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Will You Miss Me When I'm Gone?

Will You Miss Me When I'm Gone? is the first major biography of the Carter Family, the musical pioneers who almost single-handedly established the sounds and traditions that grew into modern folk, country, and bluegrass music -- a style celebrated in O Brother, Where Art Thou?A.P. Carter was a restless man, seemingly in a constant state of motion. On one of his travels across the sparsely settled mountains and valleys that surrounded his home in southern Virginia, he met and married a young girl named Sara Dougherty. Orphaned as a child, Sara was remote by nature but seemed to find release in singing the typically melancholy ballads that were a part of her home tradition.For fun, A.P., Sara, and her cousin Maybelle (who married A.P.'s brother "Eck" Carter) would play and sing the hymns and ballads known in their Poor Valley community, occasionally adding songs A.P. had collected during his travels. Then, in 1927, they traveled to Bristol, Tennessee, to audition for a New York record executive who was hunting "hillbilly" talent and offering an amazing fifty dollars per song for any he recorded. These Bristol recording sessions would become generally accepted as the "Big Bang" of country music, producing two of its first stars: Jimmie Rodgers and the Carter Family.By the early 1930s, the Carter Family was the most bankable country music group in America, with total sales of more than a million records. By the late '30s, they were appearing regularly on high-power radio station XERA, which broadcast from coast to coast. A whole generation of country people could gather around the radio and hear the sound of music that came straight from their world. Johnny Cash in Arkansas, Waylon Jennings in Texas, Chet Atkins in Georgia, and Tom T. Hall in Kentucky all listened to the Carter Family. It was their formal schooling, Country Music 101.Inside the Carter Family, however, things were hardly perfect. Though nobody outside the family knew it, Sara had left her difficult and quixotic husband in 1933. In 1936 she won a divorce. Even throughout the long and painful breakup, the Carters kept performing together, singing an ever-widening range of new songs they wrote or old songs they remade: songs of love, of betrayal, and of the death of fondest hopes. And they kept at it even after Sara married A.P.'s cousin Coy Bays in 1939. After fulfilling a final radio contract in 1943, Sara and Coy moved to California to settle near his family. The original Carter Family never performed or recorded together again.With Sara gone, A.P. retreated home, opened a general store, and lived out the next two decades in obscurity, the odd man out in a new and reconfigured Carter musical clan. Meanwhile, Maybelle and her daughters (Helen, June, and Anita) went out and got themselves new radio contracts, working in Richmond, Virginia; Knoxville, Tennessee; and Springfield, Missouri, before ascending to country music's ultimate stage, Nashville's Grand Ole Opry. Nearly fifty years in the business won Maybelle the title "Mother of Country Music" and the adoration of generations of guitar players and just plain listeners.The story of the Carter Family is a bittersweet saga of love and fulfillment, sadness and loss. Will You Miss Me When I'm Gone? is more than just a biography of a family; it is also a journey into another time, almost another world. But their story resonates today and lives on in the timeless music they created.

Will You Miss Me When I'm Gone: The Carter Family and their Legacy in American Music

Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood

This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood.&“I&’ll be dropping a few names,&” Ed Zwick confesses in the introduction to his book. &“Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.&” He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he&’s known to have a special talent for bringing out the best in the people he&’s worked with, especially the actors. In those intense collaborations, he&’s sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full. Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love—and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won&’t want to miss it.

The VES Handbook of Virtual Production

The VES Handbook of Virtual Production is a comprehensive guide to everything about virtual production available today – from pre-production to digital character creation, building a stage, choosing LED panels, setting up Brain Bars, in-camera compositing of live action and CG elements, Virtual Art Departments, Virtual Previs and scouting, best practices and much more. Current and forward-looking, this book covers everything one may need to know to execute a successful virtual production project – including when it is best to use virtual production and when it is not. More than 80 industry leaders in all fields of virtual production share their knowledge, experiences, techniques, and best practices. The text also features charts, technical drawings, color images, and an extensive glossary of virtual production terms. The VES Handbook of Virtual Production is a vital resource for anyone wishing to gain essential knowledge in all aspects of virtual production. This is a must-have book for both aspiring and veteran professionals. It has been carefully compiled by the editors of The VES Handbook of Visual Effects.

The VES Handbook of Virtual Production

Our handbook on Virtual Production is written in conjunction with the Visual Effects Society, guaranteeing the most expert advice in all areas of Virtual Production. It is a first of its kind handbook on this nascent technology, pooling insights from a vast array of different practitioners, to create a truly comprehensive reference book. It covers not only the software, hardware, and workflows, but also the types of jobs training needed for VP – the book starts from the ground up and provides an overview of what you need to learn before you use this technology.

The Parisian Jazz Chronicles: An Improvisational Memoir

This book is built around a structure that treats such subjects of my music column in the International Herald Tribune as Dexter Gordon, Freddy Heineken, Miles Davis, Bob Dylan, Chet Baker, and Melvin Van Peebles as though they were the written notes in big band arrangements.

Laugh Lines: My Life Helping Funny People Be Funnier

With his tender, funny memoir of four decades in the business, one of the first writers for Saturday Night Live traces the history of American comedy. Alan Zweibel started his comedy career selling jokes for seven dollars apiece to the last of the Borscht Belt standups. Then one night, despite bombing on stage, he caught the attention of Lorne Michaels and became one of the first writers at Saturday Night Live, where he penned classic material for Gilda Radner, John Belushi, and all of the original Not Ready For Prime Time Players. From SNL, he went on to have a hand in a series of landmark shows—from It’s Garry Shandling’s Show to Curb Your Enthusiasm. Throughout the pages of Laugh Lines Zweibel weaves together his own stories and interviews with his friends and contemporaries, including Richard Lewis, Eric Idle, Bob Saget, Mike Birbiglia, Sarah Silverman, Judd Apatow, Dave Barry, Carl Reiner, and more. The book also features a charming foreword from his friend of forty-five years Billy Crystal, with whom he co-wrote and co-produced the upcoming film Here Today that stars Crystal and Tiffany Haddish. Laugh Lines is a warmhearted cultural memoir of American comedy.“In Laugh Lines, Zweibel looks back, affectionately and informatively, at a career that began when he was a young deli worker grinding out jokes for old-school borscht belt comedians in his spare time, and that, after his “S.N.L.” years, included rewarding collaborations with, among others, Garry Shandling, Billy Crystal, Martin Short, Larry David and Dave Barry. . . . Fascinating.” —New York Times“Any comedy fan will thrill to see the contemporary art's invention through the eyes of consummate funny man Alan Zweibel. He takes you behind the velvet rope and makes you weep for all those artists who made us laugh. Screamingly funny—also very moving. A classic.” —Mary Karr“Alan Zweibel is legendary among us comedians. He is the man who delivers comedy with an emotional clout that makes him respected and revered.” —Steve Martin

Tissues, Cultures, Art (Palgrave BioArt)

Tissues, Cultures, Art narrates the twenty-five years of collaborative and sometimes provocative artistic practice and scholarly thought of Catts & Zurr, who pioneered the use of regenerative biology techniques to create Semi-Living art using living cells, tissues, and technological surrogate bodies. Through hands-on work in biological laboratories, the authors researched concepts such as partial-life and DNA-Chauvinism and explored the fantasies of living in a technologically mediated victimless utopia. The authors delve into life’s resistance to reductionism, systemisation and control, asking whether there is something unique to life without the need to resort to metaphysics. Their practices reach beyond the confines of art and are often cited as precursors to the cellular agriculture and biofabrication industries. Through a hybrid of personal reflections, poetics, and anecdotes with a more rigorous, scholarly approach – all illustrated with artworks - the authors present a critical view on the use of life as a raw material for human manipulation.

Vulgar Beauty: Acting Chinese in the Global Sensorium

In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzing contemporary film and media ranging from actress Gong Li’s post-Mao movies of the late 1980s and 1990s to Joan Chen’s performance in Twin Peaks to Ali Wong’s stand-up comedy specials, Zuo shows how vulgar beauty disrupts Western and colonial notions of beauty. Vulgar beauty, then, becomes the taste of difference. By demonstrating how Chinese feminine beauty becomes a cinematic invention invested in forms of affective racialization, Zuo makes a critical reconsideration of aesthetic theory.

Queer Art Camp Superstar: Decoding the Cinematic Cyberworld of Ryan Trecartin (SUNY series, Horizons of Cinema)

Hailed as "the most consequential artist to have emerged since the nineteen-eighties," American artist and filmmaker Ryan Trecartin has received numerous accolades for his kaleidoscopic, multilayered movies and multimedia installations. However, there exists to date no comprehensive study of this prolific artist's work. Queer Art Camp Superstar compensates for this absence of sustained critical analysis of Trecartin's work by looking closely at a selection of his most significant movies in order to discern the artist's artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media.Examining Trecartin's substantial body of work, spanning from his early, pre-YouTube era series Early Baggage (2001–2003) to Temple Time (2016), Ricardo E. Zulueta adheres to a faithful chronological order, thus inviting readers to witness the ways thematic and formal concerns have evolved from Trecartin's earliest movies to his more recent multimedia cinematic installations. Through precisely chosen screen captures extracted directly from the movies, Zulueta demonstrates the serious attention paid to camera angles, mise-en-scène, and shot transitions, thus revealing and reflecting on the concepts that underwrite and are underwritten in these narratives. Giving careful attention to Trecartin's network of layered references to the grotesque and abject, carnivalesque and ludic, and camp imagery, Zulueta illustrates and explains how the artist takes on reality television, technology, fashion, consumption, and cyberspace.

World's Dumbest Crooks and Other True Tales of Bloopers, Botches & Blunders

Life's Hall of Shame is a mythical place where people are (dis)honored for bungling big time -- so big it's worthy of special attention. That's what this book is about. It's a lighthearted look at some of the wackiest, silliest, wildest blunders that have ever happened.

Inside the Hotel Rwanda: The Surprising True Story . . . and Why It Matters Today

In 2004, the Academy Award-nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Mille Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees do not endorse Rusesabagina's version of the events.In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist and funding the terrorist group Democratic Forces for the Liberation of Rwanda (FDLR).For the first time, learn what really happened inside the walls of Hotel des Mille Collines.In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura writes of a divided society and his journey to the place he believed would be safe from slaughter.The book exposes the Hollywood hero of the film Hotel Rwanda, Paul Rusesabagina, as a profiteering and politically ambitious Hutu Power sympathizer who extorted money from those who sought refuge, threatening to send those who did not pay to the génocidaires, despite pleas from the hotel's corporate ownership to stop.Inside the Hotel Rwanda is at once a memoir, a critical deconstruction of a heralded Hollywood movie alleged to be factual, and a political analysis aimed at exposing a falsely created hero using his fame to be a political force, spouting the same ethnic apartheid that caused the genocide two decades ago.Kayihura's Inside the Hotel Rwanda offers an honest and unflinching first-hand account of the reality of life inside the hotel, exposing the man who exploited refugees and shedding much-needed light on the plight of his victims.

Visual Sociology: Practices and Politics in Contested Spaces (Routledge Advances In Sociology Ser. #91)

This book provides a user-friendly guide to the expanding scope of visual sociology, through a discussion of a broad range of visual material, and reflections on how such material can be studied sociologically. The chapters draw on specific case-study examples that examine the complexity of the hyper-visual social world we live in, exploring three domains of the ‘relational image’: the urban, social media, and the aerial. Zuev and Bratchford tackle issues such as visual politics and surveillance, practices of visual production and visibility, analysing the changing nature of the visual. They review a range of methods which can be used by researchers in the social sciences, utilising new media and their visual interfaces, while also assessing the changing nature of visuality. This concise overview will be of use to students and researchers aiming to adopt visual methods and theories in their own subject areas such as sociology, visual culture and related courses in photography, new-media and visual studies.

Robert Altman: The Oral Biography

The late Robert Altman--visionary director, hard-partying hedonist, eccentric family man, Hollywood legend--comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion

Explore two dozen of the most glamorous, scandalous, and history-making Oscar looks in Beyond the Best Dressed, film and culture critic Esther Zuckerman's personality-filled romp through red carpet fashion, complete with original fashion drawings from illustrator Montana Forbes. From the show-stoppingly elegant (Halle Berry winning the award for Monster&’s Ball in a breathtaking Elie Saab) to the decidedly kooky (Adam Rippon in a formal harness), the Academy Awards Telecast is one of the few nights of the year devoted entirely to glamor (in all its forms). Even in the age of streaming, millions upon millions of people sit down at the same time, turn on their televisions, and watch celebrities strut down the red carpet (and, sure, win some awards). Now fans can relive the glamor, drama, and lasting legacy of some of the most influential outfits from more than ninety years of the Oscar in Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion. In twenty-five essays, culture writer Esther Zuckerman explores the iconic fashion choices that made history on the most elegant stage of all, and analyzes the cultural impact of wardrobe decisions both absurd and wonderful. Beginning with Hattie McDaniel&’s historic and trendsetting turquoise gown in 1940 (worn at a table segregated from her white agent), Zuckerman goes beyond the &“best of&” lists to shine a deserved spotlight on the truly unforgettable outfits–and deciphers what those outfits represented.Beyond the Best Dressed is a first-of-its-kind commemoration of Oscar fashion that perfectly captures the glitz and the glamor for anyone who has ever been to an Oscar watch party (or texted their friends while they watched alone). Fully illustrated with whimsical fashion drawings of the outfits–including Michelle Williams' golden Versace, Sharon Stone's iconic Gap t-shirt, and Rita Moreno's groundbreaking dress worn in both 1962 and 2018–this book is a joyful and vivid odyssey that doesn&’t stop at the hem of the dress, delving deeper into the cultural effect of these fashion flash points with research and original reporting.

A Field Guide to Internet Boyfriends: Meme-Worthy Celebrity Crushes from A to Z

From Keanu Reeves and Idris Elba to Timothe Chalamet, A Field Guide to Internet Boyfriends is the ultimate celebration of the suave, sexy, sensitive, and silly celebrities who have captured our hearts and memes!Handsome and heartfelt, with winning smiles and pinnable Tweets -- this is what Internet Boyfriends are made of. But who are these meme-able men, and what makes them catch fire online? Discover the answers to these questions and more in A Field Guide to Internet Boyfriends, an interactive exploration of our collective crushes. Entertainment journalist Esther Zuckerman breaks down the world of Internet Boyfriends -- and even a few Internet Girlfriends -- from documentary-style "spotting guides" to discussions on the key categories of boyfriend, like Sensitive Souls, Beautiful Boys and Daddys. A playful, teen magazine-style quiz -- to help readers find their ideal crush -- and in-depth profiles of some of the most beloved Internet Boyfriends and Girlfriends, from Ryan Gosling (the original) to Harry Styles (the Gen Z icon) to Janelle Monae (the space queen), round out this fully-illustrated romp through the celebs behind the memes.

In the Company of Actors: Reflections on the Craft of Acting (Stage And Costume Ser.)

In the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.

Secret Lives of Great Filmmakers

Strange-But-True Tales of Cross-Dressers, Drug Addicts, Foot Fetishists, and Other Legendary Filmmakers. With outrageous and uncensored profiles of everyone from D. W. Griffith to Quentin Tarantino, Secret Lives of Great Filmmakers reveals the little-known secrets of all your favorite directors. Why did Charlie Chaplin refuse to bathe for weeks at a time? Was Alfred Hitchcock really missing a belly button? Is Walt Disney's corpse preserved in a state of suspended animation? And why on earth did Francis Ford Coppola direct a 3-D pornographic movie? The legends of the silver screen will never be the same!

There'll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural

Fifteen years. Two brothers. Angels and demons. A story like no other. And one of the most passionate fan bases of all time. That's Supernatural. There'll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural is an emotional look back at the beloved television show Supernatural as it wraps up its final season after fifteen unprecedented years on air. With heartfelt chapters written by both the series' actors and its fans—plus full-color photos and fan illustrations—There'll Be Peace When You Are Done traces Supernatural's evolution, the memorable characters created by its writers and brought to life by its talented actors, and the many ways in which the show has inspired and changed the lives of both its viewers and cast. Both a celebration of Supernatural and a way of remembering what made it so special, this book is a permanent reminder of the legacy the show leaves behind and a reminder to the SPN Family to, like the series' unofficial theme song says, "carry on." Featuring chapters from Jared Padalecki ("Sam Winchester") and Jensen Ackles ("Dean Winchester"), which include some of the most heartfelt and emotional things they've previously said about Supernatural that they want fans to remember—plus new reflections about Sam and Dean's legacy, There'll Be Peace When You Are Done also includes original contributions from: • Richard Speight, Jr. ("Gabriel") • Chad Lindberg ("Ash") • Julie McNiven ("Anna Milton") • Tahmoh Penikett ("Gadreel") • Shoshannah Stern ("Eileen Leahy") • Rick Worthy ("Alpha Vamp") • David Haydn-Jones ("Arthur Ketch") • Lauren Tom ("Linda Tran") • And many more, including a special message from Misha Collins ("Castiel") Edited by Lynn S. Zubernis, a clinical psychologist, professor, and passionate Supernatural fangirl, There'll Be Peace When You Are Done is the ultimate send-off for this iconic show that has touched and changed the lives of so many fans across all walks of life.

Hollis Frampton (October Files #26)

The first collection of critical writing on the work of experimental filmmaker Hollis Frampton.Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today&’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton&’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press&’s Writing Art series, which collected Frampton&’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton&’s work are reprinted here. The essays collected in this volume consider Frampton&’s photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton&’s grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century&’s most influential writers on experimental film, place Frampton in relation to film and art history. ContributorsGeorge Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd

Hollis Frampton: Navigating the Infinite Cinema (Film and Culture Series)

Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.

The Cinematic Superhero as Social Practice

This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.

Disney and the Dialectic of Desire

This book analyzes Walt Disney's impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney's full-length animated features of the "golden era" as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man's singular, perverse desire. What follows after is a discussion of the "second golden age" of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.

Last Shot

A coming-of-age memoir of addiction, ambition and redemption in the high-stakes world of Michelin star kitchens. From reckless drug addict to one of Australia&’s top chefs and television stars: MasterChef judge Jock Zonfrillo's powerful life story will shock and inspire. Jock&’s life spiralled out of control when he tried heroin for the first time as a teenager while growing up in 1980s Glasgow. For years he balanced a career as a rising star amongst legendary chefs with a crippling drug addiction that took him down many dark paths. Fired from his job at a Michelin star restaurant in Chester, England, after a foul-mouthed rant, Jock made his way to London looking for work and found himself in front of the legendary Marco Pierre White. He credits White for saving his life, but Jock continued to struggle with addiction in a world of excess, celebrity, and cut-throat ambition. On New Year&’s Eve 1999, Jock shot up his last shot of heroin before boarding a plane to Sydney, where he would find passion and new meaning in life in the most unexpected places. There would be more struggles ahead, including two failed marriages, the closure of his prized restaurant during COVID-19, his time on-country, and some very public battles. This is his unforgettable story. Foreword by Jimmy Barnes. Praise for Last Shot "If you get to see yourself in someone else&’s book it&’s a bit of a gift and it is the mark of a good storyteller. I&’m sure as you read this book you will see a bit of yourself too. This is a story of hope. A story of perseverance and resilience. A story of passion and love. A remarkable tale of a remarkable man who took the hard, hard road and made it his own." Jimmy Barnes "Last Shot is Trainspotting meets Kitchen Confidential. Jock&’s ability to not sugarcoat the truth and his brutal honesty about his struggle with his inner demons will resonate with so many people. That coupled with his absolute passion for food, his commitment to highlighting the culture and food of Australia&’s First Nations People and his pure love for his family makes this a truly stunning book. I loved it.&” Actress, Rebecca Gibney&“Oh my goodness what a book. I&’ve just finished it, devoured it in under four hours. I laughed and cried and marvelled at him.&” News Corp's National Entertainment Writer, Lisa Woolford

3DIY: 3D Moviemaking on an Indy Budget

A must-have read for anyone looking to take their independently-produced film or video into the 3rd dimension. The text features technical, practical, and inspirational insight from the visionaries who've been producing 3D film and video for decades, not just in the recent past. They offer low-cost techniques and tricks they've been implementing themselves for years. A variety of styles are discussed, from full CG to time lapse - even a film made during a freefall skydive jump! The filmmakers discuss * Options for on-set playback* Preparing for final playback in various formats* Adapting existing technology to your needs* Post production software choices* Working with computer graphics in 3D This book includes 3D glasses and a companion YouTube channel featuring the work of the filmmakers featured in the book (which you can view in 3D with the glasses), as well as the opportunity for you to upload your own videos for critique and feedback from the author and others. 3D glasses are not included in the purchase of the e-book of 3-DIY. If you have purchased the e-book, and would like a pair of 3D glasses, please contact the publisher at Dennis.McGonagle@taylorandfrancis.com

The Adventure Bible Book of Daring Deeds and Epic Creations: 60 ultimate try-something-new, explore-the-world activities (Adventure Bible)

Begin your adventure here! The Adventure Bible Book of Daring Deeds and Epic Creations: 60 Ultimate Try-Something-New, Explore-the-World Activities contains lessons on knot tying, writing coded letters, building tree swings, and more, perfect for kids ages 8 and up. Boys and girls will love this interactive book filled with step-by-step guides and fun, full-color illustrations, and parents will enjoy the key verses and biblical takeaways that make this the perfect companion to the NIV Adventure Bible, the #1 Bible for kids. From easy, do-it-yourself crafts to fun outdoor activities, this book will show kids how to find adventure indoors and out.Adventures include:Top-secret coded lettersGeocaching funIdentifying animal tracksCamping like a proLearning sign languageBible arts and craftsAnd more!

Ready, Set, Find Bible Stories: 22 Look and Find Stories (Ready, Set, Find)

Get ready to read through 22 of the most famous Bible stories in the Ready, Set, Find Storybook Bible, the next book in the beloved Ready, Set, Find brand. Children will be immersed and engaged in each story as they look for more than 190 different objects to be found in this exciting book. Featuring classic stories including the Creation Story, Noah and the Ark, the birth of Jesus, and more, this lively and colorfully illustrated Bible is sure to be a favorite for young readers to ready, set, find!

Ready, Set, Find David and Goliath (Ready, Set, Find)

David is only a young boy, but he is about to fight a giant! Even though Goliath the giant is big, strong, and scary, David isn&’t afraid. He knows God is on his side. And guess what? You can help David too! See if you can spot the 48 hidden items in this book—like a slingshot and stones—so David can defeat Goliath.Ready, Set, Find as you read the story of David and Goliath in this interactive book for young readers.

Ready, Set, Find Noah's Ark (Ready, Set, Find)

A faithful retelling and exploration of the story of Noah and the Ark for young children, Ready, Set Find Noah&’s Ark follows Noah as he does an important job for God. Noah has an important job. He needs to build a huge ark and fill it with animals too. Now there are things and animals along the way he needs your help to find, like the hammer, the hen, and the hedgehog. Are you ready to help Noah? If so, on your mark, Ready, Set, Find! Read the classic story of Noah&’s Ark in this engaging look-and-find book for young children.Ready, Set Find Noah&’s Ark:Perfect for families to share in the storytelling processIncludes Scripture references for further readingChildren will love the interactive component of finding the hidden objects

Rom Com

At precisely the cultural moment you were hoping for, a dream team of smart, sexy, brunette, West Coast poets of Italian descent has passionately co-authored an intelligent collection of poetry that both celebrates and capsizes the romantic comedy.From the origin of the genre (It Happened One Night) to its contemporary expressions (Love Actually), the poems in Rom Com trace the attempt to deconstruct as well as engage in dialogue with romantic comedy films and the pop culture, celebrities, and tropes that have come to be associated with them. These irreverent, playful, weird, and comedic poems come in a variety of forms, fully engaging in pop culture, without a judgmental tone. They see your frumpy expectations and raise you issues of sexuality, consent, sexism, homophobia, race, and class. They explore the highs and lows of romantic relationships and the expectations and realities of love, tackling real emotional worlds through the lens of film.Two cool people wrote it. Dina Del Bucchia, the fashionable and voluptuous, is a woman on the go, brazenly hosting literary events and tweeting about otters and award shows. Daniel Zomparelli, the handsome and dashing, is a young, gay man-about-Vancouver who somehow also quietly edits (in chief) a semi-annual poetry journal. (Ship them all you want, fools.)How to tell if you are compatible with this book: Are you equally versed in literature and pop culture? Are you a film-savvy fan of contemporary poetry? Are you an academic with interest in literature and cultural studies? Are you in general a cool, sad person? This book might just be the sassy best friend you've wanted.

Elvis in Vegas: How the King Reinvented the Las Vegas Show

The story of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time.The conventional wisdom is that Las Vegas is what destroyed Elvis Presley, launching him on a downward spiral of drugs, boredom, erratic stage behavior, and eventually his fatal overdose. But in Elvis in Vegas, Richard Zoglin takes an alternate view, arguing that Vegas is where the King of Rock and Roll resurrected his career, reinvented himself as a performer, and created the most exciting show in Vegas history. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, and mediocre pop songs that no longer made the charts. He’d been dismissed by most critics as over the hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews, “Suspicious Minds” gave him his first number-one hit in seven years, and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed too. The intimate night-club-style shows of the Rat Pack, who made Vegas the nation’s premier live-entertainment center in the 1950s and ‘60s, catered largely to well-heeled older gamblers. Elvis brought a new kind of experience: an over-the-top, rock-concert-like extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. In doing so, he opened the door to a new generation of pop/rock performers, and brought a new audience to Vegas—a mass audience from Middle America that Vegas depends on for its success to this day. A classic comeback tale set against the backdrop of Las Vegas’s golden age, Richard Zoglin’s Elvis in Vegas is a feel-good story for the ages.

Hope: Entertainer of the Century

The first definitive biography of Bob Hope, featuring exclusive and extensive reporting that makes the persuasive case that he was most important entertainer of the twentieth century.Born in 1903, and until his death in 2003, Bob Hope was the only entertainer to achieve top-rated success in every major mass-entertainment medium, from vaudeville to television and everything in between. He virtually invented modern stand-up comedy. His tours to entertain US troops and patriotic radio broadcasts, along with his all-American, brash-but-cowardly movie character, helped to ease the nation's jitters during the stressful days of World War II. He helped redefine the very notion of what it means to be a star: a savvy businessman, pioneer of the brand extension (churning out books, writing a newspaper column, hosting a golf tournament), and public-spirited entertainer whose Christmas military tours and tireless work for charity set the standard for public service in Hollywood. But he became a polarizing figure during the Vietnam War, and the book sheds new light on his close relationship with President Richard Nixon during those embattled years. Bob Hope is a household name. However, as Richard Zoglin shows in this revelatory biography, there is still much to be learned about this most public of figures, from his secret first marriage and his stint in reform school, to his indiscriminate womanizing and his ambivalent relationship with Bing Crosby and Johnny Carson. Hope could be cold, self-centered, tight with a buck, and perhaps the least introspective man in Hollywood. But he was also a dogged worker, gracious with fans, and generous with friends. Hope is both a celebration of an entertainer whose vast contribution has never been properly appreciated, and a complex portrait of a gifted but flawed man, who, unlike many Hollywood stars, truly loved being famous, appreciated its responsibilities, and handled celebrity with extraordinary grace.

School of Dragons #1: Volcano Escape! (DreamWorks Dragons)

An all-new nonfiction series featuring DreamWorks Dragons! Hiccup, Toothless, and other exciting characters from DreamWorks Dragons help readers discover the real-life science and history behind volcanoes! Filled with full-color photos and lots of fun facts, these 80-page books based on JumpStart's School of Dragons online game are the perfect way to help young readers soar into the world of nonfiction.From the Trade Paperback edition.

School of Dragons #3: Storm Approaching! (DreamWorks Dragons)

An all-new nonfiction series featuring DreamWorks Dragons!Hiccup, Toothless, and other exciting characters from DreamWorks Dragons teach readers about tornadoes, blizzards, hurricanes, and more of Earth's deadliest weather! Filled with full-color photos and lots of fun facts, these 80-page books based on JumpStart's School of Dragons online game are the perfect way to help young readers soar into the world of nonfiction.

Andy Kaufman: The Truth, Finally

For the first time ever, the two people who knew Andy Kaufman best open up about the most enigmatic artist of our generation. Comedian and Taxi star Andy Kaufman, known for his crazy antics on screen and off, was the ultimate prankster, delighting audiences with his Elvis and Mighty Mouse impressions while also antagonizing them with his wrestling and lounge lizard alter ego, Tony Clifton. In 1984, some say he died while others believe he performed the ultimate vanishing act. At last, in Andy Kaufman: The Truth, Finally, Bob Zmuda, Andy’s writer and best friend, and Lynn Margulies, the love of Andy’s life, reveal all, including surprising secrets that Andy made Lynne and Bob promise never to tell until both of his parents had died. Hilarious and poignant, this book separates fact from fiction, and includes a candid inside take on the Milos Forman film Man on the Moon, which starred Jim Carrey as Andy, Paul Giamatti as Zmuda, Courtney Love as Margulies and Danny DeVito as Andy’s manager, George Shapiro. Zmuda and Margulies reveal what was truthful and what wasn’t and share their behind-the-scenes Kaufmanesque antics they concocted with actor Jim Carrey, keeping him in character, at times, much to the chagrin of studio chiefs. Andy Kaufman also exposes intrigues of some of the biggest names in Hollywood. Finally, Bob Zmuda shares-in detail-the reasons he believes Andy Kaufman did, in fact, fake his own death, including exactly how he did it and why Andy will return.

Andy Kaufman Revealed!: Best Friend Tells All

Best known for his sweet-natured character Latka on Taxi, Andy Kaufman was the most influential comic of the generation that produced David Letterman, John Belushi, and Robin Williams. A regular on the early days of Saturday Night Live (where he regularly disrupted planned skits), Kaufman quickly became known for his idiosyncratic roles and for performances that crossed the boundaries of comedy, challenging expectations and shocking audiences. Kaufman's death from lung cancer at age 35 (he'd never smoked) stunned his fans and the comic community that had come to look to him as its lightning rod and standard bearer.Bob Zmuda -- Kaufman's closest friend, producer, writer, and straight man -- breaks his twenty-year silence about Kaufman and unmasks the man he knew better than anyone. He chronicles Kaufman's meteoric rise, the development of his extraordinary personas, the private man behind the driven actor and comedian, and answers the question most often asked: Did Andy Kaufman fake his own death?

Fuck You: Rock and Roll Portraits

For more than 30 years, legendary music photographer Neil Zlozower has shot a who's-who of rock and metal titans. When the session demands, Neil has been known to yell, "Give me some fucking attitude!" The go-to gesture in the next photo frame is nearly always the rocker giving Neil the finger. Fück Yöu assembles a veritable R 'n' R hall of fame of musicians flipping the birda playful parade of obscenity and a celebration of pure rock attitude. Here and telling the world to fuck off are Slash, Eddie Van Halen, Judas Priest, Slipknot, Ratt, Motley Crue, Aerosmith, Ozzy Osbourne, Korn, Bon Jovi, Slayer, Anthrax, and many more, sharing the love with each flying finger.

Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out (Routledge Classics Ser.)

The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.

Event

Probably the most famous living philosopher, Slavoj i ek explores the meaning of events in this short and digestible book An event can be an occurrence that shatters ordinary life, a radical political rupture, a transformation of reality, a religious belief, the rise of a new art form, or an intense experience such as falling in love. Taking us on a trip that stops at different definitions of event, i ek addresses fundamental questions such as: are all things connected? How much are we agents of our own fates? Which conditions must be met for us to perceive something as really existing? In a world that's constantly changing, is anything new really happening? Drawing on references from Plato to arthouse cinema, the Big Bang to Buddhism, Event is a journey into philosophy at its most exciting and elementary.From the Trade Paperback edition.

Lacrimae rerum: Ensayos sobre cine y ciberespacio

Considerado el «séptimo arte», el cine ha sido y sigue siendo uno de los medios de comunicación de masas más importantes. <P><P>Desde la primera función en el sótano del Grand Café des Capucines de París hace algo más de cien años, hasta las grandes superproducciones de Hollywood que dominan las pantallas del mundo, el cine ha sido técnica e industria, entretenimiento y vehículo de expresión de ideas y sentimientos. <P><P>Partiendo de estas consideraciones y estudiando la labor de reconocidos directores, el filósofo y psicoanalista Slavoj Zizek, profundo conocedor del universo cinematográfico y de la influencia de los medios de comunicación en la sociedad contemporánea, reflexiona sobre los temas principales de estos maestros y sus motivaciones a la hora de situarse detrás de la cámara. <P><P>De la imposibilidad de hacer remakes de las películas de Alfred Hitchcock al pesimismo en la obra de Krzysztof Kieslowski; de la imagen de la mujer, la irracionalidad y la angustia en los trabajos de Andrei Tarkovski y David Lynch a la posibilidad imaginaria o real de desplazarse a través del tiempo y el espacio como los personajes de Matrix, Zizek desarrolla su imaginación crítica y su agudo sentido literario para atrapar al lector con imágenes, ideas y revelaciones que sorprenderán no solo a los buenos aficionados al cine, sino también a todos aquellos que deseen acercarse a los clásicos de la pantalla de la mano de este original y provocador filósofo.

Fairy-Tale Films Beyond Disney: International Perspectives

The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.

The Enchanted Screen: The Unknown History of Fairy-Tale Films

The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.

Harry and the Lady Next Door

"One day Harry's family gave a party. They invited the lady next door. She came with her music. When she started to sing, Harry almost bit her leg. ... That night, Harry slept in the doghouse." What can Harry do? He tries many things in this hilarious adventure, but the lady next door just sings higher and louder until ... This is a delightful, fast-paced story for younger readers. This file should make an excellent embossed braille copy.

A Cruel Theatre of Self-Immolations: Contemporary Suicide Protests by Fire and Their Resonances in Culture (Routledge Advances in Theatre & Performance Studies)

A Cruel Theatre of Self-Immolations investigates contemporary protest self-burnings and their echoes across culture. The book provides a conceptual frame for the phenomenon and an annotated, comprehensive timeline of suicide protests by fire, supplemented with notes on artworks inspired by or devoted to individual cases. The core of the publication consists of six case studies of these ultimate acts, augmented with analyses and interpretations hailing from the visual arts, film, theatre, architecture, and literature. By examining responses to these events within an interdisciplinary frame, Ziółkowski highlights the phenomenon’s global reach and creates a broad, yet in-depth, exploration of the problems that most often prompt these self-burnings, such as religious discrimination and harassment, war and its horrors, the brutality and indoctrination of authoritarian regimes and the apathy they produce, as well as the exploitation of the so-called "subalterns" and their exclusion from mainstream economic systems. Of interest to scholars from an array of fields, from theatre and performance, to visual art, to religion and politics, A Cruel Theatre of Self-Immolations offers a unique look at voluntary, demonstrative, and radical performances of shock and subversion.

Letterman: The Last Giant of Late Night

New York Times comedy critic Jason Zinoman delivers the definitive story of the life and artistic legacy of David Letterman, the greatest television talk show host of all time and the signature comedic voice of a generation.In a career spanning more than thirty years, David Letterman redefined the modern talk show with an ironic comic style that transcended traditional television. While he remains one of the most famous stars in America, he is a remote, even reclusive, figure whose career is widely misunderstood. In Letterman, Jason Zinoman, the first comedy critic in the history of the New York Times, mixes groundbreaking reporting with unprecedented access and probing critical analysis to explain the unique entertainer’s titanic legacy. Moving from his early days in Indiana to his retirement, Zinoman goes behind the scenes of Letterman’s television career to illuminate the origins of his revolutionary comedy, its overlooked influences, and how his work intersects with and reveals his famously eccentric personality. Zinoman argues that Letterman had three great artistic periods, each distinct and part of his evolution. As he examines key broadcasting moments—"Stupid Pet Tricks" and other captivating segments that defined Late Night with David Letterman—he illuminates Letterman’s relationship to his writers, and in particular, the show’s co-creator, Merrill Markoe, with whom Letterman shared a long professional and personal connection.To understand popular culture today, it’s necessary to understand David Letterman. With this revealing biography, Zinoman offers a perceptive analysis of the man and the artist whose ironic voice and caustic meta-humor was critical to an entire generation of comedians and viewers—and whose singular style ushered in new tropes that have become clichés in comedy today.

Shock Value

Shock Value describes how horror was re-created, ridding itself of supernatural clichés and instead portraying serial killers, baseless violence, and fear found in everyday suburbia. Jason Zinoman explores how an often overlooked, but highly influential, golden age in American film began.

Terrence McNally: A Casebook (Casebooks on Modern Dramatists #No. 22)

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Body Voice Imagination: ImageWork Training and the Chekhov Technique (A\theatre Arts Book Ser.)

First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

Open Space New Media Documentary: A Toolkit for Theory and Practice (Routledge Studies in Media Theory and Practice)

Open Space New Media Documentary examines an emerging and significant area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities. The book offers an innovative theorization of these collaborative and collective new media practices, which the authors term "open space," gesturing towards a more contextual critical nexus of technology, form, histories, community, convenings, collaborations, and mobilities. It looks at a variety of low cost, sustainable and scalable documentary projects from across the globe, where new technologies meet places and people in Argentina, Canada, India, Indonesia, Peru, South Africa, Ukraine, and the USA.

Documentary Across Platforms: Reverse Engineering Media, Place, and Politics

In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas just like objects can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary’s role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

Documentary Across Platforms: Reverse Engineering Media, Place, and Politics

Essays “capturing media ecologies as varied as museum installations, film festival showings, photography, and multiple varieties of internet sharing.” —Jump CutIn Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as “documentary” and the way in which they investigate, engage with, and interrogate the world.Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas, just like objects, can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts.Together these essays demonstrate documentary’s role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

The Girls: From Golden to Gilmore

&“...the very definition of a page-turner. READ THIS BOOK!&” – Colin Mochrie, &“Whose Line is It Anyway?,&” &“Hyprov&”The Girls: From Golden to Gilmore is the story of Stan Zimmerman, a gawky Jewish boy who dreamed of becoming a wildly successful actor, rich enough to build his own mansion in the Hollywood Hills. While the actor part didn't quite pan out, Stan found success as a writer, producer, director, and playwright, working on such shows as The Golden Girls, Roseanne, and Gilmore Girls. Growing up in a small suburb of Detroit, Michigan, Stan was surrounded by three strong, intelligent women-his mother, his grandmother, and his sister-all of whom supported his imagination and creativity. Instead of playing outside, he spent time in his basement directing and acting in plays with the neighborhood kids. At seven-and-a-half years old, he was the youngest student accepted into a prestige summer theater school program. After high school, he was awarded a work/study scholarship to NY/Circle in the Square, where he met his first serious boyfriend and became Andy Warhol's unwitting photo subject one night at Studio 54. He also met Jim Berg, a journalism student at NYU's University Without Walls, forming a writing partnership that has continues to this day. partnership to this day. Their latest project is naturally an all-star, female ensemble Christmas comedy movie for Lifetime! Throughout his life, most of Stan's friendships have been with females. He credits those friendships and the women in his family with his ability to connect with creative women who have played a part in his career success. Accompanied by journal entries, The Girls details Stan's relationships with some of entertainment's most notable women, including Roseanne Barr, Lily Tomlin, Sandra Bernhard, Lauren Graham and Alexis Bledel, and, of course, all four Golden Girls. The Girls: From Golden to Gilmore is a candid, funny, and sometimes poignant testimony about how a young boy turned his dream into reality.

Alice Cooper, Golf Monster

Alice Cooper is hotter than ever, still playing up to 100 gigs a year with his his audiences growing younger. But 300 days a year, he is out on the golf course. That's because Alice credits golf as helping him overcome a self-destructive spiral into alcoholism. It's also because Alice turned out to be almost as good a golfer as he is a rocker. This book blends a rocker's uproarious tales of excess with a no holds-barred account of how Cooper substituted alcohol addiction with the lesser evil of hitting a little white ball. Alice Coopers rock 'n' roll's original misanthrope, the ultimate shock-rock, heavy-metal bad boy. With golf, as in music, he was way ahead of the cultural curve, his passion for the game predating golf's popularity surge among younger folks, hip professional athletes, and indeed Alice's music contemporaries, including Bob Dylan, Neil Young, Iggy Pop and Roger Waters. The nearest Alice Cooper has come to writing his autobiography. He is still a major rock touring artist. This title includes the story of his musical career and of his rehabilitation. It is a fascinating self-help programme by an unlikely role model.

Science and the Skeptic: Discerning Fact from Fiction

Fake news, pseudoscience, and quackery have become scourges, spreading through society from social media all the way to Congress. The line between entertainment and reality, between fact and fiction, has become blurred. Some of the most crucial issues of our time—climate change, vaccines, and genetically modified organisms—have become prime targets for nefarious disinformation campaigns. Far too many people have become distrustful of real science. Even those who still trust science no longer know what to believe or how to identify the truth. Not only does this result in the devaluation and distrust of real science, but it is also dangerous: people acting based on false information can hurt themselves or those around them. We must equip ourselves with the knowledge and skills to fight back against all this disinformation. InScience and the Skeptic: Discerning Fact from Fiction, you will learn how science is done, from the basic scientific method to the vetting process that scientific papers must go through to become published; how and why some people intentionally or unintentionally spread misinformation; and the dangers in believing and spreading false information. You'll also find twenty easy-to-follow rules for distinguishing fake science from the real deal. Armed with this book, empower yourself with knowledge, learning what information to trust and what to dismiss as deceit. "We're not just fighting an epidemic; we're fighting an infodemic. . . . This is a time for facts, not fear. This is a time for rationality, not rumors. This is a time for solidarity, not stigma."—Tedros Adhanom Ghebreyesus, director-general of the WHO "Our deepest beliefs should help navigate reality, not determine it."—Michael Gersen, The Washington Post "Journalism is very much about trying to simplify and distribute information about what's new and where advances have been made. That's incompatible with the scientific process, which can take a long time to build a body of evidence."—Kelly McBride, Poynter Institute

Crosby, Stills & Nash: The Biography

Crosby, Stills & Nash created some of the most indelible songs and beautiful harmonies of the late 1960s and early 1970s: "Suite: Judy Blue Eyes,” "Woodstock,” "Teach Your Children. ” This copiously illustrated account of the trio’s personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L. A. ’s storied Laurel Canyon; from their addition of Neil Young to Woodstock; and through their stormy years of creative conflicts, reunions, and reconciliations. This new edition has been fully reconfigured and updated to celebrate the trio’s 40th anniversary and to accommodate over 300 photos, as well as Crosby, Stills, Nash & Young’s controversial Living with War tour.

Movies and Midrash: Popular Film and Jewish Religious Conversation

Finalist for the 2017 National Jewish Book Award in Modern Jewish Thought and Experience presented by the Jewish Book CouncilMovies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of "inverted midrash": while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God's image), among others.

Olivier

A finalist for the Sheridan Morley Prize that has been called "probably the best Olivier book for general readers" (Kirkus Reviews), Philip Ziegler's Olivier provides an incredibly accessible and comprehensive portrait of this Hollywood superstar, Oscar-winning director, and one who is considered the greatest stage actor of the twentieth century. The era abounded in great actors--Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Ziegler ensures that Olivier's true character--at its most undisguised--shines through as never before.

Olivier

Hollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.

Olivier

Hollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.

The Audition (Maddie Ziegler #1)

From Dance Moms star and So You Think You Can Dance: The Next Generation judge Maddie Ziegler comes the first novel in a brand-new middle grade trilogy about friendship, dance, and going after your dreams.Twelve-year-old Harper has been dancing practically since she learned to walk. She loves her dance studio and team, and just won her first ever top junior solo in a regional competition. But right before the school year starts, Harper’s parents drop a bombshell—the family has to relocate from their cozy town in Connecticut to sunny Florida for their jobs. That means saying goodbye to her friends, dance team, trips to see shows in NYC—and did she mentioned dance team? While her parents reassure her that they will find her a new studio as soon as they move, Harper is not happy. When she arrives, she realizes that the competition in Florida will be fierce and it doesn’t matter how talented she is—she is the new girl and will have to prove herself. During her very first class, Harper finds it harder than she thought it would be. Even though they are all the same age and have been dancing for roughly the same amount of time, it feels like everyone has better feet, quicker turns, and faster taps than Harper. And it doesn’t help that a group of girls, who nicknamed themselves The Bunheads, wonder how she made the team if she can’t even do a simple turn sequence in front of the class. Thankfully, Harper befriends Lily, a fellow newbie in the studio who is just as eager to make her mark and find a friendly face. With a big competition coming up for the dance team, Harper is determined to show everyone—especially those Bunheads—what she’s made of! And when a very badly timed sprained ankle threatens all of the work they have done, the Bunheads, Lily, and Harper must learn to truly work together to give them their best shot at the top spot!

The Callback: The Audition; The Callback; The Competition (Maddie Ziegler Ser. #2)

Bunheads meets The Kicks in this second novel in a middle grade trilogy from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!After a successful first competition, twelve-year-old Harper is eager to keep on making her mark in Dance Starz. But lately, she&’s having a bit of &“dancer&’s block.&” In her one-on-one with her teacher, Harper is reminded that dancing isn&’t just about the spins and leaps; it&’s about the emotion and passion for dancing, too. And lately, she hasn&’t felt that Harper has been living up to her usual standards. Vanessa will be choosing the first soloist to compete at the next competition for the team, and suggests to Harper that she find a way to figure out how to get that mojo back.Thanks to a chance conversation, Harper joins the school musical. Not only is this an opportunity to polish up her stage presence, but as the newbie at school, Harper is excited to make some more friends.But some of the teammates are not thrilled that Harper is doing something besides the dance team. Plus, their biggest rivals, the Belles, are looking to go toe-to-toe with them in the upcoming competition—and both teams have something to prove. Harper realizes that the musical, dance team, and school might be a little much. Can she figure out how to find her balance—on-stage and off?

The Competition: The Audition; The Callback; The Competition (Maddie Ziegler #3)

Bunheads meets The Kicks in this third novel in this entertaining middle grade series from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!Harper and her fellow Dance Starz are headed to New York City for the big national competition! Not only will they be up against their arch-rivals, the Belles, but Harper will also face off against her old dance team. Does Harper have what it takes to finally prove that she belongs on the big stage?

The Maddie Diaries: A Memoir

In this New York Times bestselling memoir, the incredibly talented breakout star of Dance Moms and judge on So You Think You Can Dance brings her uplifting coming-of-age story about following her dreams and working hard to achieve success in both the dance world and in life.Maddie Ziegler knew one day she&’d be a star—she just didn&’t know how soon that day would come.At just eight years old, she was cast on Lifetime&’s hit reality show Dance Moms and quickly won the hearts of fans everywhere with her natural talent and determination. Soon, she was capturing attention from all over—including pop superstar Sia, who cast her as her dance double in the incredibly popular music video for her hit song &“Chandelier.&” The rest, as they say, was history.In this inspirational memoir, Maddie explains the hard work she put into her rise to stardom and how she keeps her balance along the way—starring in music videos, going on tour, and becoming an actress in The Book of Henry with Naomi Watts and Jacob Tremblay. She also answers her fans&’ burning questions with wise advice she&’s learned on her journey. With honesty, charm, and humor, Maddie offers her unique perspective on making her way in the entertainment world as a young teenager, reflecting on the lessons she&’s learned—and preparing for the exciting road ahead.

Kenzie's Rules For Life: How to be Healthy, Happy and Dance to your own Beat

An inspirational, upbeat collection of relatable lessons from the teen sensation, Mackenzie Ziegler - an award-winning dancer, singer/songwriter and actress.Growing up is hard, but growing up in the spotlight is even harder. However, Mackenzie Ziegler is taking it all in stride, thanks to her positive attitude on life. From getting her start on Dance Moms, to her sold-out tour alongside Johnny Orlando, there’s nothing that she can’t do. In Kenzie’s Rules for Life, the dance prodigy, singer/songwriter, actress and model offers her advice on friendship, family, fitness, style and positivity. For anyone who enjoyed her sister’s Sunday Times bestselling book The Maddie Diaries, this will be the perfect accompaniment. She shares lessons drawn from her own experiences for those navigating through their tween years on how to be happy, healthy and confident in all aspects of their lives.

Representation in Steven Universe

This book assembles ten scholarly examinations of the politics of representation in the groundbreaking animated children’s television series Steven Universe. These analyses address a range of representational sites and subjects, including queerness, race, fandom, colonialism, and the environment, and provide an accessible foundation for further scholarship. The introduction contextualizes Steven Universe in the children’s science-fiction and anime traditions and discusses the series’ crucial mechanic of fusion. Subsequent chapters probe the fandom’s expressions of queer identity, approach the series’ queer force through the political potential of the animated body, consider the unequal privilege of different female characters, and trace the influence of anime director Kunihiko Ikuhara. Further chapters argue that Ronaldo allows satire of multiple media forms, focus on Onion as a surrealist trickster, and contemplate cross-species hybridity and consent. The final chapters concentrate on background art in connection with ecological and geological narratives, adopt a decolonial perspective on the Gems’ legacy, and interrogate how the tension between personal and cultural narratives constantly recreates memory.

Queering the Family in The Walking Dead

This book traces how The Walking Dead franchise narratively, visually, and rhetorically represents transgressions against heteronormativity and the nuclear family. The introduction argues that The Walking Dead reflects cultural anxiety over threats to the family. Chapter 1 examines the destructive competition created by heteronormativity, such as the conflict between Rick and Shane. Chapter 2 focuses on the actual or attempted participation of characters such as Carol and Negan in queer relationships. Chapter 3 interprets zombies as queer antagonists to heteronormativity, while Chapter 4 explores the incorporation of zombies into the lives of characters such as the Governor and the Whisperers. The conclusion asserts that The Walking Dead presents both queer alternatives to and damaging contradictions within the traditional heterosexual family model, helping to question this model and to consider the struggle of queer American families. Overall, this study holds special interest for students and scholars of queerness, zombies, and the family.

The Twilight Zone Companion 2nd Edition

The Twilight Zone has captivated, teased and haunted the imaginations of countless millions of viewers from 1959 debut through its 156 subsequent episodes and many rebroadcast. This companion is the complete show-by-show guide to one of television's all-time greatest series. Zicree's account of the series from inception to cancellation, through syndication and subsequent offshoots and remakes, is fascinating reading for even the most casual fan. Coverage of each episode includes a plot synopsis, critical commentary, behind-the scenes stories and anecdotes from the original artists who created the series, a complete list of cast and credits and over 200 production photographs.

Teaching Film from the People's Republic of China (Options for Teaching)

This volume brings a diverse range of voices--from anthropology, communication studies, ethnomusicology, film, history, literature, linguistics, sociology, theater, and urban geography--into the conversation about film from the People's Republic of China. Essays seek to answer what films can reveal or obscure about Chinese history and society and demonstrate how studying films from the PRC can introduce students to larger issues of historical consciousness and media representation.The volume addresses not only postsocialist fictional films but also a wide variety of other subjects including socialist period films, documentaries, films by or about people from ethnic minority groups, film music, the perspectives of female characters, martial arts cinema, and remakes of South Korean films. By exploring how films represent power, traditions, and ideologies, students learn about both the complexity of the PRC and the importance of cross-cultural and cross-ideological understanding.

Art, Politics, and Commerce in Chinese Cinema

Art, politics and commerce are intertwined everywhere, but in China the interplay is explicit, intimate and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential t

Chinese Independent Animation: Renegotiating Identity in Modern China (Palgrave Animation)

This study of ‘independent’ animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with attention paid to the conventional media circle of production, distribution and consumption. The ‘independent’ sector has been largely ignored however, until now. By focusing on distinctive independent artists like Pisan and Lei Lei, and situating their work within the present day media ecology, the author examines the relationship between the genre and the sociocultural transformation of contemporary China. Animation, the author argues, has a special significance, as the nature of the animation text is itself multilayered and given to multiple interpretations and avenues of engagement. Through an examination of the affordances of this ‘independent’ media entity, the author explores how this multifaceted cultural form reveals ambiguities that parallel contradictions in art and society. In so doing, independent animation provides a convenient ‘mirror’ for examining how recent social upheavals have been negotiated, and how certain practitioners have found effective ways for discussing the post-Socialist reality within the current political configuration.

Cinema Off Screen: Moviegoing in Socialist China

At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.

The Urban Generation: Chinese Cinema and Society At the Turn of the Twenty-first Century

Since the early 1990s, while mainland China's state-owned movie studios have struggled with financial and ideological constraints, an exciting alternative cinema has developed. Dubbed the "Urban Generation," this new cinema is driven by young filmmakers who emerged in the shadow of the events at Tiananmen Square in 1989. What unites diverse directors under the "Urban Generation" rubric is their creative engagement with the wrenching economic and social transformations underway in China. Urban Generation filmmakers are vanguard interpreters of the confusion and anxiety triggered by the massive urbanization of contemporary China. This collection brings together some of the most recent original research on this emerging cinema and its relationship to Chinese society. The contributors analyze the historical and social conditions that gave rise to the Urban Generation, its aesthetic innovation, and its ambivalent relationship to China's mainstream film industry and the international film market. Focusing attention on the Urban Generation's sense of social urgency, its documentary impulses, and its representations of gender and sexuality, the contributors highlight the characters who populate this new urban cinema--ordinary and marginalized city dwellers including aimless bohemians, petty thieves, prostitutes, postal workers, taxi drivers, migrant workers--and the fact that these "floating urban subjects" are often portrayed by non-professional actors. Some essays concentrate on specific films (such as Shower and Suzhou River) or filmmakers (including Jia Zhangke and Zhang Yuan), while others survey broader concerns. Together the thirteen essays in this collection give a multifaceted account of a significant, ongoing cinematic and cultural phenomenon. Contributors. Chris Berry, Yomi Braester, Shuqin Cui, Linda Chiu-han Lai, Charles Leary, Sheldon H. Lu, Jason McGrath, Augusta Palmer, Brnice Reynaud, Yaohua Shi, Yingjin Zhang, Zhang Zhen, Xueping Zhong

Memoirs from the Beijing Film Academy: The Genesis of China's Fifth Generation

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China's famous "Fifth Generation" of filmmakers. It is the first insider's account of this renowned cohort to appear in English. Covering these directors' formative experiences during China's tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen--who was both their screenwriter and teacher--provides unique insights into the origins of the Fifth Generation's creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films--One and Eight and Yellow Earth.

Chinese Theatre: Volume One: From Exorcism to Entertainment

Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.

Chinese Theatre: Volume Two: From Storytelling to Story-acting

Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.

New Chinese-Language Documentaries: Ethics, Subject and Place (Media, Culture and Social Change in Asia)

Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles.

Chinese National Cinema (National Cinemas #20)

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.

A Companion to Chinese Cinema (Wiley Blackwell Companions to National Cinemas #20)

A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications

Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century

In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China's "long 1990s," the tumultuous years between the 1989 Tiananmen Square crackdown and China's entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping's market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state's cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China's entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China's uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity. Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan's fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China's long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.

Advanced Sensing Techniques for Cognitive Radio (SpringerBriefs in Electrical and Computer Engineering)

This SpringerBrief investigates advanced sensing techniques to detect and estimate the primary receiver for cognitive radio systems. Along with a comprehensive overview of existing spectrum sensing techniques, this brief focuses on the design of new signal processing techniques, including the region-based sensing, jamming-based probing, and relay-based probing. The proposed sensing techniques aim to detect the nearby primary receiver and estimate the cross-channel gain between the cognitive transmitter and primary receiver. The performance of the proposed algorithms is evaluated by simulations in terms of several performance parameters, including detection probability, interference probability, and estimation error. The results show that the proposed sensing techniques can effectively sense the primary receiver and improve the cognitive transmission throughput. Researchers and postgraduate students in electrical engineering will find this an exceptional resource.

Elastic Language in Persuasion and Comforting: A Cross-Cultural Perspective

This innovative book examines the discourse of reality television, and the elasticity of language in the popular talent show The Voice from a cross-cultural perspective. Analysing how and why elastic language is used in persuasion and comforting, a comparison between Chinese and English is made, and the authors highlight the special role that elastic language plays in effective interactions and strategic communication. Through the lens of the language variance of two of the world’s most commonly spoken languages, the insights and resources provided by this book are expected to advance knowledge in the fields of contrastive pragmatics and cross-cultural communication, and inform strategies in bridging different cultures. This study highlights the need to give the elastic use of language the attention it deserves, and reveals how language is non-discrete and strategically stretchable. This book will be of interest to academics and postgraduate students engaged in elastic/vague language studies, cross-cultural pragmatics, media linguistics, discourse analysis, sociolinguistics and communication studies.

The Politics of Iranian Cinema: Film and Society in the Islamic Republic (Iranian Studies)

Iran has undergone considerable social upheaval since the revolution and this has been reflected in its cinema. Drawing on first-hand interviews and detailed ethnographic research, this book explores how cinema is engaged in the dynamics of social change in contemporary Iran. The author not only discusses the practices of regulation and reception of films from major award winning directors but also important mainstream filmmakers such as Hatamikia and Tabizi. Contributing to ethnographic accounts of Iranian governance in the field of culture, the book reveals the complex behind-the-scenes negotiations between filmmakers and the authorities which constitute a major part of the workings of film censorship. The author traces the relationship of Iranian cinema to recent social/political movements in Iran, namely reformism and women’s movement, and shows how international acclaim has been instrumental in filmmakers’ engagement with matters of political importance in Iran. This book will be a valuable tool for courses on film and media studies, and will provide a significant insight into Iranian cultural politics for students of cultural studies and anthropology, Middle Eastern and Iranian studies.

I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon

When Warren Zevon died in 2003, he left behind a rich catalog of dark, witty rock 'n' roll classics, including "Lawyers, Guns and Money," "Excitable Boy," and the immortal "Werewolves of London." He also left behind a fanatical cult following and veritable rock opera of drugs, women, celebrity, genius, and epic bad behavior. As Warren once said, "I got to be Jim Morrison a lot longer than he did."Narrated by his former wife and longtime co-conspirator, Crystal Zevon, this intimate and unusual oral history draws on interviews with Bruce Springsteen, Stephen King, Bonnie Raitt, and numerous others who fell under Warren's mischievous spell. Told in the words and images of the friends, lovers, and legends who knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory.

The Day I Turned Uncool

Sooner or later, each of us must face the day we develop a disturbing new interest in lawn care; the day we order sauvignon blanc instead of Rolling Rock; the day we refuse to see any concert where we cannot sit down. Sooner or later, each of us must face the day we turn uncool. Dan Zevin, who “was never exactly Fonz-like to begin with,” is having a hilariously hard time moving from his twenties to his thirties, and he confesses everything in these comic not-coming-of-age tales. As he shamefully employs his first cleaning lady, becomes abnormally attached to his dog, and commits flagrant acts of home improvement, Dan’s headed for an early midlife crisis—and a better-late-than-never revelation: Growing up is really nothing to be reluctant about. In fact, it’s very cool.

Television Production Handbook

In Herbert Zettl's field-defining text TELEVISION PRODUCTION HANDBOOK, the author emphasizes how production proceeds in the digital age -- from idea to image -- and how it moves through the three major phases, from preproduction to production to postproduction. In this context, you will learn about the necessary tools, examine what they can and cannot do, and explore how they are used to ensure maximum efficiency and effectiveness. This edition also features the latest digital equipment and production techniques, including HDV and HDTV.

Television Production Handbook

This practical textbook explains the basic workings behind the television camera, studio lighting equipment, microphones, and the video recording system, then outlines the job duties performed by graphic designers, the technical crew, news production personnel, floor managers, producers, and directors. The ninth edition adds a section on high definition video. Annotation ©2005 Book News, Inc., Portland, OR (booknews.com)

Television Production Handbook (Twelfth Edition)

In the field-defining text TELEVISION PRODUCTION HANDBOOK, author Herbert Zettl emphasizes how production proceeds in the digital age-from idea to image-and how it moves through the three major phases, from preproduction to production to postproduction. In this context, readers will learn about the necessary tools, examine what they can and cannot do, and explore how they are used to ensure maximum efficiency and effectiveness. This edition features the latest digital equipment and production techniques, including including stereo 3D, 3D camcorders, 4K and 8K digital cinema cameras, portable switchers, LED lighting instruments, and digital lighting control systems.

Video Basics

Reflecting the latest from real-world practice, VIDEO BASICS, 8th Edition, by Emmy award-winning producer, director, and innovator Herbert Zettl delivers the most authoritative, current, and technically accurate guide to video production available. Concise yet thorough, the text moves you quickly from video concepts and processes to production tools and techniques, and -- ultimately -- the production environment (studio and field, indoors and out) and its effects. A more conceptual framework helps you progress from the idea (what to create) to the image (how to create) on video. In addition, the accompanying MindTap digital experience helps you ensure your course success with a range of interactive study tools.

Video Basics

Herbert Zettl draws on his expertise and field experience to bring you the sixth edition of VIDEO BASICS, the handiest and most authoritative, current, and technically accurate student guide to video production available. Meeting the need for a briefer book, this text distills comprehensive video instruction so that it can be covered in a single semester. The book moves students from video concepts and processes to production tools and techniques and, finally, to the production environment (studio and field, inside and outside) and its effects. A more conceptual framework leads students from the idea (what to create) to the image (how to create) on video. Contrary to the previous editions of VIDEO BASICS, which reflected the transition from analog to digital technology, VIDEO BASICS, 6th Edition, acknowledges that digital video is a firmly established medium. References to analog are made only to help explain the digital process or the analog equipment that is still in use.

Video Basics 7

Herbert Zettl draws on his expertise and field experience to bring you the seventh edition of VIDEO BASICS, the handiest and most authoritative, current, and technically accurate student guide to video production available. Meeting the need for a briefer book, this text distills comprehensive video instruction so that it can be covered in a single semester. The book moves students from video concepts and processes to production tools and techniques and, finally, to the production environment (studio and field, inside and outside) and its effects. A more conceptual framework leads students from the idea (what to create) to the image (how to create) on video.

The Cultural Politics of One-to-One Performance: Strange Duets

This monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O’Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies.

Violence and Resistance, Art and Politics in Colombia

This book explores the historical and contemporary connections between art and politics in Colombia. These relations are unique because of the ways in which they are saturated by violence, as the country has passed through conquest, struggles for Independence, fighting between political factions, civil war, paramilitaries, narco-traffickers and state violence. This seemingly unending stream of violence gives art in Colombia one of its main themes. The lavishly illustrated essays, written by Colombian authors, examine Colombian visual arts, music, theatre, literature, cinema, indigenous arts, popular culture, militant publications and recent protest movements, analysing them with tools drawn from contemporary philosophy and theory. Approaches include decolonisation theory, cosmopolitics, anthropology after the ontological turn, Colombian philosophy, feminism, and French theory. The essays all offer powerful understandings of how art has not only been complicit in perpetuating political violence in Colombia, but also how it has been a vital form of analysis and resistance.

Gangsta Rap

School, what school? My name is X-Ray-X So be careful how you flex I used to freestyle in me bedroom. But me daddy got me vex. The teacher kicked me out of the classroom. Now I'm rapping in The Rex. Ray has trouble at home and trouble at school. It's the last straw for everyone when Ray and his friends Prem and Tyrone are permanently suspended. But they know what they want, more than most, perhaps. Their headmaster decides to give them a second chance, a chance to live their dream of forming a rap group. Through a specialized social program, the boys are taught the business of the music industry, what it takes to record an album, and how to lay down a track. Within weeks they have become the Positive Negatives, and within a few months they have signed a record deal and are on their way to the top. But their dream soon becomes a nightmare as violence escalates around them. Suddenly, not only their careers but their very lives are at stake. The Positive Negatives are determined to prove that you don't need to be a gangster to be a great rapper.

The Life and Rhymes of Benjamin Zephaniah: The Autobiography

*BBC Radio 4 Book of the Week* Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life. In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin&’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn&’t read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year) and he hasn&’t stopped performing and touring since. Nelson Mandela, after hearing Benjamin&’s tribute to him while he was in prison, requested an introduction to the poet that grew into a lifelong relationship, inspiring Benjamin&’s work with children in South Africa. Benjamin would also go on to be the first artist to record with The Wailers after the death of Bob Marley in a musical tribute to Nelson Mandela.The Life and Rhymes of Benjamin Zephaniah is a truly extraordinary life story which celebrates the power of poetry and the importance of pushing boundaries with the arts.

Marilyn in Fashion: The Enduring Influence of Marilyn Monroe

Fifty years after her death, Marilyn remains an incandescent movie star, legendary sex symbol, and a woman whose private life fascinates the public--but the story never before showcased is Marilyn Monroe's enduring impact on fashion. <P><P>From the pink satin "Diamonds Are a Girl's Best Friend" gown, to the pleated white dress from The Seven Year Itch to the revealing nude sheath worn to sing "Happy Birthday" to JFK, Marilyn created endless unforgettable looks. Before they were household names, she wore Ferragamo pumps, carried Gucci bags and wore the designs of Oleg Cassini, Norman Norell, Emilio Pucci and Jean Louis. In an era of Peter Pan collars, poodle skirts, and repressed sexuality, Marilyn's sexy style and ability to spot up-and-coming designers made her a fashion visionary. Marilyn in Fashion traces the evolution of her style, from wholesome sweetness early in her career, to sex kitten looks in the '50s, to elegant sophistication in the last years of her life. The text details the designers of her ensembles, where she wore them, and their influence on fashion. Behind-the-scenes stories reveal how the star often worked closely with designers to create looks befitting the Marilyn Monroe image. Illustrated with hundreds of rare and never-before-published photos, Marilyn in Fashion fabulously traces the style evolution of the ultimate Hollywood icon.

Mediated: How The Media Shapes Your World And The Way You Live In It

A provocative, eye-opening look at the way media shapes every aspect of our lives. Just when you thought there was nothing new to say about the media, along comes a book that transcends the conventional wisdom with an original vision, one that unites our most intimate personal concerns with far-reaching historical trends in an accessible way. From Princess Diana's funeral to the prospect of mass terror, from oral sex in the Oval Office to cowboy politics in distant lands, from high school cliques to marital therapy, from hip-hop nation to climbing Mt. Everest, from blogs to reality TV to the Weather Channel, Mediated takes us on a tour of every department of our media-saturated society. And at every turn we see ourselves as we are, immersed in options, surrounded by representations, driven to unprecedented levels of self-consciousness-and obliged by these circumstances to transform our very lives into performances. Sophisticated, satirical, sometimes searing, ultimately forgiving, Mediated tackles everything we take for granted and reintroduces us to it all as if for the first time. You'll laugh, you'll squirm, you'll agree, you'll object-but you'll find more Aha! moments packed into fewer pages than you've ever come across before.

Goddess of Love Incarnate: The Life of Stripteuse Lili St. Cyr.

Lili St. Cyr was, in the words of legendary reporter Mike Wallace, the "highest paid stripteaser in America."<P><P> Wallace was so fascinated by Lili that out of all the presidents and celebrities he interviewed over a long career, towards the end of his life, she was the one he remained fixated on. Her beauty had that kind of effect.Lili St. Cyr, the one time queen of burlesque, led an incredible life -six marriages, romances with Orson Wells, Yul Brenner, Vic Damone, a number of suicide attempts, all alongside great fame and money. Yet despite her fierce will she lost it all; becoming a recluse in her final decades, she eked out a living selling old photos of herself living with magazines taped over her windows.Goddess of Love Incarnate will be the definitive biography of this legendary figure, done with the cooperation of Lili's only surviving relative. But the book does more than fascinate readers with stories of a byone era. St. Cyr was ahead of her time in facing the perils and prejudices of working women, and the book offers a portrait of a strong artistic figure who went against the traditional roles and mores expected of women at

Building the Wall: The Play and Commentary (Oberon Modern Plays Ser.)

In the tradition of Hamilton and Angels in America, a powerful, politically charged, dystopian drama that couldn’t be more timely. Written in a “white-hot fury” on the eve of the 2016 election, the stunning new play by Pulitzer Prize– and Tony Award–winning dramatist Robert Schenkkan is creating a nationwide sensation. Bypassing the usual development path for plays, it has been signed up to open in five theaters across America in a National New Play Network Rolling World Premiere, starting in Los Angeles (March) and Denver (April) and continuing in the Washington, DC, area, Tucson, and Miami, with more productions to follow, including in Santa Fe and New York City. Building the Wall lays out in a harrowing drama the consequences of Donald Trump’s anti-immigration campaign rhetoric turned into federal policy. Two years from now, that policy has resulted in the mass round-up of millions of illegal aliens, with their incarceration overflowing into private prisons and camps reminiscent of another century. The former warden for one facility is awaiting sentencing for what happened under his watch. In a riveting interview with a historian who has come seeking the truth, he gradually reveals how the unthinkable became the inevitable, and the faceless illegals under his charge became the face of tragedy. The play is accompanied by commentary from three prominent scholars: on the real purpose of the border wall, our dark nativist history of restricting immigration, and the tradition of political protest in art.

The Changing Faces of Journalism: Tabloidization, Technology and Truthiness (Shaping Inquiry in Culture, Communication and Media Studies)

The collection is introduced with an essay by Barbie Zelizer and organized into three sections: how tabloidization affects the journalistic landscape; how technology changes what we think we know about journalism; and how ‘truthiness’ tweaks our understanding of the journalistic tradition. Short section introductions contextualise the essays and highlight the issues that they raise, creating a coherent study of journalism today.

Explorations in Communication and History (Shaping Inquiry in Culture, Communication and Media Studies)

When and how do communication and history impact each other? How do disciplinary perspectives affect what we know? Explorations in Communication and History addresses the link between what we know and how we know it by tracking the intersection of communication and history. Asking how each discipline has enhanced and hindered our understanding of the other, the book considers what happens to what we know when disciplines engage. Through a critical collection of essays written by top scholars in the field, the book addresses the engagement of communication and history as it applies to the study of technology, audiences and journalism. A comprehensive introduction by Barbie Zelizer contextualises these debates and makes a case for the importance of disciplinary engagement for teaching as well as research in media and cultural studies and each section has a brief introduction to contextualise the essays and highlight the issues they raise, making this an invaluable collection for students and scholars alike.