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我的名是张欣恩 (Gimme chance leh)
by Kris Vanessa Teo Xin-EnKris, a young diasporic Chinese woman, attempts to reconcile her upbringing between Canada and Singapore. In doing so, she comes face to face with herself as she pulls apart the tactics she uses in an attempt to fit into two wildly different cultures. Weaving in and out of English, Mandarin, and Singlish, Kris uses storytelling to navigate beauty standards, body image, family, food, and an unexpected friendship with a Chicken Rice Uncle.Deftly unravelling stereotypes and addressing the universal through Kris’s determined persistence and heartwarming sense of humour, 我的名是张欣恩 (Gimme chance leh) is about celebrating difference and existing in the in-between.
パブロの嘆願
by Erick Carballo「ル 命 願 願「 「 パ ブ ロ は 、 信 頼 で き る 友人 が 1 人 し か い な い 8 歳 の 少年 で す が 、 一連 の 出来 事 が 彼 を 悲劇 的 な 運 命 に 導 き ま す。
„als wären wir geschichtslos“: Das Geschichtstheater bei Elfriede Jelinek (Abhandlungen zur Literaturwissenschaft)
by Anna LenzDieses Buch interpretiert die Themen Geschichte, Subjektivität und Verantwortung im Theater Elfriede Jelineks. Jelinek ergründet dramatische und historische Deutungskonventionen, greift sie aber gleichzeitig immer wieder und auch kritisch auf (Figur, Subjektivität, Geschichte). Eine Auseinandersetzung mit europäischer Geistesgeschichte (u. a. Hegel, Hölderlin, Freud) ist zentral, um sich auf sie zu beziehen, sie zu hinterfragen und sich auch von ihr abzuwenden. Die Arbeit analysiert fünf Stücke, darunter „Wolken.Heim.“ und „Am Königsweg“, und beleuchtet historische und subjekttheoretische Brüche sowie Genderaspekte in Jelineks Geschichtstheater.
„Wer wird nicht einen Klopstock loben?“: Friedrich Gottlieb Klopstocks poetische Innovationen und ihre produktive Rezeption (Abhandlungen zur Literaturwissenschaft)
by Alexander Nebrig Lutz HagestedtFriedrich Gottlieb Klopstock (1724–1803) war in der Mitte des 18. Jahrhunderts die zentrale Figur der deutschen Poesie. Er revolutionierte Theorie und Praxis des Verses, wertete die Position von Schriftstellerinnen und Schriftstellern im Literaturbetrieb auf, schrieb das wichtigste Epos des 18. Jahrhunderts und ist mit seinen Oden und Gedichten für Lyrikerinnen und Lyriker weiterhin mustergültig und stilbildend. Die 26 richtungsweisenden Beiträge der internationalen Quedlinburger Konferenz, die im 300. Jubiläumsjahr Klopstocks erscheinen, diskutieren die innovative Leistung dieser Dichterpersönlichkeit sowie die facettenreiche und vielseitige Rezeption seiner Werke.
“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties (Routledge Advances in Theatre & Performance Studies)
by Tony LidingtonThis volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside pierrot troupes and concert parties and their popular performance heritage. It will provide, for the first time, a definition of the pierrot troupe and its evolution from the roots of European popular traditions such as the commedia dell’arte and minstrelsy, to links between music hall and contemporary popular culture. Tony Lidington will explore how pierrot troupes grew from a single idea into a major international cultural industry and how it boosted morale and national identity during the two World Wars, before sublimating into contemporary pop music and comedy. Tony’s continuing practice as research provides an experiential framework for the historical and ethnographic analysis of the form. This book will be of vital interest to students, researchers, and performers of outdoor (al fresco) arts, clowning and comedy, minstrelsy, vernacular music-making and music hall.
‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication (Early Modern Literature in History)
by Eoin Price‘Public’ and ‘Private’ Playhouses in Renaissance England.
‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication (Early Modern Literature in History)
by Eoin PriceAt the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why? Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.
Дон Кихот [Don Kikhot]: A Dramatic Adaptation (Texts and Translations #29)
by Mikhail BulgakovWhen Soviet censors approved Mikhail Bulgakov's ??? ?????, a stage adaptation of Don Quixote, they were unaware that they were sanctioning a subtle but powerful criticism of Stalinist rule. The author, whose novel ?????? ? ????????? would eventually bring him world renown, achieved this sleight of hand through a deft interpretation of Cervantes's knight. Bulgakov's Don Quixote fits comfortably into the nineteenth-century Russian tradition of idealistic, troubled intellectuals, but Quixote's quest becomes an allegory of the artist under the strictures of Stalin's regime. Bulgakov did not live to see the play performed: it went into production in 1940, only months after his death.The volume's introduction provides background for Bulgakov's adaptation and compares Bulgakov with Cervantes and the twentieth-century Russian work with the seventeenth-century Spanish work.
Συρανό δε Μπερζεράκ
by Edmond RostandThis is the famous 19th-century play about a great swordsman and poet with the unseemly large nose. Although he is feared by opponents, he cannot court the woman of his dreams, except through anonymously sent poems, which makes for a romantic and adventurous tale.
Η έκκληση του Παύλου
by Erick Carballo"Η έκκληση του Παύλου" είναι ένα μυθιστόρημα στο οποίο η μοναξιά, ο εκφοβισμός, η κακία και ο εγωισμός ενός πατέρα είναι αλληλένδετα και η αδιαφορία μιας μητέρας που εγκαταλείπει τον γιο της στη μοίρα του για να ξεκινήσει μια νέα ζωή με άνθρωπος που εξασφαλίζει ένα πολλά υποσχόμενο μέλλον. Ο Πάμπλο είναι ένα οκτάχρονο αγόρι που έχει μόνο έναν φίλο που μπορεί να εμπιστευτεί, αλλά μια σειρά από γεγονότα τον οδηγούν σε ένα τραγικό πεπρωμένο.
Επιστολές από την Ανταρκτική
by Federico RomanoΤο ταξίδι της ζωής ενός αλτρουιστή και γενναιόδωρου άνδρα μέσα από τον πόνο, τη χαρά, τη φιλία, την αγάπη και το θάνατο. Αυτές είναι οι «Επιστολές από την Ανταρκτική», ένα μυθιστόρημα που η πλοκή του διαδραματίζεται σε ένα φανταστικό νησί που είναι περισσότερο ένα μέρος της ανθρώπινης ψυχής. Συγκεκριμένα, η ανθρώπινη ψυχή που συναντάμε εδώ είναι αυτή του Φρέντερικ Τζόνσον. Οι συναντήσεις που θα κάνει, οι σκληρές εμπειρίες της ζωής που θα μπορέσει να αντιμετωπίσει και να χειριστεί, θα ξεδιπλώσουν τη στιγματισμένη ύπαρξη του από τη στιγμή της γέννησης του. Στην πραγματικότητα, νεογέννητος ακόμα, εγκαταλείφθηκε από τη μητέρα του που δεν θα την ξαναδεί ποτέ.
Žižek and Performance (Performance Philosophy)
by Broderick Chow Alex MangoldThe first edited volume to examine philosopher Slavoj Žižek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Žižek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.
Žižek and Media Studies
by Matthew Flisfeder Louis-Paul WillisFilm, media, and cultural theorists have long appealed to Lacanian theory in order to discern processes of subjectivization, representation, and ideological interpellation. Here, the contributors take up a Zizekian approach to studies of cinema and media, raising questions about power, ideology, sexual difference, and enjoyment.
Èdip Rei
by SófoclesMolts crítics consideren Èdip Rei l’obra mestra de Sòfocles. Èdip ha esdevingut rei de Tebes, després de vèncer l'Esfinx i de casar-se amb Iocasta, vídua del rei Laios. Sense saber-ho, Èdip ha mort el seu pare en una baralla quan tornava de Delfos de consultar l'oracle i s'ha casat amb la seva mare. Una terrible pesta s'ha ensenyorit de Tebes i Èdip cerca les causes de l'infortuni fent una consulta a l'oracle d'Apol·lo a Delfos i també a Tirèsias, el sacerdot endeví de Tebes. La resposta és clara: la pesta s'acabarà quan hagi estat venjada la mort de Laios. Èdip és l'heroi tràgic per antonomàsia: l’home just, intel·ligent, pietós envers els déus, que vol conèixer la veritat pel bé del seu poble, costi el que costi; i que no defalleix en l’intent de descobrir-la, malgrat que, a mesura que s’hi apropa, ja intueix que serà la causa de la seva ruïna. La solució diversa amb què Iocasta i Èdip afrontaran el coneixement de la veritat és també el reflex de dues maneres d’encarar les dificultats vitals.
¡Presente!: The Politics of Presence (Dissident Acts)
by Diana TaylorIn ¡Presente! Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ¡presente! at work in scenarios ranging from conquest, through colonial enactments and resistance movements, to present moments of capitalist extractivism and forced migration in the Americas. ¡Presente!—present among, with, and to; a walking and talking with others; an ontological and epistemic reflection on presence and subjectivity as participatory and relational, founded on mutual recognition—requires rethinking and unlearning in ways that challenge colonial epistemologies. Showing how knowledge is not something to be harvested but a process of being, knowing, and acting with others, Taylor models a way for scholarship to be present in political struggles.
with their eyes: September 11th
by Annie ThomsA deeply moving play remembering September 11, 2001, written by high school students who witnessed the tragedy unfold.A New York Public Library Book for the Teen Age“Profound.” —Booklist“Moving.” —Publishers Weekly“Rings with authenticity and resonates with power.” —School Library JournalTuesday, September 11, started off like any other day at Stuyvesant High School, located only a few blocks away from the World Trade Center.The semester was just beginning, and the students, faculty, and staff were ready to start a new year. But within a few hours on that Tuesday morning, they would share an experience that would transform their lives—and the lives of all Americans.This powerful play by the students of Stuyvesant High School remember those who were lost and those who were forced to witness this tragedy. Here, in their own words, are the firsthand stories of a day we will never forget. This collection helped shape the HBO documentary In the Shadow of the Towers: Stuyvesant High on 9/11.For dramatic rights, please visit http://permissions.harpercollins.com/.
who knew grannie: a dub aria
by Ahdri Zhina MandielaIn this lyrical masterpiece, four cousins reunite in Jamaica to mourn the passing of their grandmother and to celebrate the times they shared together. There's vilma, an up-and-coming politician; kris, a celebrity chef; tyetye, who's incarcerated; and likklebit, who's immigrated to Canada. As the cousins reminisce about the woman who had such a strong role in rearing them, they uncover their troubles and begin to fulfill grannie's last task: to bring them back in tune with themselves.
trace
by Jeff Ho"I support you when you need, so that you support me when I need." An elegant and sweeping story of a Chinese family’s history, trace follows the footsteps of four generations as their homes and identities are challenged. Jeff Ho brings life to his great grandmother, grandmother, and mother through considerate storytelling as they recount their pasts, leading to a paralleled present. Great Grandmother fled the Japanese during World War II by escaping China into Hong Kong, a traumatic event that’s rippled down the family line. Grandmother married into the family after a childhood of poverty that will always stay with her. Mother decided to leave Hong Kong for Canada with her two sons, pursuing more opportunities, though dissatisfied with her son’s desire to focus on the piano rather than math. Though pain is a constant, there are plenty of wisecracks, games of mah jong, and familiar family anecdotes swirling through Ho’s genealogical journey of survival.
pppeeeaaaccceee
by Darren O'Donnellpppeeeaaaccceee, is a vast, imaginative and mesmerizing glide through Life and Power. The play is set in Ephemeral; three people firmly floating chat - in O'Donnell's inimitable rapid-fire style - about the revolution. Which revolution? Good question. A gently aggressive meditation, pppeeeaaaccceee examines our being, asks us what we're doing and reminds us that there are monsters in here. Peace. Say it slow, stretch it out, make it last forever.
paper SERIES
by David YeeAn unhappy orphan who finds solace in paper cut-outs of her parents, an Indian doctor who displays his medical degree in his taxi cab, and waiters who tamper with fortune cookie are some of the vibrant characters who are brought to life in this anthology of six monologues that revolve around paper. From drama to comedy to crime-thriller, Yee brings us a variety of plots and characters in a series of imaginative, thought-provoking vignettes.
manicpixiedreamgirl
by Tom LeveenSometimes the most dramatic scenes in a high school theater club are the ones that happen between the actors and crew off stage.Seventeen-year-old Tyler Darcy's dream of being a writer is starting to feel very real now that he's sold his first short story to a literary journal. He should be celebrating its publication with his two best friends who've always had his back, but on this night, a steady stream of texts from his girlfriend Sidney keep intruding. So do the memories of his dream girl, Becky, who's been on his mind a little too much since the first day of high school. Before the night is over, Ty might just find the nerve to stop all the obsessing and finally take action.
lady in the red dress
by David YeeThe turmoil in Max's life was set in motion by Sylvia, an elusive figure who enters his life and charges Max with the task of finding Tommy Jade, a Chinese immigrant from the 1920s. Dragged further into the history of the Chinese-Canadian struggle for redress and into the lives of those involved, Max discovers that not only is his life in danger, but also his son's. A modern-day noir that draws from both Haruki Murakami and Frank Miller, lady in the red dress is a darkly comic story about the skeletons in our closets and the consequences of our inactions told by one of Canada's most-promising young playwrights.
iBroadway: Musical Theatre in the Digital Age
by Jessica Hillman-McCordThis book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.
for colored girls who have considered suicide / when the rainbow is enuf: With an introduction by Bernardine Evaristo (W&N Essentials)
by Ntozake Shange'Inspiring. Emotionally charged. Ground-breaking' BERNARDINE EVARISTO'A revelation. I am so thankful to Ntozake Shange for seeing us, reflecting us and showing us how beautiful we can be' JESMYN WARD'Encompassing, it seems, every feeling and experience a woman has ever had' NEW YORKERThe Lady in Red has adored her lover for eight months, 2 weeks and a day, but now she is leaving. The Lady in Blue has an abortion, all alone. The Lady in Brown can read fifteen books in three weeks.The Lady in Purple has met a man, and is finally being real. The Lady in Yellow was a virgin, until she spent her graduation night driving around in a black Buick with boys. And the Lady in Orange has to dance to keep from crying and dying.Written in 1975 and immediately hailed as a masterwork, this 'choreo-poem' is made up of monologues detailing loss, betrayal, love and community. A passionate and fearless portrait of black womanhood in the twentieth century, it resonates with deep emotional power and unusual beauty. A W&N Essential
down from heaven
by Colleen WagnerA virus has plagued the city and residents are quarantined. Curfews have been imposed and rumours of government corruption abound. Bureaucratic red tape is creating a food crisis. Laurel and her parents are imprisoned in the basement of their stately home, relying on the generosity of their former gardener, Cheater, for information and supplies. While Laurel and her family struggle just to survive, Cheater becomes intoxicated with his new-found power as a member of the Security and Surveillance police. Laurel must act as go-between if she is to liberate her family from their basement cell, and enters the dark and convoluted world of Cheater, discovering in the process startling revelations about herself, politics, art, violence, and the man they have become dependent upon.