Amy Sodaro Eve Zucker Magnus Fiskesjö Paul Morrow Leora Kahn Trina Cooper-Bolam Karine Duhamel Susana Kaiser Calinda Lee Steven Luckert Dayton Schroeter Willhemina WahlinMuseums and Mass Violence examines the varied ways in which museums around the world address - or fail to address - the problem of mass violence and severe human rights abuses.Bringing together a diverse group of scholars and practitioners and a transnational set of case studies, this volume explores the potential of museums to contribute to social justice in the contemporary era. At the same time, it directs attention to the perils these institutions face when they curate and exhibit “difficult” knowledge concerning genocide, mass killing, and other kinds of atrocity crimes. The question of how museums shape historical understanding of political oppression, particularly within the political, social and economic contexts in which they operate, is another major issue addressed by this volume. Asking for whom, exactly, “difficult histories” are difficult, contributors to this volume also ask the hard question of what museum professionals should do when the “terrible gift” they offer visitors through exhibits detailing historical episodes of mass violence are met not with horror, but with indifference - or worse, approval.Providing comparative discussion of the perils and potential of exhibiting atrocities in countries as diverse as Sweden, Argentina, Rwanda, and Canada, Museums and Mass Violence will be essential reading for academics and students engaged in the study of museums, memory, ethics, genocide, trauma, heritage, social justice, culture, and human rights.
Museums and Nationalism in Croatia, Hungary, and Turkey
by Lorenzo PosoccoMuseums and Nationalism in Croatia, Hungary, and Turkey draws attention to museums as political productions of the nation-state and shows how they can be shaped by the political forces that rule a country. Drawing on case studies and interviews from Croatia, Hungary, and Turkey, the book investigates how the past has been exploited to serve the interests of nationalism in the twenty-first century, and how museums themselves are exploited to serve nationalist ideologies. Posocco argues that, in a world of nation-states where nationalism is the dominant ideology, all museums are national museums, even when they aren't. In this perspective, they can (and do, in the case studies under analysis in this book) become the cultural offshoots of political wars, places where the national past is contested, rewritten, and sometimes even created from scratch, and finally exhibited. Paying particular attention to the decision-making and economic aspects of the museum, the book also examines the micro-sociological and political aspects, which will be the foundation for further reflections on the macro dynamics of museum-making in other countries and contexts Museums and Nationalism in Croatia, Hungary, and Turkey provides rare and interesting insights into how museums materialise culture in the service of nationalism. The book will be of interest to those engaged in the study of museums, heritage, nationalism, memory and politics, as a result.
Museums and Social Change: Challenging the Unhelpful Museum (Museum Meanings)
by Adele ChynowethMuseums and Social Change explores the ways museums can work in collaboration with marginalised groups to work for social change and, in so doing, rethink the museum. Drawing on the first-hand experiences of museum practitioners and their partners around the world, the volume demonstrates the impact of a shared commitment to collaborative, reflective practice. Including analytical discussion from practitioners in their collegial work with women, the homeless, survivors of institutionalised child abuse and people with disabilities, the book draws attention to the significant contributions of small, specialist museums in bringing about social change. It is here, the book argues, that the new museum emerges: when museum practitioners see themselves as partners, working with others to lead social change, this is where museums can play a distinct and important role. Emerging in response to ongoing calls for museums to be more inclusive and participate in meaningful engagement, Museums and Social Change will be essential reading for academics and students working in museum and gallery studies, librarianship, archives, heritage studies and arts management. It will also be of great interest to those working in history and cultural studies, as well as museum practitioners and social activists around the world.
Museums and the Act of Witnessing
by Ross J. WilsonMuseums and the Act of Witnessing examines how representations of traumatic histories and the legacies of the twentieth century in museums and heritage sites across the world shape political, social and cultural identities. Drawing on an interdisciplinary analysis of a variety of museum exhibitions around the globe, the book demonstrates how the narrative of ‘witnessing’ has shaped representation of war, genocide, repression and violence. Revealing that this form of presentation is inherently Western in its origins and nature, Wilson goes on to argue that witnessing the past is to colonise the future, as we project a certain view of the events of the past onto the present. Detailing the character, content and meanings of representation that focus on the traumatic events of the twentieth century, the book demonstrates the way in which visitors are cast as ‘witnesses’ and questions what the true purpose of witnessing really is. Museums and the Act of Witnessing draws attention to the fact that we have inherited a distinct, and often limited, mode of seeing the past and considers how we can more effectively engage with the past in the present. The book will be of interest to academics and students engaged in the study of museums, history, sociology, conflict, politics and memory.
Museums for Peace: In Search of History, Memory, and Change
by Joyce Apsel Clive Barrett Roy TamashiroMuseums for Peace: In Search of History, Memory and Change highlights the inspiring as well as conflicting representations and purposes of diverse museums for peace around the world. Coming from various cultural and professional backgrounds, the authors explore “what are museums for peace and what do they mean?” Some chapters introduce alternative histories of peace, conflict, and memorialization. This innovative collection examines grassroots museums, military sexual slavery, historical memory in East Asia, and cultural heritage in the Africanized peace museum movement. The chapters discuss differing representations of Gandhi, technology of war and opposition to it, and structural violence such as racial terror and imperialism. Investigating how institutions interact with political and cultural forces, the volume demonstrates that some museums reinforce hegemonic narratives, while others resist authoritative tropes to reveal silenced histories, including peace histories. Museums for Peace will appeal to academics and students in museum studies, heritage studies, peace studies, memory studies, social justice, and human rights. Those working in cultural studies and trauma studies will also find this volume valuable.
Museums for Peace: In Search of History, Memory, and Change
by Joyce Apsel Clive Barrett Roy TamashiroMuseums for Peace: In Search of History, Memory and Change highlights the inspiring as well as conflicting representations and purposes of diverse museums for peace around the world.Coming from various cultural and professional backgrounds, the authors explore “what are museums for peace and what do they mean?” Some chapters introduce alternative histories of peace, conflict, and memorialization. This innovative collection examines grassroots museums, military sexual slavery, historical memory in East Asia, and cultural heritage in the Africanized peace museum movement. The chapters discuss differing representations of Gandhi, technology of war and opposition to it, and structural violence such as racial terror and imperialism. Investigating how institutions interact with political and cultural forces, the volume demonstrates that some museums reinforce hegemonic narratives, while others resist authoritative tropes to reveal silenced histories, including peace histories.Museums for Peace will appeal to academics and students in museum studies, heritage studies, peace studies, memory studies, social justice, and human rights. Those working in cultural studies and trauma studies will also find this volume valuable.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Museums of Communism: New Memory Sites in Central and Eastern Europe
by Stephen M. NorrisHow did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. Museums of Communism explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.
Museums, International Exhibitions and China's Cultural Diplomacy (Routledge Research in Museum Studies)
by Da KongMuseums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
Museums, Sexuality, and Gender Activism (Museum Meanings)
by Amy K. Levin Joshua G. AdairMuseums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing body of activist writing on this topic. Building on Gender, Sexuality and Museums and featuring work from established voices, as well as newcomers, this volume offers risky and exciting articles from around the world. Chapters cover diverse topics, including transgender representation, erasure, and activism; two-spirit people, indigeneity, and museums; third genders; gender and sexuality in heritage sites and historic homes; temporary exhibitions on gender and sexuality; museum representations of HIV/AIDS; interventions to increase queer visibility and inclusion in galleries; LGBTQ+ staff alliances; and museums, gender ambiguity, and the disruption of binaries. Several chapters focus on areas outside the US and Europe, while others explore central topics through the perspectives of racial and ethnic minorities. Containing contributions that engage in sustained critique of current policies, theory, and practice, Museums, Sexuality, and Gender Activism is essential reading for those studying museums, women and gender, sexuality, culture, history, heritage, art, media, and anthropology. The book will also spark interest among museum practitioners, public archivists, and scholars researching related topics.
Music Artist Managers: Remuneration and Retention in the Popular Music Business (Routledge Focus on the Global Creative Economy)
by Guy MorrowTo what extent is it possible to do good work in music artist management? Drawing upon original research, this shortform book explores and evaluates motivation, remuneration and equity stakes within the music industries.The author ponders the apparent managerial exodus from the music industries and whether this brain drain could be addressed by providing better remuneration via equity. Based on evidence from Australia, the book illuminates how pay in this sector has remained flat despite increasing responsibility.Emphasising the quality of the subjective experience of music artist managers, this concise book provides readers with new insights into the important role managers play in the music business. The result is a book that will be useful reading for academics and reflective practitioners.
Music Cities: Evaluating a Global Cultural Policy Concept (New Directions in Cultural Policy Research)
by Allan Watson Christina BallicoThis book provides a critical academic evaluation of the ‘music city’ as a form of urban cultural policy that has been keenly adopted in policy circles across the globe, but which as yet has only been subject to limited empirical and conceptual interrogation. With a particular focus on heritage, planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities. The book broadens academic interrogation of music cities to include cities as diverse as San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton. Contributors include both academic and professional practitioners and, consequently, this book represents one of the most diverse attempts yet to critically engage with music cities as a global cultural policy concept.