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I'll Never Give Up on You: No child should ever be forgotten
by Becky HopeBecky Hope works on the front line of child protection.Every day, her job takes her into the heartbreaking lives of the most defenceless children. In order to try to protect these children from the harm they face she must be prepared to risk her own safety.Although Becky has witnessed some horrific events, her courage, optimism and wonderfully warm sense of humour help her though the most difficult days. But the thing that really keeps her going is the children.Nine-year-old Sarah came into Becky's life after being badly beaten by her mother's violent boyfriend. Becky is Sarah's only hope for a better life. Then there's Martin, a young boy who has cut himself off from the world after being thrown out by his drug-addicted mother when he was just 10 years old. Becky also tells the story of Jade and Jasmine, six-year-old twins who are found wandering the streets outside their flat after their mother overdoses. The twins had nothing, apart from the one soiled blanket they shared in their freezing bare room.This is the gripping story of one woman's battle to protect our most vulnerable children from the horrors they face at home and to give them the safe and loving lives they deserve.
I'm Afraid of Men
by Vivek Shraya"Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mind."--Rupi Kaur, bestselling author of The Sun and Her Flowers and Milk and Honey <P><P>A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might reimagine gender for the twenty-first century <P><P>Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. <P><P>Now, with raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. <P><P> I'm Afraid of Men is a journey from camouflage to a riot of colour and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.
I'm Black When I'm Singing, I'm Blue When I Ain't: And Other Plays
by Sonia SanchezSonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez's plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don't Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I'm Black When I'm Singing, I'm Blue When I Ain't (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood's introduction illuminates Sanchez's stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
I'm Black. I'm Christian. I'm Methodist.
by Rudy Rasmus Justin Coleman F. Willis Johnson Pamela R. Lightsey Lillian C. Smith Erin Beasley Jevon Caldwell-Gross Vance P. Ross Rodney Lorenzo Graves Tori C. ButlerTen personal narratives reveal the shared and distinct struggles of being Black in the Church, facing historic and modern racism. It’s uncertain that Howard Thurman made the remark often attributed to him, “I have been writing this book all my life,” but there is little doubt that he was deeply immersed in reflection on the times that bear an uncanny resemblance to the present day, which give voice to the Black Lives Matter movement. Our “life’s book” is filled with sentence upon sentence of marginalization, pages of apartheid, chapters of separate and unequal. Now this season reveals volumes of violence against Blacks in America. Ten Black women and men explore life through the lens of compelling personal religious narratives. They are people and leaders whose lives are tangible demonstrations of the power of a divine purpose and evidence of what grace really means in face of hardship, disappointment, and determination. Each of the journeys intersect because of three central elements that are the focus of this book. We’re Black. We’re Christians. We’re Methodists. Each starts with the fact, “I'm Black,” but to resolve the conflict of being Christian and Methodist means confronting aspects of White theology, White supremacy, and White racism in order to ground an oppositional experience toward domination over four centuries in America.“The confluence of the everyday indignities of being Black in America; the outrageous, egregious, legalized lynching of George Floyd; and the unforgivable disparities exposed once again by COVID–19 have conspired together to create a seminal moment in America and in The United Methodist Church—in which we must find the courage to say unambiguously ‘Black Lives Matter.’ To stumble or choke on those words is beneath the gospel,” says Bishop Gregory Palmer, who wrote the foreword to the collection.Praise for I'm Black. I'm Christian. I'm Methodist.“This book made me shout, dance, rage and hope—all at once! As a "cradle Methodist," I have deep love for my church and bless it for nurturing my walk with Christ and my passion for social justice. At the same time, I lament that my church is also the place where I have witnessed and been most wounded by virulent racism, sexism, heterosexism, and ageism. Yet, I stay and struggle for the soul of the church because I am a Black Christian woman fired by the love of God-in-Christ-Jesus. I stay because this is MY church and the church of my ancestors. Although I regularly question my decision to remain United Methodist, it is stories like these—from other exuberant love warriors—that remind me that I am called by God to stay, pray, fight, and flourish!”—M. Garlinda Burton, deaconess and interim general secretary, General Commission of Religion and Race, Washington DC“Racism continues to be the unacceptable scandal of American society and the American churches. In spite of some gains such as the diversity of supporters for “Black Lives Matter,” even the best intentioned among us remain largely ignorant of the actual life experience of those who are other than ourselves. This collection of testimonies, edited by Rudy Rasmus, helps remedy that by simply recounting personal stories of being Black, Christian, and Methodist in the United States. White Methodist Christians in particular need to read these stories and take them to heart so that racism and its divisiveness is countered by shared experience and recognition of common humanity across difference. More White Methodists need not only reject racism in our society and church but become active anti-racists willing to do the hard work to create the beloved community, dreamed about by Martin Luther King in the 1960s civil rights movement.—Bruce C. Birch, Dean Emeritus and Professor Emeritus of Biblical Theology Wesley Theological Seminary, Washington DC“This book is a powerful collection interweaving personal stories, denominational and intercultural practices, and Black lives bearing hopeful witness. Readers will have their consciousness raised, and they will think more deeply about the meaning of belo
I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta (American Made Music Series)
by Stephen A. KingIn I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta, Stephen A. King reveals the strategies used by blues promoters and organizers in Mississippi, both African American and white, local and state, to attract the attention of tourists. In the process, he reveals how promotional materials portray the Delta’s blues culture and its musicians. Those involved in selling the blues in Mississippi work to promote the music while often conveniently forgetting the state’s historical record of racial and economic injustice. King’s research includes numerous interviews with blues musicians and promoters, chambers of commerce, local and regional tourism entities, and members of the Mississippi Blues Commission. This book is the first critical account of Mississippi’s blues tourism industry. From the late 1970s until 2000, Mississippi’s blues tourism industry was fragmented, decentralized, and localized, as each community competed for tourist dollars. By 2003–2004, with the creation of the Mississippi Blues Commission, the promotion of the blues became more centralized as state government played an increasing role in promoting Mississippi’s blues heritage. Blues tourism has the potential to generate new revenue in one of the poorest states in the country, repair the state’s public image, and serve as a vehicle for racial reconciliation.
I'm Just Dead, I'm Not Gone (American Made Music Series)
by Jim DickinsonI'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941–2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock 'n' roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Phillips, Furry Lewis, Will Shade, and Howlin' Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler. Dickinson is a member of the Mississippi Music Hall of Fame and an inaugural inductee of the Memphis Music Hall of Fame. He has received the Lifetime Achievement Award for Engineering and Production from the Americana Music Association, a Brass Note on the Beale Street Walk of Fame in Memphis, and a Heritage Marker on the Mississippi Blues Trail. This memoir recounts a love affair with Memphis, the blues, and rock 'n' roll through Dickinson's captivating blend of intelligence, humor, and candor.
I'm Just Saying: A Guide to Maintaining Civil Discourse in an Increasingly Divided World
by Milan KordestaniA straightforward look at the history and the art of maintaining courteous communication in an increasingly divided world.Have you ever been in a conversation that, after volleying back and forth, ended with the words, &“I&’m just saying . . .&”? Usually, this signals frustration, that the discussion has reached a dead end, that you haven&’t made your point, and may even leave you feeling that your relationship with the other person has changed for the worse. Digital interactions, devoid of nuance and understanding, further complicate discussion. We may believe that we are superior because our opinions are the &“right&” ones, and in the future avoid conversations with those whose opinions differ from ours, sending us into a never-ending echo chamber. In I&’m Just Saying, author Milan Kordestani shows us that although challenging conversations can be unpleasant, they can also help us grow. Sometimes, people inspire us to change how we speak, making us better communicators in the process as we search to find common ground with those with whom we disagree. Kordestani uses contemporary case studies and personal experience to teach readers how to have constructive conversations by engaging in civil discourse—the idea that good-faith actors can reach consensus on any opinion-based disagreement. He discusses influential leaders and reflects on his successes and failures in creating The Doe, an online publication focused on civil discourse. He addresses the challenges that digital media consumption presents when seeking common ground—especially when people are only digitally connected. Civil discourse, an essential part of democracy, is becoming rare in today's digital age. I&’m Just Saying examines discourse's successes and the ways to rebuild it. Drawing from history, popular culture, and personal anecdotes, the book promotes effective civil discourse by providing practical advice and strategies for respect. Through story, I&’m Just Saying offers insight and tools for politeness in a divided world.
I'm Looking Through You: Growing Up Haunted: A Memoir
by Jennifer Finney BoylanFrom the famous gender rights activist and bestselling author of She&’s Not There comes another buoyant, unforgettable memoir—about growing up in a haunted house...and making peace with the ghosts that dwell in our hearts. For Jennifer Boylan, creaking stairs, fleeting images in the mirror, and the remote whisper of human voices were everyday events in the Pennsylvania house in which she grew up in the 1970s. But these weren&’t the only specters beneath the roof of the mansion known as the &“Coffin House.&” Jenny herself—born James—lived in a haunted body, and both her mysterious, diffident father and her wild, unpredictable sister would soon become ghosts to Jenny as well. I&’m Looking Through You is an engagingly candid investigation of what it means to be &“haunted.&” Looking back on the spirits who invaded her family home, Boylan launches a full investigation with the help of a group of earnest, if questionable, ghostbusters. Boylan also examines the ways we find connections between the people we once were and the people we become. With wit and eloquence, Boylan shows us how love, forgiveness, and humor help us find peace—with our ghosts, with our loved ones, and with the uncanny boundaries, real and imagined, between men and women.
I'm Mostly Here to Enjoy Myself: One Woman's Pursuit of Pleasure in Paris
by Glynnis MacNicolWhen you&’re a woman of a certain age, you are only promised that everything will get worse. But what if everything you&’ve been told is a lie?Come to Paris, August 2021, when the City of Lights was still empty of tourists and a thirst for long-overdue pleasure gripped those who wandered its streets.After New York City emptied out in March 2020, Glynnis MacNicol, aged forty-six, unmarried with no children, spent sixteen months alone in her tiny Manhattan apartment. The isolation was punishing. A year without touch. Women are warned of invisibility as they age, but this was an extreme loneliness no one can prepare you for. When the opportunity to sublet a friend&’s apartment in Paris arose, MacNicol jumped on it. Leaving felt less like a risk than a necessity.What follows is a decadent, joyful, unexpected journey into one woman&’s pursuit of radical enjoyment.The weeks in Paris are filled with friendship and food and sex. There is dancing on the Seine; a plethora of gooey cheese; midnight bike rides through empty Paris; handsome men; afternoons wandering through the empty Louvre; nighttime swimming in the ocean off a French island. And yes, plenty of nudity.In the spirit of Nora Ephron and Deborah Levy (think Colette . . . if she&’d had access to dating apps), I&’m Mostly Here to Enjoy Myself is an intimate, insightful, powerful, and endlessly pleasurable memoir of an intensely lived experience whose meaning and insight expand far beyond the personal narrative. MacNicol is determined to document the beauty, excess, and triumph of a life that does not require permission.The pursuit of enjoyment is a political act, both a right and a responsibility. Enjoying yourself—as you are—is not something the world tells you is possible, but it is.Here&’s the proof.
I'm Neither Here Nor There: Mexicans' Quotidian Struggles with Migration and Poverty
by Patricia ZavellaI'm Neither Here nor There explores how immigration influences the construction of family, identity, and community among Mexican Americans and migrants from Mexico. Based on long-term ethnographic research, Patricia Zavella describes how poor and working-class Mexican Americans and migrants to California's central coast struggle for agency amid the region's deteriorating economic conditions and the rise of racial nativism in the United States. Zavella also examines tensions within the Mexican diaspora based on differences in legal status, generation, gender, sexuality, and language. She proposes "peripheral vision" to describe the sense of displacement and instability felt by Mexican Americans and Mexicans who migrate to the United States as well as by their family members in Mexico. Drawing on close interactions with Mexicans on both sides of the border, Zavella examines migrant journeys to and within the United States, gendered racialization, and exploitation at workplaces, and the challenges that migrants face in forming and maintaining families. As she demonstrates, the desires of migrants to express their identities publicly and to establish a sense of cultural memory are realized partly through Latin American and Chicano protest music, and Mexican and indigenous folks songs played by musicians and cultural activists.
I'm Not Dead, I'm Different: Kids in Spirit Teach Us About Living a Better Life on Earth
by Hollister RandRand was initially puzzled as to why young spirits wanted to speak through her—she had no children of her own and the responsibility of talking with people who had lost theirs seemed too great to bear. But the compelling answers came with time and patience: No one finds death more inexplicable than a grieving parent, thus no spirits are more motivated to make sense of it all for those they’ve left behind than young ones. These spirits clearly want to heal broken hearts and deepen our understanding of life and death, and Rand has the unique ability to help deliver their messages.Through her, young spirits talk freely about how to make sense of murder, suicide, and accidental deaths. They also discuss the different ways relationships on both sides can be mended, how the intergenerational cycle of abuse and addiction can be stopped, and how “joy guides”—miscarried and aborted children—can actually help those they’ve left behind move forward.The insights they share in this uniquely comforting book will surprise, inform, and inspire. What’s more, their answers to our questions about death reveal many valuable tips for living a better life while on earth too.
I'm Not Like Everybody Else: Biopolitics, Neoliberalism, and American Popular Music (Provocations)
by Jeffrey T. NealonDespite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop’s music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant “disciplinary” mode of power to a “biopolitical” mode, Nealon argues that the modes of musical “resistance” need to be completely rethought and that a commitment to musical authenticity or meaning—saying “no” to the mainstream—is no longer primarily where we might look for music to function against the grain. Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the “attention capitalism” that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between “keepin’ it real” and “sellin’ out.”
I'm OK! Building Resilience through Physical Play
by Jarrod GreenChildren must learn to pick themselves up, brush themselves off, and bounce back. How do you allow for the physicality required to build resilience why you are tasked with children's safety? This guide provides the tools and strategies for creating a culture of resilience, including families in the process, and keeping safety front-of-mind.Examine common safety concerns and how to address and prepare for themLearn how to work with families and build a trusting relationship around children's physical development Consider legal concerns regarding licensing and liabilityDiscover practical approaches to working with children to find their appropriate level of physical risk-taking and how to respond to a child's risky behaviorJarrod Green is an early childhood educator with over a decade of experience in early childhood education. His teaching practice centers around an emergent, project-based approach to curriculum, with an emphasis on learning through play, developing relationships with communities, and building self-regulation and resilience. Green also presents at many professional conferences, including NAEYC's Professional Development Institute.
I'm Right and Youre an Idiot: The Toxic State of Public Discourse and How to Clean it Up
by James HogganThe most pressing environmental problem we face today is not climate change. It is pollution in the public square, where a smog of adversarial rhetoric, propaganda, and polarization stifles discussion and debate, creating resistance to change and thwarting our ability to solve our collective problems.In I'm Right and You're an Idiot, author and David Suzuki Foundation chair James Hoggan grapples with this critical issue, conducting interviews with outstanding thinkers from the Himalayas to the House of Lords. Drawing on the wisdom of such notables as Thich Nhat Hanh, Noam Chomsky, and the Dalai Lama, his comprehensive analysis explores: How trust is undermined and misinformation thrives in today's public dialogue Why facts alone fail - the manipulation of language and the silencing of dissent The importance of reframing our arguments with empathy and values to create compelling narratives and spur action. Our species' greatest survival strategy has always been foresight and the ability to leverage our intelligence to overcome adversity. For too long now this capacity has been threatened by the sorry state of our public discourse. Focusing on proven techniques to foster more powerful and effective communication, this book will appeal to readers looking for both deep insights and practical advice.James Hoggan is president of the Vancouver PR firm Hoggan & Associates, chair of the David Suzuki Foundation board, and founder of the influential website DeSmogBlog. He is author of Climate Cover-Up and Do the Right Thing.
I'm Sorry for My Loss: An Urgent Examination of Reproductive Care in America
by Rebecca Little Colleen LongA must-read investigation of reproductive health under fire in Post-Roe America.More than a million people lose a pregnancy each year, whether through miscarriage, stillbirth, or termination for medical reasons. For most, the experience often casts a shadow of isolation, shame, and blame. In the aftermath of the 2022 decision to overturn Roe v Wade, 25 million people of childbearing age live in states with laws that restrict access to abortion, including for those who never wanted to end their pregnancies. How did we get here?Rebecca Little and Colleen Long, childhood friends who grew up to be journalists, both experienced late-term loss, and together they take an incisive, deeply reported look at the issue, working to shatter taboos that have made so many pregnant people feel ashamed and alone. They trace the experience of pregnancy loss and reproductive care from America's founding to the present day, exposing the deep impact made by a dangerous tangle of laws, politics, medicine, racism, and misogyny. Combining powerful personal narratives with exhaustive research, I'm Sorry for My Loss is a comprehensive examination on how pregnancy loss came to be so stigmatized and politicized, and why a system of more compassionate care is critical for everyone.
I'm Special: And Other Lies We Tell Ourselves
by Ryan O'Connell<P>This hilarious part-memoir, part-manifesto reveals what sets apart the latest generation of young people coming of age in an all-wired, overeducated, and underemployed world. <P>People are obsessed with Ryan O'Connell's blogs. With tens of thousands reading his pieces on Thought Catalog and Vice, watching his videos on YouTube, and hanging on to each and every #dark tweet, Ryan has established himself as a unique young voice who's not afraid to dole out some real talk. He's that candid, snarky friend you consult when you fear you're spending too much time falling down virtual k-holes stalking your ex on Facebook or when you've made the all-too-common mistake of befriending a psycho while wasted at last night's party and need to find a way to get rid of them the next morning. But Ryan didn't always have the answers to these modern day dilemmas. <P>Growing up gay and disabled with cerebral palsy, he constantly felt like he was one step behind everybody else. Then the rude curveball known as your twenties happened and things got even more confusing. Ryan spent years as a Millennial cliché: he had dead-end internships; dabbled in unemployment; worked in his pajamas as a blogger; communicated mostly via text; looked for love online; spent hundreds on "necessary" items, like candles, while claiming to have no money; and even descended into aimless pill-popping. But through extensive trial and error, Ryan eventually figured out how to take his life from bleak to chic and began limping towards adulthood. <P>Sharp and entertaining, I'm Special will educate twentysomethings (or other adolescents-at-heart) on what NOT to do if they ever want to become happy fully functioning grown ups with a 401k and a dog.
I'm Starting To Walk - I Can Use A Cane!: Introducing Orientation And Mobility Skills To Very Young Children Who Are Blind Or Have Low Vision
by Bronwen ScottThis booklet describes techniques used by the author to introduce orientation and mobility (O&M) skills to very young children who are blind or have low vision. Skills covered include guiding, independent travel skills, early introduction of the long cane and the promotion of independence.
I'm Still Here (Adapted for Young Readers): Loving Myself in a World Not Made for Me
by Austin Channing BrownAn adaptation of the powerful New York Times bestselling account of growing up Black and female in America, completely rewritten with new stories for young readersAustin Channing Brown&’s first encounter with race in America came at age seven, when she discovered that her parents had named her Austin to trick future employers into thinking she was a white man. Growing up in majority-white schools and churches, Channing Brown writes, &“I had to learn what it means to love Blackness,&” a journey that led to a lifetime spent navigating America&’s racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion.In this adaptation of her bestselling and critically acclaimed memoir, she explores how America&’s racial dynamics show up in the classrooms, friend groups, and conversations kids inhabit every day. &“I love being a Black girl,&” she writes. &“And sometimes being a Black girl in America is hard.&” Covering topics like representation, self-love, allyship, and being Black in public, Brown helps kids nourish their identity and make sense of how they fit into the world.For students navigating a time of racial hostility, and for the adults and educators who care for them, I&’m Still Here is an empowering look at the experiences of young Black kids, inviting the reader to confront apathy, find their voice, and discover how Blackness—if we let it—can save us all.
I'm Still Here: 'A leading new voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACY
by Austin Channing Brown'A leading new voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACYA REESE'S BOOK CLUB X HELLO SUNSHINE BOOK PICK * THE NEW YORK TIMES BESTSELLERThis book is my story about growing up in a Black girl's body. It's about surviving in a world not made for me. Austin Channing Brown's first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, 'I had to learn what it means to love Blackness,' a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert helping organisations practice genuine inclusion. In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America's social fabric and invite the reader to confront apathy, recognise God's ongoing work in the world and discover how Blackness-if we let it-can save us all.'An example of how one woman can change the world by telling the truth about her life with unflinching, relentless courage' GLENNON DOYLE, author of UNTAMED'Most people say, "that books has legs"; I measure the impact of a book by how often I throw it across the room. [Austin's book] has serious wings. It broke me open' BRENE BROWN
I'm Still Here: A bestselling Reese's Book Club pick by 'a leading voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACY
by Austin Channing BrownA REESE'S BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'An example of how one woman can change the world by telling the truth about her life with unflinching, relentless courage' GLENNON DOYLEAustin Channing Brown's first encounter with racism in America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and neighbourhoods, Austin 'had to learn what it means to love Blackness,' a journey that led to her becoming a writer, speaker and expert helping organisations practice genuine inclusion. In this bestselling memoir, she writes beautifully and powerfully about her journey to self-worth and how we can all contribute to racial justice. 'A leading new voice on racial justice' LAYLA F SAAD, author of ME AND WHITE SUPREMACY'Most people say, "that books has legs"; I measure the impact of a book by how often I throw it across the room. [Austin's book] has serious wings. It broke me open' BRENE BROWN'A deeply personal celebration of blackness that simultaneously sheds new light on racial injustice and inequality while offering hope for a better future' SHONDALAND
I'm Still Here: Black Dignity in a World Made for Whiteness
by Austin Channing BrownFrom a powerful new voice on racial justice, an eye-opening account of growing up Black, Christian, and female in middle-class white America. <P><P>Austin Channing Brown's first encounter with a racialized America came at age 7, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. <P><P>Growing up in majority-white schools, organizations, and churches, Austin writes, "I had to learn what it means to love blackness," a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert who helps organizations practice genuine inclusion.In a time when nearly all institutions (schools, churches, universities, businesses) claim to value "diversity" in their mission statements, I'm Still Here is a powerful account of how and why our actions so often fall short of our words. <P><P>Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice, in stories that bear witness to the complexity of America's social fabric--from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations. <P><P>For readers who have engaged with America's legacy on race through the writing of Ta-Nehisi Coates and Michael Eric Dyson, I'm Still Here is an illuminating look at how white, middle-class, Evangelicalism has participated in an era of rising racial hostility, inviting the reader to confront apathy, recognize God's ongoing work in the world, and discover how blackness--if we let it--can save us all. <P><P><b>A New York Times Bestseller</b>
I'm Writing You from Tehran: A Granddaughter's Search for Her Family's Past and Their Country's Future
by Delphine MinouiA lucid, moving view into an often obscured part of our world, exploring notions of democracy, identity, and the resilience of the human spiritIn the wake of losing her beloved grandfather, Delphine Minoui decided to visit Iran for the first time since the revolution. It was 1998. She was twenty-two and a freshly minted journalist. She would stay for ten years.Quickly absorbed into the everyday life of the city, Minoui attends secret dance parties that are raided by the morality police and dines in the home of a young couple active in the Basij—the fearsome militia. She befriends veteran journalists battling government censorship, imprisoned student poets, and her own grandmother (a woman who is discovering the world of international affairs through her contraband satellite TV).And so it is all the more crushing when the political situation falters. Minoui joins street protests teeming with students hungry for change and is interrogated by the secret police; she sees a mirrored rise in the love of country—the yearning patriotism of the left, the militant nationalism of the right. Friends disappear; others may be tracking her movements. She finds love, loses her press credentials, marries, and is separated from her husband by erupting global conflict. Through it all, her love for Iran and its people deepens. In her family’s past she discovers a mission that will shape her entire future.Framed as a letter to her grandfather and filled with disarming characters in momentous times, I’m Writing You from Tehran is a remarkable blend of global history, family memoir, and the making of a reporter, told by someone both insider and outsider—a child of the diaspora who is a world-class political journalist.
I'm with Stupid: One Man. One Woman. 10,000 Years of Misunderstanding Between the Sexes Cleared Right Up
by Gene Weingarten Gina BarrecaIs God male or female? Why do women, but not men, flush public toilets with their feet? Why are men, but not women, obsessed with parallel parking? Why do women, but not men, leave eleven-minute messages on answering machines? Why do men feel guilty about nothing, and women feel guilty about everything? Was Marilyn Monroe...fat? These philosophical quandaries, and more, are finally debated in I'm with Stupid, an uproariously funny dialogue between Gene Weingarten, the gleefully misogynistic Washington Post humor columnist, and Gina Barreca, the gleefully feminist University of Connecticut professor. The first significant book about men and women actually written by a man and a woman, I'm with Stupid is privy to the dark secrets of both sexes. It's not a lecture, but an extended argument, a combustion of viewpoints that winds up unearthing startling truths. In the words of Gene and Gina: "Our Mars and Venus breach their orbits and collide in a screaming fireball from Hell." The subject matter spans art and expression, science and technology, politics and history, spirituality and religion, sex and sexuality, as well as the complex etiology, sociology, and etymology of dirty jokes. Men: Learn at last how to know for sure when you are having a fight. Women: Learn what he really means when he says "I'm sorry." Take sides as Gene and Gina face off in a haggling challenge in which the winner manages to get the lowest price for a Mercedes S500. Or just take in the show. I'm with Stupid is the book that finally establishes, conclusively, that women are funnier than men. And vice versa.
I've Been Meaning to Tell You: A Letter to My Daughter
by David ChariandyIn the tradition of Ta-Nehisi Coates's Between the World and Me and Chimamanda Ngozi Adichie's Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions, acclaimed novelist David Chariandy's latest is an intimate and profoundly beautiful meditation on the politics of race today.When a moment of quietly ignored bigotry prompted his three-year-old daughter to ask "what happened?" David Chariandy began wondering how to discuss with his children the politics of race. A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now thirteen-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth. In sharing with his daughter his own story, he hopes to help cultivate within her a sense of identity and responsibility that balances the painful truths of the past and present with hopeful possibilities for the future.
I've Been Meaning to Tell You: A Letter to My Daughter
by David ChariandyIn the tradition of Ta-Nehisi Coates's Between the World and Me and Chimamanda Ngozi Adichie's Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions, acclaimed novelist David Chariandy's latest is an intimate and profoundly beautiful meditation on the politics of race today.When a moment of quietly ignored bigotry prompted his three-year-old daughter to ask "what happened?" David Chariandy began wondering how to discuss with his children the politics of race. A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now thirteen-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth. In sharing with his daughter his own story, he hopes to help cultivate within her a sense of identity and responsibility that balances the painful truths of the past and present with hopeful possibilities for the future.