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Routledge Handbook of Japanese Cinema
by Joanne Bernardi Shota T. OgawaThe Routledge Handbook of Japanese Cinema provides a timely and expansive overview of Japanese cinema today, through cutting-edge scholarship that reflects the hybridity of approaches defining the field. The volume’s twenty-one chapters represent work by authors with diverse backgrounds and expertise, recasting traditional questions of authorship, genre, and industry in broad conceptual frameworks such as gender, media theory, archive studies, and neoliberalism. The volume is divided into four parts, each representing an emergent area of inquiry: "Decentring Classical Cinema" "Questions of Industry" "Intermedia as an Approach" "The Object Life of Film" This is the first anthology of Japanese cinema scholarship to span the temporal framework of 200 years, from the vibrant magic lantern culture of the nineteenth century, through to the formation of the film industry in the twentieth century, and culminating in cinema’s migration to gaming, surveillance video, and other new media platforms of the twenty-first century. This handbook will prove a useful resource to students and scholars of Japanese studies, film studies, and cultural studies more broadly.
The Routledge International Handbook of Jungian Film Studies (Routledge International Handbooks)
by Luke HockleyThe Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.
The Routledge Introduction to Theatre and Performance Studies
by Erika Fischer-Lichte Minou Arjomand Ramona MosseErika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 - Central Concepts for Theatre and Performance Research - introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 - Fields, Theories and Methods - looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 - Pushing Boundaries - expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.
The Routledge Pantomime Reader: 1800-1900
by Jennifer SchackerThe Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain. Across ten different shows, readers witness pantomime’s development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as "Cinderella", "Aladdin", and "Jack and the Beanstalk" with the lesser-known plotlines of "Peter Wilkins" and "The Prince of Happy Land", the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of visual materials that bring these neglected entertainments to life. The plays collected here provide a remarkable perspective on the history of sexuality, class, and race during a period of vast imperial expansion and important social upheaval in Britain itself—essential reading for students and scholars of theatre history and popular performance.
The Routledge Reader in Politics and Performance
by Jane De Gay Lizbeth GoodmanThe Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance. Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on: * post-coloniality and performance theory and practice * critical theories and performance * intercultural perspectives * power, politics and the theatre * sexuality in performance * live arts and the media * theatre games.
Routledge Revivals (1991): An Annotated Bibliography
by Diane Foxhill CarothersFirst published in 1991, this book presents a comprehensive annotated bibliography of radio broadcasting. Its eleven chapter-categories cover almost the entire range of radio broadcasting — with the exception of radio engineering due to its technical complexity although some of the historical volumes do encompass aspects, thus providing background material. Entries are primarily restricted to published books although a number of trade journals and periodicals are also included. Each entry includes full bibliographic information, including the ISBN or ISSN where available, and an annotation written by the author with the original text in hand.
The Rovers Return: The Rovers Return Story
by Tim RandallCoronation Street is the world's longest-running TV soap-opera and a hugely popular national institution. From the moment the very first episode flickered onto our screens on 9 December 1960, the very heart of the show has always been the Rovers Return public house. It may just be a backstreet boozer, but TV's most famous pub has been at the centre of the action week in week out for the last 53 years. As longest-serving barmaid Betty once sagely noted: 'If you're not being talked about in this pub, you're not worth serving', and under the watchful eye of legendary landladies such as Annie Walker, Bet Lynch and Liz McDonald, the Rovers has witnessed everything from births, deaths, brawls and break-ups, to weddings, wakes and even its own ghost. But despite any drama that may be about to unfold, regulars are guaranteed a warm welcome, a shoulder to cry on and more often than not the waft of a hearty hotpot seeping through from the kitchen out back. This year proved to be the Rovers' most explosive to date when the pub was ripped apart by a devastating blaze, rocking the lives of the residents forever. As the boozer was gradually restored to its former glory, it hit home to the regulars just how much the heart of their community really meant to them... Including exclusive access to the Coronation Street archives, THE ROVERS RETURN STORY celebrates over five decades of tears and laughter inside Weatherfield's iconic watering hole. It's the book no fan would want to be without.
Row, Row, Row Your Boat (Jane Cabrera's Story Time)
by Jane CabreraRead, row, and roar along - a newly imagined favorite will have everyone singing.In this vibrantly-painted rain forest, squeak, bark, and chatter along with a kitten and puppy rowing their way down the stream. Uncover one delightful animal surprise after another. Sheet music with guitar chords, along with Cabrera's jaunty new verses, is included.Jane Cabrera's Story Time celebrates children's best-loved read along nursery rhymes and songs. These interactive favorites are given a new twist by award-winning artist Jane Cabrera and feature her bold, bright, kid-friendly illustrations. Don't miss the other delightful nursery-rhyme titles, including Here We Go Round the Mulberry Bush, If You're Happy and You Know It, and One, Two, Buckle My Shoe.
Rowan and Martin's Laugh-In (TV Milestones Series)
by Ken FeilThe highest-rated network program during its first three seasons, comedy-variety show Rowan and Martin's Laugh-In (NBC, 1968-1973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds--old and young, square and hip, black and white, straight and queer--watched Laugh-In, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In Rowan and Martin's Laugh-In, author Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases "sock it to me," "look that up in your Funk'n'Wagnalls," and "here comes the judge" became part of pop culture history. In four chapters, Feil explores Laugh-In's newness, sophisticated style, irreverence, and broad appeal. First, he considers the show's indulgence of "bad taste" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishment's investment in containing such defiant delights. Feil considers Laugh-In's camp, otherness, and "open secrets" as well as the show's conflicted positions on the "private" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly "nellie" men all filled Laugh-In's routine roster, embodied by cast members Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, Laugh-In reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation. In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that Laugh-In's intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at Rowan and Martin's Laugh-In.
Roy Hart (Routledge Performance Practitioners)
by Kevin Crawford Bernadette SweeneyRoy Hart’s revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. Hart’s outstanding contribution to vocal research, practice and performance stretched over 20 years until his untimely death in 1975, and his vocal training produced performers with extraordinary and highly expressive vocal ranges. He founded a theatre company, Roy Hart Theatre, that brought his ideas to realisation in ground-breaking works. His influence, through his own use of the voice for theatre and music and its embodiment in his company, was widespread, attracting the interest of directors such as Peter Brook, Jerzy Grotowski and Jean-Louis Barrault. This book combines: a detailed biography giving the social and artistic context of Hart’s work and that of the early Roy Hart Theatre an exploration of Hart’s own writings on his work, combined with a review of articles by his wife Dorothy Hart and in-depth interviews a stylistic analysis of his key works, including The Bacchae, and, L'Economiste and Biodrame, and their critical reception pathways into some of the practical exercises devised by close collaborators of Roy Hart and practitioners of the Roy Hart Theatre Tradition. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Roy Thomson Hall: A Portrait
by William Littler John TeraudsA vibrant, richly illustrated commemorative book celebrating the first 30 years of Roy Thomson Hall, one of Canada’s most famous performance venues. Roy Thomson Hall: A Portrait traces the first 30 years of what was initially known as "New Massey Hall." Arthur Erickson’s iconic design quickly became a symbol of a vibrant city emerging on the world stage. Home to the Toronto Symphony Orchestra, the hall has welcomed a range of acclaimed artists and lecturers, film presentations, and corporate events. The authors provide a background to the musical history of Toronto and an intimate portrait of the hall’s changes over the years. At the centre of this story are the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.
Royal Court: International (Studies in International Performance)
by E. Aston Mark O'ThomasThe first ever full-length study of the Royal Court Theatre's International Department, covering the theatre's unique programming of international plays and seasons, its London-based residences for writers from overseas, and the legacies of workshops conducted in more than 30 countries.
The Royal Road to Card Magic (Dover Magic Bks.)
by Jean Hugard Frederick BrauéWould you like to confound your friends, amaze your acquaintances, amuse and dazzle crowds at parties and gatherings? Mastering a few card tricks will allow you to do all that and more. With the help of this book, anyone can develop a versatile repertoire of first-rate card tricks. In fact, mastery of just the first chapter will enable you to perform a half-dozen astounding and entertaining sleights of hand. The authors, both noted authorities on magic, present complete, easy-to-understand explanations of shuffles, flourishes, the glide, the glimpse, false shuffles and cuts, the pass, the classic force, and many other techniques. These will enable card handlers to perform over 100 mind-boggling feats of card magic, including Thought Stealer, Gray's Spelling Trick, Do as I Do, Now You See It, Obliging Aces, Rapid Transit, Kangaroo Card, A Tipsy Trick, and dozens of others. Illustrated with more than 120 clear line cuts that make the explanations easy to follow, this exciting introduction to card conjuring will enable even beginners to develop professional-level skill and the ability to perform tricks guaranteed to astound family and friends.
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Rubble Films: German Cinema in the Shadow of the Third Reich
by Robert R. ShandleyAt the end of World War II, Germany was a broken nation. Split in two and occupied by the victorious Allies, it would have to be rebuilt, literally, from the rubble of its own defeat. Volumes of books have been published chronicling its structural and economic rebirth; this unique study reveals how Germany rebuilt itself culturally. Rubble Films is a close look at German cinema in the immediate postwar era, and a careful examination of its relationship to Allied occupation. Shandley reveals how German film borrowed -- both literally and figuratively -- from its Nazi past, and how the occupied powers (specifically the US) used its position as victor to open Europe to Hollywood movie products and aesthetics. Incorporating a careful reading of several important postwar films, Shandley also discusses how the German studio system operated immediately after the war, in the east and the west, giving special focus on DEFA, the east German studio that rose during Soviet occupation. Pathbreaking in its research, Rubble Films sheds new light on a significant moment of German cultural rebirth, and adds a new dimension to the study of the history of film.
Ruby Tuesday
by Jennifer Anne KoglerRuby Tuesday's life just got a little bit crazier. When a murder in the family exposes some unexpected secrets, Ruby Tuesday has to leave her parents' O.C. beach house for a life-or-death road trip to Vegas. Her mom's closest friends are rock stars and her father is a professional gambler, but neither of them has prepared Ruby Tuesday for what's waiting in Nevada. Ruby needs a crash course, and she's about to get one, straight from the queen of hearts.
Rudolf Laban (Routledge Performance Practitioners)
by Karen K. BradleyRudolf Laban was one of the leading dance theorists of the twentieth century. His work on dance analysis and notation raised the status of dance as both an art form and a scholarly discipline. This is the first book to combine: an overview of Laban’s life, work and influences an exploration of his key ideas, including the revolutionary "Laban Movement Analysis" system analysis of his works Die Grünen Clowns and The Mastery of Movement and their relevance to dance theater from the 1920s onwards a detailed exercise-based breakdown of Laban’s key teachings. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts
by Chris SchwartzThe Ruffhouse Records founder tells how he overcame poverty, abuse, and addiction to start a label that launched some of music's biggest stars: &“Gripping.&”—Philadelphia Magazine As a struggling musician trying to catch a break in 1980s Philadelphia, Chris Schwartz navigated the crime-infested, morally bankrupt music industry to found and build one of the most successful hip-hop record labels in the world. That label was Ruffhouse, which launched the careers of Nas, The Fugees, Cypress Hill, and others, dominating the charts and generating global revenues of over a billion dollars. Schwartz and his partner, Joe Nicolo, built Ruffhouse from one desk and a phone to one of hip-hop's most revered record companies while simultaneously struggling with drug addiction and alcoholism. A story of money, greed, envy, betrayal, violence, addiction, loss, and redemption, not to mention a whole lot of music, Ruffhouse reveals the inside story of the record companies, recording studios, tour buses, private jets, mansions, radio stations, and concert halls at the height of hip-hop's 1990s heyday while also uncovering the darker side of the business, from police stations to rehab clinics, courtrooms to prisons. Told in Schwartz's own candid, searing prose, Ruffhouse is a portrayal of hip-hop culture at its tipping point, as it transitioned from urban curiosity to global phenomenon. &“[A] story of adversity and perseverance…Fans of these artists will love the insider information on the recording process and the trials and tribulations of getting this music out into the world.&”―Library Journal &“All respect to Chris Schwartz. He is a great visionary.&”—Nas
Rugby: 47 Years of Fun with the BBC
by Ian RobertsonIan Robertson joined the BBC during the golden age of radio broadcasting and was given a crash course in the art of sports commentary from some of the greatest names ever to sit behind a microphone: Cliff Morgan and Peter Bromley, Bryon Butler and John Arlott. Almost half a century after being introduced to the rugby airwaves by his inspiring mentor Bill McLaren, the former Scotland fly-half looks back on the most eventful of careers, during which he covered nine British and Irish Lions tours and eight World Cups, including the 2003 tournament that saw England life the Webb Ellis Trophy and "Robbo" pick up awards for his spine-tingling description of Jonny Wilkinson's decisive drop goal.He reflects on his playing days, his role in guiding Cambridge University to a long spell of Varsity Match supremacy and his relationships with some of the union code's most celebrated figures, including Sir Clive Woodward and Jonah Lomu. He also writes vividly and hilariously of his experiences as a horse racing enthusiast, his meetings with some of the world's legendary golfers and his dealings with a stellar cast of sporting outsiders, from Richard Burton and Elizabeth Taylor to Nelson Mandela. It is a hugely entertaining story that begins in a bygone rugby age, yet has much to say about the game in the here and now.
Rugby: The Perfect Gift for Rugby Fans
by Ian RobertsonIan Robertson joined the BBC during the golden age of radio broadcasting and was given a crash course in the art of sports commentary from some of the greatest names ever to sit behind a microphone: Cliff Morgan and Peter Bromley, Bryon Butler and John Arlott. Almost half a century after being introduced to the rugby airwaves by his inspiring mentor Bill McLaren, the former Scotland fly-half looks back on the most eventful of careers, during which he covered nine British and Irish Lions tours and eight World Cups, including the 2003 tournament that saw England life the Webb Ellis Trophy and "Robbo" pick up awards for his spine-tingling description of Jonny Wilkinson's decisive drop goal.He reflects on his playing days, his role in guiding Cambridge University to a long spell of Varsity Match supremacy and his relationships with some of the union code's most celebrated figures, including Sir Clive Woodward and Jonah Lomu. He also writes vividly and hilariously of his experiences as a horse racing enthusiast, his meetings with some of the world's legendary golfers and his dealings with a stellar cast of sporting outsiders, from Richard Burton and Elizabeth Taylor to Nelson Mandela. It is a hugely entertaining story that begins in a bygone rugby age, yet has much to say about the game in the here and now.
Ruin: A dramatically powerful, unputdownable love story
by Samantha TowleFrom Samantha Towle, the New York Times bestselling author of Wardrobe Malfunction and Breaking Hollywood, comes a dramatically powerful and passionate new contemporary romance.And the new heavyweight champion of the world is... Those are the words that Zeus Kincaid has been waiting to hear since he first put on a pair of boxing gloves. He just didn't think they would come with a tragedy that would change how he viewed the sport forever. Cameron Reed was in her second year at Juilliard when her childhood sweetheart, Zeus Kincaid, walked away from her. A few months later, Cam realized that she would never fulfill her dream of dancing for the New York City Ballet. Now working as a dancer in an upscale club in Manhattan, Cam is brought face-to-face with the man she once loved. And it's her turn to walk away from him. After five years of missing Cam, Zeus isn't prepared to let her go again. But when he finds himself standing on her doorstep the next morning, things don't go quite as he expected... 'You'll be smitten with everything about this entertaining, steamy and feel-good romance' USA Today's Happy Ever After on Breaking Hollywood
Ruins: Classical Theater and Broken Memory (Theater: Theory/Text/Performance)
by Odai JohnsonTheorizing the effects of memory, absence, and disappearance in classical theater—the aesthetics of ruins.
Rule, Britannia!: The Biopic and British National Identity (SUNY series, Horizons of Cinema)
by Homer B. Pettey; R. Barton PalmerWinner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language AssociationRule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre's only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered.