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Shakespeare & Religion V 7: Essays Of Forty Years
by Wilson KnightFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Shakespeare Basics for Grown-Ups
by E. Foley B. CoatesAn essential guide to Shakespeare, from the international bestselling authors of Homework for Grown-Ups The Bard was so incredibly prolific that even most Shakespeare scholars would welcome the occasional refresher course, and most of the rest of us haven't even got a clue as to what a petard actually is. Fear not, the bestselling authors of Homework for Grown-Ups are here to help. For parents keen to help with their children's homework, casual theatre-goers who want to enhance their enjoyment and understanding, and the general reader who feels they should probably know more, Shakespeare Basics for Grown-Ups includes information on the key works, historical context, contemporaries and influences, famous speeches and quotations, modern day adaptations, and much, much more.
Shakespeare Lexicon and Quotation Dictionary (Third Edition)
by Alexander SchmidtIn more than 300 years of Shakespearean scholarship, only one book, the famous Shakespeare Lexicon and Quotation Dictionary, has investigated the meaning of every word that Shakespeare wrote. The lifetime work of Professor Alexander Schmidt of Königsberg, this book has long been the indispensable companion for every person seriously interested in Shakespeare, Renaissance poetry and prose of any sort, or English literature. It is really two important books in one. <p><p> Schmidt’s set contains every single word that Shakespeare used, not simply words that have changed their meaning since the seventeenth century, but every word in all the accepted plays and the poems. Covering both quartos and folios, it carefully distinguishes between shades of meaning for each word and provides exact definitions, plus governing phrases and locations, down to the numbered line of the Cambridge edition of Shakespeare. There is no other word dictionary comparable to this work. <p> Even more useful to the general reader, however, is the incredible wealth of exact quotations. Arranged under the words of the quotation itself (hence no need to consult confusing subject classifications) are more than 50,000 exact quotations. Each is precisely located, so that you can easily refer back to the plays or poems themselves, if you wish context.Other features helpful to the scholar are appendixes on basic grammatical observations, a glossary of provincialisms, a list of words and sentences taken from foreign languages, a list of words that form the latter part of word-combinations. This third edition features a supplement with new findings.
Shakespeare Lexicon and Quotation Dictionary: A Complete Dictionary Of All The English Words, Phrases, And Constructions In The Works Of The Poet (Third Edition)
by Alexander SchmidtIn more than 300 years of Shakespearean scholarship, only one book, the famous Shakespeare Lexicon and Quotation Dictionary, has investigated the meaning of every word that Shakespeare wrote. The lifetime work of Professor Alexander Schmidt of Königsberg, this book has long been the indispensable companion for every person seriously interested in Shakespeare, Renaissance poetry and prose of any sort, or English literature. It is really two important books in one. <p><p> Schmidt’s set contains every single word that Shakespeare used, not simply words that have changed their meaning since the seventeenth century, but every word in all the accepted plays and the poems. Covering both quartos and folios, it carefully distinguishes between shades of meaning for each word and provides exact definitions, plus governing phrases and locations, down to the numbered line of the Cambridge edition of Shakespeare. There is no other word dictionary comparable to this work. <p> Even more useful to the general reader, however, is the incredible wealth of exact quotations. Arranged under the words of the quotation itself (hence no need to consult confusing subject classifications) are more than 50,000 exact quotations. Each is precisely located, so that you can easily refer back to the plays or poems themselves, if you wish context.Other features helpful to the scholar are appendixes on basic grammatical observations, a glossary of provincialisms, a list of words and sentences taken from foreign languages, a list of words that form the latter part of word-combinations. This third edition features a supplement with new findings.
Shakespeare and the Art of Verbal Seduction
by Wayne F. Hill Cynthia J. ÖttchenDo you long to be seductive? Have a desire to be seduced? Then "let lips do what hands do" and put into practice the most enticing baubles of seduction ever written. Shakespeare and the Art of Verbal Seduction contains the Bard's best seducing lines to cajole, charm, and even proposition the object of your desire. Shakespeare is the master of persuasion. He induces the hardest of hearts to give up mind, body, and soul with a brilliant flash of words. Here they're collected for you, his little miracles of language, arranged in ten strategies for every stage of a love affair, from first encounter to the full throes of passion. Never again let your desire flounder in bad come-ons. Learn the art of seduction from the greatest seducer of all time, and get what you want. From the Trade Paperback edition.
Shakespeare and the Lawyers
by O Hood PhillipsFirst published in 1972. Shakespeare's writing abounds with legal terms and allusions and in many of the plays the concept and working of the law is a significant theme. Shakespeare and the Lawyers gives a comprehensive survey of what Shakespeare wrote about the law and lawyers, and what has been written, particularly by lawyers, about Shakespeare's life and works in relation to the law. The book first reviews the recorded facts about Shakespeare's life and works, and his connection with the Inns of Court. It then discusses legal terms, allusions and plots in the plays; Shakespeare's treatment of the problems of law, justice and government; his description of lawyers and officers of the law; his references to actual legal personalities; and his trial scenes. Two further chapters consider the criticisms that have been made of Shakespeare's law, and the contribution to Shakespeare studies by lawyers.
Shakespeare on Love
by Stephen BrennanWilliam Shakespeare is ubiquitous throughout the Western world as the master of the written word, and the above-quoted "Sonnet 18" is celebrated as one of the most exquisite love poems of all time. Love comes in all forms--friendly, familial, unrequited, and lustful--and impressively, the bard's canon works with them all. His views on love--whether they be amorous and passionate or obsessive and unsettling--are provocative to the mind and imagination. The modern reader will recognize poignant turns of phrase; though still used today, they originated from Shakespeare--known for inventing much of the modern English vocabulary. Shakespeare on Love draws from the entire Shakespeare canon: love sonnets, plays, and songs. Romeo & Juliet, Hamlet, A Midsummer Night's Dream, and countless others all have their place. In one complete volume, discover the lyrical, the funny, the lewd, and the idolatrous passages on love as composed by the most influential writer of the English language.Beloved excerpts featured in these pages include:Sonnet 43:All days are nights to see till I see thee,And nights bright days when dreams do show thee me.As You Like It:Who ever loved that loved not at first sight?Hamlet:Doubt thou the stars are fire;Doubt that the sun doth move;Doubt truth to be a liar;But never doubt I love.
Shakespeare on Silent Film: A Strange Eventful History (Routledge Library Editions: Film and Literature)
by Robert Hamilton BallIn 1899, when film projection was barely three years old, Herbert Beerbohm Tree was filmed as King John. In his highly entertaining history, Robert Hamilton Ball traces in detail the fate of Shakespeare on silent films from Tree’s first effort until the establishment of sound in 1929. The silent films brought Shakespeare to a wide public who had never had the chance to see his plays in the theatre. And Shakespeare gave the film makers an air of respectability that was badly needed by a medium with a reputation for frivolity. This work, first published in 1968, brings history to life with excerpts from scenarios, from reviews and from contemporary film journals, and with reproduction of stills and frames from the films themselves, including unusual shots of leading screen actors. This is a valuable source book for film experts, enhanced by full notes, bibliography and indexes; a fresh approach for Shakespeareans; and a vivid sketch of a world that has passed for all.
Shakespeare's Drama
by Una Ellis-FermorFirst published in 1980. This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays on Coriolanus and Troilus and Cressida. Collected and edited by Kenneth Muir, the book is prefaced by an appreciation of Ellis-Fermor's work.
Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama
by Glynne WickhamShakespeare's Dramatic Heritage shows that the drama of Elizabethan and Jacobean England is deeply indebted to the religious drama of the Middle Ages and represents a climax, in secular guise, to mediaeval experiment and achievement rather than a new beginning. This is fully examined in terms of dramatic literature as well as in terms of theatres, stages and production conventions. The plays studied include: Richard II, A Midsummer Night's Dream, Hamlet, Macbeth, Coriolanus, The Winter's Tale and Marlowe's King Edward II.
Shakespeare's God: The Role of Religion in the Tragedies
by Ivor MorrisFirst published in 1972. Shakespeare's God investigates whether a religious interpretation of Shakespeare's tragedies is possible. The study places Christianity's commentary on the human condition side by side with what tragedy reveals about it. This pattern is identified using the writings of Christian thinkers from Augustine to the present day. The pattern in the chief phenomena of literary tragedy is also traced
Shakespeare's Hamlet bound with The Problem of Hamlet (Routledge Library Editions: Hamlet)
by A. Clutton-Brock J. M. RobertsonThis volume combines two classic works on Hamlet, first published in 1919 and 1922. The first book's original description says that it contains a theory which attempts to explain an everlasting problem - it insists that Hamlet is neither a failure not an accident, but a very great work of art. In a final chapter, the play is examined as an aesthetic document. It is a profoundly interesting and not unprovocative work. The second book reviews and attempts to resolve the most interesting debate of any Shakespeare play and presents proper method for investigating the genesis of the plays in this way.
Shakespeare's Insults: Educating Your Wit
by Wayne F. Hill Cynthia J. ÖttchenThe sharpest stings ever to snap from the tip of an English-speaking tongue are here at hand, ready to be directed at the knaves, villains, and coxcombs of the reader's choice. Culled from 38 plays, here are the best 5,000 examples of Shakespeare's glorious invective, arranged by play, in order of appearance, with helpful act and line numbers for easy reference, along with an index of topical scorn appropriate to particular characters and occasions.
Shakespeare's Sonnets (The Arden Shakespeare, Third Series)
by William Shakespeare Katherine Duncan-JonesThe author Katherine Duncan Jones explores the issues of sexuality to be found in poems of Shakespeare, making this a truly modern edition for todays readers and students. This revised edition has been updated and corrected in the light of new scholarship and critical thinking since its first publication.
Shakespeare's Words: A Glossary and Language Companion
by Stanley Wells David Crystal Ben CrystalA vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.
Shakespeare's Words: A Glossary and Language Companion (Canto Classics Ser.)
by David Crystal Ben CrystalA vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.
Shakespeare: A Book of Quotations (Dover Thrift Editions Ser. #Vol. 7)
by William ShakespeareShakespeare is without doubt the most quoted writer in English. His plays and poems comprise an inexhaustible source of memorable and often profound thoughts beautifully and concisely expressed. This remarkably affordable volume presents over 400 quotations conveniently arranged by topic: love, marriage, conduct and morality, truth, beauty, time, death, music, and more.Included are such timeless observations as: "All that glitters is not gold," "Brevity is the soul of wit," "How sharper than a serpent's tooth it is/ To have a thankless child"; "While you live, tell truth and shame the devil!"; "The very substance of the ambitious is merely the shadow of a dream," and many more. Romantic thoughts receive a particularly rich treatment; extensive selections on the subject of love include quotes from the plays ("The course of true love never did run smooth"; "Speak low if you speak love") and sonnets ("For thy sweet love remember'd such wealth brings,/ That then I scorn to change my state with kings"). Each quote bears a complete citation.Ideal for writers, speakers, students of literature, and any lover of Shakespeare's works, this inexpensive treasury lends itself admirably to a virtually endless number of uses, from casual browsing to designing personal greeting cards.
Shakespearean Films/Shakespearean Directors (Routledge Library Editions: Film and Literature)
by Peter S. DonaldsonOriginally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature.
Shakespeares Dramatic Chall V: On The Rise Of Shakespeare's Tragic Heroes
by Wilson KnightFirst published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Shakespearian Production V 6: With Especial Reference To The Tragedies
by G. Wilson KnightThis part of the G. Wilson Knight collected works, Volume VI looks at his view on Shakespearian production with special reference to the Tragedies.
Shakespearian Tempest - V 2
by G. Wilsin KnightFirst published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Shaking the Family Tree
by Buzzy Jackson"WHO ARE YOU AND WHERE DO YOU COME FROM? " As a historian, Buzzy Jackson thought she knew the answers to these simple questions--that is, until she took a look at her scrawny family tree. With a name like Jackson (the twentieth most common American surname), she knew she must have more relatives and more family history out there, somewhere. Her first visit to the Boulder Genealogy Society brought her more questions than answers . . . but it also gave her a tantalizing peek into the fascinating (and enormous) community of family-tree huggers and after-hours Alex Haleys. In Shaking the Family Tree, Jackson dives headfirst into her family gene pool: flying cross-country to locate an ancient family graveyard, embarking on a weeklong genealogy Caribbean cruise, and even submitting her DNA for testing to try to find her Jacksons. And in the process of researching her own family lore (Who was Bullwhip Jackson?) she meets legions of other genealogy buffs who are as interesting as they are driven--from the boy who saved his allowance so he could order his great-grandfather's death certificate to the woman who spends her free time documenting the cemeteries of Colorado ghost towns. Through Jackson's research she connects with distant relatives, traces her roots back more than 250 years and in the process comes to discover--genetically, historically, and emotionally--the true meaning of "family" for herself.
Shamanism and Psychology in Ancient Greece and India: The Evolution of Psyche (A New History of Western Psychology)
by Richard ValentineThis book offers a historical introduction to psychology. It investigates the evolutionary origins of our capacity to practice psychology, including the necessary social conditions and the specialised language involved. It then turns to two cultural containers in which it first emerged, those of ancient Greece and ancient India. This is the second book in a new series, which presents the emergence of Western psychology in a global context.The author begins by building a bridge between evolutionary psychology and the history of psychology. From one side, this bridge is an evolutionary account of human culture. From the other, it is a narrative of human evolution using the latest fossil and genetic evidence. Finally, linguistics and anthropology link the appearance of our species with the emergence of ancient psychologies. Central to this is the role of the shaman-figure in all ancient cultures, which is connected to the origins of psychological language. The key words ‘psyche’ (mind, conscious and unconscious) and ‘logos’ (talk, discourse, reason) will find their permanent meanings in Greece before they are combined to form ‘psychology’ in Plato. Parallel terms in India such as ‘atman’ (the universal self) and ‘manas’ (mind) also find their range of meanings. Ancient Europe and ancient India, two wings of the Indo-European world, are introduced as distinct cultures related by language, each developing distinct psychological traditions. Descriptions and explanations of mental phenomena are traced from Homer to Plato, and in India from the Vedas to the Upanishads. In each case these are related to the competing ‘psychologies’ of religious cults as manifestations of shamanism, leading to the birth of world psychologies. Presented in an accessible manner, this is an excellent resource for students and teachers of psychology, philosophy, history, linguistics, archaeology, and anthropology, as well as general readers who want to learn more about the origins of psychology on a global stage.This title follows on from The Global Origins of Psychology: Neurology, Language and Culture in the Ancient World. It applies the same framework to the Indo-European world.
Shaping China’s Global Imagination
by Jian WangThis book explores the concept of nation branding - what it is and how it works - through an instructive case of the 2010 World Expo in Shanghai, where 190 countries showcased their national cultures to a predominantly Chinese audience. The comparative analysis of national pavilions (including Brazil, India, Israel, South Africa, South Korea, Spain, the United Arab Emirates and the United States) demonstrates how a place-branding activity, such as the World Expo, facilitates communication to build a nation's image, thereby enhancing its soft power. As nation-branding efforts will only increase in the coming years, this study forms an important basis for future inquiry.
Shaping Entrepreneurship Research: Made, as Well as Found
by Nicholas Dew Sankaran Venkataraman Saras D. SarasvathyShaping Entrepreneurship Research: Made, as Well as Found is a collection of readings designed to support entrepreneurship research. Focused on a worldview in which the future is open-ended and shapeable through human action – i.e. “made”, this collection reframes entrepreneurship as a science of the artificial rather than as a natural or social science. It posits an open-ended universe for the making of human artifacts even if large swathes of nature and society are not within the control of the people making them. The book explores the notion of “made” through 25 foundational readings – classics from the history of ideas. Organized into five sections, each classic is individually introduced by the editors in one of five chapters written to explain its relevance and significance for a “made” view of entrepreneurship. Readers will benefit from exposure to these classic ideas and ongoing research in a variety of areas that fall somewhat outside the line-of-sight of traditional entrepreneurship research. Both individually and collectively, the readings suggest opportunities to ask new questions and develop new ways of framing entrepreneurship research that carry the discussion beyond worlds found to worlds made as well as found. The book is crafted to be valuable to three groups of scholars: young scholars with limited or no access to research infrastructure but with a desire to participate in deep conversations; young scholars with access to research infrastructure who also desire to listen-in on a different kind of conversation; and established entrepreneurship scholars who are contemplating an alternative set of foundational ideas to support their conversations in the discipline.