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Women, Modernism and British Poetry, 1910–1939: Resisting Femininity
by Jane DowsonPrimarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.
Women Poets in the Victorian Era: Cultural Practices and Nature Poetry
by Fabienne MoineExamining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.
Women Poets of Japan
by Kenneth Rexroth Ikuko AtsumiFrom early as the seventh century up to the present day, no other has had so many important women poets as Japan. In this collection (originally published by The Seabury Press in 1977 as The Burning Heart, Kenneth Rexroth and Ikuko Atsumi have assembled representative works of seventy-seven poets. Staring with the Classical Period (645-1604 A.D.), characterized by the wanka and tanka styles,followed by haiku poets of the Tokugawa period (to 1867), the subsequent modern tanka and haiku poets,and including the contemporary school of free verse--Women Poets of Japan records twelve hundred years of poetic accomplishment. Included are biographical notes on the individual poets, an essay on Japanese women and literature, and a table of historical periods.
Women Poets of the Italian Renaissance: Courtly Ladies and Courtesans
by Laura Anna Stortoni Mary Prentice LillieThis dual-language collection presents the rich flowering of women's poetry during the Italian Renaissance: from the love lyrics of famous courtly ladies of Venice and Rome to the deeply moral and spiritual poets of the age. It includes biographies of 19 poets and over 80 selected poems in the original Italian with facing English verse translation. Poets include: Laura Battiferri Ammannati, Isabella Andreini, Vittoria Colonna, Tullia d'Aragona, Lucia Bertani Dell'Oro, Leonora Ravira Falletti, Moderata Fonte, Veronica Franco, Veronica Gàmbara, Olimpia Malipiera, Chiara Matraini, Lucrezia Tornabuoni de' Medici, Isabella di Morra, Aurelia Petrucci, Antonia Giannotti Pulci, Camilla Scarampa, Gaspara Stampa, Laura Bacio Terracina, Barbara Bentivoglio Strozzi Torelli. Dual-language poetry. Introduction, biographies, notes, bibliographies, first-line index.
Women Poets of the Renaissance
by Marion Wynne DaviesIn this anthology, Marion Wynne-Davies selects thirteen women writers to balance out the canonical male viewpoint that blankets most studies of the Renaissance.
Women Wanderers and the Writing of Mobility, 1784–1814 (Cambridge Studies in Romanticism)
by Ingrid HorrocksIn the last days of the Scandinavian journey that would become the basis of her great post-Revolutionary travel book, Mary Wollstonecraft wrote, 'I am weary of travelling - yet seem to have no home - no resting place to look to - I am strangely cast off'. From this starting point, Ingrid Horrocks reveals the significance of representations of women wanderers in the late-eighteenth and early-nineteenth centuries, particularly in the work of women writers. She follows gendered, frequently reluctant wanderers beyond travel narratives into poetry, gothic romances, and sentimental novels, and places them within a long history of uses of the more traditional literary figure of the male wanderer. Drawing out the relationship between mobility and affect, and illuminating textual forms of wandering, Horrocks shows how paying attention to the figure of the woman wanderer sheds new light on women and travel, and alters assumptions about mobility's connection with freedom.
Women Writers in Renaissance England: An Annotated Anthology (Longman Annotated Texts)
by Randall MartinOf all the new developments in literary theory, feminism has proved to be the most widely influential, leading to an expansion of the traditional English canon in all periods of study. This book aims to make the work of Renaissance women writers in English better known to general and academic readers so as to strengthen the case for their future inclusion in the Renaissance literary canon. This lively book surveys women writers in the sixteenth century and early seventeenth centuries. Its selection is vast, historically representative, and original, taking examples from twenty different, relatively unknown authors in all genres of writing, including poetry, fiction, religious works, letters and journals, translation, and books on childcare. It establishes new contexts for the debate about women as writers within the period and suggests potential intertextual connections with works by well-known male authors of the same time. Individual authors and works are given concise introductions, with both modern and historical critical analysis, setting them in a theoretical and historicised context. All texts are made readily accessible through modern spelling and punctuation, on-the-page annotation and headnotes. The substantial, up-to-date bibliography provides a source for further study and research.
Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant
by Shachar Pinsker Adriana X. Jacobs Yosefa RazAlthough Anne (Chana) Kleiman--who died in 2011 at the age of 101--was the first American-born Jewish woman to publish poems in Hebrew, and Annabelle (Chana) Farmelant--who is still living and occasionally publishing--wrote a substantial body of Hebrew verse from the 1940s to the 1960s, their work is virtually unknown today, even to those familiar with Hebrew literature in America. In Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant, editor Shachar Pinsker recovers the singular voices of these women, introducing their captivating and wide--ranging poetry and placing it in its historical, literary, and cultural contexts. Women's Hebrew Poetry on American Shores presents a bilingual edition of Kleiman and Farmelant's work in a large range of themes, moods, and styles, translated into English for the first time by Adriana X. Jacobs and Yosefa Raz. It includes Kleiman's poems that were collected and published in a 1947 U.S. volume and a selection from two of Farmelant's poetry books, published in Jerusalem in 1960 and 1961. The translators have furnished the poems with copious notes, illuminating linguistic and cultural sources of the poetry and making it more accessible to contemporary readers. Pinsker introduces the volume with a background on the poets' lives and work and a look at the state of Hebrew literature in the first half of the twentieth century. The volume also includes an unpublished essay by Anne Kleiman, addressing Hebrew poet Anda Pinkerfeld and her poetic work, which sheds an important light on the dialogue between women's Hebrew poetry written in American and in Palestine during the same period. Readers and scholars of Jewish, American, and Hebrew literature and cultural history, as well as those interested in poetry, gender, and women's studies will enjoy this unique bilingual edition.
WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us
by Lexy Wren-Sillevis"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.
WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us
by Lexy Wren-Sillevis"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.
The Wonder of Small Things: Poems of Peace and Renewal
by James CrewsThe editor of the bestselling poetry anthologies How to Love the World and The Path to Kindness presents a collection of highly accessible, uplifting poetry celebrating the small wonders and peaceful moments of everyday life. James Crews, editor of two best-selling poetry anthologies, How to Love the World and The Path to Kindness, presents an all-new collection of highly accessible poems on the theme of celebrating moments of wonder and peace in everyday life. As Crews writes in the introduction: "[A] deep love for the world is present in every one of the poems gathered in this book. Wonder calls us back to the curiosity we are each born with, and it makes us want to move closer to what sparks our attention. Wonder opens our senses and helps us stay in touch with a humbling sense of our own human smallness in the face of unexpected beauty and the delicious mysteries of life on this planet." The anthology features a foreword by Nikita Gill and a carefully curated selection of poems from a diverse range of authors, including Native American poets Joy Harjo, Linda Hogan, Kimberly Blaeser, and Joseph Bruchac, and BIPOC writers Ross Gay, Julia Alvarez, and Toi Derricotte. Crews features new poems from popular writers such as Natalie Goldberg, Mark Nepo, Ted Kooser, Naomi Shihab Nye, Jane Hirshfield, and Jacqueline Suskin, along with selections from emerging poets. Readers are guided in exploring the meaning and essence of the poems through a series of reflective pauses scattered through the pages and reading group questions in the back. This anthology offers the perfect intersection for the growing number of readers interested in mindful living and bringing poetry into their everyday lives.
The Wonder Paradox: Awe, Poetry, and the Meaningful Life
by Jennifer Michael HechtThe Wonder Paradox offers a lively, practical, and transcendent road map to meaning and connection through poetry.Where do we find magic? Peace? Connection?We have calendars to mark time, communal spaces to bring us together, bells to signal hours of contemplation, official archives to record legacies, the wisdom of sages read aloud, weekly, to map out the right way to live—in kindness, justice, morality. These rhythms and structures of society were all once set by religion. Now, for many, religion no longer runs the show.So how then to celebrate milestones? Find rules to guide us? Figure out which texts can focus our attention but still offer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can’t be said? Where, really, are truth and beauty? The answer, says The Wonder Paradox, is in poetry.In twenty chapters built from years of questions and conversations with those looking for an authentic and meaningful life, Jennifer Michael Hecht offers ways to mine and adapt the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world—Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others—she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, our very being, and poetry itself.Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning.
Wonderful Babies
by Emily Winfield MartinCelebrate all kinds of babies with this original board book by Emily Winfield Martin--perfect for baby showers and fans of the New York Times Bestseller, The Wonderful Things You Will Be!From sweet baby to wild baby, from snuggly baby to grumpy baby, this book captures the adorableness of a diverse cast of babies in all their moods. With simple text and irresistable art, this book will capture the hearts of parents and the youngest readers alike.
Wonderful Investigations
by Dan Beachy-QuickOver the course of six critically acclaimed books-including a compelling meditation on Moby-Dick-Dan Beachy-Quick has established himself as "one of America's most significant young poets" (Lyn Hejinian).In Wonderful Investigations, Beachy-Quick broaches "a hazy line, a faulty boundary" between our daily world and one rich with wonder; a magical world in which, through his work as a writer, Beachy-Quick participates with a singular combination of critical intelligence and lyricism. Touching on the works of Emerson, Thoreau, Proust, and Plato, among others, Beachy-Quick outlines the problem of duality in modern thought-the separation of the mind and body, word and referent, intelligence and mystery, human and natural-and makes the case for a fuller kind of nature poetry, one that strives to overcome this false separation, and to celebrate the notion that "wonder is the fact that the world has never ceased to be real."
The Wonderful School (Little Golden Book)
by May JustusA sweet rhyming story from 1971 about a beloved schoolteacher is back in print!There once was a very unusual schoolThat had for its teacher Miss Tillie O'Toole . . .So begins a rollicking story about a beloved teacher who presents all her lessons in riddles and rhyme, takes her students outside for picnics and kite-flying, and teaches them good, old-fashioned common sense along with the three R's. Charming illustrations of red-haired Miss Tillie O'Toole and her multicultural class make this breezy Little Golden Book as much fun to look at as well as read aloud!
Wonderful Seasons
by Emily Winfield MartinCelebrate the seasons with this original board book by Emily Winfield Martin--perfect for baby showers and fans of the New York Times Bestseller, The Wonderful Things You Will Be!From Springtime fun to cozy Winter, this book captures the adorableness of a diverse cast of babies in the beauty of all four seaons. With simple text and irresistable art, this lighthearted book will bring a smile to parents and the youngest readers alike.
Wonderland: Poems
by Matthew DickmanLuminous and hypnotic, this dynamic collection explores the dark edges of childhood, violence, race, class, and masculinity, by one of the most fearless poets of his generation. "Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure" (Major Jackson), award-winning poet Matthew Dickman returns with a collection that engages the traces of his own living past, suffusing these poems with ghosts of longing, shame, and vulnerability. In the southeast Portland neighborhood of Dickman’s youth, parents are out of control and children are in chaos. With grief, anger, and, ultimately, understanding, Dickman confronts a childhood of ambient violence, well-intentioned but warped family relations, confining definitions of identity, and the deprivation of this particular Portland neighborhood in the 1980s. Wonderland reminds us that, while these neighborhoods are filled with guns, skateboards, fights, booze, and heroin, and home to punk rockers, skinheads, poor kids, and single moms, they are also places of innocence and love.
Woods and Chalices
by Tomaz Salamun HenryInspired by Rimbaud and Ashbery, the Slovenian poet Tomaž Šalamun is now inspiring the younger generation of American poets-and Woods and Chalices will secure his place in the ranks of influential, experimental twenty-first-century writers. Šalamun's strengths are on display here: innocence and obscenity, closely allied; a great historical reach; and questions, commands, and statements of identity that challenge all norms and yet seem uncannily familiar and right- "I'm molasses, don't forget that." Coat of ArmsThe wet sun stands on dark bricks.Through the king's mouth we see teeth.He sews lips. The owl moves its head.She's tired, drowsy and black.She doesn't glow in gold like she'd have to.
The Woods Are On Fire: New and Selected Poems (Ted Kooser Contemporary Poetry)
by Fleda Brown Ted KooserThe Woods Are On Fire is Fleda Brown’s deeply human and intensely felt poetic explorations of her life and world. Her account includes her brain-damaged brother, a rickety family cottage, a puzzling and sometimes frightening father, a timid mother, and the adult life that follows with its loves, divorces, and serious illnesses. Visually and emotionally rich, Brown’s poems call on Einstein, Shakespeare, Sophocles, Law and Order, Elvis, and Beethoven. They stand before the Venus de Milo as well as the moon, as they measure distances between what we make as art and who we are as humans. In wide-ranging forms—from the sestina to prose poems—they focus on the natural world as well as the Delaware legislature and the inauguration of William Jefferson Clinton.The Woods Are On Fire includes nearly fifty new poems, along with poems selected from seven previous books, showcasing an influential American poet’s work over the last few decades.
Woodshedding
by S. E. VenartLonglisted for the 2008 ReLit Awards Whatever their subject -- the unwinding of lovers, childhood as the foundation of being, the metaphorical life of everyday objects and events -- S.E. Venart's poems show us a kind of courage that is quotidian. Surviving childhood, surviving failed love, finding solace in the self, and reinvigorating that self: this is the world Venart reveals to us, in all its prescient detail. A honest and lyrical first book.
Woodstock, Baby!: A Far-Out Counting Book
by Spencer WilsonA far-out counting board book celebrating the peace and love of Woodstock!Little rockers will love counting everything from peace signs and guitars to bell-bottoms and rock bands in this out-of-sight board book with simple rhyming words and groovy illustrations. It's the perfect gift for every little flower child and music fan.
Word betaal vir jou gedigte
by Elmarié Smal Bernard LevineSkryf jy gedigte? Nou, kan jy betaal word vir die gedigte wat jy skryf en dit kan ook gepubliseer word in kaartjies, kalenders, plakkate en muurbehangsels. As jy jou skrywersdrome wil bewaarheid en terselfder tyd ook vergoed word vir jou gedigte, is hierdie unieke boek spesiaal vir jou. Om gedigte te skryf vir geld is groot pret en baie winsgewend! Word betaal om te doen waarvan jy hou.
Word Comix: Poems
by Charlie Smith"Smith writes with a scalding aortal brilliance that leaves the reader drunk on dream."--New York Times Book Review Taking as his starting point such wide-ranging subjects as comic books, politics, romantic love, geology, newspapers, totalitarianism, the natural world, the classics, Paris, Miami Beach, and war, Charlie Smith has written freshly realized poems in which compassion and tough-mindedness gesture toward wisdom.
Word of Mouth: Gossip and American Poetry (Hopkins Studies in Modernism)
by Chad BennettThe first study of modern and contemporary poetry’s vibrant exchange with gossip.Can the art of gossip help us to better understand modern and contemporary poetry? Gossip’s ostensible frivolity may seem at odds with common conceptions of poetry as serious, solitary expression. But in Word of Mouth, Chad Bennett explores the dynamic relationship between gossip and American poetry, uncovering the unexpected ways that the history of the modern lyric intertwines with histories of sexuality in the twentieth century. Through nuanced readings of Gertrude Stein, Langston Hughes, Frank O’Hara, and James Merrill—poets who famously absorbed and adapted the loose talk that swirled about them and their work—Bennett demonstrates how gossip became a vehicle for alternative modes of poetic practice. By attending to gossip’s key role in modern and contemporary poetry, he recognizes the unpredictable ways that conventional understandings of the modern lyric poem have been shaped by, and afforded a uniquely suitable space for, the expression of queer sensibilities.Evincing an ear for good gossip, Bennett presents new and illuminating queer contexts for the influential poetry of these four culturally diverse poets. Word of Mouth establishes poetry as a neglected archive for our thinking about gossip and contributes a crucial queer perspective to current lyric studies and its renewed scholarly debate over the status and uses of the lyric genre.