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Rise Up: The #Merky Story So Far
by Stormzy*A 2018 BOOK OF THE YEAR*‘An inspirational must-read.’ Evening Standard‘A very important book.’ Will Gompertz, BBC‘A motivational, inspirational oral history.’ Nikesh Shukla, iNews‘Don’t sleep on it... the future is looking #Merky.’ Metro______________________‘It’s been a long time coming, I swear...’ In four years Stormzy has risen from one of the most promising musicians of his generation to a spokesperson for a generation. Rise Up is the story of how he got there. It’s a story about faith and the ideas worth fighting for. It’s about knowing where you’re from, and where you’re going. It’s about following your dreams without compromising who you are.Featuring never-before-seen photographs, lyrics and contributions from Team #Merky, Rise Up is the #Merky story, and the record of a journey unlike any other.______________________Edited and Co-written by Jude YawsonContributions by Team #MerkyImages by Kaylum Dennis
Rising Sun, Divided Land: Japanese and South Korean Filmmakers
by Kate Taylor-JonesRising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.
Risk in the Film Business: Known Unknowns (Routledge Research in the Creative and Cultural Industries)
by Michael FranklinThis book explores the complex, multifaceted and contested subject of risk in the film business. How risk is understood and managed has a substantial impact upon which films are financed, produced and seen. Founded on substantial original research accessing the highest level of industry practitioners, this book examines the intertwined activity of independents, large media companies including major studios, the international marketplace, and related audio-visual sectors such as high-end television. The book shows how risk is generally framed, or even intuited, rather than calculated, and that this process occurs across a sliding scale of formality. This work goes beyond broad creative industries characterisations of a "risky sector" and concentrations on Box Office return modelling, to provide a missing middle. This means a coherent analytic coverage of business organisation and project construction to address the complex practicalities that mobilise strategic operations in relation to risk, often in unseen business-to-business contexts. Informed by economic sociology’s concepts addressing market assemblage and valuation, alongside applications of science and technology studies to media and communications, the book respects both the powerful roles of social and institutional actors, and affordances of new technologies in dealing with the persistent known unknown – the audience. Examining a persistent business issue in a new way, this book analyses top level industry practice through established mechanisms, and innovations like data analytics. The result is a book that will be essential reading for scholars with an interest in the film business as well as risk management more broadly.
Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World
by Alice O'GradyThis book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.
Risky Business: Rock in Film
by William D. RomanowskiThe role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship.Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. The authors made selections from seminal films such as The Graduate, Easy Rider, American Grafitti, Saturday Night Fever, Help!, and Dirty Dancing. However, many productions of the period are significant not because of their success, but because of their box office and record store failures.Risky Business chronicles the interaction of two major mediums of mass culture in the latter twentieth century. This book is essential for those interested in communications, popular culture, and social change.
Rita Moreno
by Rita MorenoIn this New York Times bestselling memoir, Rita Moreno shares her remarkable journey from a young girl with simple beginnings in Puerto Rico to Hollywood legend--and one of the few performers, and the only Hispanic, to win an Oscar, Grammy, Tony and two Emmys. Born Rosita Dolores Alverio in the idyll of Puerto Rico, Moreno, at age five, embarked on a harrowing sea voyage with her mother and wound up in the harsh barrios of the Bronx, where she discovered dancing, singing, and acting as ways to escape a tumultuous childhood. Making her Broadway debut by age thirteen--and moving on to Hollywood in its Golden Age just a few years later--she worked alongside such stars as Gary Cooper, Yul Brynner, and Ann Miller. When discovered by Louis B. Mayer of MGM, the wizard himself declared: "She looks like a Spanish Elizabeth Taylor." Cast by Gene Kelly as Zelda Zanders in Singin' in the Rain and then on to her Oscar-winning performance in West Side Story, she catapulted to fame--yet found herself repeatedly typecast as the "utility ethnic," a role she found almost impossible to elude. Here, for the first time, Rita reflects on her struggles to break through Hollywood's racial and sexual barriers. She explores the wounded little girl behind the glamorous façade--and what it took to find her place in the world. She talks candidly about her relationship with Elvis Presley, her encounters with Howard Hughes, and the passionate romance with Marlon Brando that nearly killed her. And she shares the illusiveness of a "perfect" marriage and the incomparable joys of motherhood. Infused with Rita Moreno's quick wit and deep insight, this memoir is the dazzling portrait of a stage and screen star who longed to become who she really is--and triumphed.
Rita Moreno: Memorias
by Rita MorenoEn esta lúcida autobiografía, Rita Moreno nos hace partícipes de su extraordinario periplo desde los sencillos inicios de su temprana niñez en Puerto Rico hasta que se convirtió en una leyenda de Hollywood y en una de las pocas artistas, y la única hispana, que ha ganado un Oscar, un Grammy, un Tony, y dos Emmy. A la edad de cinco años, Rosita Dolores Alverio, nacida en la idílica isla de Puerto Rico, se embarcó en una borrascosa travesía por mar con su madre, que la llevó hasta los turbulentos barrios del Bronx, donde descubrió que la danza, el canto y la actuación serían el escape de su accidentada niñez. A sus trece años, debutó en Broadway y poco después, en los años dorados de la meca del cine, se trasladó a Hollywood donde trabajó junto a estrellas de la talla de Gary Cooper, Yul Brynner, y Ann Miller. Cuando fue descubierta por Louis B. Mayer de MGM, el propio magnate declaró: "Ella parece una Elizabeth Taylor hispana”. Gene Kelly la eligió para interpretar el papel de Zelda Zanders en Singin’ in the Rain, que la lanzó a la fama y a su actuación ganadora del Oscar, en West Side Story. Pero durante mucho tiempo Moreno fue encasillada en el estereotipo de "versátil nativa” un rol que le fue casi imposible eludir. Aquí, por primera vez Rita reflexiona sobre su prolongada lucha por superar las barreras raciales y sexuales de Hollywood. Estudia a fondo la vulnerable jovencita que ocultaba su glamorosa fachada y cuánto le costó encontrar su lugar en el mundo. Habla con franqueza de su relación con Elvis Presley, de sus encuentros con Howard Hughes, y del apasionado romance con Marlon Brando que la llevó hasta un intento de suicidio. Y nos enseña los bemoles de un matrimonio "perfecto” y las incomparables alegrías de la maternidad. Impregnada del brillante desparpajo y la profunda perspicacia de Rita Moreno, esta autobiografía es el deslumbrante retrato de una estrella del teatro y el cine que anhelaba convertirse en lo que realmente es ella. . . y lo logró. .
Rita Moreno: A Little Golden Book Biography (Little Golden Book)
by Maria CorreaHelp your little one dream big with a Little Golden Book biographyabout EGOT-winning actor, singer, and dancer, Rita Moreno. Little Golden Book biographies are the perfect introduction to nonfiction for young readers!This Little Golden Book about Rita Moreno—Puerto Rican-born star of West Side Story and the first Latina to win an Oscar—is an inspiring read-aloud for young children, as well as their parents and grandparents who are fans.Look for more Little Golden Book biographies: • Betty White • Carol Burnett • Lucille Ball • Harry Belafonte • Julie Andrews • Dwayne Johnson
The Rite of Spring at 100
by Gretchen Horlacher John Reef Maureen Carr Severine Neff Stephen WalshWhen Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
The Rite of Spring at 100
by Stephen Walsh Severine Neff Maureen Carr John Reef Gretchen HorlacherWhen Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.
Ritorno al parquet. Quick, quick, slow (Quick, quick, slow - Club di Danza Lietzensee #3)
by Annemarie Nikolaus Ilaria IgieniPer la prima volta dopo sedici anni Friederike osa tornare sul parquet: un grave incidente d'auto l'aveva costretta ad abbandonare il ballo da sala. La danza è invece diventata il suo argomento di ricerca e ha fatto carriera come professoressa di storia. Un collega diventa il suo nuovo compagno di ballo, poiché suo marito George non vuole prendere parte a un semplice gruppo di ballo come un dilettante: non sarebbe all'altezza della sua carica di presidente del Club di Danza Lietzensee. Tuttavia la sostiene quando lei vuole girare un film sulle danze del barocco con gli square dancer e la formazione latina del circolo. Ma d'un tratto vuole ballare personalmente le danze barocche con lei. Friederike si trova davanti a un dilemma: dall'incidente si era augurata di poter ballare di nuovo con suo marito. Però non vuole neanche deludere il suo collega. Troverà una scappatoia che non offenda nessuno dei due? Il romanzo appartiene alla serie "Quick, quick, slow - Club di Danza Lietzensee", scritta da più autrici. Ogni libro della serie è un romanzo a sé e può essere letto indipendentemente dagli altri.
Ritual and Event: Interdisciplinary Perspectives (Routledge Advances in Theatre & Performance Studies)
by Mark FrankoRitual today can be encountered in the midst of catastrophic and transforming events. This collection reassesses and revises traditionally understood relationships between ritual and politics, ritual and everyday life, ritual and art making, and ritual and disaster. The methodologies as well as the subject matter are interdisciplinary: they range from the anthropological to the art and dance historical, from the theatrical and literary to the linguistic, philosophical, and psychoanalytic. It will be a valuable tool for scholars of Theater and Performance Studies, as well as Anthropology, Art, and History.
The Ritual Theatre of Theodoros Terzopoulos
by Freddy DecreusThe Ritual Theatre of Theodoros Terzopoulos outlines the story of the Athenian-based Attis Theatre and the way its founder and director, Theodoros Terzopoulos, introduced bio-energetic presences of the body on the stage, in an attempt to redefine and reappraise what it means today not only to have a body, but to fully be a body. Terzopoulos created a very specific attitude towards life and death, and it is this broad perspective on energy and consciousness that makes his work so appealing both to a general public and to students of arts, theatre and drama. Freddy Decreus’ study charts the career of Greece’s most acclaimed theatre director and provides a spiritual and philosophic answer in times where former Western meta-narratives have failed.
Rituparno Ghosh: Cinema, gender and art (South Asian History and Culture)
by Rohit K. Dasgupta Sangeeta Datta Kaustav BakshiAn iconic filmmaker and inheritor of the legendary Satyajit Ray’s legacy, Rituparno Ghosh was one of the finest auteurs to emerge out of contemporary Bengal. His films, though rooted firmly in middle-class values, desires and aspirations, are highly critical of hetero-patriarchal power structures. From the very outset, Ghosh displayed a strong feminist sensibility which later evolved into radical queer politics. This volume analyses his films, his craft, his stardom and his contribution to sexual identity politics. In this first scholarly study undertaken on Rituparno Ghosh, the essays discuss the cultural import of his work within the dynamics of a rapidly evolving film industry in Bengal and more largely the cinematic landscape of India. The anthology also contains a conversation section (interviews with the filmmaker and with industry cast and crew) drawing a critical and personal portrait of this remarkable filmmaker.
Ritwik Ghatak and the Cinema of Praxis: Culture, Aesthetics and Vision
by Diamond Oberoi VahaliIn a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak’s journey within the context of the Indian People’s Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak’s unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak’s practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak’s political odyssey as reflected in his cinema. Moreover, it charts the manner in which Ghatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis – a thoughtful Marxist paradigm organically associated with the culture and context of India. By locating Ghatak within the discourse of nationalism, the book brings to the surface Ghatak’s critical insights related to the independence of the nation and the trauma of the partition of Bengal. Ghatak’s cinema served the crucial function of chronicling the mass tragedy of partition and its impact on the human psyche.This book appeals to scholars of film studies and filmmaking as well as to researchers and general readers interested in debates pertaining to culture, politics, art, psychoanalysis, partition and refugee studies, cinema, theatre, and ideology.
Rival
by Sara Bennett WealerBrooke I don't like Kathryn Pease. I could pretend everything's fine between us. I could be nice to her face, then trash her behind her back. But I think it's better to be honest. I don't like Kathryn, and I'm not afraid to admit it. Kathryn I saw a commercial where singers used their voices to shatter glass, but the whole thing is pretty much a myth. The human voice isn't that strong. Human hatred is. Anybody who doubts that should feel the hate waves coming off of Brooke Dempsey. But I don't shatter; I'm not made of glass. Anyway, the parts that break aren't on the outside. Brooke and Kathryn used to be best friends . . . until the night when Brooke ruthlessly turned on Kathryn in front of everyone. Suddenly Kathryn was an outcast and Brooke was Queen B. Now, as they prepare to face off one last time, each girl must come to terms with the fact that the person she hates most might just be the best friend she ever had.
The Rival Sirens: Performance and Identity on Handel's Operatic Stage
by Suzanne AspdenThe tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.
The River: A Love Story, a New Life in the Country, and One Idyllic Year With Otters
by Philippa ForresterWhen TV presenter Philippa Forrester first met Charlie, a wildlife cameraman, she thought he was a show-off - and he thought she was arrogant. The second time, despite being hungry, thirsty and trapped in torrential rain aboard the world's most uncomfortable boat, they fell in love. This is the story of their move out of London, deep into the heart of the English countryside. When they impulsively buy an old mill-worker's cottage, they are entranced by its river, teeming with kingfishers, mink and water fowl. But they are overjoyed when they spot an animal long thought to have abandoned the area: an otter, swimming happily past their house. Inspired, they decide to make a film about the otters on their doorstep ... at the same time as having a baby, setting up house, and pursuing their careers. Unsurprisingly, things turn out to be easier said than done.Written with endless charm and real affection, featuring a cast of memorable characters, The River is packed with hilarious stories spanning floods, chicken keeping and wildlife watching. The result is sheer delight.
Riverdish: The Unauthorized Case Files of Riverdale
by Ryan Bloomquist Samantha GoldFrom the hosts of the Riverdish podcast, the unauthorized case files from the world of the CW’s teen drama sensation Riverdale.For Archie Andrews, Veronica Lodge, Jughead Jones, and Betty Cooper, high school is more than just pep rallies and milkshakes. Based on the beloved characters from the Archie Comics, Riverdale is a dark, addictive, campy teen thriller that devilishly mixes adolescent angst with corruption, politics, serial killers, gang wars, and twisted secrets. The emotional exploits of Archie, Veronica, Jughead, Betty, and their friends and foes have riveted fans across generations and catapulted the teen drama series into an iconic cultural phenomenon spawning internet discussion groups and podcasts. One such podcast is Riverdish, hosted by the adoring and enthusiastic Ryan and Sam, and they have taken it upon themselves to complete the complicated and necessary task of creating the essential unauthorized case files on Riverdale's twisted web of lies, crimes and mysteries.Featuring case files on Riverdale’s beloved ensemble cast of Archie, Veronica, Jughead, Betty and their friends and foes, Riverdish offers up comprehensive breakdowns of the many mysteries and crimes that plague the town of Riverdale, paired with laugh-out-loud commentary and photos from behind-the-scenes of the show. Tackling everything from The Black Hood to Jingle Jangle to the Southside Serpents to bogus FBI agents and everything and everyone in between, Riverdish is an insightful and hilarious sendup of the case files that the authorities should use to track the many twists and turns of the show. With a deep knowledge of and appreciation for the show and all that makes it iconic, Riverdish dissects and celebrates the dramatic and thrilling darkness of Riverdale.
Riverview Amusement Park (Images of America)
by Dolores HaughEvery summer from 1904 to 1967, for 63 years, Riverview--the world's largest amusement park--opened its gates to millions of people from all walks of life. For three generations, the Schmidt's family park offered rides, shows, food, and music to men, women, and especially children. Riverview survived depressions, two World Wars, labor disputes, Prohibition, and a World's Fair that threatened to take a great deal of its business. Riverview Amusement Park tells the story of Riverview's growth from 22 acres and three rides to 140 acres and more than 100 attractions. Through an extensive collection of never-before published images, author Dolores Haugh chronicles the tale of this impressive chapter of Chicago history. Known as the "Roller Coaster Capital of America," Riverview remained a Chicago landmark until it was unexpectedly closed in 1967.
RKO Radio Pictures
by Richard B. JewellOne of the "Big Five" studios of Hollywood's golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. RKO Radio Pictures: A Titan is Born offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.
The Road Back Home: A Northern Childhood
by Sid Waddell'I had not lived in the former pit village of Lynemouth since 1961 but the winding road north from Newcastle will always be the same nostalgic highway, each twist charged with vivid memories and powerful emotions...'So begins a story full of wonderful humour, emotional candour and hardy tales of tough times - a quietly epic family saga set amid the pit villages of the North East . It stretches from the 1920s, before Sid's parents had even met, to the final closing of the mine and his mother's death in 1999.Sid paints a picture of a colourful, tight knit community full of good times and hard work, god-fearing women and hard-drinking men. Always dominating the skyline is Auld Betty, the pit head that took the men away each day and, with a prayer, brought them back each evening. Amongst the unforgettable cast of his extended family and friends, we follow the Waddells' attempts to stay afloat and provide a better future and possible escape for youngsters like Sid.
The Road Movie: In Search of Meaning (Short Cuts)
by Neil ArcherThough often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.
Road Rash
by Mark Huntley ParsonsA teenage drummer finds out what life is really like on tour with a rock band in this funny, funky, bittersweet debut YA novel. For anyone who loved Almost Famous or This Is Spinal Tap.After being dropped from one band, 17-year-old drummer Zach gets a chance to go on tour with a much better band. It feels like sweet redemption, but this is one rocky road trip. . . . Zach's in control on the drums, driving the band, keeping things moving at the right pace. But when the show is over, his timing is all off. The jealousies and rivalries within his new group keep him off-balance. The awesome original song he recorded backfires. And the girl he left back home is suddenly talking about this other guy . . . Mark Parsons has written a fast-paced, feel-good novel about a boy finding his place in the world, in a band, and in the music. Zach is a character teens will stand up and cheer for as he lands the perfect gig, and the perfect girl. From the Hardcover edition.
The Road to Romance and Ruin: Teen Films and Youth Culture (Routledge Library Editions: Cinema)
by Jon LewisThis book analyses the teen film as the rare medium able to represent the otherwise chaotic and conflicting experience of youth. The author focuses on six major issues: alienation, deviance and delinquency, sex and gender, the politics of consumption, the apolitics of youth(ful) rebellion, and regression into nostalgia. Despite the many differences within the genre, this book sees all teen films as focused on a single social concern: the breakdown of traditional forms of authority – school, church, family. Working with the theories of such diverse scholars as Kenneth Keniston, Bruno Bettelheim, Erik Erikson, Theodor Adorno, Simon Frith, and Dick Hebdige, the author draws an innovative and flexible model of a cultural history of youth. Originally published in 1992.