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Projecting Politics: Political Messages in American Films

by Terry Christensen Peter J. Haas Elizabeth Haas

The new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds—including comedy, science fiction, melodrama, and action-adventure—Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.

Projecting Race: Postwar America, Civil Rights, and Documentary Film (Nonfictions)

by Stephen Charbonneau

Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights. Drawing on extensive archival research and textual analyses, the volume tracks the evolution of race-based, nontheatrical cinema from its neorealist roots to its incorporation of new documentary techniques intent on recording reality in real time. The films featured include classic documentaries, such as Sidney Meyers's The Quiet One (1948), and a range of familiar and less familiar state-sponsored educational documentaries from George Stoney (Palmour Street, 1950; All My Babies, 1953; and The Man in the Middle, 1966) and the Drew Associates (Another Way, 1967). Final chapters highlight community-development films jointly produced by the National Film Board of Canada and the Office of Economic Opportunity (The Farmersville Project, 1968; The Hartford Project, 1969) in rural and industrial settings. Featuring testimonies from farm workers, activists, and government officials, the films reflect communities in crisis, where organized and politically active racial minorities upended the status quo. Ultimately, this work traces the postwar contours of a liberal racial outlook as government agencies came to grips with profound and inescapable social change.

Projecting Russia in a Mediatized World: Recursive Nationhood (BASEES/Routledge Series on Russian and East European Studies)

by Stephen Hutchings

This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what ‘the Kremlin’ is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or ‘recursion’, showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare.

Projecting Spirits: Speculation, Providence, and Early Modern Optical Media

by Pasi Väliaho

The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

Projecting a Camera: Language-Games in Film Theory

by Edward Branigan

In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.

Projecting the Nation: History and Ideology on the Israeli Screen

by Eran Kaplan

Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.

Projections Of War: Hollywood, American Culture, And World War Ii (Film And Culture Ser.)

by Thomas Doherty

Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam. This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line. Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam. This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line.

Projections of Passing: Postwar Anxieties and Hollywood Films, 1947-1960

by N. Megan Kelley

A key concern in postwar America was “who's passing for whom?” Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety. The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the longstanding American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa). Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman's Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others. Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counter-narratives about postwar America and how the language of identity developed in this critical period of American history.

Projections of Power in the Americas

by Jan Gustafsson Niels Bjerre-Poulsen Helene Balslev Clausen

Two phenomena are of central interest in the nine contributions that make up this volume: one is the question of power and its multiple forms, and the other is that geographical, political and cultural multifaceted unity we call the ‘the Americas’. The book is a multidisciplinary effort, written by scholars from the fields of history, political science, anthropology, sociology and cultural studies, who all share an interest in the ways in which power is projected in the Americas. Some contributors focus on the sources of power, while others are more concerned with how it is presented and legitimized by those who hold it. Likewise, some investigate the relations between government and citizens, while others look at more informal structures of power. Common to all contributions, however, is that they attempt to trace the forms that political and social power take in different American contexts – from the highest echelons of political power in Washington, D.C. to the local politics of a small village in Mexico. Common to all contributions is a nuanced exploration of the various manifestations of political and social power in the Americas.

Projective Techniques and Sort-Based Research Methods

by Paul M.W. Hackett James M. Suvak Ava Gordley-Smith

Projective Techniques and Sort-Based Research Methods offers a brief introductory guide to the use of these exciting, innovative and often artistic approaches, to students and researchers who have no prior knowledge of these. This book brings together a wide range of examples of projective and mapping techniques that offer the ideal methodology for researchers wishing to collect less controlled and filtered material, that tap the deeper levels of the conscious and sub-conscious to reveal a more profound, richer and hidden level of response. It presents the techniques in a way that will enable the reader to appreciate their nature and to choose an appropriate method for their own research. Information is also provided that allows readers to design and implement their own projective or sort-based approaches. Each of the approaches the authors present are concisely described, and their usages explained, along with references and examples of the applied usage of the technique. The book is valuable reading for researchers from a wide range of academic disciplines from within the social sciences, humanities, business studies, marketing, etc. The book is an introductory guide, but it will be appropriate for use with undergraduate, post-graduate and research students. It will also be of great use to professionals working in the areas of consumer behaviour, marketing and communications.

Projektmanagement für Promovierende: Werkzeuge und Methoden für eine erfolgreiche Doktorarbeit

by Jörg Glunde Lienhard Mack Michael Mohaupt Gereon Schüller

Projektmanagement hilft nicht nur beim Schreiben der Dissertation, sondern in der gesamten Promotionsphase dabei, sich selbst und sein Umfeld, insbesondere die Rahmenbedingungen der eigenen Doktorarbeit, besser zu verstehen und zu organisieren. Das Buch wendet bewährte Techniken und Erfahrungen aus dem Projektmanagement auf das Projekt „Doktorarbeit“ an und gibt so praktische Hilfestellungen für die Promotion. Da solche übergeordneten Fähigkeiten in der Promotion, aber auch in anderen Forschungsprojekten und späteren Tätigkeitsfeldern von Promovierten überaus hilfreich sind, haben Mitglieder des PMI Germany Chapter e.V. in Kooperation mit Mitgliedern des Promotionsnetzwerks THESIS e.V. diesen Ratgeber entwickelt, der Promovierenden die wichtigsten Schritte näherbringt, um Methoden des Projektmanagements zur Selbstorganisation bei der Promotion einzusetzen.Der InhaltDie Doktorarbeit als Projekt auffassenDie Promotion planenThema finden, Exposé erstellen und Finanzierung planenMit Risiken umgehenDisputation und ggf. Rigorosum vorbereiten

Projektmanagement in Organisationen der Sozialwirtschaft: Eine Einführung (Basiswissen Sozialwirtschaft und Sozialmanagement)

by Waltraud Grillitsch Monika Sagmeister

Das Buch vermittelt Studierenden sowie Fach- und Führungskräften aus Sozialwirtschaft und Sozialer Arbeit Basiswissen zu wesentlichen Themenstellungen des Projektmanagements in sozialwirtschaftlichen Organisationen. Es zeigt in einzelnen Prozessschritten die Bedeutung einer strukturierten Herangehensweise und relevanter Methoden für die praktische Arbeit. Geklärt werden der Projektauftrag und die Projektplanung, das Projektkonzept und die Durchführung sowie der Projektabschluss und Möglichkeiten des Reviews.

Proletarianisation in the Third World: Studies in the Creation of a Labour Force Under Dependent Capitalism (Routledge Library Editions: Development)

by Barry Munslow Henry Finch

First published in 1984, this collection of twelve case studies examines the emergence of a free wage-labour force in all regions of the third world. Although the struggle and conflict through which the proletariat has achieved a degree of class consciousness is not neglected, the more dominant theme is that of the process and techniques which have created a working class on the capitalist periphery.

Prolific Ground: Landscape and British Women's Writing, 1690–1790 (Transits: Literature, Thought & Culture, 1650-1850)

by Nicolle Jordan

Land ownership—and engagement with land more generally—constituted a crucial dimension of female independence in eighteenth-century Britain. Because political citizenship was restricted to male property owners, women could not wield political power in the way propertied men did. Given its foundational sociopolitical function, land necessarily generated copious writing that vested it with considerable aesthetic and economic value. This book, then, situates these issues in relation to the historical transformation of landscape under emergent capitalism. The women writers featured herein—including Jane Barker, Anne Finch, Sarah Scott, and Elizabeth Montagu—participated in this transformation by celebrating female estate stewardship and evaluating the estate stewardship of men. By asserting their authority in such matters, these writers acquired a degree of independence and self-determination that otherwise proved elusive.

Prometheus Reimagined: Technology, Environment, and Law in the Twenty-first Century

by Albert C. Lin

Technologies such as synthetic biology, nanotechnology, artificial intelligence, and geoengineering promise to address many of our most serious problems, yet they also bring environmental and health-related risks and uncertainties. Moreover, they can come to dominate global production systems and markets with very little public input or awareness. Existing governance institutions and processes do not adequately address the risks of new technologies, nor do they give much consideration to the concerns of persons affected by them. Instead of treating technology, health, and the environment as discrete issues, Albert C. Lin argues that laws must acknowledge their fundamental relationship, anticipating both future technological developments and their potential adverse effects. Laws should encourage international cooperation and the development of common global standards, while allowing for flexibility and reassessment.

Prometheus: Archetypal Image of Human Existence (Mythos: The Princeton/Bollingen Series in World Mythology #132)

by Carl Kerényi

Prometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerényi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerényi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.

Prometí no contarlo: Criando a un niño transgénero

by Cheryl B. Evans

Acompaña a esta familia en la transición de su hijo de femenino a masculino. Poderoso, crudo e íntimo, Prometí no contarlo es un libro que todo ser humano debe leer: un registro LGBT genuino, intenso e inolvidable que nadie se debe perder. Prometí no contarlo es para cualquier persona que quiera aprender sobre la transición de una persona transgénero. Es invaluable para un padre, madre, pariente o amigo de una persona transgénero o de alguien que está en conflicto con su identificación de género. La autora y su marido criaron a sus hijos bajo el lema "pueden hacer lo que quieran y ser lo que quieran en la vida", sólo que nunca se imaginaron que lo que su hija menor quería más que nada en el mundo era ser niño. Esta historia profundamente personal, contada desde la perspectiva de Mamá, es sobre el descubrimiento del hijo que nunca supieron que tenían. Esta historia real está escrita de una manera tan maravillosa que, a través del recorrido íntimo de esta familia, visita los mayores problemas que enfrentan en la actualidad los miembros de la comunidad transgénero. Este libro lo comparte todo, con la esperanza de hacer la diferencia en este mundo tan duro y cruel con las personas transgénero. Ganador de la Readers' Favorite medalla de bronce 2017 (versión en inglés)

Promiscuous Knowledge: Information, Image, and Other Truth Games in History

by John Durham Peters Kenneth Cmiel

“[A] lively account of the cultural and intellectual history of how Americans have lived with image and information since the mid-nineteenth century.” —Peter Simonson, author of Refiguring Mass CommunicationSergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. This book, begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age.A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time.“With a clear voice and careful evidence, Promiscuous Knowledge offers fascinating glimpses into important people and practices from across the centuries.” —Fred Turner, author of From Counterculture to Cyberculture

Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945 (Studies of the Weatherhead East Asian Institute, Columbia University)

by Hikari Hori

In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito's image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society.

Promise Ahead: A Vision of Hope and Action for Humanity's Future

by Duane Elgin

The sequel to Duane Elgin’s bestselling classic Voluntary Simplicity, which changed the lives of thousands and was called the “bible” of the simplicity movement by the Wall Street Journal, Promise Ahead looks beneath the headlines to reveal the deeper currents now changing our lives. Elgin sees two powerful sets of trends converging in the coming decades. The first set he calls “adversity trends.” These include 1. Global climate changes that threaten our food supply2. Massive human population3. Mass extinction of species4. Rapid depletion of crucial natural resources 5. Civil unrest caused by global poverty. The second set he calls “opportunity trends.” These include1. Recognition of the universe as a living system2. The quiet revolution toward simpler ways of living3. Use of the Internet as a tool for social awareness and change4. Growing efforts toward reconciliation of racial, gender, religious, and other differences If we meet these unprecedented challenges, we can make a dramatic leap in our evolutionary journey and will have a very promising future.

Promise Land

by Jessica Lamb-Shapiro

"In writing this book I walked on hot coals, met a man making a weight-loss robot, joined a Healing Circle, and faced my debilitating fear of flying. Of all of these things, talking to my father about my mother's death was by far the hardest." The daughter of a widowed child psychologist and parenting author, Jessica Lamb-Shapiro grew up immersed in the culture of self-help, of books and pamphlets and board games and gadgets and endless jargon-filled conversations about feelings. It wasn't until she hit her thirties that Jessica began to wonder: if all this self-improvement arcana was as helpful as it promised to be, why wasn't she better adjusted? She had a flying phobia, hadn't settled down, and didn't like to talk about her feelings. Thus began Jessica's fascination with the eccentric and labyrinthine world of self-help. She read hundreds of books and articles, attended dating seminars, walked on hot coals, and attempted to conquer her fear of flying. But even as she made light of the sometimes dubious effectiveness of these as-seen-on-TV treatments, she slowly began to realize she was circling a much larger problem: her mother's death when she was a toddler, and the almost complete silence that she and her father had always observed on the subject. In the tradition of Augusten Burroughs, Jessica Lamb-Shapiro illuminates the peculiar neuroses and inalterable truths that bind families together, whether they choose to confront them or not. Promise Land is a tender, witty, and wise account of a young woman's journey through her own psyche toward the most difficult stage of grown-up emotional life: acceptance.

Promise of Things

by Ruth Quibell

Some of our strongest, most lasting relationships are hidden in plain view—those we have with objects. What do our possessions do for us? And how do they do it?In The Promise of Things, Ruth Quibell explores what our possessions say about us: who we think we are, what we long for and struggle against. It invites us to think about how we use things, what makes them precious, and why we find it so hard to throw these objects away.

Promise of a Dream: Remembering the Sixties

by Sheila Rowbotham

Promise of a Dream is a moving, witty and poignant recollection of a time when young women were breaking all the rules about sex, politics and their place in the world. Sheila Rowbotham, best known for A Century of Women, Threads Through Time and Hidden From History, turns her hand here to memoir. The result is a wryly amusing account of her younger self, and a sparkling portrait of the exhilaration and enthusiasm of the sixties.

Promise to Pay: The Politics and Power of Money in Early America (American Beginnings, 1500-1900)

by Katie A. Moore

An incisive account of the crucial role money played in the formation and development of British North America. Promise to Pay follows America’s first paper money—the “bills of credit” of British North America—from its seventeenth-century origins as a means of war finance to its pivotal role in catalyzing the American Revolution. Katie A. Moore combs through treasury records, account books, and the bills themselves to tell a new story of money’s origins that challenges economic orthodoxy and mainstream histories. Promise to Pay shows how colonial governments imposed paper bills on settler communities through existing labor and kinship relations, their value secured by thousands of individual claims on the public purse—debts—and the state’s promise to take them back as payment for taxes owed. Born into a world of hierarchy and deference, early American money eroded old social ties and created new asymmetries of power, functioning simultaneously as a ticket to the world of goods, a lifeline for those on the margins, and a tool of imperial domination. Grounded in sustained engagement with scholarship from multiple disciplines, Promise to Pay breathes new life into old debates and offers an incisive account of the centrality of money in the politics and conflicts of empire, community, and everyday life.

Promised Land: How the Rise of the Middle Class Transformed America, 1929-1968

by David Stebenne

A timely work of groundbreaking history explains how the American middle class ballooned at mid-century until it dominated the nation, showing who benefited and what brought the expansion to an end. In Promised Land, David Stebenne examines the extraordinary revival of the middle class in mid-twentieth century America and how it drastically changed the country. The story begins with the pervasive income and wealth inequality of the pre-New Deal period. What followed—Roosevelt&’s reforms, the regulation of business and finance, higher taxation of the truly affluent, and greater government spending—began a great leveling. World War II brought the military draft and the GI Bill, similarly transformative elements that also helped expand the middle class. For decades, economic policies and cultural practices strengthened the trend, and by the 1960s the middle class dictated American tastes from books to TV shows to housing to food, creating a powerful political constituency with shared interests and ideals. The disruptive events of 1968, however, signaled the end of this headlong expansion. The cultural clashes and political protests of that era turned a spotlight on how the policies and practices of the middle-class era had privileged white men over women, people of color, and other marginalized groups, as well as economic growth over environmental protection. These conflicts, along with shifts in policy and economic stagnation, started shrinking that vast middle class and challenging its values, trends that continue to the present day. Now, as the so-called &“end of the middle class&” dominates the news cycle and politicians talk endlessly about how to revive it, Stebenne&’s vivid history of a social revolution that produced a new and influential way of life reveals the fascinating story of how it was achieved and the considerable costs incurred along the way. In the form of a revealing history, Promised Land shines more than a little light on our possible future.

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