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The Rough Guide to Flute and Piccolo
by Hugo PinksterboerTeaches how to play flutes and piccolos, and many other things readers want to know about them.
The Rough Guide to Kids' Movies
by Paul SimpsonKids' Movies - where do you start? There are hundreds of them out on video and DVD, and life (or at least, childhood) is too short to discover the gems, or to endure the dross. Which is where this Rough Guide comes in, reviewing the best kids' films across genres from action to fantasy to westerns, and telling you, crucially, if they're any good. The Rough Guide includes reviews of more than 250 kids' movies, celebrating recent hits such as Finding Nemo and Elf, as well as classics like The Wizard of Oz and lesser-known gems like Miyazaki's Kiki's Delivery Service. There is also full coverage of more than 100 'grown up' movies, from James Bond to Jane Austen, which should divert and delight older kids. For each entry there is advice on content and suitability the film, noting scenes or language which might disturb younger viewers - or their parents!
The Rough Guide to Led Zeppelin
by Nigel WilliamsonRock legends Led Zeppelin remain a colossal music force with songs at once mystical, heavy, traditional and highly original. The Rough Guide to Led Zeppelin tells the story of the life and afterlife of this most extraordinary supergroup. Features include: The Story: from the first meeting of Plant and Page to the untimely death of John Bonham, detailing the magic, mayhem and excesses of the era. The Music: the band's fifty best songs unpicked, plus coverage of blues influences, bootlegs, solo careers, and the best Jimmy Page guitar solos and most outstanding Robert Plant vocals. The Passengers: profiles of collaborators and colleagues including Roy Harper and Mickie Most. The Cargo: Zeppelin films, places, myths and memorabilia, books, websites and the afterlife of 'Stairway to Heaven.' It's a whole lotta Zep . . . .
The Rough Guide to Opera (4th edition)
by Matthew BoydenWhether you are a complete newcomer or a seasoned opera buff, The Rough Guide To Opera is the perfect companion to one of the most exciting of all art forms. Covering the full range of opera, from Monteverdi to Thomas Ades, the guide provides lively biographical information of some 150 composers plus detailed discussion of over 30 operas. As well as a synopsis and a short essay for each opera, the guide includes reviews of the finest available CDs - both the latest releases and the best historical recordings - and DVD recommendations for the top 60 operas in the repertoire. In addition there's a who's who of opera's finest singers and conductors, a glossary of the most useful technical terms and scores of superb illustrations.
The Rough Guide to Pink Floyd
by Toby ManningThe Rough Guide to Pink Floyd is the ultimate companion to the band that changed the sound and scale of pop music forever. Features include: The Story: from the Syd Barrett era, the Dark Side Of The Moon phenomenon to their transformation into one of the world's biggest bands, The Music: 50 essential Floyd songs and the stories behind them, plus all the albums and recording sessions, side-projects and solo careers, Floyd On Film: the movies and film soundtracks, TV appearances and videos - from The Wall and More to Zabriskie Point and Pink Floyd at Pompeii, The Floyd File: the cover versions, rarities, DVDs, books and websites. From the psychedelic "happenings " of 60s London to the arena gigs, world tours and Live 8 reunion - it's all here.
The Rough Guide to the Beatles
by Chris InghamThe Beatles are the ultimate band--the most popular, the most respected, the most influential. This new edition of The Rough Guide to the Beatles covers every aspect of the Fab Four, delving deep into the music, lyrics, movies and solo careers. Features include: The Story: from Liverpool clubs to Beatlemania. The Music: incisive reviews of every Beatles and solo album. The Canon: the inside track on the 50 greatest songs. On Screen: the movies, the promos and the TV appearances. The Fifth Beatle: George Martin, Yoko Ono, Magic Alex and other contenders. Beatleology: the best books, the weirdest covers, the most obsessive websites, the obscurest trivia.
The Rough Guide to the Blues
by Nigel WilliamsonThe Rough Guide to Blues gives you the complete lowdown on all the grittiest singers, bottleneck guitarists, belt-it-out divas and wailing harmonica players that made the most influential music of the last century. From music legend B.B. King to folk hero Robert Johnson, the guide includes detailed profiles of hundreds of artists and critical reviews of their best albums. The fascinating story is told in full--how the blues crawled from the Mississippi Delta, went electric in the big cities, and spread across the world--with feature boxes on topics like boogie woogie, gospel and the best blues record labels. Check out the ten greatest slide-guitar tracks or the ten most miserable 'woke up this mornin's. With the handy playlists that help you to pick 'n' choose quick 'best ofs' to download to your iPod or MP3 player.
The Rough Guide to the Velvet Underground
by Peter HoganSporting shades and a feedback-heavy sounds, the Velvets straddled art and rock, changing popular music forever, and sowing the seeds for punk, grunge and thousands of counter-cultural four-chord wonders. The Rough Guide to The Velvet Underground explores: The Velvet Story: How Lou Reed, Sterling Morrison, John Cale and the others emerged from the New York scene, their successes and excesses and what happened to each in their solo years. Velvet Music: From their 1967 debut with Nico to their 1993 reunion with all the tales behind the tunes. Velvet Universe: Everybody who was anybody in the Velvet's world, taking in Andy Warhol, Edie Sedgwick, David Bowie, Delmore, Schwaretsz and Brian Eno. Velvet Goldmine: The Underground on screen, the Velvet's New York, clubs, influences, covers, websites and more.
The Rough Guide to Westerns
by Paul SimpsonFrom the saloon to the cattle trail, gunslinging outlaws to ferocious Indians, The Rough Guide to Westerns is the ultimate companion to the genre that has, since the birth of cinema, fed our fascination with the Wild West. The origins: How the myth of the West was shaped as much by entertainers like Buffalo Bill and James Fenimore Cooper as by real-life figures like Wyatt Earp and Billy the Kid, The history: From the silent era, through 50s box-office domination, to spaghetti and 21st-century Westerns, The canon: 50 essential Westerns, including Stagecoach, Once Upon A Time In The West, High Noon and The Searchers, The icons: Profiles of legends such as John Wayne, John Ford, Sergio Leone, Clint Eastwood and Gary Cooper, And the rest: Westerns from around the world, archetypal characters, iconic locations, and the best books, magazines and websites.
The Rough Guide to World Music: Africa, Europe and the Middle East
by Simon Broughton Mark Ellingham Jon LuskThe Rough Guide to World Music is the unchallenged reference work on sounds from around the globe. This third edition is more comprehensive than ever - updated and expanded throughout and with a number of new countries added. Volume 1: Africa & Middle East has full coverage of genres from Afrobeat to Arabesque, and artists from Amadou & Mariam to Umm Kulthum. The book includes articles on more than 60 countries written by expert contributors, discographies for each article with biographical notes on thousands of musicians and reviews of their best CDs.
The Routledge Comedy Studies Reader
by Ian WilkieThe Routledge Comedy Studies Reader is a selection of the most outstanding critical analysis featured in the journal Comedy Studies in the decade since its inception in 2010. The Reader illustrates the multiple perspectives that are available when analysing comedy. Wilkie’s selections present an array of critical approaches from interdisciplinary scholars, all of whom evaluate comedy from different angles and adopt a range of writing styles to explore the phenomenon. Divided into eight unique parts, the Reader offers both breadth and depth with its wide range of interdisciplinary articles and international perspectives. Of interest to students, scholars, and lovers of comedy alike, The Routledge Comedy Studies Reader offers a contemporary sample of general analyses of comedy as a mode, form, and genre.
The Routledge Companion to Actors' Shakespeare (Routledge Companions)
by John Russell BrownThe Routledge Companion to Actors’ Shakespeare is a window onto how today’s actors contribute to the continuing life and relevance of Shakespeare’s plays. The process of acting is notoriously hard to document, but this volume reaches behind famous performances to examine the actors’ craft, their development and how they engage with playtexts. Each chapter relies upon privilieged access to its subject to offer an unparalleled insight into contemporary practice. This volume explores the techniques, interpretive approaches and performance styles of the following actors: Simon Russell Beale, Sinead Cusack, Judi Dench, Kate Duchene, Colm Feore, Mariah Gale, John Harrell, Greg Hicks, Rory Kinnear, Kevin Kline, Adrian Lester, Marcelo Magni, Ian McKellen, Patrice Naiambana, Vanessa Redgrave, Piotr Semak, Anthony Sher, Jonathan Slinger, Kate Valk, Harriet Walter This twin volume to The Routledge Companion to Directors’ Shakespeare is an essential work for both actors and students of Shakespeare.
The Routledge Companion to Adaptation (Routledge Companions)
by Dennis Cutchins Katja Krebs Eckart VoigtsThe Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of adaptation studies, ranging from theatre and dance to radio, television and new media. It is divided into five sections: Mapping, which presents a variety of perspectives on the scope and development of adaptation studies; Historiography, which investigates the ways in which adaptation engages with – and disrupts – history; Identity, which considers texts and practices in adaptation as sites of multiple and fluid identity formations; Reception, which examines the role played by an audience, considering the unpredictable relationships between adaptations and those who experience them; Technology, which focuses on the effects of ongoing technological advances and shifts on specific adaptations, and on the wider field of adaptation. An emphasis on adaptation-as-practice establishes methods of investigation that move beyond a purely comparative case study model. The Routledge Companion to Adaptation celebrates the complexity and diversity of adaptation studies, mapping the field across genres and disciplines.
The Routledge Companion to Applied Performance: Volume One – Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand (Routledge Companions)
by Tim Prentki and Ananda BreedThe Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond. These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance. The reader will gain an understanding of some of the dominant preoccupations of performance in specified regions, enhanced by contextual framing. From the dis(h)arming of the human body through dance in Colombia to clowning with dementia in Australia, via challenges to violent nationalism in the Balkans, transgender performance in Pakistan and resistance rap in Kashmir, the essays, interviews and scripts are eloquent testimony to the courage and hope of people who believe in the power of art to renew the human spirit. Students, academics, practitioners, policy-makers, cultural anthropologists and activists will benefit from the opportunities to forge new networks and develop in-depth comparative research offered by this bold, global project.
The Routledge Companion to Applied Performance: Volume Two – Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World (Routledge Companions)
by Tim Prentki and Ananda BreedThe Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond. These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance. The reader will gain an understanding of some of the dominant preoccupations of performance in specified regions, enhanced by contextual framing. From the dis(h)arming of the human body through dance in Colombia to clowning with dementia in Australia, via challenges to violent nationalism in the Balkans, transgender performance in Pakistan and resistance rap in Kashmir, the essays, interviews and scripts are eloquent testimony to the courage and hope of people who believe in the power of art to renew the human spirit. Students, academics, practitioners, policy-makers, cultural anthropologists and activists will benefit from the opportunities to forge new networks and develop in-depth comparative research offered by this bold, global project.
Routledge Companion to Audiences and the Performing Arts (Audience Research)
by Matthew ReasonThe Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.
The Routledge Companion to Butoh Performance (Routledge Companions)
by Rosemary Candelario Bruce BairdThe Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh. Originating in Japan in the 1960s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.
The Routledge Companion to Caste and Cinema in India
by Joshil K. Abraham Judith Misrahi-BarakThis companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, to examine not only the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies. The companion: • critiques Indian cinema production through the lens of anti-caste discourse; • traces the history of films beginning from the early twentieth century, focusing on caste representations across India, including Hindi, Malayalam, Kannada, Marathi, Bengali, Punjabi, Tamil as well as silent films; • makes a foray into OTT media; • includes analysis of popular films such as Padmaavat, Masaan, Fandry, Sairat, Sujata, Article 15, Chomana Dudi, Lagaan, Court, Ee.Ma.Yau, Kaala, Pariyerum Perumal, Perariyathavar, among many others, to critique and problematise the idea of caste. A major intervention, this book alters traditional approaches to ‘caste’ in Indian cinemas and society and explores new political strategies implemented through cinematic creation and aesthetics. It will be indispensable for scholars and researchers of film studies, social discrimination and exclusion studies, human rights, popular culture, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.
The Routledge Companion to Cinema and Politics (Routledge Media and Cultural Studies Companions)
by Yannis Tzioumakis Claire MolloyThe Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
The Routledge Companion to Contemporary European Theatre and Performance
by Ralf Remshardt Aneta MancewiczThis is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
The Routledge Companion to Dance Studies (Routledge Companions)
by Helen Thomas Stacey PrickettThe Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.
The Routledge Companion to Drama in Education
by Mary McAvoyThe Routledge Companion to Drama in Education is a comprehensive reference guide to this unique performance discipline, focusing on its process-oriented theatrical techniques, engagement of a broad spectrum of learners, its historical roots as a field of inquiry and its transdisciplinary pedagogical practices. The book approaches drama in education (DE) from a wide range of perspectives, from leading scholars to teaching artists and school educators who specialise in DE teaching. It presents the central disciplinary conversations around key issues, including best practice in DE, aesthetics and artistry in teaching, the histories of DE, ideologies in drama and education, and concerns around access, inclusivity and justice. Including reflections, lesson plans, programme designs, case studies and provocations from scholars, educators and community arts workers, this is the most robust and comprehensive resource for those interested in DE’s past, present and future.
The Routledge Companion to English Folk Performance (Routledge Companions)
by Peter Harrop Steve RoudThis broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.
The Routledge Companion to Film History
by William GuynnThe Routledge Companion to Film History is an indispensible guide for anyone studying film history for the first time. Incorporating a series of 11 introductory, critical essays on key subject areas, with a dictionary of key names and terms, it serves to introduce the reader to the field of film history in a comprehensive and well-rounded manner.
The Routledge Companion to History and the Moving Image (Routledge Companions)
by Marnie Hughes-Warrington Kim Nelson Treacey, Mia E.M.The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today’s media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor’s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications.