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Shipwrecked: Coastal Disasters and the Making of the American Beach
by Jamin WellsReframing the American story from the vantage point of the nation's watery edges, Jamin Wells shows that disasters have not only bedeviled the American beach--they created it. Though the American beach is now one of the most commercialized, contested, and engineered places on the planet, few people visited it or called it home at the beginning of the nineteenth century. By the twentieth century, the American beach had become the summer encampment of presidents, a common destination for millions of citizens, and the site of rapidly growing beachfront communities. Shipwrecked tells the story of this epic transformation, arguing that coastal shipwrecks themselves changed how Americans viewed, used, and inhabited the shoreline.Drawing on a broad range of archival material--including logbooks, court cases, personal papers, government records, and cultural ephemera--Wells examines how shipwrecks laid the groundwork for the beach tourism industry that would transform the American beach from coastal frontier to oceanfront playspace, spur substantial state and private investment alongshore, reshape popular ideas about the coast, and turn the beach into a touchstone of the American experience.
Shipwrecks of Lake Erie: Tragedy in the Quadrangle (Disaster Ser.)
by David FrewA history of Lake Erie&’s most mysterious and notorious wrecks and disappearances.The great lakes have seen many ships meet their end, but none so much as Lake Erie. As the shallowest of the Great Lakes, Lake Erie is prone to sudden waves and wildly shifting sandbars. The steamer Atlantic succumbed to these conditions when, in 1852, a late-night collision brought sixty-eight of its weary immigrant passengers to watery graves. The 1916 Black Friday Storm sank four ships—including the &“unsinkable&” James B. Colgate—in the course of its twenty-hour tantrum over the lake. In 1954, a difficult fishing season sent the Richard R into troubled waters in the hopes of catching a few more fish. One of the lake's sudden storms drowned the boat and three-man crew. At just fifty miles wide and 200 miles long, Lake Erie has claimed more ships per square mile than any other body of freshwater. Author David Frew dives deep to discover the mysteries of some of Lake Erie&’s most notorious wrecks.&“Well-illustrated with maps, historic and contemporary photographs, and various advertisements and news announcements, Frew&’s engaging study ends with a reasoned, historically grounded discussion of the question, &“Is Lake Erie&’s shipwreck era over?&” —OHS Bulletin
Shipwrecks of Stellwagen Bank: Disaster in New England's National Marine Sanctuary (Disaster)
by John Galluzzo Matthew Lawrence Deborah MarxBeneath the churning surface of Stellwagen Bank National Marine Sanctuary rest the bones of shipwrecks and sailors alike. Massachusetts' ports connected its citizens to the world, and the number of merchant and fishing vessels grew alongside the nation's development. Hundreds of ships sank on the trade routes and fishing grounds between Cape Cod and Cape Ann. Their stories are waiting to be uncovered--from the ill-fated steamship Portland to collided schooners Frank A. Palmer and Louise B. Crary and the burned dragger Joffre. Join historian John Galluzzo and maritime archaeologists Matthew Lawrence and Deborah Marx as they dive in to investigate the sunken vessels and captivating history of New England's only national marine sanctuary.
Shirley Chisholm
by Barbara WinslowA staunch proponent of breaking down racial and gender barriers, Shirley Chisholm had the esteemed privilege of being a pioneer in many aspects of her life. She was the first African American woman from Brooklyn elected to the New York State legislature and the first African American woman elected to Congress in 1968. She also made a run for the Democratic Party nomination for president in 1972. Focusing on Chisholm’s lifelong advocacy for fair treatment, access to education, and equal pay for all American minority groups, this book explores the life of a remarkable woman in the context of twentieth-century urban America and the tremendous social upheaval that occurred after World War II. About the Lives of American Women series: Selected and edited by renowned women’s historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a women’s life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a "good read,” featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject’s perspective in her own words. Study questions and an annotated bibliography support the student reader.
Shirley Chisholm in Her Own Words: Speeches and Writings
by Zinga Fraser"A timely, detailed, and inspiring book that helps maintain the intellectual legacy of Shirley Chisholm. The book reveals new dimensions of the congresswoman's politics, activism, and spirit."—Regina King, Academy Award–winning actor and star of ShirleyLooking beyond her political symbolism to celebrate not only who Shirley Chisholm was but who she is—a revolutionary thinker with much to teach us today. In the midst of her groundbreaking twenty-year career in the U.S. House of Representatives, Congresswoman Shirley Chisholm once declared, "Everyone—with the exception of the black woman herself—has been interpreting the black woman." Edited by Zinga A. Fraser, the leading scholar dedicated to the study of Chisholm's legacy, Shirley Chisholm in Her Own Words gives readers a rare opportunity to engage with the congresswoman's powerful ideas in her own voice. Many Americans are familiar with Chisholm's importance as the first Black woman in Congress and the first woman and African American to run for president with either major party. This long-overdue treatment of her work establishes Chisholm as an unparalleled public intellectual and Black feminist both in her time and now. The book not only contextualizes the Civil Rights and Black Power era; it also provides timeless insights on issues that are exceedingly relevant in our current moment. Featuring a captivating introduction by Fraser, Shirley Chisholm in Her Own Words introduces a new generation to one of the most impactful proponents of democracy in America.
Shirts Powdered Red: Haudenosaunee Gender, Trade, and Exchange across Three Centuries
by Maeve KaneBeginning with a purchased shirt and ending with a handmade dress, Shirts Powdered Red shows how Haudenosaunee women and their work shaped their nations from the sixteenth century through the nineteenth century.By looking at clothing that was bought, created, and remade, Maeve Kane brings to life how Haudenosaunee women used access to global trade to maintain a distinct and enduring Haudenosaunee identity in the face of colonial pressures to assimilate and disappear. Drawing on rich oral, archival, material, visual, and quantitative evidence, Shirts Powdered Red tells the story of how Haudenosaunee people worked to maintain their nations' cultural and political sovereignty through selective engagement with trade and the rhetoric of civility, even as Haudenosaunee clothing and gendered labor increasingly became the focus of colonial conversion efforts throughout the upheavals and dispossession of the nineteenth century. Shirts Powdered Red offers a sweeping, detailed cultural history of three centuries of Haudenosaunee women's labor and their agency to shape their nations' future.
Shit Is Fucked Up And Bullshit: History Since the End of History
by Malcolm HarrisFrom the writer hailed for giving voice to a generation in Kids These Days comes a bold rejection of a society in which inequality, student debt, and exploitation have come to define our livesOur economic situation, political discourse, and future prospects have gotten much worse since a guy brought a sign that said "Shit is Fucked Up and Bullshit" to the Occupy Wall Street protests. We all knew what he meant then . . . but where are we now? And how has so much happened since the so-called end of history?Malcolm Harris, one of our sharpest and most versatile critics, tackles these questions in over 30 new and selected pieces, examining everything from the lowering of wages to the rise of fascism--and the maddening cultural landscape in between. Along the way, he cops to being the guy who tricked protestors into thinking Radiohead was playing Occupy Wall Street; investigates why the robots that will replace us so often look like sex objects; and, most comfortingly, assures us that Marx saw the necessity of a crisis moment just like the one we're in. Rarely does a writer come along who can turn our world so thoroughly upside-down that we can finally understand it for what it really is, but Harris's wry and biting essays do just that, and help us laugh at what we see.
Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
by Lindy West**Your Favorite Movies, Re-Watched**New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.
Shitstorms, Lügen, Sex: Steinzeitrituale in Gruppen und Hierarchien
by Gerhard SchwarzIst es Ihnen auch schon passiert, dass Sie im Aufzug auf den Knopf für das siebte Stockwerk gedrückt hatten, aber im fünften Stockwerk ausstiegen, weil alle anderen ausstiegen? Sie fahren nur dann weiter, wenn Sie diesen unbewussten Drang überwinden und sich mithilfe Ihrer Vernunft überlegen, dass Sie eigentlich in das siebente Stockwerk wollen. Der Drang, mit den anderen zusammen auszusteigen, ist ein archaisches Muster, das einstmals in der Steinzeit den Sinn hatte (und meist bis heute noch hat), in einer Gruppe, zu der Sie immerhin vom Erdgeschoss bis zum fünften Stockwerk gehörten, ein einheitliches Verhalten herzustellen. Gruppen, die diesen Konformitätsdruck nicht entwickeln, haben geringere Erfolgschancen als solche, denen es gelingt, ihre Mitglieder „gleichzuschalten“. Sigmund Freud nannte vor 100 Jahren diesen Drang des Individuums, Gruppenverhalten nachzuahmen „unbewusst“. Die moderne Gehirnforschung gibt ihm weitgehend recht. Auch die Gruppendynamik erkennt immer mehr solcher unbewussten Verhaltensmuster, die plötzlich in Gruppen auftreten und meist alle Mitglieder der Gruppe mit einbeziehen. Eine Gruppe kann sich dann auch ganz „irrational“ verhalten und Handlungen setzen, die ihr später – wieder bei vollem Bewusstsein – leidtun. Denn Gruppen – und nicht nur sie – verhalten sich nicht immer rational. Unter bestimmten Bedingungen geht die Vernunft verloren und es greifen archaische Muster. Die Psychologie verwendet dafür das Wort „Regression“, was eigentlich „Rückfall“ bedeutet. Aber wohin fallen wir zurück?Videos per App: Laden Sie die Springer Nature More Media kostenlos herunter - Abbildungen im Buch per App mit Handy oder Tablet scannen, um Videos zu streamen.
Shivers Down Your Spine: Cinema, Museums, and the Immersive View (Film and Culture Series)
by Alison GriffithsFrom the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time.Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.
Shock Therapy: Psychology, Precarity, and Well-Being in Postsocialist Russia
by Tomas MatzaAfter the collapse of the Soviet Union, Russia witnessed a dramatic increase in psychotherapeutic options, which promoted social connection while advancing new forms of capitalist subjectivity amid often-wrenching social and economic transformations. In Shock Therapy Tomas Matza provides an ethnography of post-Soviet Saint Petersburg, following psychotherapists, psychologists, and their clients as they navigate the challenges of post-Soviet life. Juxtaposing personal growth and success seminars for elites with crisis counseling and remedial interventions for those on public assistance, Matza shows how profound inequalities are emerging in contemporary Russia in increasingly intimate ways as matters of selfhood. Extending anthropologies of neoliberalism and care in new directions, Matza offers a profound meditation on the interplay between ethics, therapy, and biopolitics, as well as a sensitive portrait of everyday caring practices in the face of the confounding promise of postsocialist democracy.
Shock Waves
by Adrien Vogt-Schilb Ulf Narloch Stephane Hallegatte Laura Bonzanigo Julie Rozenberg Mook Bangalore Tamaro Kane Fay David TreguerEnding poverty and stabilizing climate change will be two unprecedented global achievements and two major steps toward sustainable development. But the two objectives cannot be considered in isolation: they need to be jointly tackled through an integrated strategy. This report brings together those two objectives and explores how they can more easily be achieved if considered together. It examines the potential impact of climate change and climate policies on poverty reduction. It also provides guidance on how to create a "win-win ? situation so that climate change policies contribute to poverty reduction and poverty-reduction policies contribute to climate change mitigation and resilience building. The key finding of the report is that climate change represents a significant obstacle to the sustained eradication of poverty, but future impacts on poverty are determined by policy choices: rapid, inclusive, and climate-informed development can prevent most short-term impacts whereas immediate pro-poor, emissions-reduction policies can drastically limit long-term ones.
Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-first Century
by Simon Reynolds“Tawdry, ridiculous, pretentious, and crass, glam produced some of the most sublime pop music of its era. Now it has a history worthy of it.” —Los Angeles Review of BooksNPR Great Read of 2016Spearheaded by David Bowie, Alice Cooper, T. Rex, and Roxy Music, glam rock reveled in artifice and spectacle. Reacting against the hairy, denim-clad rock bands of the late Sixties, glam was the first true teenage rampage of the new decade. In Shock and Awe, renowned music critic Simon Reynolds takes you on a wild cultural tour through the early Seventies, a period packed with glitzy costumes and alien make-up, thrilling music and larger-than-life personas.Shock and Awe offers a fresh, in-depth look at the glam and glitter phenomenon, placing it in the wider Seventies context of social upheaval and political disillusion. It explores how artists like Lou Reed, New York Dolls, and Queen broke with the hippie generation, celebrating illusion and artifice over truth and authenticity. Probing the genre’s major themes—stardom, androgyny, image, decadence, fandom, apocalypse—Reynolds tracks glam’s legacy as it unfolded in subsequent decades, from Eighties art-pop icons like Kate Bush through to twenty-first century idols of outrage such as Lady Gaga. Shock and Awe shows how the original glam artists’ obsessions with fame, extreme fashion, and theatrical excess continue to reverberate through contemporary pop culture.“Giddy and wonderful . . . Shock and Awe is hard to rein in because it’s about more than glam rock. It’s about the magic of the popular (important word: popular) arts at their most inventive and curious, about adventure dressed up and turned up, brazenly changing the world.” —The Guardian
Shock to the System: Coups, Elections, and War on the Road to Democratization
by Michael K. MillerHow violent events and autocratic parties trigger democratic changeHow do democracies emerge? Shock to the System presents a novel theory of democratization that focuses on how events like coups, wars, and elections disrupt autocratic regimes and trigger democratic change. Employing the broadest qualitative and quantitative analyses of democratization to date, Michael Miller demonstrates that more than nine in ten transitions since 1800 occur in one of two ways: countries democratize following a major violent shock or an established ruling party democratizes through elections and regains power within democracy. This framework fundamentally reorients theories on democratization by showing that violent upheavals and the preservation of autocrats in power—events typically viewed as antithetical to democracy—are in fact central to its foundation.Through in-depth examinations of 139 democratic transitions, Miller shows how democratization frequently follows both domestic shocks (coups, civil wars, and assassinations) and international shocks (defeat in war and withdrawal of an autocratic hegemon) due to autocratic insecurity and openings for opposition actors. He also shows how transitions guided by ruling parties spring from their electoral confidence in democracy. Both contexts limit the power autocrats sacrifice by accepting democratization, smoothing along the transition. Miller provides new insights into democratization’s predictors, the limited gains from events like the Arab Spring, the best routes to democratization for long-term stability, and the future of global democracy.Disputing commonly held ideas about violent events and their effects on democracy, Shock to the System offers new perspectives on how regimes are transformed.
Shock-shift in an Enlarged Europe: Geography of Socio-economic Change in East-central Europe After 1989 (Routledge Revivals)
by F. W. Carter W. MaikFirst published in 1999, this volume emerged in the wake of the collapse of the Soviet Union and focuses on a geographical analysis of problems associated with socio-economic changes taking place in East-Central Europe. The idea behind these contributions is to provide a confrontation of two viewpoints. The major chapters are written by East European scholars, followed by discussions held with their Western European counterparts. The idea was to provide depth and clarity to the debate on understanding those geographical problems facing the emerging East European states nearly a decade after the fall of the Iron Curtain. Contributors explore areas including the Polish economy, environmental geopolitics in the Czech Republic and the belt of opportunity and instability in Albania, Macedonia and Bulgaria.
Shocking True Story: The Rise and Fall of Confidential, “America’s Most Scandalous Scandal Magazine”
by Henry E. ScottHumphrey Bogart said of Confidential: "Everybody reads it but they say the cook brought it into the house" . . . Tom Wolfe called it "the most scandalous scandal magazine in the history of the world" . . . Time defined it as "a cheesecake of innuendo, detraction, and plain smut . . . dig up one sensational 'fact,' embroider it for 1,500 to 2,000 words. If the subject thinks of suing, he may quickly realize that the fact is true, even if the embroidery is not." Here is the never-before-told tale of Confidential magazine, America's first tabloid, which forever changed our notion of privacy, our image of ourselves, and the practice of journalism in America. The magazine came out every two months, was printed on pulp paper, and cost a quarter. Its pages were filled with racy stories, sex scandals, and political exposés. It offered advice about the dangers of cigarettes and advocated various medical remedies. Its circulation, at the height of its popularity, was three million. It was first published in 1952 and took the country by storm. Readers loved its lurid red-and-yellow covers; its sensational stories filled with innuendo and titillating details; its articles that went far beyond most movie magazines, like Photoplay and Modern Screen, and told the real stories such trade publications as Variety and the Hollywood Reporter couldn't, since they, and the movie magazines, were financially dependent on--or controlled by--the Hollywood studios. In Confidential's pages, homespun America was revealed as it really was: our most sacrosanct movie stars and heroes were exposed as wife beaters (Bing Crosby), homosexuals (Rock Hudson and Liberace), neglectful mothers (Rita Hayworth), sex obsessives (June Allyson, the cutie with the page boy and Peter Pan collar), mistresses of the rich and dangerous (Kim Novak, lover of Ramfis Trujillo, playboy son of the Dominican Republic dictator). Confidential's alliterative headlines told of tawny temptresses (black women passing for white), pinko partisans (liberals), lisping lads (homosexuals) . . . and promised its readers what the newspapers wouldn'treveal: "The Real Reason for Marilyn Monroe's Divorce" . . . How "James Dean Knew He Had a Date with Death" . . . The magazine's style, success, and methods ultimately gave birth to the National Enquirer, Star, People, E!, Access Hollywood, and TMZ . . . We see the two men at the magazine's center: its founder and owner, Robert Harrison, a Lithuanian Jew from New York's Lower East Side who wrote for The New York Graphic and published a string of girlie magazines, including Titter, Wink, and Flirt (Bogart called the magazine's founder and owner the King of Leer) . . . and Confidential 's most important editor: Howard Rushmore, small-town boy from a Wyoming homestead; passionate ideologue; former member of the Communist Party who wrote for the Daily Worker, renounced his party affiliation, and became a virulent Red-hunter; close pal of FBI director J. Edgar Hoover and expert witness before the House Committee on Un-American Activities, naming the names of actors and writers Rushmore claimed had been Communists and fellow travelers. Henry Scott writes the story of two men, who out of their radically different pasts and conflicting obsessions, combined to make the magazine the perfect confluence of explosive ingredients that reflected the America of its time, as the country struggled to reconcile Hollywood's blissful fantasy of American life with the daunting nightmare of the nuclear age . . .From the Hardcover edition.
Shocking the Conscience: A Reporter's Account of the Civil Rights Movement
by Simeon BookerWithin a few years of its first issue in 1951, Jet, a pocket-sized magazine, became the “bible” for news of the civil rights movement. It was said, only half-jokingly, “If it wasn’t in Jet, it didn't happen.” Writing for the magazine and its glossy, big sister Ebony, for fifty-three years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America. Rather than tracking the freedom struggle from the usually cited ignition points, Shocking the Conscience begins with a massive voting rights rally in the Mississippi Delta town of Mound Bayou in 1955. It’s the first rally since the Supreme Court’s Brown decision struck fear in the hearts of segregationists across the former Confederacy. It was also Booker’s first assignment in the Deep South, and before the next run of the weekly magazine, the killings would begin. Booker vowed that lynchings would no longer be ignored beyond the black press. Jet was reaching into households across America, and he was determined to cover the next murder like none before. He had only a few weeks to wait. A small item on the AP wire reported that a Chicago boy vacationing in Mississippi was missing. Booker was on it, and stayed on it, through one of the most infamous murder trials in US history. His coverage of Emmett Till’s death lit a fire that would galvanize the movement, while a succession of US presidents wished it would go away. This is the story of the century that changed everything about journalism, politics, and more in America, as only Simeon Booker, the dean of the black press, could tell it.
Shoes Were For Sunday
by Molly Weir'Poverty is a very exacting teacher and I had been taught well'The post-war urban jungle of the Glasgow tenements was the setting for Molly Weir's childhood. From sharing a pull-out bed in her mother's tiny kitchen to running in terror from the fever van, it was an upbringing that was cemented in hardship. Hunger, cold and sickness was an everyday reality and complaining was not an option. Despite the crippling poverty, there was a vivacity to the tenements that kept spirits high. Whether Molly was brushing the hair of her wizened neighbour Mrs MacKay, running to Jimmy's chip shop for a ha'penny of crimps or dancing at the annual fair, there wasn't a moment to spare for self-pity. Molly never let it get her down as she and the other urchins knew how to make do with nothing.And at the centre of her world was her fearsome but loving Grannie, whose tough, independent spirit taught Molly to rise above her pitiful surroundings and achieve her dreams.
Shoguns City
by Noel Nouet M. Mills J. MillsFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Shoot to kill: Police accountability, firearms and fatal force
by Maurice PunchThe shooting of Jean Charles de Menezes at Stockwell underground station in 2005 raised acute issues about operational practice, legitimacy, accountability and policy making regarding police use of fatal force. It dramatically exposed a policy, referred to popularly as 'shoot to kill', which came not from Parliament but from the non-statutory ACPO (Association of Chief Police Officers). This vital and timely book unravels these often misunderstood matters with a fresh look at firearms practice and policy in a traditionally 'unarmed' police service. It is essential reading for all those interested in the state's role in defining coercion and in policing a democracy.
Shooting Hipsters: Rethinking Dissent in the Age of PR
by Christiana SpensIn an age of PR, public protest and other forms of dissent have lost their meaning and impact. The intense media interest in rioting and political violence, as well as an existing obsession with youth culture, have led to an over-saturation and misrepresentation of what these movements are about. Political protest has become a pantomime where activists are always villains, and therefore the politics of these groups are routinely ignored. By identifying the ways in which publicity has helped and hindered a wide range of movements, Shooting Hipsters will find out the ways in which dissenting groups can thrive and survive in a media-saturated age, as well as describing the common ways that they can be undermined.
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
by Glenn Frankel"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The GuardianThe Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture.Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer.Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself.Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery.Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success.By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.
Shooting Terror: Terrorism in Hindi Films
by Meenakshi BharatShooting Terror highlights the disturbing immediacy of acts of terror and how cinema responds to them. It follows the changing representations of terrorism in Hindi cinema by fielding in-depth textual analyses of films such as Roja, Maachis, Black Friday, Tere Bin Laden, Uri: The Surgical Strike, among others. It traces how terror and the terrorist have come to be viewed in the Indian cultural space and lays the grounds for a multivalent, perspectival reading of cinema and terrorism. Moving from the threat of terror condensed in the Mogambo-esque villain in Mr India, to the showcasing of terror and the terrorist in their lived-in realities in Haider and Shahid, the book explores the fraught connections between terror and the themes of devastation and trauma; between terror and the urban cityscape. It also seeks to highlight the place of humour and satire in films on terrorism and the presence of the reactionary far right in these films. One of the first books to present a composite picture of terrorism in contemporary Hindi cinema, this volume will be of interest to researchers and academics of cultural studies, media and film studies, and the study of socio-psychological violence in media and culture.
Shooting for a Century
by Stephen P. CohenThe rivalry between India and Pakistan has proven to be one of the world's most intractable international conflicts, ever since 1947 when the British botched their departure from the South Asian subcontinent. And the enmity is likely to continue for another thirty-five years, reaching the century mark. This has critical implications for both countries and the rest of the world. Renowned South Asia expert Stephen P. Cohen explains why he expects this rivalry to continue in this first comprehensive survey of the deep historical, cultural, and strategic differences that underpin the hostility.In recent years the stakes have increased as India and Pakistan have each acquired a hundred or more nuclear weapons, blundered into several serious crises, and become victims of terrorism, some of it from across their borders. America is puzzled by the problem of dealing with a rising India and a struggling Pakistan, and Cohen offers a fresh approach for U.S. policy in dealing with these two powers.Drawing on his rich experience in South Asia to explore the character, depth, and origin of Indian and Pakistani attitudes toward each other, Cohen develops a comprehensive theory of why the dispute between New Delhi and Islamabad is likely to persist. He also describes the terrible cost of this animosity for the citizens of India and Pakistan, including the region's high levels of violence and low level of economic integration. On a more hopeful note, however, he goes on to suggest developments that could ameliorate the tension, including a more active role for the UnitedStates in addressing a range of issues that divide the nations. Kashmir is one of these issues, but as much a consequence as a cause of the rivalry.Can India and Pakistan resolve their many territorial and identity issues? Perhaps the best they can expect in the near term is a limited degree of normalization, including bottom-up ideas generated by the peace and business communities, as well as a realistic assessment by strategic elites of the two states' shared common interests."Right now, full normalization seems unlikely," Cohen writes in the preface, "so this book is suffused with conditional pessimism: normalization would be desirable, but there are worse futures than a projection of the present rivalry for another thirty years or more."
Shooting the Messenger: Criminalising Journalism (The Criminalization of Political Dissent)
by Andrew FowlerIf the Al-Qaeda terrorists who attacked the United States in 2001 wanted to weaken the West, they achieved their mission by striking a blow at the heart of democracy. Since 9/11 governments including those of the USA, the UK, France and Australia have introduced tough, intimidating legislation to discourage the legitimate activities of a probing press, so greatly needed after the Iraq War proved that executive government could not be trusted. Often hiding behind arguments about defending national security and fighting the war on terror, governments criminalised legitimate journalistic work, ramping up their attacks on journalists’ sources, and the whistle-blowers who are so essential in keeping governments honest. Through detailed research and analysis, this book, which includes interviews with leading figures in the field, including Edward Snowden, explains how mass surveillance and anti-terror laws are of questionable value in defeating terrorism, but have had a ‘chilling effect’ on one of the foundations of democracy: revelatory journalism.