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Writing Poetry Book (The Everything )
by Tina D Eliopulos Todd Scott MoffettGiving voice to ''what gets lost in translation'' is the challenge every poet faces. With The Everything Writing Poetry Book, that challenge just got easier. Featuring examples from works of celebrated poets and instruction on communicating your ideas, this clear and accessible reference helps you gain confidence as you find your own voice. Written by a team who each hold a master’s degree and teach creative writing and literature, this easy-to-follow guide has all you need to take your work to the next level. - With this handy guide, you will learn to:Create meter and rhyme - Express your innermost thoughts - Use imagery and metaphor - Polish your word play - Find your own rhythm - Work with other writersand more - The Everything Writing Poetry Book helps you make the most of this rewarding craft - whether you’re a fledgling poet or a seasoned wordsmith.
Writing Poetry (Second Edition)
by Barbara DrakeThe book intends to be an all-purpose poetry writing textbook, an inspiration and information on the writing process, a solid first step for beginners, and a source of ideas for writers and teachers at all levels.
Writing Romanticism
by Jacqueline M. LabbeWhat is 'Wordsworthian' Romanticism and how did it evolve? This book argues that only by reading Charlotte Smith's poetry in tandem with William Wordsworth's can this question be answered, demonstrating their mutual contribution to the creation of the 'Wordsworthian', through literary analysis and historical contextualizing of their writings.
Writing the Monarch in Jacobean England
by Jane RickardKing James VI and I's extensive publications and the responses they met played a key role in the literary culture of Jacobean England. This book is the first sustained study of how James's subjects commented upon, appropriated and reworked these royal writings. Jane Rickard highlights the vitality of such responses across genres - including poetry, court masque, sermon, polemic and drama - and in the different media of performance, manuscript and print. The book focuses in particular on Jonson, Donne and Shakespeare, arguing that these major authors responded in illuminatingly contrasting ways to James's claims as an author-king, made especially creative uses of the opportunities that his publications afforded and helped to inspire some of what the King in turn wrote. Their literary responses reveal that royal writing enabled a significant reimagining of the relationship between ruler and ruled. This volume will interest researchers and advanced students of Renaissance literature and history.
Writing the Poetry of Place in Britain, 1700–1807: Self in Landscape (Routledge Studies in Eighteenth-Century Literature)
by Elizabeth R. NapierThis book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700-1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for each of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. The book supplements traditionally political readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
Writing the Silences
by Richard O. MooreThe poems in "Writing the Silences" represent more than 60 years of Richard O. Moore's work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore's place in literary history-he is the last of his generation of the legendary group of San Francisco Renaissance poets-but also his reemergence into today's literary world after an important career as a filmmaker and producer in public radio and television. "Writing the Silences" reflects Moore's commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology.
Writing the Silences
by Richard O. MooreEdited by Brenda Hillman and Paul Ebenkamp.The poems in Writing the Silences represent more than 60 years of Richard O. Moore’s work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore’s place in literary history—he is the last of his generation of the legendary group of San Francisco Renaissance poets—but also his reemergence into today’s literary world after an important career as a filmmaker and producer in public radio and television. Writing the Silences reflects Moore’s commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology.
Writings from the Golden Age of Russian Poetry (Russian Library)
by Konstantin BatyushkovKonstantin Batyushkov was one of the great poets of the Golden Age of Russian literature in the early nineteenth century. His verses, famous for their musicality, earned him the admiration of Alexander Pushkin and generations of Russian poets to come. In Writings from the Golden Age of Russian Poetry, Peter France interweaves Batyushkov’s life and writings, presenting masterful new translations of his work with the compelling story of Batyushkov’s career as a soldier, diplomat, and poet and his tragic decline into mental illness at the age of thirty-four. Little known among non-Russian readers, Batyushkov left a varied body of writing, both in verse and in prose, as well as memorable letters to friends. France nests a substantial selection of his sprightly epistles on love, friendship, and social life, his often tragic elegies, and extracts from his essays and letters within episodes of his remarkable life—particularly appropriate for a poet whose motto was “write as you live, and live as you write.” Batyushkov’s writing reflects the transition from the urbane sociability of the Enlightenment to the rebellious sensibility of Pushkin and Lermontov; it spans the Napoleonic Wars and the rapid social and literary change from Catherine the Great to Nicholas I. Presenting Batyushkov’s poetry of feeling and wit alongside his troubled life, Writings from the Golden Age of Russian Poetry makes his verse accessible to English-speaking readers in a necessary exploration of this transitional moment for Russian literature.
Writings on Writing
by May SartonMay Sarton's lifetime of work as a poet, novelist, and essayist inform these illuminating reflections on the creative life In "The Book of Babylon," May Sarton remarks that she is not a critic--except of her own work. The essay addresses questions that have haunted Sarton's own creative practice, such as the concept of "tension in equilibrium"--balancing past and present, idea and image. She also cites poems written by others to describe the joy of writing and how we must give ourselves over to becoming the instruments of our art. "The Design of a Novel" is about fiction writing--where ideas come from, how theme and character determine plot, the mistakes many fledgling authors make, and how and why the novel differs from the poem. Further texts examine the act of composing verse, one's state of mind when writing poetry, the role of the unconscious, how revising is the loftiest form of creation, and how to keep growing as an artist. Throughout the collection, Sarton also warns about the dangers of trying to analyze the creative process too closely. A book that doesn't separate art from the artist's life, Writings on Writing is filled with Sarton's trademark imagery and insights, letting us know we're in the hands of a master.
Written in the Dirt: A Collection Of Short Stories, Poetry, Art and Photography
by Stephanie H. Meyer John MeyerAfter five successful books, Teen Ink: Written in the Dirt offers a startlingly different collection that presents teens' innermost thoughts. These teen-authored fictional stories are filled with incredible character development, gripping plots, imagination and, of course, insight into the human condition. Their poems sing, soar and capture the essence of teen life. Consistent throughout this smash series, teens who have written for Teen Ink magazine candidly share their real voices, while poignant photography and artwork also capture their extraordinary talents and thoughts.
Written on the Sky: Poems from the Japanese
by Kenneth Rexroth Eliot Weinberger"Rexroth's readings from the Japanese master poets are breathtaking in their simplicity and clarity."--The New York Times I go out of the darkness Onto a road of darkness Lit only by the far off Moon on the edge of the mountains. --Izumi Shikobu Over the years, thousands of readers have discovered the beauty of classic Japanese poetry through the superb English versions by the great American poet Kenneth Rexroth. Mostly haiku, these poems range from the classical and medieval to modern poetry, with an emphasis on folk songs and love lyrics. Because women played such an outstanding role in Japanese literature, included here are selections from their work, including the contemporary, deeply sensuous Marichiko. This elegant, beautifully designed gift book of poems spanning many centuries presents the original texts in romanji, the transliteration into the Western alphabet.
The Wrong Cat
by Lorna CrozierLike the people and animals in her new collection, Lorna Crozier "defies / the anecdotal, / goes for the lyric, / music made from / bone and muscle and the grace notes" of life. The poems in The Wrong Cat are vintage Crozier: sly, sexy, irreverent, and sad, and populated by fully realized characters whose stories take place in a small lyrical space. We learn about a mother's last breath, the first dog in heaven, a man's fear that his wife no longer loves him, and the ways in which animals size up the humans around them and find them wanting. With Crozier's celebrated mix of vibrant imagery, piercing observations, and deeply felt human emotions, these poems provide an affirmation in the midst of the fluid, often challenging nature of experience.
Wrong Norma
by Anne CarsonAnne Carson’s first original work since Float (Knopf, 2016) Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them ‘wrong.’"
The Wug Test: Poems
by Jennifer KronovetA collection of language-driven, imaginative poetry from the winner of the 2015 National Poetry Series Open Competition.Jennifer Kronovet's poetry is inflected by her fraught, ecstatic relationship with language--sentences, words, phonemes, punctuation--and how meaning is both gained and lost in the process of communicating. Having lived all over the world, both using her native tongue and finding it impossible to use, Kronovet approaches poems as tactile, foreign objects, as well as intimate, close utterances.In The Wug Test, named for a method by which a linguist discovered how deeply imprinted the cognitive instinct toward acquiring language is in children, Kronovet questions whether words are objects we should escape from or embrace. Dispatches of text from that researcher, Walt Whitman, Ferdinand de Saussure, and the poet herself, among other voices, are mined for their futility as well as their beauty, in poems that are technically revealing and purely pleasurable. Throughout, a boy learns how to name and ask for those things that makes up his world.
Wyndmere: Poems
by Carol Muske-DukesPoems on the power of memory and the shading of past into presentIn this enthralling collection, National Book Award finalist and former Poet Laureate of California Carol Muske-Dukes composes a lyrical autobiography, tracing her family history from the Dakota prairie to her new life as a young mother in Los Angeles. In &“The Separator,&” Muske-Dukes writes of her grandfather, a wheat farmer, winnowing, threshing, planting a future in the deep black soil of Wyndmere, North Dakota. In &“Biglietto d&’Ingresso,&” she recalls a perfect day in Tuscany, spent with her future husband in a town overlooking a wine valley. &“August, Los Angeles, Lullaby&” is a lulling yet harrowing description of the wonder of a mother holding her newborn child—and her own fragility, encountering mortality—as a hummingbird touches the hourglass of the feeder outside the window . . . then is gone.
Wynken, Blynken, and Nod
by Eugene FieldThree fishermen embark on a magical dream as they climb aboard a wooden shoe. Up into the sky they sail to catch the stars in nets of silver and gold. And when it's time for the journey to end, the wooden shoe carries the tired fishermen home to the real world of a child ready for sleep.
X in the Tickseed: Poems
by Ed FalcoFrom discursive essay-poems to tightly constructed lyrics, Ed Falco’s X in the Tickseed examines a world that reveals itself through its mysteries, reflecting upon the ephemeral nature of all things. In the series of poems that bookend the collection, a speaker identified only as X reviews personal history and relationships, speculating, pondering, and questioning in the face of a baffling universe. Peppered between the X poems, artists as varied as Artemisia Gentileschi, Frank O’Connor, and Nick Cave surface, usually in poems posing as essays about their art. Other poems range from explorations of cultural perspective, as in “A Few Words to a Young American Killed in the Tet Offensive,” where a war resister addresses a young man of his generation who died in Vietnam, to the often playful “An Alphabet of Things.” Throughout, Falco’s poems speculate on matters of life and faith, intensified by an awareness of death.
XAIPE
by E. E. CummingsXAIPE (Greek for "rejoice"), which first appeared in 1950, contains some of E. E. Cummings's finest work. Among many poems can be found "dying is fine)but Death," "so many selves(so many friends and gods," "when serpents bargain for the right to squirm," "no time ago," "I thank You God for most this amazing," and "now all the fingers of this tree(darling)have."
Xanax Cowboy: Poems
by Hannah GreenThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.
Xicancuicatl: Collected Poems (Wesleyan Poetry Series)
by Alfred ArteagaXicancuicatl collects the poetry of leading avant-garde Chicanx poet Alfred Arteaga (1950–2008), whom French philosopher Gilles Deleuze regarded as "among those rare poets who are able to raise or shape a new language within their language." In his five published collections, Arteaga made crucial breakthroughs in the language of poetry, basing his linguistic experiments on the multilingual Xicanx culture of the US Southwest. His formal resources and finely tuned ear for sound patterns and language play remain astonishing. His poetical work, presented as a whole here for the first time, speaks more than ever to a moment in which border-crossing, cultural diversity, language-mixing and a multi-cultural vision of America are critical issuesCAMINO IMAGINADOBlue leaves, hojas rotas in the shape of stars.Ni un "no" en tu vocabulario but for others;blue in place of green in the shape of Spain.Ojos the color of dirt, chocolate, coffee, time,azules las horas, hojas de horas van y se van,ni una palabra, ni una queja, nor broken bita tu lado beside me andamos walking, sí walkingcaminamos caminos like these, such streets, whatcity.7/15/95 Paris.
Y cosas que me callo
by Antonio CarreñoEl primer poemario de Antonio Carreño es una caja negra que guarda las respuestas que nos quedan después del accidente. Del de amar, del de creer, del de vivir. Respuestas que nos hacen preguntarnos de nuevo: ¿por qué no volver a intentarlo? Estos poemas hablan de aquellas noches que me mordí la lengua por no poder morder la tuya, de todos los espejos que rompí para dejar de verte, de las hojas que ningún otoño se atrevió a arrancar. Son grito sordo de amor y revolución, si acaso no fueran lo mismo.
Y.O.U. (Your Own Universe)
by The Editors at the Scott ForesmanThis book is a collection of non-fiction, poems, stories and essays etc from different authors.
...y también poemas
by Roberto Gómez BolañosReconocido en todo el mundo de habla hispana como actor, guionista, comediante y creador de personajes inolvidables, Roberto Gómez Bolaños ha escrito teatro... y también poemas. Con este libro, el autor descubre otra de sus facetas y nos ofrece poesía cálida, amorosa, a veces reflexiva, a veces humorística, y siempre cercana, íntima, disfrutable. Escribe "a la antigua", en versos con rima, ritmo y métrica, con profundo respeto por el quehacer poético, y en formas consideradas clásicas: décima, romance y soneto.
...y también poemas
by Roberto Gómez BolañosReconocido en todo el mundo de habla hispana como actor, guionista, comediante y creador de personajes inolvidables, Roberto Gómez Bolaños ha escrito teatro, television, cine... y también poemas. Con este libro, el autor descubre otra de sus facetas y nos ofrece poesía cálida, amorosa, a veces reflexiva, a veces humorística y siempre cercana, íntima, disfrutable. Escribe "a la antigua", en versos con rima, ritmo y métrica, con profundo respeto al quehacer poético, y en formas que se consideran clásicas: décima, romance y soneto.
Ya no sé qué hacer para triunfar
by Francisco Peña MayorUna mirada poética a través de lo cotidiano. Expansión del autor, estos pequeños poemas encierran mil situaciones y experiencias distintas. Siendo poesía, son perfectamente entendibles, sacrificando el autor subterfugios y recursos para que la idea llegue limpia al lector. <P><P>Se entremezclan, por tanto, metáforas y otras figuras retóricas con la realidad y clarividencia de la vida misma. Poseen las estrofas (si se les puede llamar así) un ritmo vivo, producido por una buena utilización de rimas, que sin ser un metrónomo, tienen una sonoridad y armonía hermosa. <P><P>Es un lenguaje moderno, de nuestro tiempo, con denominación de origen canario, donde el autor está en conflicto permanente con la sociedad. Un inconformista con numerosas razones para quejarse, en una lucha permanente que plasma mediante conclusiones certeras.