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Rock War: Book 1 (Rock War #1)

by Robert Muchamore

Meet Jay. Summer. And Dylan. Jay plays guitar, writes songs and dreams of being a rock star. But his ambitions are stifled by seven siblings and a terrible drummer. Summer works hard at school, looks after her nan and has a one-in-a-million singing voice. But can her talent triumph over her nerves?Dylan is happiest lying on his bunk smoking, but his school rugby coach has other ideas, and Dylan reluctantly joins a band to avoid crunching tackles and icy mud.They're about to enter the biggest battle of their lives. And there's everything to play for. A spectacular start to the new series from Robert Muchamore, bestselling author of CHERUB - read on with Rock War: The Audition, a story especially written for World Book Day.

Rock War: Book 1 (Rock War #1)

by Robert Muchamore

Meet Jay. Summer. And Dylan. Jay plays guitar, writes songs and dreams of being a rock star. But his ambitions are stifled by seven siblings and a terrible drummer. Summer works hard at school, looks after her nan and has a one-in-a-million singing voice. But can her talent triumph over her nerves?Dylan is happiest lying on his bunk smoking, but his school rugby coach has other ideas, and Dylan reluctantly joins a band to avoid crunching tackles and icy mud.They're about to enter the biggest battle of their lives. And there's everything to play for. A spectacular start to the new series from Robert Muchamore, bestselling author of CHERUB.(P) Hodder Children's Books 2016

Rock War Complete Collection: Books 1-4 in the spectacular series (Rock War #104)

by Robert Muchamore

All four books in Robert Muchamore's spectacular Rock War series Rock War (Book 1): Meet Jay. Summer. And Dylan. Jay plays guitar, writes songs and dreams of being a rock star. But his ambitions are stifled by seven siblings and a terrible drummer. Summer works hard at school, looks after her nan and has a one-in-a-million singing voice. But can her talent triumph over her nerves? Dylan is happiest lying on his bunk smoking, but his school rugby coach has other ideas, and Dylan reluctantly joins a band to avoid crunching tackles and icy mud. They're about to enter the biggest battle of their lives. And there's everything to play for. Boot Camp (Book 2):Jay, Summer, Dylan and their bands are headed for boot camp at uber-glamorous Rock War Manor. It's going to be six weeks of mates, music and non-stop partying as they prepare for stardom. But the rock-star life of music festivals and glitzy premieres isn't all it's cracked up to be. Can the bands hold it together long enough to make it through the last stage of the competition, or will there be meltdown? Gone Wild (Book 3): The Rock War TV show is the most-watched reality show on British telly, and it's only halfway through. Jay, Summer, Dylan and their bands have all made it past the tough boot camp stage, and now the last six will fight it out until the season's finale, live on Christmas Eve. But it's not all about the music. Summer was hit by a motorbike at the end of boot camp. Jay's brother, Theo, can't keep out of trouble - or out of handcuffs. And Dylan, the outsider, is investigating corruption within the workings of the competition itself. Crash Landing (Book 4):Jay, Summer and Dylan are fresh out of the biggest reality show there is. But they're about to discover what fame and fortune are really about. Jay's brother, Theo, is young, rich and famous: but is it making him happy? Summer's got to weather her one-star reviews and take her career back into her own hands. And Dylan might soon be seeing the world of show-business from the four walls of a prison cell.They've got everything to play for ... From the author of CHERUB and Henderson's Boys: find out more at rockwar.com Praise for the CHERUB series: 'Punchy, exciting, glamorous and, what's more, you'll completely wish it was true' - Sunday Express 'Crackling tension and high-octane drama' - Daily Mail 'A really good book that you could re-read over and over again' - Guardian 'Pacy writing, punchy dialogue and a gripping plot, it's got it all' - Daily Express 'Fast-moving action ... and cool gadgets!' - The Times

Rock Your Business: What You and Your Company Can Learn from the Business of Rock and Roll

by David Fishof

Would you like your business......to burst into public awareness like Lady Gaga?...to have the long-lived success of Mick Jagger?...to demonstrate the creativity of The Beatles?We don't normally think of the music business as a source of entrepreneurial insight, but we should. The best bands have longevity, a depth of customer loyalty, and a level of profitability that puts most businesses to shame. And what they know-about marketing, partnerships, the power of bartering, and overcoming obstacles-isn't taught in any business school.David Fishof has lived at the center of the music business for more than 25 years. From his early successes in reuniting The Monkees and convincing Ringo Starr to launch his All Starr tour, to his current megasuccess as founder and CEO of Rock 'n' Roll Fantasy CampTM, Fishof has learned from the leading minds in the music business-and has applied this learning in one entrepreneurial venture after another. Filled with insights from Fishof's amazing exploits in the music industry and seasoned with business tips from music legends, Rock Your Business provides important and original business insights from an unlikely source-the world of rock and roll.

Rockers and Rollers: A Full-throttle Memoir

by Brian Johnson

By night, Brian Johnson sings in the biggest rock 'n' roll band on the planet. But by day, AC/DC's frontman drives balls to the wall. Cars and rock 'n' roll-they were made for each other. When he was a young boy growing up in a working-class English town, Brian developed what would become a lifelong passion for cars, trolling junkyards and even pretending to drive the family car. From there, he steamed up the windows of his old Mini Cooper as a teenager, spent untold time in hygienically challenged tour buses with helpful signs such as No Shitting Allowed. Shagging Expected, was chauffeured in leather-trimmed limos, and raced cars to a checkered flag. Featuring guest stars Cliff Williams, Malcolm and Angus Young, and many, many others, even Arnold Schwarzenegger, Rockers and Rollers is a tribute to Brian's obsession with four wheels. By turns surprising, poignant, funny, and maybe a little bit bawdy, these are the stories of a man who drives as hard as he rocks.

Rocket Man: The Life Of Elton John

by Mark Bego

The colorful and kaleidoscopic life of one of the world’s most original and talented musical artists. Here’s the book every pop music lover has been waiting for—full of the scandals, addictions, affairs, and tantrums that underscored the life of arguably the world’s greatest pop musician. Flamboyant, iconic Elton John is as much part of the American musical landscape as he is in his native England. In the 1970s, when popular music on both sides of the Atlantic fragmented into disco, soul, hard rock, pop, and folk, Elton John embraced them all with his signature creative panache. Emerging in the late 1960s as a singer/songwriter, Elton was widely acknowledged as the most prolific pop and rock star of the decade by the mid-1970s. His peerless musical style and ability to jump from sensitive ballads to bawdy rock anthems to campy pop have made him a musical superstar for the ages. From his heartfelt ballads like “Tiny Dancer” and “Your Song” to his rock & roll hits including “Bennie and the Jets” and “Crocodile Rock,” Elton has lived one of the most outrageous and colorful lives in show business. Having met the “Rocket Man” the first time in the 1980s, Bego has drawn upon his personal observations and vast research, and has been able to interview dozens of Elton’s collaborators and lifelong friends to produce the the ultimate story on the amazing and larger-than-life Elton John.

Rockin’ in Time

by David Szatmary

Brief, authoritative, and up-to-date, David Szatmary's Rockin' in Time: A Social History of Rock-and-Roll, 9th Edition, weaves the major icons of rock-and-roll into a larger sociohistorical fabric. <p><p>Placing rock-and-roll in the context of the social issues that surrounded and shaped it, this book explores topics like the influence of rock music on the Civil Rights Movement, demographic change and the baby boom, the development of the music business, and technological advances. <p><p>The 9th Edition contains new photos and images, as well as new material on Delta blues, fusion jazz, and electronic dance music.

Rockin' in Time: A Social History of Rock-and-Roll, Eighth Edition

by David P. Szatmary

This book weaves the major icons of rock-and-roll into a larger social/historical fabric and places rock-and-roll in the context of the social issues that surrounded and shaped it. Topics include the influence on rock music of such trends as the civil rights movement, political and economic shifts, demographical change and the baby boom, the development of the music business, and technology advances.

Rocking the Classics: English Progressive Rock and the Counterculture

by Edward L. Macan

Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such asJethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

Rock'n'Roll (Ready, Freddy! 2nd Grade #8)

by Abby Klein John Mckinley

Freddy's favorite band is having a contest -- make a video of their new song and win tickets and backstage passes to the concert! There's going to be so much competition, though. Freddy definitely needs help from his friends, and maybe even ... his sister?

Rocky and Other Plays about Sports

by William Blinn Durrell Royce Crays Johnny Dawkins Adoley Odunton Sylvester Stallone

Five teleplays--screenplays adapted from sports movies by the original authors. Brian's Song; It's A Mile From Here To Glory; Heartbreak Winner; The Hero Who Couldn't Read; Rocky. Student edition includes discussion questions after each chapter.

Rocky IV

by Sylvester Stallone

THE MOST EXPLOSIVE CHAPTER YET IN THE GREATEST HEAVYWEIGHT STORY OF ALL TIME! Apollo Creed, Clubber Lang-Rocky Balboa came a long way from the slums of South Philly before he said good-bye to Goldmill's Gym and settled down to a quiet family life with Adrian and their son, Rocky Junior. But now he receives a challenge no American can ignore-from Ivan Drago, a mammoth Cuban-trained fighter from the Soviet Union, nicknamed the "Siberian Express." Drago and his magnificently beautiful wife, Ludmilla, arrive in the USA ready to take all comers. So the Italian Stallion returns to the ring. Can Rocky win in Leningrad? Can the American Champion beat the Russian Champion in what is being touted as World War III?

Rod Serling: His Life, Work, and Imagination

by Nicholas Parisi

Long before anyone had heard of alien cookbooks, gremlins on the wings of airplanes, or places where pig-faced people are considered beautiful, Rod Serling was the most prestigious writer in American television. As creator, host, and primary writer for The Twilight Zone, Serling became something more: an American icon. When Serling died in 1975, at the age of fifty, he was the most honored, most outspoken, most recognizable, and likely the most prolific writer in television history. Though best known for The Twilight Zone, Serling wrote over 250 scripts for film and television and won an unmatched six Emmy Awards for dramatic writing for four different series. His filmography includes the acclaimed political thriller Seven Days in May and cowriting the original Planet of the Apes. In great detail and including never-published insights drawn directly from Serling’s personal correspondence, unpublished writings, speeches, and unproduced scripts, Nicholas Parisi explores Serling’s entire, massive body of work. With a foreword by Serling’s daughter, Anne Serling, Rod Serling: His Life, Work, and Imagination is part biography, part videography, and part critical analysis. It is a painstakingly researched look at all of Serling’s work—in and out of The Twilight Zone.

Rod Stewart: autobiografía

by Rod Stewart

Rod Stewart nació en el norte de Londres en el seno de una familia de clase trabajadora, hijo de un fontanero escocés. A pesar de librarse por los pelos de carreras muy variadas, desde cavar tumbas hasta jugar en el fútbol profesional, lo que verdaderamente conquistó su corazón fue la música, y nunca se arrepintió.Rod empezó su carrera a principios de los años sesenta, tocando en los clubes de rhythm & blues de Londres, hasta que su particular voz ronca atrajo la atención del legendario vocalista Long John Baldry, que lo descubrió una noche durante una actuación en el andén del metro. Posteriormente, formó parte de grupos tan pioneros como los Hoochie Coochie Men, Steampacket y el Jeff Beck Group, que le allanaron el terreno para luego pasar cinco turbulentos años con los Faces, la banda de rock cuyos excesos con el alcohol, sus destrozos en las habitaciones de los hoteles y groupies los convirtieron en leyenda. Fue en ese periodo cuando sin embargo encontró un momento de paz para escribir «Maggie May», entre otras canciones, y emprender su carrera en solitario, que le ha llevado a vender unos doscientos millones de copias, a ser incluido dos veces en el Salón de la Fama del Rock and Roll y a tocar en el concierto más multitudinario de la historia. Como él dice, no está mal para un tío con la voz tan áspera.Por otra parte, nos describe su vida «no tan privada »: matrimonios, divorcios y aventuras amorosas con algunas de las mujeres más guapas del mundo ?chicas Bond, actrices y supermodelos, además de su escaramuza con un cáncer que amenazó con acabar con todo aquello.La vida de Rod es increíble y, en este libro, de forma emocionante y por primera vez, nos cuenta toda la historia, sin esconder los trapos sucios. Una juerga rocanrolera repleta de aventuras que en ocasiones resulta profundamente conmovedora; el extraordinario viaje de un tipo con una voz única, y una cabellera fenomenal.

Rodney Graham: The Phonokinetoscope

by Shep Steiner

Rodney Graham's "Phonokinetoscope" (2001) is a five-minute 16mm film loop in which the artist is seen riding his Fischer Original bicycle through Berlin's Tiergarten while taking LSD, to the soundtrack of a fifteen-minute song (written and performed by Graham) recorded on a vinyl LP. The turntable drives the projection of the film; the film starts when the needle is placed on the record and stops when the needle is taken off. Graham's ride evokes the Swiss scientist Albert Hoffman's famous 1943 bicycle ride home after an experimental dose of LSD as well as Paul Newman's backward-facing ride in "Butch Cassidy and the Sundance Kid"; the accompanying music presents a thicket of riffs and borrowings. As the images and visual details repeat in the film's endless loop, the artist's "Phonokinetoscope" refers to a surprising number of works of art and literature, displaying a world rich with subtle meaning. In this illustrated study of "Phonokinetoscope," Shep Steiner describes the work as marking Graham's transition into a new medium. Steiner positions Graham's practice in relation to postminimalist practice and that of other artists including Dan Graham, but especially, Ian Wallace and Jeff Wall; considers Graham's rhetoric of playfulness; and finally, beyond the web of references, argues for a notion of allegory and memory theater keyed to the durational work yet satisfying the aesthetic standards of static art. "Phonokinetoscope," Steiner argues, looks back to Graham's earlier works focusing on the notion of protocinema and forward to his later musical preoccupations.

Rodney Graham: Phonokinetoscope (One Work)

by Shepherd Steiner

An examination of the complex and subtle world on display in Rodney Graham's film of an LSD-inflected bicycle ride. Rodney Graham's Phonokinetoscope (2001) is a five-minute 16mm film loop in which the artist is seen riding his Fischer Original bicycle through Berlin's Tiergarten while taking LSD, to the soundtrack of a fifteen-minute song (written and performed by Graham) recorded on a vinyl LP. The turntable drives the projection of the film; the film starts when the needle is placed on the record and stops when the needle is taken off. Graham's ride evokes the Swiss scientist Albert Hoffman's famous 1943 bicycle ride home after an experimental dose of LSD as well as Paul Newman's backward-facing ride in Butch Cassidy and the Sundance Kid; the accompanying music presents a thicket of riffs and borrowings. As the images and visual details repeat in the film's endless loop, the artist's Phonokinetoscope refers to a surprising number of works of art and literature, displaying a world rich with subtle meaning. In this illustrated study of Phonokinetoscope, Shep Steiner describes the work as marking Graham's transition into a new medium. Steiner positions Graham's practice in relation to postminimalist practice and that of other artists including Dan Graham, but especially, Ian Wallace and Jeff Wall; considers Graham's rhetoric of playfulness; and finally, beyond the web of references, argues for a notion of allegory and memory theater keyed to the durational work yet satisfying the aesthetic standards of static art. Phonokinetoscope, Steiner argues, looks back to Graham's earlier works focusing on the notion of protocinema and forward to his later musical preoccupations.

Roger Ebert's Four-Star Reviews 1967–2007

by Roger Ebert

Spanning the length of Roger Ebert's career as the leading American movie critic, this book contains all of his four-star reviews written during that time. A great guide for movie watching.

Roger Ebert's Movie Yearbook 2007: Every Single New Ebert Review

by Roger Ebert

The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco ChronicleAmerica's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over.Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are:* Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more.* All the new questions and answers from his Questions for the Movie Answer Man columns.* Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride.*Essays on film issues and tributes to actors and directors who died during the year.

Roger Ebert's Movie Yearbook 2013: Every Single New Ebert Review

by Roger Ebert

Roger Ebert&’s &“criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .&” —New York TimesPulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert&’s Movie Yearbook 2013.It includes every movie review Ebert has written from January 2010 to July 2012.Also included in the Yearbook:In-depth interviews with newsmakers and celebritiesTributes to those in the film industry who have passed away recentlyEssays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary

Roger Sandall's Films and Contemporary Anthropology: Explorations in the Aesthetic, the Existential, and the Possible

by Lorraine Mortimer

A look at a prize-winning documentarian whose work with aboriginal Australians and others united the fields of film and anthropology in the 1960s and ‘70s.In Roger Sandall’s Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s.Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall’s films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall’s aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.

Roll Me Up and Smoke Me When I Die: Musings from the Road

by Willie Nelson

In Roll Me Up and Smoke Me When I Die, Willie Nelson muses about his greatest influences and the things that are most important to him, and celebrates the family, friends, and colleagues who have blessed his remarkable journey. Willie riffs on everything, from music to poker, Texas to Nashville, and more. He shares the outlaw wisdom he has acquired over the course of eight decades, along with favorite jokes and insights from family, bandmates, and close friends. Rare family pictures, beautiful artwork created by his son, Micah Nelson, and lyrics to classic songs punctuate these charming and poignant memories.A road journal written in Willie Nelson's inimitable, homespun voice and a fitting tribute to America’s greatest traveling bard, Roll Me Up and Smoke Me When I Die—introduced by another favorite son of Texas, Kinky Friedman—is a deeply personal look into the heart and soul of a unique man and one of the greatest artists of our time, a songwriter and performer whose legacy will endure for generations to come.

Rollerball (Constellations)

by Andrew Nette

Rollerball, the Canadian-born director and producer Norman Jewison’s 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport.Drawing on numerous sources, including little examined documents in the archive of the film’s screenwriter William Harrison, Andrew Nette examines the many dimensions of Rollerball’s making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. Nette shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including "fake news" and declining literary and historical memory. The book includes an interview with Jewison on Rollerball’s influences, making, and reception.

Rollin' with Dre: An Insider's Tale of the Rise, Fall, and Rebirth of West Coast Hip Hop

by Bruce Williams Donnell Alexander

"I'm about to blow the top off of everything I saw," writes Bruce Williams, the long-time best friend and right-hand man to Dr. Dre, and a prime mover at Aftermath, one of the most successful start-up labels in music history. In Rollin' with Dre: The Unauthorized Account, Williams, owner of a sports bar in downtown Los Angeles, gives us an unprecedented inside look at-and the up-and-down story of-two decades of hip-hop culture and "The Life. " As Dre's confidant and the problem-solver to a stable of artists and others who came to know him as "Uncle Bruce," Williams was either there when the action went down or close enough to feel the hollowpoints whiz by: Dre perfecting the gangsta era's signature sound displayed on his highly influential album The Chronic and its Snoop Dogg-helmed follow-up, Doggystyle; getting out from under Death Row Records, the label Dre co-founded with impresario Suge Knight; launching the careers of Eminem, 50 Cent, and The Game. Williams lays it out in black and white, from dish on Tupac Shakur's chaotic rise and fall to the deadly feud between Tha Row (formerly Death Row Records) and East Coast MCs and bigshots, from Suge's legal battles to Dre's reconciliation with Eazy-E before E's untimely demise from AIDS, from the hard-won "overnight" successes of Snoop and Eminem to what it was like rollin' with giants and legends-in-the-making-and living the life (and bearing the burdens) as a bona-fide master of the game. Williams takes us on a wild ride, showing us the never-before-seen side of the infamous West Coast scene. With one foot firmly planted in the Hollywood establishment and the other in the sex-and-violence-drenched netherworld of the hip-hop music industry, Rollin' with Dre: The Unauthorized Account, is the impossible-to-put-down story of music icons and the culture that created the soundtrack of a restless generation. From the Hardcover edition.

Rolling: Blackness and Mediated Comedy (Comedy & Culture)

by Anshare Antoine Gerald R. Butters Jr. Ellen Cleghorne Kelly Cole Phillip Lamarr Cunningham Ken Feil Lisa Guerrero Timothy Havens Felicia D. Henderson Jacqueline Johnson Alfred L. Martin Jr. Scott Poulson-Bryant Mel Stanfill Joshua Truelove

Since slavery, African and African American humor has baffled, intrigued, angered, and entertained the masses.Rolling centers Blackness in comedy, especially on television, and observing that it is often relegated to biopics, slave narratives, and the comedic. But like W. E. B. DuBois's ideas about double consciousness and Racquel Gates's extension of his theories, we know that Blackness resonates for Black viewers in ways often entirely different than for white viewers. Contributors to this volume cover a range of cases representing African American humor across film, television, digital media, and stand-up as Black comic personas try to work within, outside, and around culture, tilling for content. Essays engage with the complex industrial interplay of Blackness, white audiences, and comedy; satire and humor on media platforms; and the production of Blackness within comedy through personal stories and interviews of Black production crew and writers for television comedy.Rolling illuminates the inner workings of Blackness and comedy in media discourse.

The Rolling Stone Illustrated History of Rock and Roll: The Definitive History of the Most Important Artists and Their Music

by Anthony Decurtis James Henke Holly George-Warren

The ultimate illustrated history of rock & roll--comprehensive, authoritative, and fully updated with coverage of the most important new sounds and artists of the 1980s and `90s.

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