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Japan’s Threat Perception during the Cold War: A Psychological Account (The Cold War in Asia)
by Eitan OrenOren re-examines Japan’s threat perception during the first two decades of the Cold War, using a wide range of source materials, including many unavailable in English, or only recently declassified.There is a widely shared misconception that during the Cold War the Japanese were largely shielded from threats due to the American military protection, the regional balance of power, Japan’s geographical insularity, and domestic aversion to militarism. Oren dispels this, showing how security threats pervaded Japanese strategic thinking in this period. By dispelling this misconception, Oren enables us to more accurately gauge the degree to which Japan’s threat perception has evolved during and after the end of the Cold War and to enhance our understanding of Tokyo’s strategic calculus in the current situation of rivalry between China and the United States. This book will be of great value to both scholars of Japanese history and contemporary international relations.
Japan’s Triple Disaster: Pursuing Justice after the Great East Japan Earthquake, Tsunami, and Fukushima Nuclear Accident (Routledge Contemporary Japan Series)
by Natalia Novikova Julia Gerster Manuela G. HartwigThe authors of this volume discuss questions of disaster and justice from various interdisciplinary vantage points, including public policy, science and technology studies, law, gender, sociology and psychology, social and cultural anthropology, town planning and tourism. The term "natural" disasters is a misnomer; cataclysmic natural events that impact humans can often be anticipated and their consequences should be prevented – the failure to do so is a failure of politics, policy and risk planning. Presenting research on more than a decade after the Great East Japan Earthquake, the chapters highlight not only the manifold challenges in the direct disaster response and policymaking but also the difficulties of "just" long- term recovery. Arguing for just distribution, recognition and participation, this volume provides a diversity of perspectives on these issues as experienced after the 2011 disasters through detailed and nuanced analyses presented by early career researchers and senior academics coming from various countries and continents of the world. The insights of this volume galvanise the discussion of disaster governance and highlight the variety of disaster (in)justices and the ways disasters force people to contest and reimagine their relationships with their countries, neighborhoods, families, and friends. A valuable read for scholars and students researching issues related to mass emergencies, justice theory and civil activism.
Japan’s World Power: Assessment, Outlook and Vision (Nissan Institute/Routledge Japanese Studies)
by Guibourg DelamotteSince the end of the 1960s, Japan’s power in the world has largely been linked to its economic successes, while it has pursued a decidedly pacifist post-war foreign policy. Recently, however, there has been talk of Constitutional reform, especially since the new security legislation of 2016. Coupled with the conservative tilt of the two Houses, there is evidence to suggest that Japan’s approach to exercising its power could be changing. Japan’s World Power therefore seeks to examine the nature of Japan’s power today, showing how the country’s influence on the global stage appears to be shifting from economic and financial, to more political and military. Featuring a team of Japanese international relations experts, each chapter analyses the different facets of Japanese power, evaluating both its current status and the challenges which lie ahead. Ultimately, however, this book demonstrates that despite recent developments and changes, the way in which Japan exercises its power remains decidedly different from other major powers as it continues to be guided by its pacifist identity. Providing a multi-faceted assessment of Japan’s power, as well as its weaknesses, this book will be useful to students and scholars of Japanese Politics, Asian Foreign Policy and Asian Politics in general.
Japenese Encounters With Postmod
by SugimotoThis is a systematic study of the sociological debate on postmodernity in the Japanese context. The volume consists of a collection of 12 papers that explore the idea of postmodernity primarily from sociological perspectives, covering a wide range of domains including work, feminism, communication, science and technology, social stratification, fine arts and literature. The contributors come from diverse disciplines ranging from sociology and history to political science and linguistics. They include advocates of postmodern theories and postmodernist analyses of Japanese society, as well as critics who argue that a suitable revised theory of modernity is still an adequate framework for comparing Japan and the West. Others take the view that an intermediate position might be more productive; that a qualified or provisional version of postmodern can throw new light on issues traditionally neglected by social theory. While the postmodernity debate has been carried out chiefly in the context of European and American experiences, this book aims to pave the way for the postmodernity question to be explored in the non-western but highly industrialized setting of Japan, and brings forward a series of open-ended questions about the bias in the debate. Written by academics based in universities in Japan and Australia, the volume itself is postmodern in its internal diversity and multi-cultural orientation.
Japonisme in Britain: Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
by Ayako OnoJapan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Jason and the Argonauts: A Modern Graphic Greek Myth (Mythology Graphics)
by Stephanie PetersWhen young hero Jason sets out to claim his rightful throne, he faces many challenges along the way. The most difficult of all? Capturing the Golden Fleece. Thankfully, he has his fellow heroes—the Argonauts—by his side. Find out if Jason and his pals succeed in their quest in this modern, graphic retelling of a classic Greek myth.
Jason and the Argonauts: The First Great Quest in Greek Mythology
by Robert ByrdA beautifully illustrated account of the Greek myth of Jason and the Argonauts with informative details from the award-winning author of Electric Ben The story of Jason and the Argonauts is one of the earliest recorded Greek myths. Here, master artist Robert Byrd has created a striking telling of the legend for a new generation of readers. Complete with explanatory notes and illustrated back matter, Jason and the Argonauts traces each step of our hero&’s journey, from the Golden Fleece&’s origin story and Jason&’s childhood to his triumphant return with the prize and eventual death. Deftly designed to accommodate glorious large pictures and captioned insets, the book is not only a great story, but a wealth of information about ancient Greece.
Jason, the Argonauts, and the Golden Fleece: An Interactive Mythological Adventure (You Choose: Ancient Greek Myths)
by Blake HoenaYou are the mighty Greek hero Jason. Along with your crew of argonauts, you are setting sail in search of the Golden Fleece. But your journey will not be easy. Sea monsters, powerful witches, and deadly beasts stand in your way. Can you survive and bring the Golden Fleece back to your kingdom? Full-page illustrations, interactive stories, and multiple endings transport you back to ancient Greece and into Jason's adventures from Greek mythology.
Jauría: La verdadera historia del secuestro en México
by Humberto PadgettEl libro más consistente, hasta el momento, de uno de los problemas que más preocupan a la sociedad mexicana: la industria del secuestro. En este libro se examinan la estructura, la operación financiera, la logística, la psicología del secuestrador y la víctima, así como las redes de complicidades. "¿Cuál es la diferencia entre una persona que deja su casa, toma el transporte público y cumple su jornada laboral, y otra que sale, acecha, levanta, tortura, mutila, negocia, asesina, se deshace de un cuerpo y cobra un rescate?" Así comienza el inquietante recorrido de Jauría, una investigación periodística de gran alcance que emprende la tarea de registrar un presente desenfrenado y se adentra en los voluminosos archivos del secuestro en México. En sus páginas se entrelazan decenas de expedientes judiciales y partes policiacos con reveladores testimonios de víctimas, plagiarios, carceleros y ex funcionarios públicos que nos ofrecen las claves para comprender las entrañas de este crimen. Sin precipitarse a emitir juicios morales, Humberto Padgett rastrea todas las modalidades de secuestro por medio de una incisiva mirada crítica y una conveniente dosis de ironía. Al abordar casos como el plagio del joven Fernando Martí o el turbio affaire de Florence Cassez, el autor fundamenta la percepción de que el Estado no sólo ha fracasado en su obligación básica de brindar seguridad, sino que en muchas ocasiones se ha convertido en un cómplice que no nos permite distinguir quién es el verdadero enemigo. Vivir bajo amenaza es una costumbre que se ha arraigado en una sociedad fragmentada donde prevalece la democratización de la impunidad. Desde el primer plagio con características modernas cometido por la "Banda del Automóvil Gris" a principios del siglo XX, pasando por el secuestro exprés del escritor Carlos Montemayor o el caricaturesco asalto a una sucursal de Sanborns, hasta la desaparición del mismísimo Jefe Diego, en este libro se verifica una amarga sentencia: "Nadie está a salvo".
Java and Modern Europe: Ambiguous Encounters
by Ann KumarThis book presents a case study of Europe's impact on an old and distinctive non-European civilisation. Part One deals with the elements in Europe's strength, technological, political and intellectual. It also uses Wallerstein's world-systems perspective to give an economic dimension to this picture of the new world of Europe, and then looks at the important question of the changing place of the Dutch in the new economic order from the seventeenth to the eighteenth century. This is followed by a brief account of the history of the Dutch East-India Company in Java, and its political effects.Part Two deals with the nature of the Javanese ancien regime, both in court and in provincial circles, with a focus on society and civilisation, rather than those staples of Javanese historiography to date, political events and economic statistics.Part Three deals with the overall pattern set by the VOC's changing economic imperatives and with the impact of the successive tides of capitalism on three regional societies of Java.Part Four deals with intellectual shifts that took place in this period, and argues that these shifts were less conservative than the socio-economic ones described in Part Three and, though more fragile and vulnerable, were crucial for the future.The conclusion attempts to show the significance of these developments for modern Indonesia and the way in which some of the dynamics begun in this period are being played out in the contemporary world.
Java, Indonesia and Islam
by Mark WoodwardMark R. Woodward's Islam in Java: Normative Piety and Mysticism in the Sultanate of Yogyakarta (1989) was one of the most important work on Indonesian Islam of the era. This new volume, Java, Indonesia, and Islam, builds on the earlier study, but also goes beyond it in important ways. Written on the basis of Woodward's thirty years of research on Javanese Islam in a Yogyakarta (south-central Java) setting, the book presents a much-needed collection of essays concerning Javanese Islamic texts, ritual, sacred space, situated in Javanese and Indonesian political contexts. With a number of entirely new essays as well as significantly revised versions of essays this book is a valuable contribution to the academic community by an eminent anthropologist and key authority on Islamic religion and culture in Java.
Javid-Nama (Routledge Library Editions: Iran)
by Muhammad IqbalSir Muhammad Iqbal (1873-1938) was not only amongst the leading political figures of his time, but regarded by many as the spiritual father of Pakistan and a great champion of the reform movement of modern Islam. He was also a poet, in both Urdu and Persian. The recurrent theme of his poems is the infinite potentiality of man, as partner with God in shaping the destiny of the universe. As an ardent Muslim, Iqbal saw the realization of mankind’s future in a union of Islamic peoples, unfettered by the bonds of separate nationhood, fully liberated from the chains of imperial domination. The Javid-nama, commonly acknowledged as his greatest work, develops this theme within the frame-work of the ‘Ascension’ story. In imitation of the Prophet of Islam, the poet soars through the spheres, encountering on his heavenly journey many great figures of history with whom he converses. The resemblance to Dante’s Divine Comedy is obvious.
Jaywalking with the Irish
by David MonaganFrom the book: For David Monagan, born in Connecticut to a staunch Irish-American family, a lifelong interest in Ireland was perhaps inescapable. David studied literature at Dublin's Trinity College in 1973 and '74, and he became captivated by the country. After enjoying many visits in the intervening years, in 2000 David and his family relocated from the U.S. to Cork, Republic of Ireland. David has written for numerous publications, including the Irish Times, Sunday Independent, and Irish Examiner, and in his wide travels has developed a keen eye for things baffling and marvelous, such as he finds everywhere around him in modern-day Ireland.
Jazz & Blues (Routledge Library Editions: Popular Music #4)
by Graham VulliamyThis book, first published in 1982, shows that jazz and blues are music forms that are about individualism, experiment, expression and feeling. From their origin in the work songs and spirituals of America’s southern slaves, through to their adaptation to the urban adaptation to the urban environment in Chicago and New Orleans, the author details the social and economic background that saw the birth of the blues and jazz, and introduces and appraises their leading exponents. He shows how African rhythms were combined with an American musical tradition to produce a distinctive style which was to revitalise Western music.
Jazz As Critique: Adorno and Black Expression Revisited
by Fumi OkijiA sustained engagement with Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of "gathering in difference."Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
by Steven FeldIn this remarkable book, Steven Feld, pioneer of the anthropology of sound, listens to the vernacular cosmopolitanism of jazz players in Ghana. Some have traveled widely, played with American jazz greats, and blended the innovations of John Coltrane with local instruments and worldviews. Combining memoir, biography, ethnography, and history, Feld conveys a diasporic intimacy and dialogue that contests American nationalist and Afrocentric narratives of jazz history. His stories of Accra's jazz cosmopolitanism feature Ghanaba/Guy Warren (1923-2008), the eccentric drummer who befriended the likes of Charlie Parker, Max Roach, and Thelonious Monk in the United States in the 1950s, only to return, embittered, to Ghana, where he became the country's leading experimentalist. Others whose stories figure prominently are Nii Noi Nortey, who fuses the legacies of the black avant-gardes of the 1960s and 1970s with pan-African philosophy in sculptural shrines to Coltrane and musical improvisations inspired by his work; the percussionist Nii Otoo Annan, a traditional master inspired by Coltrane's drummers Elvin Jones and Rashied Ali; and a union of Accra truck and minibus drivers whose squeeze-bulb honk-horn music for drivers' funerals recalls the jazz funerals of New Orleans. Feld describes these artists' cosmopolitan outlook as an "acoustemology," a way of knowing the world through sound.
Jazz Diplomacy: Promoting America in the Cold War Era (American Made Music Series)
by Lisa E. DavenportJazz as an instrument of global diplomacy transformed superpower relations in the Cold War era and reshaped democracy's image worldwide. Lisa E. Davenport tells the story of America's program of jazz diplomacy practiced in the Soviet Union and other regions of the world from 1954 to 1968. Jazz music and jazz musicians seemed an ideal card to play in diminishing the credibility and appeal of Soviet communism in the Eastern bloc and beyond. Government-funded musical junkets by such jazz masters as Louis Armstrong, Dave Brubeck, Duke Ellington, Dizzy Gillespie, and Benny Goodman dramatically influenced perceptions of the U.S. and its capitalist brand of democracy while easing political tensions in the midst of critical Cold War crises. This book shows how, when coping with foreign questions about desegregation, the dispute over the Berlin Wall, the Cuban missile crisis, Vietnam, and the Soviet invasion of Czechoslovakia, jazz players and their handlers wrestled with the inequalities of race and the emergence of class conflict while promoting America in a global context. And, as jazz musicians are wont to do, many of these ambassadors riffed off script when the opportunity arose. Jazz Diplomacy argues that this musical method of winning hearts and minds often transcended economic and strategic priorities. Even so, the goal of containing communism remained paramount, and it prevailed over America's policy of redefining relations with emerging new nations in Africa, Asia, and Latin America.
Jazz Places: How Performance Spaces Shape Jazz History
by Kimberly Hannon TealThe social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
Jazz Planet
by E. Taylor AtkinsWith contributions by Raúl A. Fernández, Benjamin Givan, Acácio Tadeu de Camargo Piedade, Warren R. Pinckney Jr., Linda F. Williams, Christopher G. Bakriges, Stefano Zenni, S. Frederick Starr, Bruce Johnson, Christophine Ballantine, Michael Molasky, Johan Fornäs, and Andrew F. JonesJazz is typically characterized as a uniquely American form of artistic expression, and narratives of its history are almost always set within the United States. Yet, from its inception, this art form exploded beyond national borders, becoming one of the first modern examples of a global music sensation. Jazz Planet collects essays that concentrate for the first time on jazz created outside the United States. What happened when this phenomenon met with indigenous musical practices? What debates on cultural integrity did this “American” styling provoke in far-flung places? Did jazz's insistence on individual innovation and its posture as a music of the disadvantaged generate shakeups in national identity, aesthetic values, and public morality? Through new and previously published essays, Jazz Planet recounts the music's fascinating journeys to Asia, Europe, Africa, and Latin America. What emerges is a concept of jazz as a harbinger of current globalization, a process that has engendered both hope for a more enlightened and tranquil future and resistance to the anticipated loss of national identity and sovereignty. Essays in this collection describe the seldom-acknowledged contributions non-Americans have made to the art and explore the social and ideological crises jazz initiated around the globe. Was the rise of jazz in global prominence, they ask, simply a result of its inherent charm? Was it a vehicle for colonialism, Cold War politics, and emerging American hegemony? Jazz Planet provokes readers to question the nationalistic bias of most jazz scholarship, and to expand the pantheon of great jazz artists to include innovative musicians who blazed independent paths.
Jazz Radio America (Music in American Life)
by Aaron J. JohnsonOnce a lively presence on radio, jazz now finds itself relegated to satellite broadcasters and low-watt stations at the edge of the dial. Aaron J. Johnson examines jazz radio from the advent of Black radio in 1948 to its near extinction from the commercial dial after 1980. Even in jazz’s heyday, programmers and DJs excluded many styles and artists, and Johnson delves into how the politics of decision-making and the political uses of the medium shaped jazz radio formats. Johnson shows radio’s role in the contradictory perceptions of jazz as American’s model artistic contribution to the world, as Black classical music, and as the soundtrack of African American rebellion and resistance for much of the twentieth century. An interwoven story of a music and a medium, Jazz Radio America answers perennial questions about why certain kinds of jazz get played and why even that music is played in so few places.
Jazz Religion, the Second Line, and Black New Orleans: After Hurricane Katrina
by Richard Brent TurnerThis scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History).An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades.Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture (American Made Music Series)
by Gerhard KubikA CHOICE 2018 Outstanding Academic TitleIn Jazz Transatlantic, Volume I, renowned scholar Gerhard Kubik takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history. The volume offers insights gathered during Kubik's extensive field work and based on in-depth interviews with jazz musicians around the Atlantic world. Languages, world views, beliefs, experiences, attitudes, and commodities all play a role. Kubik reveals what is most important--the expertise of individual musical innovators on both sides of the Atlantic, and hidden relationships in their thoughts.Besides the common African origins of much vocabulary and structure, all the expressions of jazz in Africa share transatlantic family relationships. Within that framework, musicians are creating and re-creating jazz in never-ending contacts and exchanges. The first of two volumes, Jazz Transatlantic, Volume I examines this transatlantic history, sociolinguistics, musicology, and the biographical study of personalities in jazz during the twentieth century. This volume traces the African and African American influences on the creation of the jazz sound and traces specific African traditions as they transform into American jazz. Kubik seeks to describe the constant mixing of sources and traditions, so he includes influences of European music in both volumes. These works will become essential and indelible parts of jazz history.
Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa (American Made Music Series)
by Gerhard KubikA CHOICE 2018 Outstanding Academic TitleIn Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context.The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.
Jazz and Death: Medical Profiles of Jazz Greats
by Frederick J. SpencerWhen a jazz hero dies, rumors, speculation, gossip, and legend can muddle the real cause of death. In this book, Frederick J. Spencer, M.D., conducts an inquest on how jazz greats lived and died pursuing their art. Forensics, medical histories, death certificates, and biographies divulge the way many musical virtuosos really died. An essential reference source, Jazz and Death strives to correct misinformation and set the story straight. Reviewing the medical records of such jazz icons as Scott Joplin, James Reese Europe, Bennie Moten, Tommy Dorsey, Billie Holiday, Charlie Parker, Wardell Gray, and Ronnie Scott, the book spans decades, styles, and causes of death. Divided into disease categories, it covers such illnesses as ALS (Lou Gehrig's Disease), which killed Charlie Mingus, and tuberculosis, which caused the deaths of Chick Webb, Charlie Christian, Bubber Miley, Jimmy Blanton, and Fats Navarro. It notes the significance of dental disease in affecting a musician's embouchure and livelihood, as happened with Joe “King” Oliver. A discussion of Art Tatum's visual impairment leads to discoveries in the pathology of what blinded Lennie Tristano. Heavy drinking, even during Prohibition, was the norm in the clubs of New Orleans and Kansas City and in the ballrooms of Chicago and New York. Too often, the musical scene demanded that those who play jazz be “jazzed.” After World War II, as heroin addiction became the hallmark of revolution, talented bebop artists suffered long absences from the bandstand. Many did jail time, and others succumbed to the ravages of “horse.” With Jazz and Death, the causes behind the great jazz funerals may no longer be misconstrued. Its clinical and morbidly entertaining approach creates an invaluable compendium for jazz fans and scholars alike.
Jazz in the Hill: Nightlife and Narratives of a Pittsburgh Neighborhood (American Made Music Series)
by Colter HarperFrom the 1920s through the 1960s, Pittsburgh’s Hill District was the heart of the city’s Black cultural life and home to a vibrant jazz scene. In Jazz in the Hill: Nightlife and Narratives of a Pittsburgh Neighborhood, Colter Harper looks at how jazz shaped the neighborhood and created a way of life. Beyond backdrops for remarkable careers, jazz clubs sparked the development of a self-determined African American community. In delving into the history of entrepreneurialism, placemaking, labor organizing, and critical listening in the Hill District, Harper forges connections to larger political contexts, processes of urban development, and civil rights struggles.Harper adopts a broad approach in thinking about jazz clubs, foregrounding the network of patrons, business owners, and musicians who were actively invested in community building. Jazz in the Hill provides a valuable case study detailing the intersections of music, political and cultural history, public policy, labor, and law. The book addresses distinctive eras and issues of twentieth century American urban history, including notions of “vice” during the Prohibition Era (1920–1934); “blight” during the mid-twentieth century boom in urban redevelopment (1946–1973); and workplace integration during the civil rights era (1954–1968). Throughout, Harper demonstrates how the clubs, as a nexus of music, politics, economy, labor, and social relations, supported the livelihood of residents and artists while developing cultures of listening and learning. Though the neighborhood has undergone an extensive socioeconomic transformation that has muted its nightlife, this musical legacy continues to guide current development visions for the Hill on the cusp of its remaking.