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Popular Music: A Reference Guide (Routledge Library Editions: Popular Music)
by Roman IwaschkinThis is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Popular Music: A Teacher's Guide (Routledge Library Editions: Popular Music)
by Edward Lee Graham VulliamyThe approach of this book, first published in 1982, is multi-disciplinary. Popular music, it is argued, is not only a musical but also a social phenomenon; the criteria needed to assess it are different from those used in the appreciation of ‘classical’ music. The first section of this guide is devoted to setting out just what those criteria should be. A second section puts forward bases for course construction that are detailed and flexible. A final section provides a list of further resources.
Popular Music: The Key Concepts
by Roy ShukerNow in an updated fourth edition, this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and subgenres, the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital music revolution and changes in the way that music is manufactured, marketed and delivered. New and updated entries include: Age and youth Black music Digital music culture K-Pop Mash-ups Philadelphia Soul Pub music Religion and spirituality Remix Southern Soul Streaming Vinyl ? With further reading and listening included throughout, Popular Music: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music.
Popular Music: Topics, Trends & Trajectories
by Tara Brabazon'An incredibly wide-ranging critical account of popular music. The book is an essential resource for all staff and students in the field' - John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland Organized in accessible sections and covering the main themes of research and teaching it examines: * The key approaches to understanding popular music * The main settings of exchange and consumption * The role of technology in the production of popular music * The main genres of popular music * The key debates of the present day Barbazon writes with verve and penetration. Her approach starts with how most people actually consume music today and transfers this onto the plain of study. The book enables teachers and students to shuffle from one topic to the other whilst providing an unparalleled access the core concepts and issues. As such, it is the perfect study guide for undergraduates located in this exciting and expanding field. Tara Brabazon is Professor of Communication at University of Ontario Institute of Technology (UOIT).
Popular Musical Theatre in London and Berlin
by Len Platt Tobias Becker David Linton Len Platt Tobias BeckerIn the decades before the Second World War, popular musical theatre was one of the most influential forms of entertainment. This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan industry that included everything from revues and operettas to dance halls and cabaret. Bringing together contributors from Britain and Germany, this collection moves beyond national theatre histories to study Anglo-German relations at a period of intense hostility and rivalry. Chapters frame the entertainment zones of London and Berlin against the wider trading routes of cultural transfer, where empire and transatlantic song and dance produced, perhaps for the first time, a genuinely international culture. Exploring adaptations and translations of works under the influence of political propaganda, this collection will be of interest both to musical theatre enthusiasts and to those interested in the wider history of modernism.
Popular New Orleans: The Crescent City in Periodicals, Theme Parks, and Opera, 1875–2015 (Routledge Studies in Cultural History #95)
by Florian FreitagNew Orleans is unique – which is precisely why there are many Crescent Cities all over the world: for almost 150 years, writers, artists, cultural brokers, and entrepreneurs have drawn on and simultaneously contributed to New Orleans’s fame and popularity by recreating the city in popular media from literature, photographs, and plays to movies, television shows, and theme parks. Addressing students and fans of the city and of popular culture, Popular New Orleans examines three pivotal moments in the history of New Orleans in popular media: the creation of the popular image of the Crescent City during the late nineteenth century in the local-color writings published in Scribner’s Monthly/Century Magazine; the translation of this image into three-dimensional immersive spaces during the twentieth century in Disney’s theme parks and resorts in California, Florida, and Japan; and the radical transformation of this image following Hurricane Katrina in public performances such as Mardi Gras parades and operas. Covering visions of the Crescent City from George W. Cable’s Old Creole Days stories (1873-1876) to Disneyland’s "New Orleans Square" (1966) to Rosalyn Story’s opera Wading Home (2015), Popular New Orleans traces how popular images of New Orleans have changed from exceptional to exemplary.
Popular Political Participation and the Democratic Imagination in Spain: From Crowd to People, 1766-1868
by Pablo Sánchez LeónThis book addresses the changing relationships among political participation, political representation, and popular mobilization in Spain from the 1766 protest in Madrid against the early Bourbon reforms until the citizen revolution of 1868 that first introduced universal suffrage and led to the ousting of the monarchy. Popular Participation and the Democratic Imagination in Spain shows that a notion of the “crowd” internally dividing the concept of “people” existed before the advent of Liberalism, allowing for the enduring subordination of popular participation to representation in politics. In its wider European and colonial American context, the study analyzes semantic changes in a range of cultural spheres, from parliamentary debate to historical narrative and aesthetics. It shows how Liberalism had trouble reproducing the legitimacy of limited suffrage and traces the evolution of an imagination on democracy that would allow for the reconfiguration of an all-encompassing image of the people eventually overcoming representative government.“Focused on the nation and identities, Spanish historiography had a pending debt with that other historical subject of modernity, the people. With this book, Pablo Sánchez León starts cancelling the debt with an innovative methodology combining conceptual history with social and political history. Brilliantly, this books also proposes a novel chronology for modern history and renewed categories of analysis. In many senses, this is an extraordinarily renovating senior work.”—José María Portillo Valdés, University of the Basque Country, Spain “This book by Pablo Sánchez León is an original and detailed study of one of the essential components of modernity, the relation between the concepts of plebe and pueblo. The author shows that plebe and people were shaped in a process of mutual differentiation and how the enduring tension between them deeply marked out the evolution of Spanish politics from the end of the Old Regime and throughout the 19th century. As the author brilliantly argues, such tension is tightly imbricated with the enduring dilemma between representation and participation underlying modern political systems. Through a historical analysis of the influence of people and plebe over Spanish, the book makes clear the degree to which the power of language contributes to shape political actors and institutional frames.”—Miguel Ángel Cabrera — Professor, University of La Laguna, Tenerife, Spain “Most accounts of Spain’s transition to modern democracy begin with the popular uprising against the French invasion in 1808, the creation of a national parliament and the promulgation of an advanced Liberal constitution in 1812. Pablo Sánchez León begins the story half a century earlier in the mass street protests in Madrid and other cities in 1766 sparked by Charles III’s sweeping reform programme. Sánchez León focuses unrepentantly on plebeian groups and crowd action – how they are described and conceived by contemporaries – as a key to understanding Spain’s precocious and troubled passage from absolutism to the promulgation of universal male suffrage in September 1868. This audacious and highly original interpretation will surely strike a chord with students of modern Spain.”—Guy Thomson, University of Warwick, UK “This is a book for exploring (from current needs) the history of political participation in Spanish society in order to rethink the very notion of modern citizenship.”—María Sierra, University of Seville, Spain “Motivated by the current crisis in political representation in parliamentary democracies, this work by Pablo Sánchez León departs from the process of construction of modern citizenship. Representation, participation and mobilization are put into play as an interactive triad whose dynamics and changing conceptualization have the key to the social, political and cultural chang
Popular Politics and the Quest for Justice in Contemporary China (Routledge Contemporary China Series)
by Hans Steinmüller Susanne BrandtstädterThe rise of popular politics is among one the most significant social and political developments the People’s Republic of China has witnessed in the post-Mao era. People from all walks of life have responded to rising inequalities and the privatization of collective goods with a new quest for justice. Although China has remained a censorial society under the authoritarian rule of the Chinese Communist Party, state-society relations are being remade by interventions of emergent publics through word and action. In this book, a group of anthropologists, specializing in Chinese society, examine various facets of popular politics, which are animated by the pursuit of justice, fairness and good government. The ethnographic chapters collectively analyse how ‘the political’ arises in particular judicial situations, provoking public judgements or other forms of critical engagement. Focusing on the interplay between private and public spaces, between morality and law and between speech and action, the contributors in this book explore how such engagements are changing Chinese society from the bottom-up. As the first systematic exploration of the relationship between popular politics, emergent publics and notions of justice in contemporary China, this book will be useful for students of Chinese Studies, Politics and Anthropology.
Popular Postcolonialisms: Discourses of Empire and Popular Culture (Routledge Research in Postcolonial Literatures)
by Nadia Atia Kate HouldenDrawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.
Popular Print Media: 1820-1900
by Andrew King John PlunkettFirst published in 2004. Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications. The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large. The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'. Each section includes a new introduction by the editors. The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.
Popular Print Media: 1820-1900
by Andrew KingFirst published in 2004. Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications. The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large. The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'. Each section includes a new introduction by the editors. The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.
Popular Print Media: 1820-1900
by Andrew King John PlunkettFirst published in 2004. Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications. The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large. The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'. Each section includes a new introduction by the editors. The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.
Popular Religion in China: The Imperial Metaphor
by Stephan FeuchtwangThe institution of local festivals and temples is not as well known as that of ancestor worship, but it is just as much a universal fact of Chinese life. Its content is an imperial metaphor, which stands in relation to the rest of its participants' lives as the poetry of collective vision, theatrically performed, built and painted in temples, carved and clothed in statues. Stephan Feuchtwang has brought together unpublished as well as published results of his own and other anthropologists' fieldwork in the People's Republic of China and Taiwan and put them into an historical, political and theoretical context.Students of anthropology will be intrigued. This is not a religion of a Book. Nor is it one of the named religions of China. Popular religion includes some elements of both Buddhism and the former imperial cults, more of Daoism, but it is identifiable with none of them. It is popular in the sense of being local and true of the China of the Han, or Chinese-speaking people, where every place had or has its local cults and the festivals peculiar to them. Its rites, in particular offerings of incense and fire, suggest a concept of religion. It is quite different from theories of religion based on doctrine and belief.Students of politics will also find here vital and new perspectives. Politics is never far from religion, least of all in the People's Republic of China or colonial and post-colonial Taiwan. In the People's Republic of China, there is continuing conflict between the state and the growth of congregational and lo
Popular Religion in China: The Imperial Metaphor (Routledge Revivals)
by Stephan FeuchtwangFirst published in 2001, Popular Religion in China: The Imperial Metaphor was written to bring together both the previously unpublished and published results of fieldwork in the People’s Republic of China and Taiwan and to put them into an historical, political, and theoretical context. The book presents Chinese popular religion as a distinctive institution and describes its content as an ‘imperial metaphor’. In doing so, it explores a wide range of topics, including both official and local cults, local festivals, Daoism, Ang Gong, the politics of religion, and political ritual.
Popular Religion in Russia: 'Double Belief' and the Making of an Academic Myth (Routledge Studies in the History of Russia and Eastern Europe #Vol. 10)
by Stella RockThis book dispels the widely-held view that paganism survived in Russia alongside Orthodox Christianity, demonstrating that 'double belief', dvoeverie, is in fact an academic myth. Scholars, citing the medieval origins of the term, have often portrayed Russian Christianity as uniquely muddied by paganism, with 'double-believing' Christians consciously or unconsciously preserving pagan traditions even into the twentieth century. This volume shows how the concept of dvoeverie arose with nineteenth-century scholars obsessed with the Russian 'folk' and was perpetuated as a propaganda tool in the Soviet period, colouring our perception of both popular faith in Russian and medieval Russian culture for over a century. It surveys the wide variety of uses of the term from the eleventh to the seventeenth century, and contrasts them to its use in modern historiography, concluding that our modern interpretation of dvoeverie would not have been recognized by medieval clerics, and that 'double-belief' is a modern academic construct. Furthermore, it offers a brief foray into medieval Orthodoxy via the mind of the believer, through the language and literature of the period.
Popular Songs and Ballads of Han China (Routledge Library Editions: Chinese Literature and Arts #18)
by Anne BirrellThis book, first published in 1988, compiles 77 songs and ballads (yüeh-fu) of early imperial China (200 BC – AD 300). Each song-text is newly translated and fully annotated and explicated. Dr Birrell deals systematically with problems of the earliest sources, dating, attribution, textual variants, multiforms, metre, generic title, song title and structure. This careful and thorough treatment is especially necessary for a corpus of anonymous popular texts which are often corrupt, structurally confusing, laconic and full of nonsense words and colloquialisms. Her introductory essay provides a socio-historical context for this material and charts its literary transmission, while singling out special characteristics of the genre, such as musical, oral and dramatic elements. The main text, arranged into eleven chapters plus an introduction, is supplemented by notes, appendices, maps, chronology, bibliography and index.
Popular Struggles in South Africa (Routledge Revivals)
by William Cobbett Robin Cohen‘Popular Struggles or One Struggle?’ Originally published in 1988 shortly after the miners’ strike in South Africa of 1987, this book begins with a strongly argued and seminal discussion of this question by William Cobbett and Robin Cohen. The book had an urgency and relevance at its time of original publication, but many of the themes it discusses remain as relevant today. Nearly all the contributors were close to the sites of encounter and resistance they described, but at the same time they and the editors place the individual cases within the historical context.
Popular Sufism in Eastern Europe: Sufi Brotherhoods and the Dialogue with Christianity and 'Heterodoxy' (Routledge Sufi Series)
by H T NorrisThis is a detailed description of the various Sufi orders and movements which entered into the Balkans, the Crimean peninsula and other parts of Eastern Europe following the Ottoman conquests. Many of the Sufis came from Christian societies, principally from an Eastern Orthodox background, but others, such as the Bosnians, from churches that were accused or suspected of heterodoxy of belief and of antinomianism. These beliefs, together with pre-Christian beliefs, influenced by Manicheanism, Dualism and pantheism, left their mark on Sufi Islam. The book concentrates on the Bosnians, Bulgarians, Albanians and Tatars. Their Sufism reflects their national aspirations, and their writings fuse their mysticism, national faith and folklore in a Sufism which is quite distinct from that in other regions of the Muslim world.
Popular Tales from Norse Mythology
by George Webbe DasentEmbodying the fears, fantasies, and forebodings of the people who lived in northern Europe when the world was a darker and more frightening place, these 42 authentic folktales were culled from the rich legacy of Norse and German mythology by noted folklorist George Webbe Dasent. They include stories of princes and princesses who have been transformed into animals, trolls, and maneating giants who possess magical powers, and good-hearted, clever young men and women, often poor and ridiculed, who eventually come away with wealth and love beyond measure.In addition to such well-known favorites as "Dapplegrim," "Katie Woodencloak," "Tatterhood," and "Legend of Tannhäuser," this collection also brings to light many gems difficult to find elsewhere. In "The Werewolf," a cruel stepmother thwarts a beautiful princess's marriage plans by transforming her fiancé into a hunted denizen of the forest. The hilarious "Such Women Are" proves the world is never without a sufficiency of fools, while "The Three Dogs" tells of a youth whose four-legged friends defeat a serpent with the nasty habit of devouring a town's young women. Among many other hard-to-find stories are "King Gram," "The Magician's Pupil," "The Outlaw," "Temptations," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the inspiration for Washington Irving’s story of Rip van Winkle).These stories preserve the ancient myths of Western Europe that have been passed down from generation to generation, but aside from their importance as seminal folktales, they are simply good reading — full of passion and excitement, magic, mystery, and sheer storytelling power. Popular Tales from Norse Mythology will delight any student or admirer of myths and mythology.
Popular Television in Eastern Europe During and Since Socialism (Routledge Advances in Internationalizing Media Studies)
by Anikó Imre Timothy Havens Katalin LustyikThis collection of essays responds to the recent surge of interest in popular television in Eastern Europe. This is a region where television's transformation has been especially spectacular, shifting from a state-controlled broadcast system delivering national, regional, and heavily filtered Western programming to a deregulated, multi-platform, transnational system delivering predominantly American and Western European entertainment programming. Consequently, the nations of Eastern Europe provide opportunities to examine the complex interactions among economic and funding systems, regulatory policies, globalization, imperialism, popular culture, and cultural identity.This collection will be the first volume to gather the best writing, by scholars across and outside the region, on socialist and postsocialist entertainment television as a medium, technology, and institution.
Popular Theater and Society in Tsarist Russia
by E. Anthony SwiftA detailed and fascinating account of the emergence of popular theater in Russia out of a synthesis of fairground shows, elite theater tradition, folk performance, and the new possibilities of mass culture. Swift shows how the public seized upon theater as an art form, as entertainment, and as an instrument of popular education.
Popularität und Relevanz in der Suche: Ein Experiment zur Erforschung von Relevanzkriterien in akademischen Suchsystemen
by Christiane BehnertIn diesem Open-Access-Buch wird mithilfe eines großangelegten Online-Experiments untersucht, wie sich die Anzeige von Zitationen oder Downloads auf die Relevanzbewertung in akademischen Suchsystemen auswirkt. Bei der Suche nach Informationen verwenden Menschen diverse Kriterien, anhand derer sie die Relevanz der Suchergebnisse bewerten. In diesem Buch wird erstmals eine systematische Übersicht über die Einflüsse im Prozess der Relevanzbewertung von Suchergebnissen in akademischen Suchsystemen aufgezeigt. Zudem wird ein anspruchsvolles und komplexes Methodenframework zur experimentellen Untersuchung von Relevanzkriterien vorgestellt. Dieses eignet sich für die weitergehende Erforschung von Relevanzkriterien im informationswissenschaftlichen Bereich.
Popularizing Anthropology
by Jeremy MacClancy Chris McDonaughAnthropology written for a popular audience is the most neglected branch of the discipline. In the 1980s postmodernist anthropologists began to explore the literary and reflective aspects of their work. Popularizing Anthropology advances that trend by looking at a key but previously marginalized genre of anthropology.The contributors, who are well known anthropologists, explore such themes as: why so many anthropologists are women; how the Japanese have reacted to Ruth Benedict; why Margaret Mead became so successful; how the French media promote Levi-Strauss and Louis Dumont; Why Bruce Chatwin tells us more about Aboriginals than many anthropologists in Australia; how personal accounts of fieldwork have evolved since the 1950s; how to write a personal account of fieldwork.Popularizing Anthropology unearths a submerged tradition within anthropology and reveals that, from the beginning, anthropologists have looked beyond the boundaries of the academy for their listeners. It aims to establish the popularization of the discipline as an illuminating topic of investigation in its own right, arguing that it is not an irrelevant appendage to the main body of the subject but has always been an integral part of it.
Popularizing National Pasts: 1800 to the Present (Routledge Approaches to History)
by Stefan Berger Chris Lorenz Billie MelmanPopularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue durée it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality –both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.
Popularizing the Past: Historians, Publishers, and Readers in Postwar America
by Nick WithamPopularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history. What’s the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historians—Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner—who, in the decades after World War II, published widely read books of national history. Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how these authors’ efforts could not have succeeded without a publishing industry and a reading public hungry to engage with the cutting-edge ideas then emerging from American universities. As Witham’s book makes clear, before we can properly understand the heated controversies about American history so prominent in today’s political culture, we must first understand the postwar effort to popularize the past.