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I Am, I Am, I Am: The Breathtaking Number One Bestseller
by Maggie O'FarrellAS SELECTED FOR THE ZOE BALL BOOKCLUB, A BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, GUARDIAN, IRISH TIMES, OBSERVER, RED and THE TELEGRAPH.I AM, I AM, I AM is a memoir with a difference - the unputdownable story of an extraordinary woman's life in near-death experiences. Insightful, inspirational, gorgeously written, it is a book to be read at a sitting, a story you finish newly conscious of life's fragility, determined to make every heartbeat count.A childhood illness she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. A terrifying encounter on a remote path. A mismanaged labour in an understaffed hospital. Shocking, electric, unforgettable, this is the extraordinary memoir from Costa Novel-Award winner and Sunday Timesbestselling author Maggie O'Farrell. It is a book to make you question yourself. What would you do if your life was in danger, and what would you stand to lose? I AM, I AM, I AM will speak to readers who loved Cheryl Strayed's WILD or Max Porter's GRIEF IS THE THING WITH FEATHERS.(P)2017 Headline Publishing Group Ltd
I Ask for Justice: Maya Women, Dictators, and Crime in Guatemala, 1898-1944
by David Carey Jr.Given Guatemala's record of human rights abuses, its legal system has often been portrayed as illegitimate and anemic. I Ask for Justice challenges that perception by demonstrating that even though the legal system was not always just, rural Guatemalans considered it a legitimate arbiter of their grievances and an important tool for advancing their agendas. As both a mirror and an instrument of the state, the judicial system simultaneously illuminates the limits of state rule and the state's ability to co-opt Guatemalans by hearing their voices in court. Against the backdrop of two of Latin America's most oppressive regimes-the dictatorships of Manuel Estrada Cabrera (1898-1920) and General Jorge Ubico (1931-1944)-David Carey Jr. explores the ways in which indigenous people, women, and the poor used Guatemala's legal system to manipulate the boundaries between legality and criminality. Using court records that are surprisingly rich in Maya women's voices, he analyzes how bootleggers, cross-dressers, and other litigants crafted their narratives to defend their human rights. Revealing how nuances of power, gender, ethnicity, class, and morality were constructed and contested, this history of crime and criminality demonstrates how Maya men and women attempted to improve their socioeconomic positions and to press for their rights with strategies that ranged from the pursuit of illicit activities to the deployment of the legal system.
I Asked, God Answered: A Columbine Miracle
by Mark TaylorThis is an honest and insightful look into one young man's courageous journey of survival and forgiveness. Taylor neither downplays or dramatizes the horrific violence which maimed and killed Columbine students. The writing is humble and beautiful.
I Begin My Life All Over: The Hmong and the American Immigrant Experience
by Lillian Faderman Ghia XiongI Begin My Life All Over is an oral history of 36 real-life strangers in a strange land, an intimate study of the immigrant experience in contemporary America.
I Belong Only to Myself
by Andrea PakieserLeda Rafanelli was one of the most prolific propagandists in early twentieth-century Italy. A comrade of Benito Mussolini before he turned fascist, she converted to anarchism and Islam at the age of twenty, a combination characteristic of her iconoclastic approach to life and politics. Weaving excerpts from Rafanelli's novels, poems, and essays with extensive biographical research, this book tells the story of the insurrections accompanying the birth of the Italian nation, the evolution of the anarchist movement, struggles for alternatives to bourgeois feminism, and the dangers faced by those opposing global war and fascism.Andrea Pakieser is a writer and translator currently at the University of Paris.
I Bought a Mountain: The Rediscovered Nature Classic
by Thomas FirbankWITH A FOREWORD BY PATRICK BARKHAMAnd an essay by Welsh hill farmer, Dafydd Morris-Jones'I first saw Dyffryn in a November gale... the old house was quivering under the thrusts of the wind, and the wild, remote setting had already captured my fancy, and I will hold it till I die.'So begins the remarkable story of a 21-year-old man who, with no experience in agriculture, visited a sheep farm on a near barren Welsh mountainside in 1931 and that same day bought all 2,400 acres along with its 3000 sheep for £5,000.Set amidst the rugged grandeur of Snowdonia, I Bought a Mountain follows the struggles and triumphs of this impulsive but hard-working man and his every-bit-as-tough wife, Esme, as they fight to build the farm into prosperity.Firbank's writing is guileless and immediate and ruthlessly honest. His paean to the traditional, Welsh hill-farming way of life, transports you to a disappearing world, one ruled by the age-old rhythms of work, weather, livestock and a love of the land, and offers precious insights into conservation and sustainability.
I Bring the Voices of My People: A Womanist Vision for Racial Reconciliation
by Chanequa Walker-BarnesDisrupting the racist and sexist biases in conversations on reconciliationChanequa Walker-Barnes offers a compelling argument that the Christian racial reconciliation movement is incapable of responding to modern-day racism. She demonstrates how reconciliation’s roots in the evangelical, male-centered Promise Keepers’ movement has resulted in a patriarchal and largely symbolic effort, focused upon improving relationships between men from various racial-ethnic groups.Walker-Barnes argues that highlighting the voices of women of color is critical to developing any genuine efforts toward reconciliation. Drawing upon intersectionality theory and critical race studies, she demonstrates how living at the intersection of racism and sexism exposes women of color to unique experiences of gendered racism that are not about relationships, but rather are about systems of power and inequity.Refuting the idea that race and racism are “one-size-fits-all,” I Bring the Voices of My People highlights the particular work that White Americans must do to repent of racism and to work toward racial justice and offers a constructive view of reconciliation that prioritizes eliminating racial injustice and healing the damage that it has done to African Americans and other people of color.
I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
by Victoria PepeIs feminism still a dirty word? We asked twenty-five of the brightest, funniest, bravest young women what being a feminist in 2015 means to them.We hear from Laura Bates (of the Everyday Sexism Project), Reni Eddo-Lodge (award-winning journalist and author), Yas Necati (an eighteen-year-old activist), Laura Pankhurst, great-great granddaughter of Emmeline Pankhurst and an activist in her own right, comedian Sofie Hagen, engineer Naomi Mitchison and Louise O'Neill, author of the award-winning feminist Young Adult novel Only Ever Yours. Writing about a huge variety of subjects, we have Martha Mosse and Alice Stride on how they became feminists, Amy Annette addressing the body politic, Samira Shackle on having her eyes opened in a hostel for survivors of acid attacks in Islamabad, while Maysa Haque thinks about the way Islam has informed her feminism and Isabel Adomakoh Young insists that women don't have to be perfect. There are twelve other performers, politicians and writers who include Jade Anouka, Emily Benn, Abigail Matson-Phippard, Hajar J. Woodland and Jinan Younis.Is the word feminist still to be shunned? Is feminism still thought of as anti-men rather than pro-human? Is this generation of feminists - outspoken, funny and focused - the best we've had for long while? Has the internet given them a voice and power previously unknown?Rachel Holmes' most recent book is Eleanor Marx: A Life; Victoria Pepe is a literary scout; Amy Annette is a comedy producer currently working on festivals including Latitude; Alice Stride works for Women's Aid and Martha Mosse is a freelance producer and artist.
I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
by Victoria PepeIs feminism still a dirty word? We asked twenty-five of the brightest, funniest, bravest young women what being a feminist in 2015 means to them.We hear from Laura Bates (of the Everyday Sexism Project), Reni Eddo-Lodge (award-winning journalist and author), Yas Necati (an eighteen-year-old activist), Laura Pankhurst, great-great granddaughter of Emmeline Pankhurst and an activist in her own right, comedian Sofie Hagen, engineer Naomi Mitchison and Louise O'Neill, author of the award-winning feminist Young Adult novel Only Ever Yours. Writing about a huge variety of subjects, we have Martha Mosse and Alice Stride on how they became feminists, Amy Annette addressing the body politic, Samira Shackle on having her eyes opened in a hostel for survivors of acid attacks in Islamabad, while Maysa Haque thinks about the way Islam has informed her feminism and Isabel Adomakoh Young insists that women don't have to be perfect. There are twelve other performers, politicians and writers who include Jade Anouka, Emily Benn, Abigail Matson-Phippard, Hajar J. Woodland and Jinan Younis.Is the word feminist still to be shunned? Is feminism still thought of as anti-men rather than pro-human? Is this generation of feminists - outspoken, funny and focused - the best we've had for long while? Has the internet given them a voice and power previously unknown?Rachel Holmes' most recent book is Eleanor Marx: A Life; Victoria Pepe is a literary scout; Amy Annette is a comedy producer currently working on festivals including Latitude; Alice Stride works for Women's Aid and Martha Mosse is a freelance producer and artist.
I Can Has Cheezburger?: A LOLcat Colleckshun
by Professor Happycat icanhascheezburger.comThe Internet has provided us with many wonders, from skateboarding dogs to Chuck Norris facts. Over the past year, though, one sensation has dominated the Web: LOLcats. Here&’s how it works: First you find a picture of a cat online, and then you add a caption that reflects the cat&’s point of view. Just remember that although cats can speak English, their spelling and grammar is not so hot. Once you&’re done, you have a LOLcat (laugh out loud cat). Since its founding in January 2007, icanhascheezburger .com (named after the most famous LOLcat of all) has been the center of the LOLcat world. I Can Has Cheezburger? collects 200 LOLcats from the enormously popular site, some classic and some new, in glorious and glossy full color. The book also highlights legendary LOLcat forms recognizable to fans everywhere (including &“Do Not Want,&” &“Monorail Cat,&” and &“Oh Noes!&”), and offers a guide to the finer points of LOLspeak. Packed with witty and endearing images and published into a proven cat-egory, I Can Has Cheezburger? is sure to delight feline aficionados and Internet nerds alike.
I Can Hear The Mourning Dove
by James W. BennettGrace tried to kill herself three months after her father died. Grace is trying to put her life back together with the help of a sympathetic therapist and the confidence born of a few new friendships, especially with rebellious Luke Wolfe. At first, Grace fears Luke, but she begins to see beneath his angry surface and the two enter into the first real friendship that either of them has ever had.
I Can Never Forget: Men of the 100th/442nd
by Thelma Chang Franklin Odo Daniel InouyeHere are the voices and stunning images of extraordinary men, Japanese American soldiers of World War II who belonged to the most decorated units of their size in U.S. Army history: the 100th Infantry Battalion and 442nd Regimental Combat Team. Together, the men of the 100th/442nd were an unstoppable force as they blazed through Europe with their "Go For Broke" spirit. Feared by German troops, revered by villagers, the Japanese Americans were at once fierce fighters, gentle liberators and prisoners of war in more ways than one. Now, decades after the war, the usually reserved and silent warriors reveal their innermost thoughts and feelings about this tumultuous time in their lives. We hear from men who volunteered from Hawaii plantations and American-style concentration camps. We discover how the men rose above the binds of war and racism and responded to injustice with an untarnished record of valor.
I Can Read It All by Myself: The Beginner Books Story
by Paul V. AllenIn the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children’s classic, The Cat in the Hat. But Geisel didn’t stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books—and Ted Geisel’s role as “president, policymaker, and editor” of the line for thirty years—has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019’s A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.
I Can Take it from Here: A Memoir of Trauma, Prison, and Self-Empowerment (Truth to Power)
by Lisa ForbesAn emotional, page-turning account of unhealed trauma and personal transformation that will break your heart and change your mind, in the tradition of Somebody's Daughter, A Piece of Cake, and Jesmyn Ward's Men We ReapedRiveting, honest, and raw, I Can Take It From Here recounts Lisa Forbes's harrowing journey into darkness — including a fourteen-year-long stint in a maximum-security prison — and her fierce resolve to understand the effects of the trauma she endured, to take personal responsibility for her actions, and to ensure that her history does not dictate her destiny.The youngest of six children, Lisa grew up in a Chicago housing project where she endured sexual, religious, and emotional abuse as a little girl. A voracious reader, she graduated high school at 15 and went to work as a secretary in a downtown insurance office, became pregnant at 16 and, at 19, unexpectedly and uncharacteristically committed a violent act, stabbing and killing the father of her daughter. Providing powerful insights into what we as a society need to learn and confront in the ongoing epidemic of mass re-incarceration, Lisa is a stunning example of an individual who through determination, knowledge, and hard work has been able to reclaim her own life.The book ends with Lisa's rousing call to action to support the people—as well as the shorthanded employers—who need the help, and need each other, more than ever.
I Can't Believe She Did That!: Why Women Betray Other Women at Work
by Nan MooneyI CAN'T BELIEVE SHE DID THAT! offers a new and compelling perspective on conflict and competition among women in the workplace. Nan Mooney explores how and why some women hurt each other on the job, and what we can do to begin cleaning up the mess. Based on real stories from real women, I CAN'T BELIEVE SHE DID THAT! provides a provocative social and cultural exploration of the often troubled and painful dynamics that unfold among female coworkers.The massive influx of women into the workplace in the past thirty years means a whole new category of problems has arisen. Suddenly women are working over, under and alongside other women. Their professional relationships are subject to the pressures and conflicts of organizational culture, not to mention society at large. Women on the job have grown more comfortable with ambition, competition, management and success, but that hasn't negated the value they place on communication and relationships, on being liked and being nice. Striking a balance between these two selves is a delicate undertaking and many women are uncertain how to interact in a workplace where such lines are regularly being blurred. Working together, women have fostered a breathtaking degree of positive change. But there is another side to the story. If women are to continue moving forward, the time has come to examine — honestly and unequivocally — our very human impulse to compete with, hurt and even destroy one another to get what we want. In I CAN'T BELIEVE SHE DID THAT! Nan Mooney provides vivid insights on the emotional toll competition can take on women in business and charts a path towards more productive and fulfilling relationships for professional women everywhere.
I Can't Breathe: A Killing on Bay Street
by Matt TaibbiA work of riveting literary journalism that explores the roots and repercussions of the infamous killing of Eric Garner by the New York City police—from the bestselling author of The Divide “[A] searing exposé . . . What emerges from the author’s superb reporting and vivid writing is a tragically revealing look at a broken criminal justice system geared to serve white citizens while often overlooking or ignoring the rights of others.”—Kirkus Reviews (starred review) On July 17, 2014, a forty-three-year-old black man named Eric Garner died on a Staten Island sidewalk after a police officer put him in what has been described as an illegal chokehold during an arrest for selling bootleg cigarettes. The final moments of Garner’s life were captured on video and seen by millions. His agonized last words, “I can’t breathe,” became a rallying cry for the nascent Black Lives Matter protest movement. A grand jury ultimately declined to indict the officer who wrestled Garner to the pavement. Matt Taibbi’s deeply reported retelling of these events liberates Eric Garner from the abstractions of newspaper accounts and lets us see the man in full—with all his flaws and contradictions intact. A husband and father with a complicated personal history, Garner was neither villain nor victim, but a fiercely proud individual determined to do the best he could for his family, bedeviled by bad luck, and ultimately subdued by forces beyond his control. In America, no miscarriage of justice exists in isolation, of course, and in I Can’t Breathe Taibbi also examines the conditions that made this tragedy possible. Featuring vivid vignettes of life on the street and inside our Kafkaesque court system, Taibbi’s kaleidoscopic account illuminates issues around policing, mass incarceration, the underground economy, and racial disparity in law enforcement. No one emerges unsullied, from the conservative district attorney who half-heartedly prosecutes the case to the progressive mayor caught between the demands of outraged activists and the foot-dragging of recalcitrant police officials. A masterly narrative of urban America and a scathing indictment of the perverse incentives built into our penal system, I Can’t Breathe drills down into the particulars of one case to confront us with the human cost of our broken approach to dispensing criminal justice.“Richly reported and evocative . . . a vivid folk history that should prove useful to anyone who seeks to understand the world Eric Garner inhabited, not just progressives.”—Jill Leovy, bestselling author of Ghettoside
I Confess!: Constructing the Sexual Self in the Internet Age
by Thomas Waugh Brandon ArroyoIn the postwar decades, sexual revolutions – first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill – altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.
I Confess!: Constructing the Sexual Self in the Internet Age
by Thomas Waugh Brandon ArroyoIn the postwar decades, sexual revolutions - first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill - altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.
I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World
by Trevor PaglenUpdated with New Information and Additional Patches. They're on the shoulders of all military personnel: patches showing what a soldier's unit does. But what if that's top secret? "A glimpse of [the Pentagon's] dark world through a revealing lens-patches--the kind worn on military uniforms... The book offers not only clues into the nature of the secret programs, but also a glimpse of zealous male bonding among the presumed elite of the military-industrial complex. The patches often feel like fraternity pranks gone ballistic." -William Broad, The New York Times. I COULD TELL YOU is a bestselling collection of more than seventy military patches representing secret government projects. Here author/photographer/investigator Trevor Paglen explores classified weapons projects and intelligence operations by scrutinizing their own imagery and jargon, disclosing new facts about important military units, which are here known by peculiar names ("Goat Suckers," "Grim Reapers," "Tastes Like Chicken") and illustrated with occult symbols and ridiculous cartoons. The precisely photographed patches--worn by military personnel working on classified missions, such as those at the legendary Area 51--reveal much about a strange and eerie world about which little was previously known. "A fresh approach to secret government." -Steven Aftergood, The Federation of American Scientists. "An impressive collection." -Justin Rood, ABC News. "A fascinating set of shoulder patches." -Stephen Colbert, The Colbert Report. "I was fascinated... [Paglen] has assembled about 40 colorful patch insignia from secret, military 'black' programs that are hardly ever discussed in public. He has plenty of regalia from the real denizens of Area 51." -Alex Beam, The Boston Globe.
I Cover the Waterfront: Stories from the San Diego Shore
by Max Miller"Distinctive, original, fresh in in tone and manner, with a quaint whimsicality of feeling and expression."-The New York TimesLife on the Western waterfront has always fascinated Max Miller, a special reporter for the San Diego Sun. Embraced by all the waterfront folk, he has joined them on their cruises, has learned the mystery of their crafts, and knows them like brothers.Max himself has become a part of the waterfront. Not a fishing boat ties up to the wharf without Max Miller getting the story. Not a submarine comes in nor an airplane soars out over the water without Max Miller's being invited to go. He is one of the first men to climb up the ladder of the Pacific lines, especially when celebrities are aboard.A combination of newspaper reporter, philosopher, and poet, the author writes his charming sketches in his "studio" upstairs in the tugboat office, where he can look out over his domain. But reporting is not simply a job with Max Miller; it is the greatest pleasure of his life. He delights in setting down his impressions of the Western shore, where life is a constant flux and reflux, seasonal, immutable, and yet ever exciting-the departure of the sardine fleet, the hunt for elephant seals for the zoo, the sailing of the California fruit liners.I Cover the Waterfront was first published in the early 1930s and has since gone on to become a classic. It is as memorable for its unique stories as it is for its individual style-so keenly sensitive to the personalities of men and to the romantic environment of the harbor and deep-sea life.
I Dare to Say: African Women Share Their Stories of Hope and Survival
by Hilda TwongyeirweFeaturing the real-life experiences of contemporary African women who tell of atrocities, pain, motherhood, marriage, love, and courage in their daily life, this gripping collection brings greater awareness to a continuing struggle. Denied a voice by their own culture for centuries, these women speak out for the first time, sharing poignant tales of abuse and womanhood robbed, revealing their methods of survival, and divulging their dreams for themselves and their children. A girl describes hiding under a blanket from the Lord's Resistance Army in search of child brides; a woman speaks of her family abuse and rejection followed by the deaths of her child and partner only to learn later that the father of her child was already married with eight children and had AIDS. Dramatic, sometimes heartbreaking, often inspiring, this is the first book to truly show what it means to be a 21st-century African woman.
I Did It to Save My Life
by Catherine E. BoltenUtilizing narratives of seven different people--soldier, rebel, student, trader, evangelist, father, and politician--I Did it To Save My Life provides fresh insight into how ordinary Sierra Leoneans survived the war that devastated their country for a decade. Individuals in the town of Makeni narrate survival through the rubric of love, and by telling their stories and bringing memory into the present, create for themselves a powerful basis on which to reaffirm the rightness of their choices and orient themselves to a livable everyday. The book illuminates a social world based on love, a deep, compassionate relationship based on material exchange and nurturing, that transcends romance and binds people together across space and through time. In situating their wartime lives firmly in this social world, they call into question the government's own narrative that Makeni residents openly collaborated with the rebel RUF during its three-year occupation of the town. Residents argue instead that it was the government's disloyalty to its people, rather than rebel invasion and occupation, which destroyed the town and forced uneasy co-existence between civilians and militants.
I Didn't Get Where I Am Today
by David NobbsAs a small boy David Nobbs survived the Second World War unscathed, until his bedroom ceiling fell on him when the last bomb to be dropped on Britain by the Germans landed near his home. It was the nearest he came to the war, but National Service would later make him one of Britain's most reluctant soldiers. It was an unforgettable and often unpleasant experience.As a struggling writer, David was catapulted into the thrilling world of satire at the BBC when he rang THAT WAS THE WEEK THAT WAS with a joke and got through to David Frost, who sent a taxi for the joke. He never looked back. His greatness as a modern comic writer was confirmed by the publication of THE FALL AND RISE OF REGINALD PERRIN, which he adapted into the immensely successful television series that has entered the fabric of British cultural life, through phrases, images and brilliant humour. A mesmerising, beautifully told tale of life in writing and comedy, I DIDN'T GET WHERE I AM TODAY is the hilarious, poignant and very personal story of David Nobbs' life, which also describes some of the most famous comedians of the last century and captures a golden age of British television.
I Didn't Work This Hard Just to Get Married: Successful Single Black Women Speak Out
by Bella Depaulo Nika BeamonThrough lively and revealing interviews with women from various walks of life, this account speaks directly to the single black woman's experience, addressing unique challenges such as income discrepancies between genders, the high rate of male incarceration, and the "Baby Mama Syndrome." Women discuss the false expectations they face from men, from families, and from friends as well as reevaluate dating, single home ownership, career choices, having children--or not--and caring for aged parents. Their conclusion: singlehood, whether temporary or permanent, and sometimes challenging, is a fulfilling state.
I Die, but My Memory Lives On: The World Aids Crisis And The Memory Book Project
by Henning Mankell&“A deeply moving account of Henning Mankell&’s personal responses to AIDS and its victims, both parents and children left behind far too soon.&” —Archbishop Desmond Tutu The internationally famous creator of the bestselling Kurt Wallander mysteries tells the true story of a heartrending tradition spawned by a major health crisis: the invaluable Memory Book Project, which gives those dying of AIDS an opportunity to record their lives in words and pictures for the children they leave behind. In Uganda, Mankell finds village after village populated only by children and the elderly—those left behind after AIDS swept away an entire generation. These slim, intensely personal volumes can contain words, pictures, a pressed butterfly, or even grains of sand as ways to represent the lives lost to this devastating plague. Excerpts from Ugandan memory books appear throughout I Die, but My Memory Lives On and, together with Mankell&’s narrative, they tell the stories of individual lives while sounding a powerful warning about the threat of AIDS. Featuring a foreword by Archbishop Desmond Tutu, the book includes an appendix listing AIDS organizations and resources. A portion of the book&’s proceeds will be donated to AIDS charities in Africa.