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Hello Life!
by Marcus ButlerThe Sunday Times number 1 bestseller.Marcus Butler's irreverent YouTube channel has long combined laughs and comedy sketches with thoughts on more serious issues. What sets him apart from the rest is his ability to mix light-hearted banter with a deep empathy for the problems facing young people today. Thanks to his experiences of family illness, his parents' divorce, weight issues and catastrophic hair days, Marcus is in a unique position to share everything he has learned about healthy living, relationships and dealing with the daily pressures life throws at us all. Working with journalist and writer Matt Allen, in HELLO LIFE! his part-autobiography, part-self help guide Marcus shares his trademark big-brotherly advice and unveils his roadmap to success for anyone navigating the trickier aspects of modern living. Funny, cool, fully illustrated and totally readable, this book is the ultimate must-have for fans of Marcus Butler.
Hello, Lied the Agent: And Other Bullshit You Hear as a Hollywood TV Writer
by Ian GurvitzAs prevalent as TV is in our lives, most of us have no concept of what goes into creating a show, getting it on the air, and keeping it on. Perhaps we assume that the people in charge simply decide what amuses them at the moment, make those shows, stick them on, and wait to see if the public responds. Or maybe they just throw darts at a board. The truth, as with most things, is more complicated. In Hello, Lied the Agent, Ian Gurvitz has produced a corrosively funny look from the inside at what being a television writer is really all about. In his personal journal, he details two years in the life of a Hollywood television writer—the dizzying ups and downs, the rewrites, the pitch meetings, the table readings, the studios, and networks and execs in a riveting expose of the business.
Hello, I Must Be Going: Groucho and His Friends
by Charlotte ChandlerWhen Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.
Hello, I Must Be Going
by Charlotte ChandlerWhen Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.
Hello, I Must Be Going
by Charlotte ChandlerWhen Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.
Hello, Gorgeous: Becoming Barbra Streisand
by William J. Mann"Barbra Streisand's story may be the most triumphant case of revenge in show business history . . . Mann vividly evokes the atmosphere of Streisand's New York."--New York Times In 1960, Barbra Streisand was just a seventeen-year-old Brooklyn kid with plenty of talent but no connections and certainly no money; her mother brought her soup to make sure she stayed fed as she took acting classes and scraped out a living. Just four years later, she was the top-selling female recording artist in America and the star of one of Broadway's biggest hits. In Hello, Gorgeous, the acclaimed Hollywood biographer William Mann chronicles that dizzying ascent, telling the riveting behind-the-scenes story of how Streisand and her team transformed her from an unknown dreamer into one of the world's most beloved superstars. "Trying to figure out the Barbra Streisand mystique is no easy task, but author William Mann expertly captures the launch of her remarkable career in the early 1960s when a unique 'star was born' . . . Mann's meticulous research and insightful analysis go deeper than any previous biography: shedding light on the formative years that shaped Streisand's persona, debunking some myths . . . and providing a cultural snapshot of the wild and free-spirited era in which Streisand blossomed."--USA Today "In his masterful book, Mann captures one of the most fully realized pictures of the multi-hyphenate superstar to date . . . Many books have been written about Streisand but few, if any, put readers as close to the subject as Mann does."--Miami Herald
Hello, Everybody!: The Dawn of American Radio
by Anthony Rudel&“A lively overview&” of this pre-internet mass-communication tool and &“the entrepreneurs and evangelists, hucksters and opportunists&” who flocked to it (Publishers Weekly). Long before the Internet, another young technology was transforming the way we connect with the world. At the dawn of the twentieth century, radio grew from an obscure hobby into a mass medium with the power to reach millions of people. When amateur enthusiasts began sending fuzzy signals from their garages and rooftops, radio broadcasting was born. Sensing the medium&’s potential, snake-oil salesmen and preachers took to the air, innovating styles of mass communication and entertainment while making bedlam of the airwaves. Into this wild new frontier stepped a young secretary of commerce, Herbert Hoover, whose passion for organization transformed radio into an even more powerful political, cultural and economic force. When a charismatic bandleader named Rudy Vallée created the first on-air variety show and America elected Franklin Delano Roosevelt, who communicated with the public through his famous fireside chats, radio had arrived. With extensive knowledge, humor, and an eye for outsized characters forgotten by history, Anthony Rudel tells the story of the boisterous years when radio took its place in the nation&’s living room. &“Entertaining and informative.&” —The Denver Post &“Rudel, with extensive professional radio experience, revels in the enterprising personalities who set up shop on this technological frontier. . . .[And] vividly re-creates the anything-goes atmosphere of the ether&’s early days.&” —Booklist
Hello, Darlings!: The Authorized Biography of Kenny Everett
by James Hogg Robert SellersSpontaneous, hilarious, irrepressible and, of course, trailblazing - Kenny Everett was revolutionary in television and radio comedy. Chris Evans, Chris Moyles, Rob Brydon and Steve Wright have all cited Kenny as a huge influence on their work - even the great Spike Milligan called him a genius. It was Kenny who developed the radio show format with which we are so familiar today: a mix of music, jingles, funny voices and sound effects. When he seamlessly made the move to television in the seventies, he created unforgettable characters such as Sid Snot, Cupid Stunt and Marcel Wave.Rarely seen without a smile on his face in public, in reality, Kenny was a deeply insecure man who suffered severe bouts of depression. He also struggled with his sexuality, only coming out to the public in 1985. Diagnosed with HIV in 1987, Kenny died in 1995.This in-depth and affectionate biography has been fully authorised by Kenny's family and contains original interviews with Kenny's sister, Kate and with his former wife, Lee, as well as entertainment figures such as Barry Cryer, Cliff Richard, Chris Tarrant and Paul Gambaccini. Packed with fabulous stories about the highs and lows of Kenny's life, his great friendships with The Beatles and Freddie Mercury, this is a book that any fan of comedy and entertainment must read.
Hello Darlin'!: Tall (and Absolutely True) Tales about My Life
by Todd Gold Larry HagmanOn November 21, 1980, over 350 million people worldwide tuned in to find out: Who shot J.R.? In portraying the scheming, ruthless J.R. in Dallas during its entire run, from 1978 to 1991, Larry Hagman reached a level of fame and recognition that is rare, if not unique. Now the man behind J.R. tells his own story in an autobiography that is at once rowdy and moving, self-searching and scandalous, juicy and a "recovery story" -- and often outrageously funny. Though Larry Hagman is best known for his starring roles in two hugely successful -- and very different -- television series, I Dream of Jeannie and Dallas, his life has been a star act from birth. Born to the theatrical purple as the son of the legendary Mary Martin, Larry Hagman received his first exposure to the heady world of show business through her -- as well as experiencing a childhood that was lavish and glamorous and full of problems. His father was a tough, smart, wealthy Texas lawyer (sound familiar?), his mother Broadway's most beloved leading lady, and the young Larry Hagman was torn between their two very different worlds. After his parents' marriage ended, he was shunted from one boarding school to another, trying to satisfy his father's expectations by working as a cowboy, hunting, and raising hell and still to live up to his mother's expectations in the world of the theater. In the end, theater won out, and, following his mother's example, he began to pursue a career as an actor. Following a stint in a soap opera, he got his big break with I Dream of Jeannie, and from that came instant fame and celebrity, from which he never looked back. Weaving hilarious (and often scandalous) stories about his early years in show business into a personal story that is breathlessly engaging, Larry Hagman shares his behind-the-scenes life with the reader, his star-studded cast of characters including Linda Gray, Victoria Principal, Barbara Eden, Jean Arthur, and Joan Collins, not to mention George C. Scott, Burgess Meredith, Joshua Logan, Jack Nicholson, Sidney Lumet, and Valerie Perrine, to name only a few. But with the success came many temptations, a few of which Larry Hagman succumbed to, and about which he writes candidly and unsparingly in this memoir, including his battle with drugs and alcohol and his subsequent recovery. It was as J.R., however, in the phenomenally successful series Dallas (the second longest-running TV drama in history), that Hagman earned his greatest fame. Taking the reader behind the scenes, he shares many stories of ego clashes, offscreen relationships, and flamboyant behavior during his work on that series -- and the pain he experienced as drugs and alcohol began to take their toll. In fact the greatest drama in Larry Hagman's life -- after his long, loving, and successful marriage to his wife, Maj -- came when he was diagnosed with cirrhosis of the liver and entered into a race against time to find a liver donor. The "recovery" side of his story is not something he takes for granted, having overcome two addictions as well as undergoing a liver transplant in 1995 and a subsequent near-fatal motorcycle accident. His account of these difficulties is at once unflinchingly courageous and matter-of-fact and will be a source of inspiration to many readers. Despite problems that would have stopped most people, Larry Hagman continues to work on television and in film (he made a brilliant appearance in Mike Nichols's film about presidential ambition, Primary Colors) and enjoys life hugely. Dishy, witty, frank, and unsparing of Larry Hagman himself and of others, Hello Darlin' is, like its author, destined for international fame -- a rare memoir by a show-business celebrity that not only makes us laugh, applaud, and cry, but also leaves us with respect and admiration for a man who can not only tell a good story about others, but reveal something of himself.
Hello Again: Nine decades of radio voices
by Simon ElmesIt’s now ninety years since the BBC made its first broadcast and the British love affair with radio began.This book is a journey through that fascinating history and a celebration of the many wonderful voices that were part of it: Marion Cran, who pioneered the first gardening programme in the 1920s; The Goons and Kenneth Horne, comedy greats of the 1950s; John Peel, Alan Freeman, Kenny Everett and other heroes of the pirate stations; all the way up to Eddie Mair, Fi Glover and Danny Baker, the much-loved voices of today. A delightful blend of insight, history and nostalgia, Hello Again will appeal to any radio aficionado.
Hello: The Autobiography
by Leslie PhillipsThe autobiography of a true national treasure, an actor who has featured in more British Number One box office smashes than anyone else.Leslie Phillips's story begins with a poverty-stricken childhood in north London, made all the worse when his father died when Leslie was just ten years old. Soon after, he began his acting career, and since then he has worked with all the greats, from Laurence Olivier to Steven Spielberg.Best known for his comic roles in the Carry On and Doctor series, he took the decision in later life to take on more serious roles in films such as Empire of the Sun, Out of Africa and Scandal, as well as performing in plays such as The Cherry Orchard.Packed with hilarious anecdotes, in this long-awaited autobiography he recalls some of the great characters he has worked with, and also highlights how different he is in real life from his onscreen persona as a bounder. It is a fascinating story, brilliantly told.
Hello: The Autobiography
by Leslie PhillipsThe autobiography of a true national treasure, an actor who has featured in more British Number One box office smashes than anyone else.Leslie Phillips's story begins with a poverty-stricken childhood in north London, made all the worse when his father died when Leslie was just ten years old. Soon after, he began his acting career, and since then he has worked with all the greats, from Laurence Olivier to Steven Spielberg.Best known for his comic roles in the Carry On and Doctor series, he took the decision in later life to take on more serious roles in films such as Empire of the Sun, Out of Africa and Scandal, as well as performing in plays such as The Cherry Orchard.Packed with hilarious anecdotes, in this long-awaited autobiography he recalls some of the great characters he has worked with, and also highlights how different he is in real life from his onscreen persona as a bounder. It is a fascinating story, brilliantly told.
Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)
by Philip ZapkinHellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Hellboy: The Art of The Motion Picture (2019)
by VariousA gorgeously designed book collecting a dozen chapters of concept art and set photography to offer a behind-the-scenes look at the most anticipated paranormal action thriller of 2019!Explore the dark and marvelous world of Hellboy like never before through nearly one thousand pieces of art and photography across 192 full-color pages. This volume offers an inside look at the creation of the newly reimagined cinematic epic based on the long-running comic book masterpiece by auteur creator Mike Mignola, starring David Harbour (Stranger Things), Milla Jovovich (Resident Evil), Ian McShane (John Wick), and Daniel Dae Kim (Lost).This tome is a must-have item for fans of supernatural cinema, dark fantasy art, or ass-kicking heroic hellions.
Hélio Oiticica and Neville D'Almeida: Block-Experiments in Cosmococa--Program in Progress (One Work)
by Max Jorge Hinderer Cruz Sabeth BuchmannAn illustrated study that casts a new light on Oiticica's most important work of “quasi-cinema” on its fortieth anniversary. Hélio Oiticica (1937–1980) occupies a central position in the Latin American avant-garde of the postwar era. Associated with the Rio de Janeiro-based neo-concretist movement at the beginning of his career, Oiticica moved from object production to the creation of chromatically opulent and sensually engulfing large-scale installations or wearable garments. Building on the idea for a film by Brazilian underground filmmaker Neville D'Almeida, Oiticica developed the concept for Block-Experiments in Cosmococa—Program in Progress (1973–1974) as an “open program”: a series of nine proposals for environments, each consisting of slide projections, soundtracks, leisure facilities, drawings (with cocaine used as pigment), and instructions for visitors. It is the epitome of what the artist called his “quasi-cinema” work—his most controversial production, and perhaps his most direct effort to merge art and life. Presented publicly for the first time in 1992, these works have been included in major international exhibitions in Los Angeles, Chicago, London, and New York. Drawing on unpublished primary sources, letters, and writings by Oiticica himself, this illustrated examination of Oiticica's work considers the vast catalog of theoretical references the artist's work relies on, from anticolonial materialism to French phenomenology and postmodern media theory to the work of Jean-Luc Godard, Andy Warhol, and Brazilian avant-garde filmmakers. It discusses Oiticica's work in relation to the diaspora of Brazilian intellectuals during the military dictatorship, the politics of media circulation, the commercialization of New York's queer underground, the explicit use of cocaine as means of production, and possible future reappraisals of Oiticica's work.
El helicóptero de la Señora Rabbit (Peppa Pig. Pictogramas #Volumen)
by Hasbro EoneUn nuevo título de la colección Aprendo a leer con Peppa. Se incluyen pictogramas para facilitar la lectura y actividades para reforzar el aprendizaje. Peppa y su familia han ido a la feria de verano donde se exponen vehículos de rescate. Mientras vuelan en helicóptero, hay una llamada de emergencia. ¿Quién está en apuros? ¡DIVIÉRTETE LEYENDO ESTA HISTORIA CON PICTOGRAMAS Y APRENDE EL VOCABULARIO!
Hélène Cixous: Critical Impressions
by Lee A. Jacobus Regina BarrecaFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Helena Paderewska: Memoirs, 1910–1920
by Editor Maciej SiekierskiThe celebrated pianist Ignacy Jan Paderewski was the rave of Paris, London, and New York audiences in the early twentieth century, with annual concert tours across the continents. But during World War I, Paderewski set music aside and turned to politics, becoming an eloquent spokesman for the country of his birth, Poland, then occupied by the empires of Russia, Germany, and Austria. Through his fame as a musician, Paderewski gained access to the top political leadership of France, Britain, and the United States. His devoted wife and collaborator, Helena, facilitated and accompanied virtually his every move. Her memoirs, written in English for a US audience and as a tribute to the US contribution to the Allied victory and help in the restoration of Poland, are the story of this great international adventure. In addition to being the constant companion and confidante of her famous husband, Helena was a woman with a broad range of practical interests and commitments. Her humanitarian and social work projects ranged from a care home for elderly female veterans of the struggle for independence, to care homes and feeding stations for refugee children, to her flagship endeavor, the Polish White Cross, an organization with some twenty thousand members over which she presided. She is one of the key sources on the historical events in which she participated or her husband told her about.
Helen of Troy in Hollywood (Martin Classical Lectures #38)
by Ruby BlondellHow a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TVHelen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen’s Troy and the Star Trek episode “Elaan of Troyius,” going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition.A luminous work of scholarship by one of today’s leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.
The Heist Film: Stealing with Style (Short Cuts)
by Daryl LeeA concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.
The Heist Film
by Daryl LeeA concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir ( Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s ( Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake ( The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies ( Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.
The Heisman: Great American Stories of the Men Who Won
by Bill PenningtonIn the world of Football, there is no individual award so revered as the Heisman Trophy. Every year since 1935, one player has run, thrown, or kicked his way into the pantheon of American sport. This book tells their stories.
Heightened Genre and Women's Filmmaking in Hollywood: The Rise of the Cine-fille
by Mary HarrodDespite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.
Heidi Heckelbeck Is Ready to Dance!: Heidi Heckelbeck Gets Glasses; Heidi Heckelbeck And The Secret Admirer; Heidi Heckelbeck Is Ready To Dance!; Heidi Heckelbeck Goes To Camp! (Heidi Heckelbeck #7)
by Wanda Coven Priscilla BurrisHeidi bravely enters her school's talent show, but finds she is in need of some enchanted assistance!It's time for the Brewster Elementary Talent Show, but Heidi Heckelbeck doesn't want to perform because she thinks she has no talent. Then Heidi finds a special pair of shoes in the attic and decides she will do a dance--but she may need a little help from her Book of Spells! With easy-to-read language and illustrations on almost every page, the Heidi Heckelbeck chapter books are perfect for beginning readers.
Heidegger and Future Presencing (The Black Pages)
by Spencer GolubThis book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.