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Rainbow in the Cloud: The Wisdom and Spirit of Maya Angelou

by Maya Angelou

&“Words mean more than what is set down on paper,&” Maya Angelou wrote in her groundbreaking memoir I Know Why the Caged Bird Sings. Indeed, Angelou&’s words have traveled the world and transformed lives—inspiring, strengthening, healing. Through a long and prolific career in letters, she became one of the most celebrated voices of our time. Now, in this collection of sage advice, humorous quips, and pointed observations culled from the author&’s great works, including The Heart of a Woman, On the Pulse of Morning, Gather Together in My Name, and Letter to My Daughter, Maya Angelou&’s spirit endures. Rainbow in the Cloud offers resonant and rewarding quotes on such topics as creativity and culture, family and community, equality and race, values and spirituality, parenting and relationships. Perhaps most special, Maya Angelou&’s only son, Guy Johnson, has contributed some of his mother&’s most powerful sayings, shared directly with him and the members of their family. A treasured keepsake as well as a beautiful tribute to a woman who touched so many, Rainbow in the Cloud reminds us that &“If one has courage, nothing can dim the light which shines from within.&”

Beastie Boys Book

by Michael Diamond Adam Horovitz

A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself—by band members ADROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. <P><P>Here is their story, told for the first time in the words of the band. Adam “ADROCK” Horovitz and Michael “Mike D” Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the debut album that became the first hip hop record ever to hit #1, Licensed to Ill—and the album’s messy fallout as the band broke with Def Jam; their move to Los Angeles and rebirth with the genre-defying masterpiece Paul’s Boutique; their evolution as musicians and social activists over the course of the classic albums Check Your Head, Ill Communication, and Hello Nasty and the Tibetan Freedom Concert benefits conceived by the late Adam “MCA” Yauch; and more. <P><P>For more than thirty years, this band has had an inescapable and indelible influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys’ New York, mixtape playlists, pieces by guest contributors, and many more surprises. <P><b>A New York Times Bestseller</b>

Not That Kind of Girl

by Lena Dunham

For readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham--the acclaimed creator, producer, and star of HBO's Girls--as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one's way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told. "Take My Virginity (No Really, Take It)" is the account of Dunham's first time, and how her expectations of sex didn't quite live up to the actual event ("No floodgate had been opened, no vault of true womanhood unlocked"); "Girls & Jerks" explores her former attraction to less-than-nice guys--guys who had perfected the "dynamic of disrespect" she found so intriguing; "Is This Even Real?" is a meditation on her lifelong obsession with death and dying--what she calls her "genetically predestined morbidity." And in "I Didn't F*** Them, but They Yelled at Me," she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are "treated like the paper thingies that protect glasses in hotel bathrooms--necessary but infinitely disposable." Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. "I'm already predicting my future shame at thinking I had anything to offer you," Dunham writes. "But if I can take what I've learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile."Praise for Not That Kind of Girl "It's not Lena Dunham's candor that makes me gasp. Rather, it's her writing--which is full of surprises where you least expect them. A fine, subversive book."--David Sedaris "Always funny, sometimes wrenching, these essays are a testament to the creative wonder that is Lena Dunham."--Judy Blume "Dunham's writing is just as smart, honest, sophisticated, dangerous, and charming as her work on Girls. Its essential quality is a kind of joyful super-awareness: of herself, the world, the human. Reading her makes you glad to be in the world, and glad that she's in it with you."--George Saunders "Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it's usually couched in self-ridicule or self-help. Dunham doesn't apologize like that--she simply tells her story as if it might be interesting. Not That Kind of Girl is hilarious, artful, and staggeringly intimate; I read it shivering with recognition."--Miranda July "This book should be required reading for anyone who thinks they understand the experience of being a young woman in our culture. I thought I knew the author rather well, and I found many (not altogether welcome) surprises."--Carroll DunhamFrom the Hardcover edition.

Mr. B: George Balanchine's 20th Century

by Jennifer Homans

&“A fascinating read about a true genius and his unrelenting thirst for beauty in art and in life.&”—MIKHAIL BARYSHNIKOVBased on a decade of unprecedented research, the first major biography of George Balanchine, a broad-canvas portrait set against the backdrop of the tumultuous century that shaped the man The New York Times called &“the Shakespeare of dancing&”—from the bestselling author of Apollo&’s AngelsArguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—The New York Times called him &“the Shakespeare of dancing.&” His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine&’s tumultuous and high-pitched life story and into the making of his extraordinary dances.Balanchine&’s life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages—all to dancers—and many loves. We follow his bouts of ill health and spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage.With full access to Balanchine&’s papers and many of his dancers, Jennifer Homans, the dance critic for The New Yorker and a former dancer herself, has spent more than a decade researching Balanchine&’s life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography of the man his dancers called Mr. B.

Based on a True Story: A Memoir

by Norm Macdonald

<P>Wild, dangerous, and flat-out unbelievable, here is the incredible memoir of the actor, gambler, raconteur, SNL veteran, and one of the best stand-up comedians of all time. <P>As this book's title suggests, Norm Macdonald tells the story of his life--more or less--from his origins on a farm in the-back-of-beyond Canada and an epically disastrous appearance on Star Search to his account of auditioning for Lorne Michaels and his memorable run as the anchor of Weekend Update on Saturday Night Live--until he was fired because a corporate executive didn't think he was funny. But Based on a True Story is much more than a memoir; it's the hilarious, inspired epic of Norm's life. <P>In dispatches from a road trip to Las Vegas (part of a plan hatched to regain the fortune he'd lost to sports betting and other vices) with his sidekick and enabler, Adam Eget, Norm recounts the milestone moments, the regrets, the love affairs, the times fortune smiled on his life, and the times it refused to smile. As the clock ticks down, Norm's debt reaches record heights, and he must find a way to evade the hefty price that's been placed on his head by one of the most dangerous loan sharks in the country. <P>As a comedy legend should, Norm peppers these pages with classic jokes and fondly mythologized Hollywood stories. This wildly adventurous, totally original, and absurdly funny saga turns the conventional "comic's memoir" on its head and gives the reader an exclusive pass into the mad, glorious mind of Norm Macdonald. <P><b>A New York Times Bestseller</b>

Stuff White People Like: The Definitive Guide to the Unique Taste of Millions

by Christian Lander

They believe they're unique, yet somehow they're all exactly the same. You know who they are: They're white people. And they're here and you're gonna have to deal. Fortunately, here's a book that investigates, explains, and offers advice for finding social success with the Caucasian persuasion. So kick back on your IKEA couch and lose yourself in the ultimate guide to the unbearable whiteness of being.

Midnight's Children (dramatization)

by Salman Rushdie Simon Reade Tim Supple

Midnight's Children tells three main tales: the turbulent history of twentieth-century India, Pakistan and Bangladesh; the saga of a Muslim family; and the story of one man, Saleem Sinai. This is a play based on the book.

Where the Girls Are: Growing Up Female with the Mass Media

by Susan J. Douglas

In this insightful study of how the American media has portrayed women over the past 50 years, Douglas (Inventing American Broadcasting: 1899-1922) considers the paradox of a generation of women raised to see themselves as bimbos becoming the very group that found its voice in feminism. Modern American women, she suggests, have been fed so many conflicting images of their desires, aspirations and relationships with men, families and one another that they are veritable cultural schizophrenics, uncertain of what they want and what society expects of them. A single image--Diana Ross of the Supremes, for example, or Gidget from the popular sitcom--can send mixed signals, Douglas shows, at once affirming a woman's right to a voice and cautioning her not to go too far. Thus the media is often both a liberating and an oppressive force. Douglas is particularly attentive to the ways pop culture's messages have responded to shifting social and economic imperatives, including the feminist movement itself. While she asserts that pop culture can have a profound impact on one's self-perceptions, she also stresses that women, by the example of their own lives, have changed--mostly for the better--the way the media represents them.

Peanuts and Philosophy

by Rachel Robison-Greene Richard Greene

In Peanuts and Philosophy, twenty philosophers, from a diverse range of perspectives, look at different aspects of the Peanuts canon. How can the thoughts of children, who have yet to become grown-up, help us to become more grown up ourselves? Do we get good results from believing in something like the Great Pumpkin, even though we're disappointed every time? What can Linus's reactions to the leukemia of his friend Janice tell us about the stages of grief? Why don't we settle what's right and what's wrong by the simple method of asking Lucy? Is true happiness attainable without a warm puppy? Do some people's kites have a natural affinity for trees? Is Sally an anarchist, a nihilist, or just a contrarian? Does Linus's reliance on his blanket help him or hurt him? Is Charlie Brown's philosophy of life pathetic or inspirational?Other topics include: how the way children think carries general lessons about transcending our limitations; the Utopian quest as illustrated by Charlie's devotion to the Little Red-Haired Girl; Snoopy's Red Baron and history as selective memory; the Head Beagle as Big Brother. And, as we would expect, Lucy's repeated cruel removal of Charlie's football has several philosophical applications.

The Journey of Luke Skywalker

by Steven A. Galipeau

Using C. G. Jung's approach to dreams and myths, Jungian analyst Steven Galipeau reveals to readers the wealth of symbolism and meaning embedded in George Lucas's modern fairytale. From the battle between light femininity and dark masculinity to the conflict between nature and technology, Galipeau explains why the characters and themes in the movies resonate so deeply with us. Appealing to Star Wars fans as well as those interested in popular culture, contemporary myths, and archetypes, The Journey of Luke Skywalker will bring new insight to the most popular film series of the last two decades."Behind the space dogfights and light-saber duels is a mythology that touches a chord in the human psyche . . . this title will be the basis of many internet discussions-not to mention term papers-by fans who will enjoy it. Recommended."-Michael Rogers, Library Journal

Orphan Black and Philosophy

by Richard Greene Rachel Robison-Greene

In Orphan Black, several apparently unconnected women discover that they are exact physical doubles, that there are more of them out there, that they are all illegally produced clones, and that someone is having them killed. They find themselves in the midst of a secret and violent struggle between a fundamentalist religious group, a fanatical cult of superhuman biological enhancement, a clandestine department of the military, and a giant biotech corporation. Law enforcement is powerless and easily manipulated by these sinister forces. The clones are forced to form their own Clone Club, led by the resourceful Sarah Manning, to defend themselves against their numerous enemies and to find out exactly where they came from and why. <p><p> Orphan Black continually raises philosophical issues, as well as ethical and policy questions deserving philosophical analysis. What makes a person a unique individual? Why is it so important for us to know where we came from? Should we have a say in whether a clone is made of us? Is it immoral to generate clones with built-in health problems or personality defects - and if so, does that mean that producers of clones must practice eugenic selection? What light does the behavior of members of the Clone Club shed on the nature-nurture debate? Is it relevant that most are heterosexual, one is a lesbian, and one is a transgender male? <p> This TV show shows us problems of biotechnology which will soon be vital everyday issues. But what kind of a future faces us when human clones are commonplace? Will groups of human clones have a tight bond of solidarity making them a threat to democracy? If the world is going to be taken over by an evil conspiracy, would it better be a scientific cult like Neolution or a religious cult like the Prolethians? Should biotech corporations be able to own the copyright on human DNA sequences? What rules of morality apply when you can't trust the police and powerful groups are ready to murder you?

David Bowie and Philosophy: Rebel, Rebel

by Theodore G. Ammon

Among the topics explored in David Bowie and Philosophy are the nature of Bowie as an institution; Bowie's work in many platforms, including movies and TV; Bowie's spanning of low and high art, and his relation to Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien, including "Space Oddity" and The Man Who Fell to Earth; the dystopian element in Bowie's thinking, displayed in "1984" and the album Outside; the role of fashion in Bowie's creativity; personal identity as preserved over various divergent personae; the aesthetics of theatrical rock and glam rock; Bowie's public identification with bisexuality and his influence within the LGBTQ community.Pervasive themes in Bowie's output include change, time, apocalypse, dancing, mind-body dualism, and spirituality. In the dualistic universe that undergirds his lyrics, body consistently wins over mind, but body is nevertheless on the hook of moral responsibility. There is thus an inherent tension: the overwhelming desires of bodily drives versus the repressive institutions such as church and the omnipresent "They" who would have us do otherwise than our body want. The emergent paradox in Bowie is that for all his alleged sexual indulgences, in the end mind trumps body.

Louis C.K. and Philosophy

by Mark Ralkowski

Charlie Rose has called Louis C.K. "the philosopher-king of comedy," and many have detected philosophical profundity in Louis's comedy, some of which has been watched tens of millions of times on YouTube and elsewhere. Louis C.K. and Philosophy is designed to help Louis's fans connect the dots between his pronouncements and living philosophical themes.Twenty-five philosophers examine the wisdom of Louis C.K. from a variety of philosophical perspectives. The chapters draw upon C.K.'s standup comedy, the show Louie, and C.K.'s other writings. There is no attempt to fit Louis into one philosophical school; instead the authors bring out the diverse aspects of the thought of Louis C.K.One writer looks at the different meanings of C.K.'s statement, "You're gonna be dead way longer than you were alive." Another explores how Louis knows when he's awake and when he's dreaming, taking a few tips from Descartes. One chapter shows the affinity of C.K.'s "sick of living this bullshit life" with Kierkegaard's "sickness unto death." Another pursues Louis's thought that we may by our lack of moral concern "live a really evil life without thinking about it." C.K.'s religion is "apathetic agnostic," conveyed in his thought experiment that God began work in 1982.

The Princess Bride and Philosophy: Inconceivable!

by Richard Greene Rachel Robison-Greene

The Princess Bride is the 1987 satirical adventure movie that had to wait for the Internet and DVDs to become the most quoted of all cult classics. <P><P> The Princess Bride and Philosophy is for all those who have wondered about the true meaning of "Inconceivable!," why the name "Roberts" uniquely inspires fear, and whether it's truly a miracle to restore life to someone who is dead, but not necessarily completely dead. The Princess Bride is filled with people trying to persuade each other of various things, and invites us to examine the best methods of persuasion. It's filled with promises, some kept and some broken, and cries out for philosophical analysis of what makes a promise and why promises should be kept. It's filled with beliefs which go beyond the evidence, and philosophy can help us to decide when such beliefs can be justified. It's filled with political violence, both by and against the recognized government, and therefore raises all the issues of political philosophy. Westley, Buttercup, Prince Humperdinck, Inigo Montoya, the giant Fezzik, and the Sicilian Vizzini keep on re-appearing in these pages, as examples of philosophical ideas. Is it right for Montoya to kill the six-fingered man, even though there is no money in the revenge business? What's the best way to deceive someone who knows you're trying to deceive him? Are good manners a kind of moral virtue? Could the actions of the masked man in black truly be inconceivable even though real? What does ethics have to say about Miracle Max's pricing policy? How many shades of meaning can be conveyed by "As You Wish"?

The Ultimate Walking Dead and Philosophy

by Wayne Yuen

In The Walking Dead, human beings are pushed to their limits by a zombie apocalypse and have to decide what really matters. <P><P>Good and evil, freedom and slavery, when one life has to be sacrificed for another, even the nature of religion-all the ultimate questions of human existence are posed afresh as the old society crumbles away and a new form of society emerges, with new beliefs and new rules. The Ultimate Walking Dead and Philosophy brings together twenty philosophers with different perspectives on the imagined world of this addictive TV show. How can we keep our humanity when faced with such extreme life-or-death choices? Did Dr. Jenner do the right thing in committing suicide, when all hope seemed to be lost? Does the Governor, as the new Machiavelli, prove that willingness to repeatedly commit murder is the best technique for getting and keeping political power? Why do most characters place such importance on keeping particular individuals alive, especially children? What can we learn about reality from Rick's haunting hallucinations?

Homeland and Philosophy

by Robert Arp

In Homeland and Philosophy, 23 philosophers tackle the issues that Showtime's award winning show, Homeland, asks us to consider. The show, which centers on Marine Sergeant Nicholas Brody's release from an al-Qaeda prison, and CIA Agent Carrie Mathison's distrust of his intentions, asks questions of identity, what it means to be a terrorist, the conditions and effects of brainwashing, lying for the greater good, and whether or not courage is a virtue.But these questions are only a few among many that are explored in the shadowy spy-filled world of Homeland. Through the lenses of Rawls, Kant, Arendt, Foucault, Heidegger, Sartre, and Kierkegaard, among others, Homeland and Philosophy considers the ethics of drone warfare; whether or not Carrie Mathison's personality changes and psychological disorder make her an interesting character study in the metaphysics of personhood; at what point is privacy only an illusion; and concepts of torture, punishment, and discipline.Nicholas Brody is a Marine, a terrorist, a double agent, a congressman, a father, a husband, a lover, and a friend...but who is Nicholas Brody?

The Devil and Philosophy

by Robert Arp

In The Devil and Philosophy, 34 philosophers explore questions about one of the most recognizable and influential characters (villains?) of all time. From Roman Polanski's The Ninth Gate to J.R.R. Tolkien's The Silmarillion to Bram Stoker's Dracula to Darth Vader to Al Pacino's iconic performance in The Devil's Advocate, this book demonstrates that a little devil goes a long way. From humorous appearances, as in Kevin Smith's film Dogma and Chuck Palahniuk's novels Damned and its sequel Doomed, to more villanous appearances, such as Gabriel Byrne's cold outing as Satan in End of Days, The Devil in Philosophy proves that the Devil comes in many forms.Through the lenses of Jung, Kant, Kundera, Balkan, Plato, Bradwardine, Aristotle, Hume, Blackburn, Descartes, Lavey, Thoreau, and Aquinas, The Devil and Philosophy take a philosophical look at one of time's greatest characters. Are there any good arguments for the actual existence of the Devil? Does demonic evil thrive in Gotham City? Can humans really be accountable for all evil? Which truths about the Devil are actual facts? Is Milton correct, in that the Devil believes he is doing good?

Mel Gibson's Passion and Philosophy

by William Irwin Jorge J. Gracia

Mel Gibson's The Passion of the Christ has become one of the most controversial films ever made, and it is already a blockbuster of cinematography. Its defenders passionately regard it as one of the most moving and influential pieces of religious art ever created. But its detractors argue with comparable vehemence that the violence and gore it contains, its alleged anti-Semitism, a particular take on the Christian message, and the lack of historical and Biblical accuracy, make it nothing more than a kind of political propaganda. Father Thomas Rosica hailed as one of the great masterpieces of religious art, but the secular humanist Paul Kurtz thinks of it as a political weapon in the hands of the religious right. Film critics are divided in their judgment, giving the film anywhere from no stars to five stars. Regardless of what one thinks of the film, however, its impact both personal and social is beyond question.

Quentin Tarantino and Philosophy

by Richard Greene K. Silem Mohammad

The films of Quentin Tarantino are ripe for philosophical speculation, raising compelling questions about justice and ethics, violence and aggression, the nature of causality, and the flow of time. In this witty collection of articles, no subject is too taboo for the writers to tackle. From an aesthetic meditation on the use of spraying blood in Kill Bill to the conundrum of translation and reference in Vincent and Jules' discussion about French Big Macs in Pulp Fiction, Tarantino and Philosophy shies away from nothing. Is The Bride a heroic figure, even though she's motivated solely by revenge? How is Tarantino able to create a coherent story when he jumps between past, future, and present? The philosophers in this book take on those questions and more in essays as provocative as the films themselves.

Star Wars and Philosophy

by William Irwin Kevin S. Decker Jason T. Eberl

The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence, and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others.The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy ponders the depths of these subjects and asks what it truly means to be mindful of the "living force."

Led Zeppelin and Philosophy: All Will Be Revealed

by Scott Calef

Led Zeppelin has long been one of the legends of rock, massively successful both commercially and critically. While there are many books about the band, this is the first to plumb the philosophical depths of the creators of "Stairway to Heaven".

The Golden Compass and Philosophy: God Bites the Dust

by Richard Greene Rachel Robison

Phillip Pullman's controversial fantasy trilogy His Dark Materials comes under the scrutiny of Atlantic anglophone scholars of philosophy and religion, and literature and libraries. They reflect on such topics as whether Pullman is corrupting the young, faith and circumcision, the truth in Lyra's lies, kicking up some dust, cutting like a knife, whether the Magisterium could be right, worlds of possibility, and why the dead choose death. The style is informal, irreverent even, as part of the effort to make philosophy accessible to young people and lay readers.

The Legend of Zelda and Philosophy: I Link Therefore I Am

by Luke Cuddy

Students of philosophy and of video games, of course, but also of literature, education, media, communication, and other fields examine a particular video game as a gateway into pondering the significance of the entire realm. Among the topics are critical thinking in the gaming and real worlds, the hero with a thousand hearts, slave morality and master swords, Zelda as a communication game, temporality, Hyrule's green and pleasant land, Zeldathustra, the Triforce and the doctrine of the mean, the legend of feminism, and getting to know the world next door.

Johnny Cash and Philosophy: The Burning Ring of Truth

by John Huss David Werther

In Johnny Cash and Philosophy, twenty-one philosophers explore the implications of the Johnny Cash myth and the Johnny Cash message. Their investigations uncover the distinctive relevance of Johnny Cash for moral responsibility, social justice, patriotism, romantic love, artistic creativity, class oppression, and individual identity.

Battlestar Galactica and Philosophy: Mission Accomplished or Mission Frakked Up?

by Tristan D. Tamplin Josef Steiff

In this book for students in pop culture and philosophy, Steiff (film and video, Columbia College, Chicago) and Tamplin (philosophy) present 33 essays from scholars in philosophy, media studies, screenwriting, and military intelligence, among other fields, dissecting the science fiction TV series Battlestar Galactica and its movie spin-offs in terms of the philosophical questions they confront. The contributors demonstrate how the show tackles such issues as who counts as human, the implications of the killing of an intelligent non-human, democracy and bad decisions, occupation or resistance in war, the balancing of security and democracy, free will and determinism, and colonialism, among others.

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