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A Sound Engineers Guide to Audio Test and Measurement
by Glen BallouThis book offers a quick guide and complete reference to the fundamentals of test and measurement for all aspects of sound engineering.Including electrical and acoustic testing, measurement systems, levels, methods, protecting the ear, units of measurement and standards, this guide comes with and multiple tables to ensure quick easy access to information and illustrate points this is a must have reference for all audio engineers.
Sound Engineer's Pocket Book
by Michael Talbot-SmithA handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound:Noise measurement AcousticsMicrophonesLoudspeakersMixing equipmentCDs, DAT, MIDI, MiniDisc TelephonyISDNDigital interfacingUltrasonics This second edition also features:Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements.An extended list of further reading.
Sound for Moving Pictures: The Four Sound Areas (Sound Design)
by Neil HillmanSound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.
Sound FX: Unlocking the Creative Potential of Recording Studio Effects
by Alex CaseFX introduces today's up and coming musician to the fantastic creative potential of the most popular instrument today- the home studio. Explaining the basic and advanced signal processing techniques used in professional music production (EQ, compression, delay, reverb etc), using real world popular music examples and an emphasis on the perceptual results and musical value of these effects, FX teaches the Recording Musician how to achieve professional production standards and maximise their creative potential. The accompanying website www.soundfx-companion.com includes audio exaples of FX featured in the book.Features: A chapter dedicated to each key effect: Distortion Equalization Compression and Limiting Delay Expansion and Gating Pitch Shift Reverb Volume More than 100 line drawings and illustrations. Accompanying website featuring examples of all FX covered in the book. Discography of FX at the end of each relevant chapter. From the Sound FX Intro: The most important music of our time is recorded music. The recording studio is its principle musical instrument. The recording engineers and music producers who create the music we love know how to use signal processing equipment to capture the work of artists, preserving realism or altering things wildly, as appropriate. While the talented, persistent, self-taught engineer can create sound recordings of artistic merit, more productive use of the studio is achieved through study, experience and collaboration. This book defines the technical basis of the most important signal processing effects used in the modern recording studio, highlights the key drivers of sound quality associated with each, shares common production techniques used by recording engineers with significant experience in the field, references many of the touchstone recordings of our time, and equips the reader with the knowledge needed to comfortably use effects devices correctly, and, more importantly, to apply these tools creatively.
Sound Insulation
by Carl HopkinsSound insulation is an important aspect of building performance. This book is a comprehensive guide to sound and vibration theory and its application to the measurement and prediction of sound insulation in buildings. It enables the reader to tackle a wide range of issues relating to sound insulation during the design and construction stages of a building, and to solve problems in existing buildings. The book has been written for engineers, consultants, building designers, students in acoustics, researchers and those involved in the manufacture and design of building products. Key aspects are that it:* Explains the fundamental theory using examples that show its direct application to buildings* Guides the reader through the links between measurement and theory* Explains concepts that are important for the application, interpretation and understanding of guidance documents, test reports, product data sheets, published papers, regulations and Standards* Makes direct reference to ISO and EN Standards on sound insulation* Contains a large number of illustrations showing measurements, predictions and example calculations for quick referenceCarl Hopkins previously worked on building acoustics and environmental noise at the Building Research Establishment. During this time he was involved with sound insulation in research, consultancy, standardization, and building regulations as well as being an advisor on acoustics to government departments. He is currently a Senior Lecturer at the University of Liverpool within the Acoustics Research Unit of the School of Architecture.
Sound Insulation in Buildings
by Jens Holger RindelThe book explains sound insulation in buildings at a level suitable for both graduate students and expert consultants. Theoretical models are set out for sound transmission in buildings, with an emphasis on thick and heavy constructions. Thus, the description is not restrained by the common assumption of bending waves which is characteristic of thin plates, only. A general description is provided, with the modal density in the structures as a key parameter. At low frequencies statistical energy analysis is replaced by modal energy analysis. Sound transmission through windows and facades is represented by a model that allows any angle on incidence, including the special case of grazing incidence. One chapter is devoted to the subjective evaluation of sound insulation, particularly noise from neighbours, and how this can be applied in a sound classification scheme for dwellings. Measurement methods in building acoustics are presented with emphasis on modern methods using MLS signals or sine sweeps. The analysis and estimation of measurement uncertainty is discussed in detail. In a final chapter examples of experimental buildings with high sound insulation are explained.
Sound Intensity
by Frank FahyThe advent of instruments capable of measuring sound intensity, which represents the flow of energy in sound fields, has revolutionised audio-frequency acoustical metrology. Since publication of the first edition, two International Standards for the use of sound intensity for sound source power determination, and one International Standard for sound intensity instrumentation, have also been published. A number of International Standards have also been developed.
Sound Inventions: Selected Articles from Experimental Musical Instruments (Sound Design)
by Bart Hopkin Sudhu TewariSound Inventions is a collection of 34 articles taken from Experimental Musical Instruments, the seminal journal published from 1984 through 1999. In addition to the selected articles, the editors have contributed introductory essays, placing the material in cultural and temporal context, providing an overview of the field both before and after the time of original publication. The Experimental Musical Instruments journal contributed extensively to a number of sub-fields, including sound sculpture and sound art, sound design, tuning theory, musical instrument acoustics, timbre and timbral perception, musical instrument construction and materials, pedagogy, and contemporary performance and composition. This book provides a picture of this important early period, presenting a wealth of material that is as valuable and relevant today as it was when first published, making it essential reading for anyone researching, working with or studying sound.
The Sound of a Room: Memory and the Auditory Presence of Place
by Seán StreetWhat does a place sound like – and how does the sound of place affect our perceptions, experiences, and memories? The Sound of a Room takes a poetic and philosophical approach to exploring these questions, providing a thoughtful investigation of the sonic aesthetics of our lived environments. Moving through a series of location-based case studies, the author uses his own field recordings as the jumping-off point to consider the underlying questions of how sonic environments interact with our ideas of self, sense of creativity, and memories. Advocating an awareness born of deep listening, this book offers practical and poetic insights for researchers, practitioners, and students of sound.
Sound of Impact: The Legacy of TWA 514
by Adam ShawFeelings of the victims' families is summarized in this book. The victims include a pregnant woman, an adolescent boy, a political aide and a young marine besides others from different walks of life.
The Sound of Silence: Lowest-Noise RIAA Phono-Amps: Designer's Guide
by Burkhard VogelThere is a wide field of tasks left that can only be satisfyingly attacked with the help of old-fashioned analogue technology, and one of the most important are amplifiers for analogue signals. The strongly expanded content of the second edition of "the sound of silence" leads to affordable amplifier design approaches which will end up in lowest-noise solutions not far away from the edge of physical boundaries set by room temperature and given cartridges - thus, fully compatible with very expensive so called "high-end" or "state-of-the-art" offers on today markets - and, from a noise point of view in most cases outperforming them! With easy to follow mathematical treatment it is demonstrated as well that theory is not far away from reality. Measured SNs will be found within 1dB off the calculated ones and deviations from the exact amplifier transfer won't cross the ± 0.1dB tolerance lines. Additionally, the book presents measurement set-ups and results. Consequently, comparisons with measurement results of test magazine will soon become easier to perform. This new edition includes a new chapters about reference levels, Noise in Amp Input sections, Humming Problems, and much more.
Sound of Worship: A handbook of acoustics and sound system design for the church
by Doug JonesWhether you are designing a new system or need to update and get the most out of the one in place Sound of Worship will offer essential information to guide and inform you choices. Written to give the context to help you focus your choices as well as the technical information to understand options, this essential guide will help you avoid costly mistakes when working with acoustics and the sound systems of the church. When planning a system this book has you covered! Considering everything from building design and understanding the purpose and use of the sound system to the technical aspects of the acoustic equipment and sound specification and types. The website has numerous audio examples to illustrate points made and tools used in the book. It demonstrate the terms used and what different choices will sound like, with before and after recordings of acoustic treatment and how it effects the overall sound of the church.
Sound - Perception - Performance
by Rolf BaderMusical Performance covers many aspects like Musical Acoustics, Music Psychology, or motor and prosodic actions. It deals with basic concepts of the origin or music and its evolution, ranges over neurocognitive foundations, and covers computational, technological, or simulation solutions. This volume gives an overview about current research in the foundation of musical performance studies on all these levels. Recent concepts of synchronized systems, evolutionary concepts, basic understanding of performance as Gestalt patterns, theories of chill as performance goals or historical aspects are covered. The neurocognitive basis of motor action in terms of music, musical syntax, as well as therapeutic aspects are discussed. State-of-the-art applications in performance realizations, like virtual room acoustics, virtual musicians, new concepts of real-time physical modeling using complex performance data as input or sensor and gesture studies with soft- and hardware solutions are presented. So although the field is still much larger, this volume presents current trends in terms of understanding, implementing, and perceiving performance.
Sound Person's Guide to Video
by David MellorAn essential guide to all aspects of video technology for sound technicians wishing to broaden their knowledge. It explains in a highly readable and engaging way, the key technologies and issues, as well as the terms, acronyms and definitions. Although intended for the sound professional, this book will also appeal to anyone involved in working with video. Everything is covered: from how television and video cameras work to digital video recording, electronic news gathering, nonlinear editing, video effects as well as telecine, widescreen technology and the home cinema. The book also takes a look at the impact of digital technology on production methods and examines the technology and rationale behind digital television, High Definition Television, and DVD. It concludes with the use of video in multimedia and the internet.Based on a series of popular articles in Audio Media magazine, this a vital introductory work for students and professionals wishing to broaden their knowledge of video.
Sound Reinforcement for Audio Engineers
by Wolfgang AhnertSound Reinforcement for Audio Engineers illustrates the current state of the art in sound reinforcement. Beginning with an outline of various fields of applications, from sports venues to religious venues, corporate environments and cinemas, this book is split into 11 chapters covering room acoustics, loudspeakers, microphones and acoustic modelling among many other topics. This comprehensive book packed with references and a historical overview of sound reinforcement design is an essential reference book for students of acoustics and electrical engineering, but also for engineers looking to expand their knowledge of designing sound reinforcement systems.
The Sound Reinforcement Handbook
by Gary Davis Ralph JonesSound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms.
Sound Reporting
by Jonathan KernPerhaps you've always wondered how public radio gets that smooth, well-crafted sound. Maybe you're thinking about starting a podcast, and want some tips from the pros. Or maybe storytelling has always been a passion of yours, and you want to learn to do it more effectively. Whatever the case--whether you're an avid NPR listener or you aspire to create your own audio, or both--Sound Reporting: The NPR Guide to Audio Journalism and Production will give you a rare tour of the world of a professional broadcaster. Jonathan Kern, who has trained NPR's on-air staff for years, is a gifted guide, able to narrate a day in the life of a host and lay out the nuts and bolts of production with equal wit and warmth. Along the way, he explains the importance of writing the way you speak, reveals how NPR books guests ranging from world leaders to neighborhood newsmakers, and gives sage advice on everything from proposing stories to editors to maintaining balance and objectivity. Best of all--because NPR wouldn't be NPR without its array of distinctive voices--lively examples from popular shows and colorful anecdotes from favorite personalities animate each chapter. As public radio's audience of millions can attest, NPR's unique guiding principles and technical expertise combine to connect with listeners like no other medium can. With today's technologies allowing more people to turn their home computers into broadcast studios, Sound Reporting couldn't have arrived at a better moment to reveal the secrets behind the story of NPR's success.
Sound Reporting: The NPR Guide to Audio Journalism and Production
by Jonathan KernPerhaps you’ve always wondered how public radio gets that smooth, well-crafted sound. Maybe you’re thinking about starting a podcast, and want some tips from the pros. Or maybe storytelling has always been a passion of yours, and you want to learn to do it more effectively. Whatever the case—whether you’re an avid NPR listener or you aspire to create your own audio, or both—Sound Reporting: The NPR Guide to Audio Journalism and Production will give you a rare tour of the world of a professional broadcaster. <p><p> Jonathan Kern, who has trained NPR’s on-air staff for years, is a gifted guide, able to narrate a day in the life of a host and lay out the nuts and bolts of production with equal wit and warmth. Along the way, he explains the importance of writing the way you speak, reveals how NPR books guests ranging from world leaders to neighborhood newsmakers, and gives sage advice on everything from proposing stories to editors to maintaining balance and objectivity. Best of all—because NPR wouldn’t be NPR without its array of distinctive voices—lively examples from popular shows and colorful anecdotes from favorite personalities animate each chapter. <p> As public radio’s audience of millions can attest, NPR’s unique guiding principles and technical expertise combine to connect with listeners like no other medium can. With today’s technologies allowing more people to turn their home computers into broadcast studios, Sound Reporting couldn’t have arrived at a better moment to reveal the secrets behind the story of NPR’s success.
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms (Audio Engineering Society Presents)
by Floyd E. TooleSound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.
Sound Studio: Audio techniques for Radio, Television, Film and Recording (Library Of Communication Techniques Ser.)
by Alec NisbettThis classic work has inspired and informed a whole generation of artists and technicians working in all branches of the audio industry. Now in its seventh edition, The Sound Studio has been thoroughly revised to encompass the rapidly expanding range of possibilities offered by today's digital equipment. It now covers: the virtual studio; 5.1 surround sound; hard drive mixers and multichannel recorders; DVD and CD-RW.Alec Nisbett provides encyclopaedic coverage of everything from acoustics, microphones and loudspeakers, to editing, mixing and sound effects, as well as a comprehensive glossary.Through its six previous editions, The Sound Studio has been used for over 40 years as a standard work of reference on audio techniques. For a new generation, it links all the best techniques back to their roots: the unchanging guiding principles that have long been observed over a wide range of related media and crafts. The Sound Studio is intended for anyone with a creative or technical interest in sound - for radio, television, film and music recording - but has particularly strong coverage of audio in broadcasting, reflecting the author's prolific career.
Sound Synthesis and Sampling: An Interactive Database Of Audio Examples, Animated Diagrams, Text Notes And Multiple Choice Questions (Music Technology Ser.)
by Martin RussSound Synthesis and Sampling' provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making. For the revised edition emphasis is on expanding explanations of software and computers, new sections include techniques for making sound physically, sections within analog and digital electronics. Martin Russ is well known and the book praised for its highly readable and non-mathematical approach making the subject accessible to readers starting out on computer music courses or those working in a studio.
Sound System Engineering 4e
by Pat Brown Don Davis Eugene PatronisLong considered the only book an audio engineer needs on their shelf, Sound System Engineering provides an accurate, complete and concise tool for all those involved in sound system engineering. Fully updated on the design, implementation and testing of sound reinforcement systems this great reference is a necessary addition to any audio engineering library.Packed with revised material, numerous illustrations and useful appendices, this is a concentrated capsule of knowledge and industry standard that runs the complete range of sound system design from the simplest all-analog paging systems to the largest multipurpose digital systems.
Sound Systems: Modern Techniques and Tools for Sound System Design and Alignment
by Bob McCarthySound Systems: Design and Optimization provides an accessible and unique perspective on the behavior of sound systems in the practical world. The third edition reflects current trends in the audio field thereby providing readers with the newest methodologies and techniques. In this greatly expanded new edition, you’ll find clearer explanations, a more streamlined organization, increased coverage of current technologies and comprehensive case studies of the author’s award-winning work in the field. As the only book devoted exclusively to modern tools and techniques in this emerging field, Sound Systems: Design and Optimization provides the specialized guidance needed to perfect your design skills. This book helps you: Improve your design and optimization decisions by understanding how audiences perceive reinforced sound Use modern analyzers and prediction programs to select speaker placement, equalization, delay and level settings based on how loudspeakers interact in the space Define speaker array configurations and design strategies that maximize the potential for spatial uniformity Gain a comprehensive understanding of the tools and techniques required to generate a design that will create a successful transmission/reception model
Sound Technology and the American Cinema: Perception, Representation, Modernity (Film and Culture Series)
by James LastraRepresentational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film.Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Sound Waves and Acoustic Emission (Synthesis Lectures on Wave Phenomena in the Physical Sciences)
by Claudia Barile Caterina Casavola Giovanni Pappalettera Vimalathithan Paramsamy KannanThe nature of sound is, nowadays, well known and understood so that sound could be synthetically described like the propagation of vibration in elastic media.Sound waves propagate as longitudinal waves, transverse waves, or in mixed modes in different media. The development of applications related to the proper management of the information connected with sound waves. This is the case of so-called acoustic emission. This book introduces the basics of sound waves, their types, propagation in different modes, velocities, and other properties It also introduces the basics of acoustic emission and the different sources of acoustic emission. This book delivers different propagation modes, their significance, and the attenuation and distortion of acoustic waves. One of the overlooked applications of acoustic emission, the acousto-ultrasonic approach is introduced and discussed with practical applications.