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War Songs (Library of Arabic Literature #41)

Poems of love and battle by Arabia’s legendary warrior From the sixth-century highlands of Najd in the Arabian peninsula, on the eve of the advent of Islam, come the strident cries of a legendary warrior and poet. The black outcast son of an Arab father and an Ethiopian slave mother, 'Antarah ibn Shaddad struggled to win the recognition of his father and tribe. He defied social norms and, despite his outcast status, loyally defended his people. 'Antarah captured his tumultuous life in uncompromising poetry that combines flashes of tenderness with blood-curdling violence. His war songs are testaments to his life-long battle to win the recognition of his people and the hand of 'Ablah, the free-born woman he loved but who was denied him by her family. War Songs presents the poetry attributed to 'Antarah and includes a selection of poems taken from the later Epic of 'Antar, a popular story-cycle that continues to captivate and charm Arab audiences to this day with tales of its hero’s titanic feats of strength and endurance. 'Antarah’s voice resonates here, for the first time in vibrant, contemporary English, intoning its eternal truths: commitment to one’s beliefs, loyalty to kith and kin, and fidelity in love.An English-only edition.

No está todo perdido; todavía nos queda cerveza, poesía y sexo

El nuevo libro de uno de los poetas que más está dando que hablar en las redes. «Este libro está listo para ti, para que sientas, y seas capaz de coger la fuerza suficiente para comprender que no está todo perdido. Este libro reúne textos de amor, desamor, sociedad, pero todo desde las entrañas. No está todo perdido; todavía nos queda cerveza, poesía y sexo contiene los poemas de la primera versión, poemas de Mi corazón pecera y poemas completamente inéditos. Una edición especial, para que, te lo recuerdo y que no se te olvide, te tatúes a fuego en la piel que No está todo perdido.» Soy Rubén Chiquito, @Bentodlc si me conoces de redes sociales. Soy Trabajador Social y un poeta indie de mierda. Escribo por pasión y necesidad. Grito en versos todo lo que nunca me atreví a decir. No voy a escribir toda mi biografía; no tendría muchas cosas que contar, pero todo lo que soy, ya lo he sangrado en formato versos en este libro.

El espejo destrozado: Una colección de poemas

Poesía de guerra, política y los caprichos de la vida. Homenaje a los guerreros caídos, versos fantasiosos sobre la locura de la política humana, el aburrimiento y poemas más ligeros sobre la Naturaleza y el medio ambiente.

Le Miroir Brisé: Recueil de Poèmes

Poésie traitant de guerre, de politique et des caprices de la vie. Commémoration des soldats tombés, vers aux accents fantasy sur la folie des politiques humaines, l'ennui, et poèmes plus légers sur la nature et l'environnement.

Specchio in Frantumi

Un libro di poesie sulla guerra, la natura e i capricci della vita. Poesia oscura.

Unruly Times: Wordsworth and Coleridge in Their Time

Unruly Times is a superlative portrait of the relationship between Wordsworth and Coleridge, and a fascinating exploration of the Romantic Movement and the dramatic events that shaped it. With a novelist's insight and eye for detail, A. S. Byatt brings alive this tumultuous period and shows a deep understanding of the effects upon the minds of Wordsworth, Coleridge and their contemporaries - de Quincey, Lamb, Hazlitt, Byron and Keats.

Now We Are Six (The Winnie-the-Pooh Collection)

With a gorgeously redesigned cover and the original black and white interior illustrations by Ernest Shepard, this beautiful edition of the beloved classic poetry collection featuring Winnie-the-Pooh and Christopher Robin Now We Are Six by A. A. Milne is sure to delight new and old fans alike!Originally published after the novel Winnie-the-Pooh and the verse collection When We Were Very Young, A. A. Milne wrote this classic book of children&’s poems about and for his son Christopher Robin when he turned six. With appearances from the beloved Winnie-the-Pooh throughout, these sweet and funny poems tell of playful adventures, the joys and pains of growing up, memorable animal friends, and more.

Poems from When We Were Very Young

A contemporary master of the nursery tale brings her unique imagination to a beloved classic. First published in 1924—two years before Winnie-the-Pooh—A. A. Milne’s When We Were Very Young is among the most familiar and cherished works in children’s literature. A whimsical celebration of childhood, Milne wrote the collection for his three-year-old son, and the poems have been read and sung to children for decades since. Now, Rosemary Wells brings her signature cast of animal and child characters to a dozen of Milne’s best-loved poems, including “Disobedience,” “The King’s Breakfast,” and “Buckingham Palace” (which stars the one and only Christopher Robin). This musical and memorable edition is by turns traditional and modern, with both delightful charm and wry sensibility.

When We Were Very Young (The Winnie-the-Pooh Collection)

With a gorgeously redesigned cover and the original black and white interior illustrations by Ernest Shepard, this beautiful edition of the beloved classic poetry collection When We Were Very Young by A. A. Milne is sure to delight new and old fans alike!Before there was Winnie-the-Pooh, there was Mr. Edward Bear, a rotund teddy bear who was proud of his stature. Meet him and many other lovable characters in this verse collection that launched A. A. Milne&’s career as a children&’s author and led to the creation of his novels about Winnie-the-Pooh and Christopher Robin. Full of whimsy, humor, and imagination, these children&’s poems tell of visits to the zoo and Buckingham Palace, the romance between Little Bo Peep and Little Boy Blue, the shenanigans of peculiar characters, quiet afternoons in nature, and more.

Winnie-the-Pooh The Honey Tree

Winnie-The-Pooh cleverly attempts, with the use of a balloon, to reach the honey in a tree by floating upwards and pretending to be a cloud.

Saltbush Bill, J.P., and Other Verses

Rio Grande's Last Race, and Other Verses

Excerpt from Rio Grande's Last Race: And Other Verses Rio Grande's Last Race Now this was what Macpherson told While waiting in the stand; A reckless rider, over-bold, The only man with hands to hold The rushing Rio Grande. He said, 'This day I bid good-bye 'To bit and bridle rein, 'To ditches deep and fences high, 'For I have dreamed a dream, and I 'Shall never ride again. 'I dreamt last night I rode this race 'That I to-day must ride, 'And cant'ring down to take my place 'I saw full many an old friend's face 'Come stealing to my side. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www. forgottenbooks. com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Between the Night and Its Music: New and Selected Poems (Wesleyan Poetry Series)

A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.[sample text]THE TWISTa dancer's worldis walls, movementconfined: musicgod's last breath.rhythm: the last beating of his heart. a dancerfollows that sound, blindto its source, toward wallswith others. she cannot dance aloneshe thinks of thoughtas windows, as ice around the dancecan you break it? move

Li Shangyin (Nyrb Poets Ser.)

A one-of-a-kind collection of work by little-known Late Tang poetic master Li Shangyin.Li Shangyin is one of the foremost poets of the late Tang, but until now he has rarely been translated into English, perhaps because the esotericism and sensuality of his work set him apart from the austere masters of the Chinese literary canon. Li favored allusiveness over directness, and his poems unfurl through mysterious images before coalescing into an emotional whole. Combining hedonistic aestheticism with stark fatalism, Li’s poetry is an intoxicating mixture of pleasure and grief, desire and loss, everywhere imbued with a singular nostalgia for the present moment.This pioneering, bilingual edition presents Chloe Garcia Roberts’s translations of a wide selection of Li’s verse in the company of other versions by the prominent sinologist A. C. Graham and the scholar-poet Lucas Klein.

Spenser: The Faerie Queene (Longman Annotated English Poets)

The Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.

Desde Auden a Yeats: Análisis Crítico de 30 Poemas Seleccionados

Desde Auden a Yeats: Análisis crítico de 30 poemas seleccionados por Geetanjali Mukherjee Este libro es una referencia rápida para los estudiantes de literatura inglesa que busquen ayuda al navegar la poesía de algunos de los grandes poetas del siglo XIX y XX. Este libro es una referencia rápida para los estudiantes de literatura inglesa que busquen ayuda para navegar la poesía de alguno de los grandes poetas del siglo XIX y XX. El libro contiene un an{alisis crítico y profundo de 30 poemas seleccionados de las obras de W. H. Auden, Ted Hughes, John Keats, Philip Larkin and W.B. Yeats. Con una colección de 30 ensayos, el libro tiene como fin ayudar a los alumnos de literatura a obtener un mirada de la vida y trabajo de cada poeta aquí presentado, como también una comprensión de los poemas tratados con la suficiente profundidad. EL LIBRO POSEE: * Una sección sobre la vida y trasfondo de cada poeta para comprender mejor las influencias detrás de sus poemas y obtener un mejor conocimiento del contexto de los poemas seleccionados. * Una explicación sencilla de cada poema. * Una explicación de los temas, motivos y símbolos utilizados en los poemas. * Un ensayo específico para cada poema en particular, analizado para el beneficio del estudiante de literatura. * Preguntas breves para que el estudiante reflexione sobre los temas subyacentes de los poemas. Es una guía invaluable para los estudiantes de literatura en colegios secundarios y universidades o cualquiera que desee obtener una profunda comprensión de algunos de los poemas más reconocidos del último siglo. Este libro es muy útil como guía de estudio y no debe substituir la lectura de los poemas (LOS POEMAS NO ESTÁN INCLUIDOS). Algunos de los poemas tratados son: * W.H. Auden – Blues del refugiado * Ted Hughes – Cuervo tiranosaurio * John Keats – Al otoño * Philip Larki

Shelley: The Man and the Poet (Routledge Revivals)

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley’s life and work presents the poet not as popular legend would have it, but in a more objective light. A.Clutton-Brock notes his forthright and imperious attitude to life – a life in which Shelley found himself increasingly unhappy – and critically examines many facets of his artistic career which are often overlooked or misrepresented.

The Cambridge Companion to the Sonnet

"Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today"--

The Cambridge Companion to T. S. Eliot

An international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully coordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays, while others assess the major aspects of his life and thought. Later chapters place his work in historical perspective. There is a full review of Eliot studies, and a useful chronological outline. Taken as a whole, this Companion comprises an essential handbook for students and readers of T. S. Eliot.

Verlaine: A Study in Parallels

The contradictions of Verlaine's nature are mirrored in his verse, which is alternately mystic, sensuous, exquisite and prosaic. He had extraordinary lyric powers; he was a master of eerie harmonies such as few other poets have achieved, and, in Sagesse, he produced religious verse which challenges comparison with the very best of its kind. Yet here and there can be found a curious weakening in the texture of thought and inspiration: he turns and twists, takes flight, seeks reassurance in platitude and convention – marriage, dogmatic theology, reactionary political creeds. He is even capable of lamenting (as Rimbaud shows him in Une Saison en Enfer) the emotional and poetic experiments which give his work its supreme value. It is almost as though he were afraid of his own talent. The explanation, as far as there is one, lies in a combination of personality and circumstance. This biography attempts to explore the "parallels" (Verlaine's own term) between his life and his poetry. Nearly everything he produced, whether good or bad, was a reflection of some crisis of thought or feeling. No one demonstrates better than Verlaine the antinomies between the artist and his work, between the man and the genius; and in every case we are obliged to admit that the one explains the other. Without the weakness and the squalor we might indeed have had a rational human being and a good husband for Mathilde Mauté, but we should have had no poet, or no poet like Paul Verlaine. Professor Carter concentrates on the combination of Verlaine's personality and experiences that produced some of the most brilliant poetry in the French language. The result is one of the best critical biographies of Verlaine published to date.

A Shropshire Lad

Few volumes of poetry in the English language have enjoyed as much success with both literary connoisseurs and the general reader as A. E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.

Archaic Smile: Poems

Archaic Smile, by A.E. Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father.

Archaic Smile: Poems

A new edition of A. E. Stallings's first book of poems, which was awarded the Richard Wilbur Award. In Archaic Smile, by the Pulitzer Prize and National Book Critics Circle Award finalist A. E. Stallings, the poet couples poetic meditations on classic stories and themes with poems about the everyday, sometimes mundane occurrences of contemporary life (like losing an umbrella or fishing with one’s father), and she infuses the latter with the magic of myth and history. With the skill of a scholar and translator and the playful, pristine composition of a poet, Stallings bridges the gap between these two distant worlds.Stallings “invigorates the old forms and makes them sing” (Meryl Natchez, ZYZZYVA) in her poetry, and the scope and origins of her talents are on full display in the acclaimed author's first collection. The poems of Archaic Smile are sung with a timeless, technically impeccable, and utterly true voice.

Like: Poems

A Finalist for the Pulitzer Prize in PoetryA stunning new collection by the award-winning young poet and translatorLike, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.

This Afterlife: Selected Poems

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator.This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems.Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.