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All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960

by Virginia Nicholson

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960At the heart of this history is the female body.The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body.The PowerWho determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.The PainHere is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset.The PleasureHere are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.

All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960

by Virginia Nicholson

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960At the heart of this history is the female body.The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body.The PowerWho determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.The PainHere is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset.The PleasureHere are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.

All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960

by Virginia Nicholson

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960At the heart of this history is the female body.The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body.The PowerWho determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.The PainHere is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset.The PleasureHere are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.

All the Silent Spaces: A Memoir

by Christine Ristaino

In September 2007, Christine Ristaino was attacked in a store parking lot while her three- and five-year-old children watched. In All the Silent Spaces, Ristaino shares what it felt like to be an ordinary person confronted with an extraordinary event—a woman trying to deal with acute trauma even as she went on with her everyday life, working at a university and parenting two children with her husband. She not only narrates how this event changed her but also tells how looking at the event through both the reactions of her community and her own sensibility allowed her to finally face two other violent episodes she had previously experienced. As new memories surfaced after the attack, it took everything in Ristaino’s power to not let catastrophe unravel the precarious threads holding everything together. Moving between the greater issues associated with violence and the personal voyage of overcoming grief, All the Silent Spaces is about letting go of what you think you know in order to rebuild.

All the Single Ladies: Unmarried Women and the Rise of an Independent Nation

by Rebecca Traister

In 2009, the award-winning journalist Rebecca Traister started All the Single Ladies—a book she thought would be a work of contemporary journalism—about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.<P><P> But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more.<P> Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a “dramatic reversal.” All the Single Ladies is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, All the Single Ladies is destined to be a classic work of social history and journalism. Exhaustively researched, brilliantly balanced, and told with Traister’s signature wit and insight, this book should be shelved alongside Gail Collins’s When Everything Changed.

All the Single Ladies: Unmarried Women and the Rise of an Independent Nation

by Rebecca Traister

In 2009, the award-winning journalist Rebecca Traister started All the Single Ladies—a book she thought would be a work of contemporary journalism—about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.<P><P> But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more.<P> Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a “dramatic reversal.” All the Single Ladies is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, All the Single Ladies is destined to be a classic work of social history and journalism. Exhaustively researched, brilliantly balanced, and told with Traister’s signature wit and insight, this book should be shelved alongside Gail Collins’s When Everything Changed.

All the Things They Said We Couldn't Have: Stories of Trans Joy

by Tash Oakes-Monger

'Transition has not been something linear for me, my joy has come in seasons.'Now, more than ever, trans people deserve to hear stories of joy and hope, where being trans doesn't have to be defined by fear and dysphoria, but can be experienced through courage, freedom, and the love and acceptance of their chosen families.Through a series of uplifting, generous and beautifully crafted vignettes, T. C. Oakes-Monger gently leads you through the cycle of the seasons - beginning in Autumn and the shedding of leaves and identity, moving through the darkness of Winter, its cold days, and the reality of daily life, into Spring, newness, and change, and ending with the joy of long Summer days and being out and proud - and invites you to find similar moments of joy in your life.Celebratory and empowering, these stories are a reminder of the power joy can bring.

All the Things We Didn't Say: Two Memoirs (Willie Morris Books in Memoir and Biography)

by Marion Garrard Barnwell Mary DuBose Clark

In this poignant and introspective dual memoir, Marion Garrard Barnwell embarks on a deeply personal journey. Inspired by the memoir of her maternal grandmother, Mary DuBose Trice Clark, affectionately known as “Ganny,” the narratives, though separated by decades, are brought together to offer readers a unique and moving exploration of growing up in Mississippi and the intersections of family, motherhood, and self-discovery. Clark’s memoir, penned in 1956, offers readers a glimpse into the past, telling the story of her life in Mississippi with unwavering commitment to “just plain facts.” Her narrative traverses the landscapes of Okalona, Nettleton, Verona, and Tupelo, revealing their histories and the vibrant tapestry of her life while artfully sidestepping the complexities of her relationships and emotional vulnerabilities. Reflecting on an era when discussions of emotion and self-awareness were often shrouded in reticence, Clark’s story leaves a void in which Barnwell seeks to uncover the unspoken truths that shaped their family dynamics. Written at the age of seventy-seven, the same age as her grandmother when she wrote her memoir, Barnwell’s writing emerges as a response to the enigmatic silence within her grandmother’s narrative. It paints a vivid and expansive picture of her own life in the Mississippi Delta while also addressing profound themes of alcoholism, racism, shared family history, and the intricate dynamics between generations of women. As Barnwell weaves her own memoir into the fabric of this book, she takes readers on her emotional journey of self-discovery and truth-telling that leads to healing. All the Things We Didn’t Say: Two Memoirs is a testament to the power of storytelling and a captivating ode to the enduring human spirit and the timeless pursuit of understanding the intricate threads that connect us across generations.

All the Trouble in the World: The Lighter Side of Overpopulation, Famine, Ecological Disaster, Ethnic Hatred, Plague, and Poverty

by P. J. O'Rourke

With All the Trouble in the World, P. J. O'Rourke once again landed on best-seller lists around the country, confirming his reputation as the pre-eminent political humorist of our time. Attacking fashionable worries—all those terrible problems that are constantly on our minds and in the news, but about which most of us have no real clue—P. J. crisscrosses the globe in search of solutions to today's most vexing issues, including overpopulation, famine, plague, and multiculturalism, and in the process produces a hilarious and informative book which ensures that the concept of political correctness will never be the same again. "One of the funniest, most insightful, dead-on-the-money books of the year."—Los Angeles Times; "All the Trouble in the World is O'Rourke's best work since Parliament of Whores."—The Houston Post; "The dispatches are unfailingly funny....Mr. O'Rourke gets to the heart of the matter with a steady stream of wisecracks....Economists, political scientists and sociologists are inclined to approach the ills of society with regression analysis. P. J. O'Rourke just points and laughs. Not surprisingly, it is Mr. O'Rourke who gets it right."—The Washington Times; "Bottom line: Buy the book."—The Wall Street Journal.

All the White Friends I Couldn't Keep: Hope--and Hard Pills to Swallow--About Fighting for Black Lives

by Andre Henry

A leading voice for social justice reveals how he stopped arguing with white people who deny the ongoing legacy of racism—and offers a proven path forward for Black people and people of color based on the history of nonviolent struggle.&“A moving personal journey that lends practical insight for expanding and strengthening the global antiracist movement.&”—Patrisse Khan-Cullors, co-founder of Black Lives Matter, bestselling author of When They Call You a TerroristWhen the rallying cry &“Black Lives Matter&” was heard across the world in 2013, Andre Henry was one of the millions for whom the movement caused a political awakening and a rupture in some of his closest relationships with white people. As he began using his artistic gifts to share his experiences and perspective, Henry was aggrieved to discover that many white Americans—people he called friends and family—were more interested in debating whether racism existed or whether Henry was being polite enough in the way he used his voice.In this personal and thought-provoking book, Henry explores how the historical divides between Black people and non-Black people are expressed through our most mundane interactions, and why this struggle won&’t be resolved through civil discourse, diversity hires, interracial relationships, or education. What we need is a revolution, one that moves beyond symbolic progress to disrupt systems of racial violence and inequality in tangible, creative ways.Sharing stories from his own path to activism—from studying at seminary to becoming a student of nonviolent social change, from working as a praise leader to singing about social justice—and connecting those experiences to lessons from successful nonviolent struggles in America and around the world, Andre Henry calls on Black people and people of color to divest from whiteness and its false promises, trust what their lived experiences tell them, and practice hope as a discipline as they work for lasting change.

All these things: Eine andere Geschichte der Popkultur

by Stefan Krankenhagen

Popkultur dreht sich immer schon um die ganz besonderen und die ganz normalen Dinge: von Winnetous Silberbüchse über Kaugummis, Diskokugeln und Nylonstrümpfen bis zu Selfiesticks und Michael Jacksons weißem Handschuh. Sie werden alltäglich genutzt und abgöttisch verehrt, sind überall verfügbar und unerreichbar, sind spektakuläre Unikate und billige Massenprodukte. – All these things erzählt die Geschichte der Popkultur vom Ende des 19. Jahrhunderts bis zur Gegenwart anhand von 14 ausgewählten Dingen. Sie alle haben ihre eigene Geschichte und stehen für die kulturellen, technischen und ökonomischen Veränderungen der Zeit – vor allem aber für 150 Jahre Unterhaltungskultur.

All-American Anarchist: Joseph A. Labadie and the Labor Movement (Great Lakes Books Series)

by Carlotta R. Anderson

All-American Anarchist chronicles the life and work of Joseph A. Labadie (1850-1933), Detroit's prominent labor organizer and one of early labor's most influential activists. A dynamic participant in the major social reform movements of the Gilded Age, Labadie was a central figure in the pervasive struggle for a new social order as the American Midwest underwent rapid industrialization at the end of the nineteenth century. This engaging biography follows Labadie's colorful career from a childhood among a Pottawatomie tribe in the Michigan woods through his local and national involvement in a maze of late nineteenth-century labor and reform activities, including participation in the Socialist Labor party, Knights of Labor, Greenback movement, trades councils, typographical union, eight-hour-day campaigns, and the rise of the American Federation of Labor. Although he received almost no formal education, Labadie was a critical thinker and writer, contributing a column titled "Cranky Notions" to Benjamin Tucker's Liberty, the most important journal of American anarchism. He interacted with such influential rebels and reformers as Eugene V. Debs, Emma Goldman, Henry George, Samuel Gompers, and Terence V. Powderly, and was also a poet of both protest and sentiment, composing more than five hundred poems between 1900 and 1920. Affectionately known as Detroit's "Gentle Anarchist," Labadie's flamboyant and amiable personality counteracted his caustic writings, making him one of the city's most popular figures throughout his long life despite his dissident ideals. His individualistic anarchist philosophy was also balanced by his conventional personal life - he was married to a devout Catholic and even worked for the city's water commission to make ends meet. In writing this biography of her grandfather, Carlotta R. Anderson consulted the renowned Labadie Collection at the University of Michigan, a unique collection of protest literature which extensively documents pivotal times in American labor history and radical history. She also had available a large collection of family scrapbooks, letters, photographs, and Labadie's personal account book. Including passages from Labadie's vast writings, poems, and letters, All-American Anarchist traces America's recurring anti-anarchist and anti-radical frenzy and repression, from the 1886 Haymarket bombing backlash to the Red Scares of the twentieth century.

All-American Boy

by Scott Peck

"A survivor's tale that in its universal appeal brings to mind the most compelling aspects of "Gal" and "Shot in the Heart." Through the course of these scathing, inspiring, instructive pages, Scott Peck, writer and human being, grows into one hell of a terrific man.".--Michael Dorris.

All-American Massacre: The Tragic Role of American Culture and Society in Mass Shootings

by Eric Madfis and Adam Lankford

What elements of contemporary American life contribute to the United States having the greatest number and highest share of public mass shootings around the globe? The editors and contributors to All-American Massacre seek to answer this question by exploring how masculinity, racism, politics, media, fame, education, gun culture, and mental health influence the causes of mass shootings in the United States. With a specific focus on exploring how American culture, institutions, and social structures influence the circumstances, frequency, and severity of mass shootings in the United States, All-American Massacre advances emerging theoretical perspectives and forges fresh approaches, new research questions, and innovative data and conclusions. Bringing together pioneering scholars, this groundbreaking compilation of research and analysis identifies the social roots of this insidious threat and prompts new reflections on how we can stop the seemingly endless cycle of horror and death.All-American Massacre helps clarify the unique nature and salience of mass shootings in American life. Contributors: Melanie Brazzell, Tristan Bridges, Ryan Broll, F. Chris Curran, Sarah E. Daly, Salvatore D’Angelo, James Densley, Tom Diaz, Scott Duxbury, Benjamin W. Fisher, Betsy Friauf, Emma E. Fridel, Celene Fuller, Daniel Gascón, Patrick J. Gauding, Brooke Miller Gialopsos, Simon Gottschalk, Donald P. Haider-Markel, Stephanie Howells, Cheryl Lero Jonson, Mark R. Joslyn, Jessie Klein, Aaron Kupchik, Alison J. Marganski, Melissa M. Moon, Kristen J. Neville, Jaimee Nix, Daniel Okamura, Patrick F. Parnaby, Jillian Peterson, Michael Phillips, Paul Reeping, Jason R. Silva, William A. Stadler, Lindsay Steenberg, Tara Leigh Tober, Jillian J. Turanovic, Abigail Vegter, Stanislav Vysotsky, Lacey N. Wallace and the editors

All-Night Party: The Women of Bohemian Greenwich Village and Harlem, 1913-1930

by Andrea Barnet

They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein.Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.

Allah Made Us: Sexual Outlaws in an Islamic African City (New Directions in Ethnography #5)

by Rudolf Pell Gaudio

A rich and engrossing account of 'sexual outlaws' in the Hausa-speaking region of northern Nigeria, where Islamic law requires strict separation of the sexes and different rules of behavior for women and men in virtually every facet of life. The first ethnographic study of sexual minorities in Africa, and one of very few works on sexual minorities in the Islamic world Engagingly written, combining innovative, ethnographic narrative with analyses of sociolinguistic transcripts, historical texts, and popular media, including video, film, newspapers, and song-poetry Analyzes the social experiences and expressive culture of ‘yan daudu (feminine men in Nigerian Hausaland) in relation to local, national, and global debates over gender and sexuality at the turn of the twenty-first century Winner of the 2009 Ruth Benedict Prize in the category of "Outstanding Monograph"

Allah Transcendent: Studies in the Structure and Semiotics of Islamic Philosophy, Theology and Cosmology

by Ian Richard Netton

Examines the role of God in medieval Islamic philosophy and theology in a new and exciting way. Renouncing the traditional chronological method of considering Islamic philosophy, Netton uses modern literary modes of criticism derived from structuralism, post-structuralism and semiotics.

Allah, Liberty and Love

by Irshad Manji

In Allah, Liberty and Love, Irshad Manji paves a path for Muslims and non-Muslims to transcend the fears that stop so many of us from living with honest-to- God integrity: the fear of offending others in a multicultural world as well as the fear of questioning our own communities. Since publishing her international bestseller, The Trouble with Islam Today, Manji has moved from anger to aspiration. She shows how any of us can reconcile faith with freedom and thus discover the Allah of liberty and love--the universal God that loves us enough to give us choices and the capacity to make them. Among the most visible Muslim reformers of our era, Manji draws on her experience in the trenches to share stories that are deeply poignant, frequently funny and always revealing about these morally confused times. What prevents young Muslims, even in the West, from expressing their need for religious reinterpretation? What scares non-Muslims about openly supporting liberal voices within Islam? How did we get into the mess of tolerating intolerable customs, such as honor killings, and how do we change that noxious status quo? How can people ditch dogma while keeping faith? Above all, how can each of us embark on a personal journey toward moral courage--the willingness to speak up when everybody else wants to shut you up? Allah, Liberty and Love is the ultimate guide to becoming a gutsy global citizen. Irshad Manji believes profoundly not just in Allah, but also in her fellow human beings.

Allah, Liberty and Love: The Courage to Reconcile Faith and Freedom

by Irshad Manji

In Allah, Liberty and Love, Irshad Manji paves a path for Muslims and non-Muslims to transcend the fears that stop so many of us from living with honest-to- God integrity: the fear of offending others in a multicultural world as well as the fear of questioning our own communities. Since publishing her international bestseller, The Trouble with Islam Today, Manji has moved from anger to aspiration. She shows how any of us can reconcile faith with freedom and thus discover the Allah of liberty and love—the universal God that loves us enough to give us choices and the capacity to make them. Among the most visible Muslim reformers of our era, Manji draws on her experience in the trenches to share stories that are deeply poignant, frequently funny and always revealing about these morally confused times. What prevents young Muslims, even in the West, from expressing their need for religious reinterpretation? What scares non-Muslims about openly supporting liberal voices within Islam? How did we get into the mess of tolerating intolerable customs, such as honor killings, and how do we change that noxious status quo? How can people ditch dogma while keeping faith? Above all, how can each of us embark on a personal journey toward moral courage—the willingness to speak up when everybody else wants to shut you up? Allah, Liberty and Love is the ultimate guide to becoming a gutsy global citizen. Irshad Manji believes profoundly not just in Allah, but also in her fellow human beings.

Allan Ramsay and the Search for Horace's Villa (Routledge Revivals)

by Ian Gordon Brown

This title was first published in 2001. This volume contains Allan Ramsay's "Enquiry into the Situation and Circumstances of Horace's Sabine Villa". It also features essays about Ramsay, Jacob More, Jacob Philipp Hackert, the garden and country house in 18th-century British thought, and the archaeology of the Licenza Valley. The aims of the editors are three-fold: to print the text as Ramsay would have wished to, had he been able; to publish the related illustrations by Hackert, More and Ramsay; and to provide some basic background facts and commentary. They hope to help the contemporary reader understand the antiquarian context in which Ramsay was writing and to appreciate Ramsay's contribution to our understanding of the site conventionally known as Horace's Villa.

Allegation: the page-turning, unputdownable thriller from an exciting new voice in crime fiction

by R. G. Adams

'This searing debut from a retired social worker of 30 years could not be more timely - nor more true ... Harrowing, moving and written with a fearsome authenticity, the story forces the reader to question where the truth lies' Daily MailAn evil monster exposed? Or an innocent father condemned? A scandal will shake a small community to its very foundations.Two women have come forward to make historical sexual allegations against a pillar of the local community, Matthew Cooper. The case lands on the desk of inexperienced Social Worker, Kit Goddard, who must remove Cooper from his home and family while the investigation is carried out. Although intrepid and intuitive, she is ill-prepared for such a high-profile case.Kit finds herself navigating a local minefield of connections and class, reputations and rumour. Unsure whether her interference is a heroic intervention or a hurtful intrusion, she knows one thing: it will have an impact. The question is whether this impact will be to expose a lie, or destroy an innocent life...

Allegation: the page-turning, unputdownable thriller from an exciting new voice in crime fiction

by R. G. Adams

There isn't going to be an easy way to say this . . .'An evil monster exposed?'. . . I'm afraid an allegation has been made'Or an innocent father condemned?A scandal will shake a small community to its very foundations.Sandbeach, South Wales. Two women have come forward to make historical sexual allegations against a pillar of the local community, Matthew Cooper. And child-safeguarding protocol demands that Social Services remove the accused from his home and his family, while a formal assessment is carried out.The Cooper case lands on the desk of inexperienced Social Worker, Kit Goddard. Although intrepid and intuitive, she is ill-prepared for such a high-profile case.Kit finds herself navigating a local minefield of connections and class, reputations and rumour. Unsure whether her interference is a heroic intervention or a hurtful intrusion, she knows one thing: it will have an impact. The question is whether this impact will be to expose an iniquitous lie, or destroy an innocent life...(P)2020 Quercus Editions Limited

Allegorical Bodies

by Daisy Delogu

Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380-1422).An impressive examination of the intersection between gender, allegory, and political thought, Delogu's book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity.

Allegories of Neoliberalism: Contemporary South Asian Fictions, Capital, and Utopia

by Sarker Hasan Zayed

Simultaneously a critique of Foucauldian governmentalist interpretations of neoliberalism and a historical materialist reading of contemporary South Asian fictions, Allegories of Neoliberalism is a probing analysis of literary representations of capitalism’s “forms of appearance.” This book offers critical discussions on the important works of Akhtaruzzaman Elias, Amitav Ghosh, Aravind Adiga, Arundhati Roy, H. M. Naqvi, Mohsin Hamid, Nasreen Jahan, Samrat Upadhyay, and other writers from South Asia and South Asian diaspora. It also advances a re-reading of Karl Marx’s Capital through the themes and tropes of literature—one that looks into literary representations of commoditization, monetization, class exploitation, uneven spatial relationship, financialization, and ecological devastation through the lens of the German revolutionary’s critique of capitalism.

Allegories of Violence: Tracing the Writings of War in Late Twentieth-Century Fiction (Literary Criticism and Cultural Theory)

by Lidia Yuknavitch

Allegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late 20th Century novels of war.

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