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Samuel Phelps and Sadler's Wells Theatre
by Shirley S. AllenThis is the definitive biography of the actor Samuel Phelps (1804-1878) who brought the Shakespeare’s original plays back to the forefront of theatre after over 100 years of derived versions, and revolutionized theater design in the 20th Century. In an era when performances of Shakespeare’s works had been replaced with derived versions of themselves, Phelps became known for his exquisite productions of Shakespeare that were faithful to their original versions. Phelps revolutionized Shakespearean theatre when he took over management of Sadler’s Wells Theatre. As manager and director, he brought to each production—whether of Shakespeare or of Restoration or contemporary pieces—his own total concept, in which acting, setting, and staging were integrated under his supervision to produce fresh, striking effects. He preserved the best of the traditional past; he pioneered in directions the theatre would follow for decades afterward. This carefully researched and fluently written book covers the full range of Phelps’s half-century career, with special emphasis on his fruitful decades at Sadler’s Wells and on his work as performer and producer of Shakespearian drama. Scholar Shirley S. Allen presents the background against which Phelps worked: the theatrical monopoly, traditional techniques of acting, the repertory system, the advent of melodrama, and the social milieu. She also examines Phelps’s important contemporaries in the theatre—Macready, Charles Kean, Ben Webster, Mrs. Warner, and more—especially as their careers were intertwined with his. This book, first published in 1971, is widely considered the definitive work on Phelps and adds substantially to our understanding of the London stage and of Victorian England.
God: A Comedy In One Act
by Woody AllenSet in an empty Greek amphitheater, this mad play within a play switches back and forth between ancient Athens and modern Broadway. A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.
Three One-act Plays
by Woody AllenThree delightful one-act plays set in and around New York, in which sophisticated characters confound one another in ways only Woody Allen could imagine Woody Allen’s first dramatic writing published in years, “Riverside Drive,” “Old Saybrook,” and “Central Park West” are humorous, insightful, and unusually readable plays about infidelity. The characters, archetypal New Yorkers all, start out talking innocently enough, but soon the most unexpected things arise—and the reader enjoys every minute of it (though not all the characters do). These plays (successfully produced on the New York stage and in regional theaters on the East Coast) dramatize Allen’s continuing preoccupation with people who rationalize their actions, hide what they’re doing, and inevitably slip into sexual deception—all of it revealed in Allen’s quintessentially pell-mell dialogue. From the Trade Paperback edition.
The Sum of Our Days: A Memoir (P. S. Ser.)
by Isabel AllendeNarrated with warmth, humor, exceptional candor and wisdom, The Sum of Our Days is a portrait of a contemporary family, tied together by the love, strong will, and stubborn determination of a beloved matriarch, the indomitable New York Times bestselling author of The House of the Spirits, Isabel Allende. "An inspiring and thought-provoking work." –Denver Post Isabel Allende reconstructs the painful reality of her own life in the wake of the tragic death of her daughter, Paula. Narrated with warmth, humor, exceptional candor, and wisdom, this remarkable memoir is as exuberant and as full of life as its creator. Allende bares her soul while sharing her thoughts on love, marriage, motherhood, spirituality and religion, infidelity, addiction, and memory—and recounts stories of the wildly eccentric, strong-minded, and eclectic tribe she gathers around her and lovingly embraces as a new kind of family.
B Is for Broadway: Onstage and Backstage from A to Z
by John Robert Allman&“A must-have for all Broadway lovers—B Is for Broadway—a book I am actually in!!! I am buying a dozen.&” —ROSIE O&’DONNELL, Isabelle Stevenson Award recipient, three-time Tony Awards host, and Emmy Award winnerNew from the creators of A Is for Audra: Broadway's Leading Ladies from A to Z! From AUDITIONS to ZIEGFELD, grab a ticket to this smash-hit, rhythmic alphabet book featuring your favorite performers, creators, songs, and shows from the Broadway stage!Step into the spotlight and celebrate a cavalcade of Broadway legends! Start with "A" for "audition" with the iconic line-up from A Chorus Line, then peek behind "B" to see the "backstage" buzz, and dance along with "C" for "choreographers".Children and grown-ups alike can spot beloved stars and creators from today and yesterday, such as Lin-Manuel Miranda, Patti LuPone, Michael Bennett, Jennifer Holliday, Ethel Merman, and Billy Porter. Readers will also see famous New York theaters, beloved shows such as Hamilton and Hairspray, and the crew, stylists, and technicians who are vital to each performance. It's a celebration of the American stage that no fan is going to want to miss.A portion of the proceeds from the sale of this book is donated to The Actors Fund.&“We are honored that a portion of the proceeds of author John Robert Allman and illustrator Peter Emmerich&’s B is For Broadway will go to support our programs. The Actors Fund is proud to be at the forefront of helping everyone in the entertainment community with emergency financial assistance and supportive services, and we&’re grateful that this wonderful new work will help those in need in our performing arts community.&” —Joseph P. Benincasa, President & CEO, The Actors FundB Is for Broadway is a hit with the stage's greatest stars!&“B Is for Broadway celebrates the entire Broadway community—backstage, onstage, everyone! who works in our performing arts and entertainment community. I&’m honored to be a part of that beautiful community, and this lovely book.&” —BEBE NEUWIRTH, Tony and Emmy Award–winning dancer, singer, actress (Sweet Charity, Chicago, Cheers), and Vice Chair of The Actors Fund &“E is for excited, which is what I am to be included in this book to benefit the incredible work of The Actors Fund.&” —BRIAN STOKES MITCHELL, Tony Award–winning actor and Board Chair of The Actors Fund &“The illustrations—gorgeous. The rhymes—delicious. This book—a must-have! B is for Broadway and buy-it-now!&” —KRISTIN CHENOWETH, Tony Award–winning actress (You&’re a Good Man, Charlie Brown) &“What a dynamite willkommen to the world of Broadway!&” —JOEL GREY, Tony Award and Oscar–winning actor (Cabaret) &“B Is for Broadway is a gorgeous children&’s book that will introduce a young person to all the magic of theater!&” —ALI STROKER, Tony Award–winning actress (Oklahoma!)
A Is for Audra: Broadway's Leading Ladies from A to Z
by John Robert Allman"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!"—AUDRA McDONALD, six-time Tony Award-winning actressFrom Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage!Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli! Broadway fans and theater lovers everywhere will give a standing ovation to this one-of-a-kind tribute full of toe-tapping rhymes, with illustrations as bright and beautiful as the shining lights on any marquee.AND DON'T MISS THE SEQUEL COMING IN OCTOBER: B IS FOR BROADWAY: ONSTAGE AND BACKSTAGE FROM A TO Z!THE RAVE REVIEWS ARE IN FROM THE STARS THEMSELVES! A wonderful, enriching, enlightening book for theater lovers of all ages . . . and all that jazz!"—CHITA RIVERA, two-time Tony Award-winning actress (The Rink, Kiss of the Spider Woman)"A to Z—awesome to zany—I'm thrilled to be a part of such an illustrious group."—CHRISTINE EBERSOLE, two-time Tony Award-winning actress (42nd Street, Grey Gardens)"I'm so honored to be included among these fierce ladies—brought to life with such fun illustrations—in this wonderful book for little divas like my own!"—LEA SALONGA, Tony Award-winning actress (Miss Saigon)"A is for Audra turns the alphabet song into a show stopper! It is literally a love letter to Broadway's leading ladies, and I am so honored to be memorialized alongside all of my sisters!"—RENÉE ELISE GOLDSBERRY, Tony Award-winning actress (Hamilton)"I'm honored to be included in this illustrious group. A to Z, they are all incredible!"—KRISTIN CHENOWETH, Tony Award-winning actress (You're a Good Man, Charlie Brown)"What a fun and fabulous celebration of the females of Broadway! Imagine my joy just to be a part of it!"—KELLI O&’HARA, Tony Award-winning actress (The King and I)&“H is also for honored—because that&’s what I am to be included in this beautiful book. I can&’t wait to show my kids and tell them of all the brilliant leading ladies who have graced the Broadway stage.&” —HEATHER HEADLEY, Tony Award–winning actress (Aida)AND CRITICS LOVE IT TOO! "Women of the Broadway theater take center stage in this loving homage. . . . A lively introduction to a whole new cast of heroines."—Kirkus"this is a book all kids (and many adults) will enjoy as they learn about and fall in love with the theatre."—Playbill.com"A true necessity for any kid&’s bookshelf."—Entertainment Weekly&“a thorough, eye-catching introduction to women of the theater. . . . budding theater lovers will get a thrill.&”—Booklist"A sure hit for thespians of all ages."—School Library Journal"Emmerich&’s flattering caricatures, paired with [Allman&’s] verse, are colorful and slick, bringing Broadway&’s drama to the page&”—Publishers Weekly
Operation Pucker Up (mix)
by Rachele AlpineFirst kisses are always nerve-racking—but especially when they’re onstage! Can Grace find a real-life Prince Charming before she has to lock lips in front of a crowd?When Grace Shaw finds out she’s been cast as the lead in her school play, she has about two seconds to celebrate before she realizes she’ll have to kiss Prince Charming, aka James Lowe, aka the heartthrob of Sloane Middle School…on the lips! She’s never kissed a boy, and the idea of experiencing her very first kiss in front of a live audience with the most popular boy in school sounds like her worst nightmare instead of a dream come true.So Grace’s two best friends propose Operation Pucker Up—a plan for Grace to score a kiss before opening night so she doesn’t make a fool of herself in front of an audience. And as if Grace isn’t having a hard enough time, her estranged father suddenly reappears after leaving six months earlier. Her mom and sister welcome Dad back with open arms, but Grace can’t simply forgive and forget. With opening night fast approaching, Operation Pucker Up reaching ridiculous levels, and family drama teeming behind the scenes, Grace is beginning to think all this love stuff is way too complicated. Will she find a way to have her happily ever after—and seal it with a kiss—both onstage and off?
Devising Critically Engaged Theatre with Youth: The Performing Justice Project
by Megan Alrutz Lynn HoareDevising Critically Engaged Theatre with Youth: The Performing Justice Project offers accessible frameworks for devising original theatre, developing critical understandings of racial and gender justice, and supporting youth to imagine, create, and perform possibilities for a more just and equitable society. Working at the intersections of theory and practice, Alrutz and Hoare present their innovative model for devising critically engaged theatre with novice performers. Sharing why and how the Performing Justice Project (PJP) opens dialogue around challenging and necessary topics already facing young people, the authors bring together critical information about racial and gender justice with new and revised practices from applied theatre, storytelling, theatre, and education for social change. Their curated collection of PJP "performance actions" offers embodied and reflective approaches for building ensemble, devising and performing stories, and exploring and analyzing individual and systemic oppression. This work begins to confront oppressive narratives and disrupt patriarchal systems—including white supremacy, racism, sexism, and homophobia. Devising Critically Engaged Theatre with Youth invites artists, teaching artists, educators, and youth-workers to collaborate bravely with young people to imagine and enact racial and gender justice in their lives and communities. Drawing on examples from PJP residencies in juvenile justice settings, high schools, foster care facilities, and community-based organizations, this book offers flexible and responsive ways for considering experiences of racism and sexism and performing visions of justice. Visit performingjusticeproject.org for additional information and documentation of PJP performances with youth.
Animal Joy: A Book of Laughter and Resuscitation
by Nuar AlsadirA Time Must-Read Book of 2022 A Publishers Weekly Best Book of 2022Aster(ix) Journal's 12 Best Nonfiction Books of 2022An invigorating, continuously surprising book about the serious nature of laughter.Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter’s revelatory capacity as a starting point, and rooted in Nuar Alsadir’s experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of being present and embodied. Writing in a poetic, associative style, blending the personal with the theoretical, Alsadir ranges from her experience in clown school, Anna Karenina’s morphine addiction, Freud’s un-Freudian behaviors, marriage brokers and war brokers, to “Not Jokes,” Abu Ghraib, Frantz’s negrophobia, smut, the Brett Kavanaugh hearings, laugh tracks, the problem with adjectives, and how poetry can wake us up. At the center of the book, however, is the author’s relationship with her daughters, who erupt into the text like sudden, unexpected laughter. These interventions—frank, tender, and always a challenge to the writer and her thinking—are like tiny revolutions, pointedly showing the dangers of being severed from one’s true self and hinting at ways one might be called back to it.A bold and insatiably curious prose debut, Animal Joy is an ode to spontaneity and feeling alive.
A filha do Sheikh e o Criado
by Mohmmed Alsofi Thayller BarpE se o amor colide com os costumes e hábitos da sociedade? E se as classes sociais fpssem um fantasma assassinando os sentimentos de amor que fluem entre as pessoas? E se os conflitos entre eles fossem violentos, os eventos são conectados e você como um leitor de suspense irá querer saber o resultado desse conflito entre a força do Bem e a força do Mal? Conheça os eventos de suspense e os detalhes, e viva com os heróis de (A filha do Sheikh e o Criado) um romance que nos separa de nossa realidade até que você termine seu último cápitulo e jogue embaixo dos tapetes. Esse romance foi escrito perfeitamente para fazer o leitor se tornar outro humano, adicionando valores positivos para sua vida. Nem todos romances atraem os leitores as profundezas da vida com as felicidades e tristezas, mas (A filha do Sheikh e o Criado) é um romance único com uma narração atrativa, seus personagens têm diferentes naturezas, os eventos são conectador e têm pequenos detalhos que você não pode perder ou não se importar, é um romance que te coloca no mundo e faz de você um dos heróis, compartilhando momentos de sentimentos extremos. O romance (A filha do Sheikh e o Criado) varia entre as experiências, as batidas da vida e os conflitos humanos, é um romance que tem uma imaginação fértil, o romancista registra o sofrimento que muitas familias vivem em um duro conflito entre os sentimentos de amor e os hábitos sociais herdados, revela muitos acontecimentos dos bastidores por trás dos principais eventos e os relacionamentos interconectados de uma imagem social sempre doente no coração de quem tem tristeza e morte. (A filha do Sheikh e o Criado) é a linha entre dois lados do suspense do livro, o leitor e o escritor estão famintos para ler até a última linha.
O Câncer do Amor
by Mohmmed Alsofi Thayller Weverton BarpSim!! O Amor é como um câncer, porque ele o prende a alguém e a imagem dele/dela fica presa em sua mente, além disso, essa pessoa se torna seu coração, quando ele/ela se sente feliz você se sente feliz e quando ele/ela se sente triste você se sente triste, nada mais importa, a não ser dar a ele/ela qualquer coisa que ele/ela precise, mesmo se essa coisa custe sua própria felicidade, sim, isso é o amor!!
El sueño imposible
by Abdulrazzak Alsssoukiel sueño imposible es una novela corta de fantasía romántica que habla sobre un sueño que le sucedió a un chaval desde sus primeros años, el sueño se hizo cada vez más real con el tiempo.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
by Adam AlstonImmersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What's involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience's empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics - a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
Virginia Woolf and the Study of Nature
by Christina AltReflecting the modernist fascination with science, Virginia Woolf's representations of nature are informed by a wide-ranging interest in contemporary developments in the life sciences. Christina Alt analyses Woolf's responses to disciplines ranging from taxonomy and the new biology of the laboratory to ethology and ecology and illustrates how Woolf drew on the methods and objectives of the contemporary life sciences to describe her own literary experiments. Through the examination of Woolf's engagement with shifting approaches to the study of nature, this work covers new ground in Woolf studies and makes an important contribution to the understanding of modernist exchanges between literature and science.
An Actor's Guide--Making It in New York City: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updated to cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapter equipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials, and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
An Actor's Guide—Making It in New York City, Third Edition: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanA Step-by-Step Guide for the Actor Pursuing a Career in New York A great deal has changed in the industry in the last decade. In this new, third edition of An Actor&’s Guide—Making It in New York City, Glenn Alterman provides everything actors need to know. You&’ll discover the ten things that it takes to make it as a successful actor in the city, how to support yourself, where and how to start your life as a New York actor, understanding and marketing &“your brand,&” the best acting schools and conservatories, effective ways to contact agents and casting directors, and more. The author, a successful working actor, also shares many insider tips on topics such as: how to network effectivelyheadshots, photographers, and how to have a successful photo sessioncreating your actor websitesthe best Internet resources and casting siteshow to give winning auditions and interviewsfinding and developing great monologuesoff and off-off Broadway opportunitiesTV and film opportunitiesvoice-overscommercial print modelingcommercialssurvival jobsappropriate behavior in the businessscams and rip-offs to avoidinformation for actors with disabilitiesinformation on diversity and LGBTQ concernsa listing of agents, casting directors and theaters Among the book&’s many interviews are legendary show business figures, such as actors Henry Winkler, Alison Fraser, Dylan Baker, Lisa Emery, and Charles Busch, as well as casting directors Juliet Taylor, Ellen Lewis, Jay Binder, Donna DeSeta, and Liz Lewis, among many others. With Alterman&’s essential guide, you&’ll be prepared to launch and maintain your dream career in the city that never sleeps.
El sistema solar
by Maríana De AlthausUna obra de teatro de Mariana de Althaus llevada ahora al cine. Una obra de teatro donde orbita un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio.
The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood
by Joel B. AltmanShakespeare's dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability-what they and others might be persuaded to believe-governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare's theater. Focusing on the Tragedy of Othello, Altman investigates Shakespeare's representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman's account, Shakespeare also restrains and energizes his audiences' probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America's most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare's conception of the self, his shaping of audience response, and the relationship of actors to his texts.
Acting Presidents
by Bruce E. AltschulerThis book seeks to fill a major gap in the literature about fictional representations of presidents by studying more than 40 plays, written since 1900, which have had prominent productions on or off-Broadway or in another major city.
Abject Performances: Aesthetic Strategies in Latino Cultural Production (Dissident Acts)
by Leticia AlvaradoIn Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Immersions in Cultural Difference: Tourism, War, Performance
by Natalie AlvarezIn a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.
Shakespeare's Understanding of Honor (Studies in Statesmanship)
by John AlvisShakespeare's Understanding of Honor by John Alvis.
Shakespeare as Political Thinker
by John E. Alvis Thomas G. WestThe essays contained in this book proceed from the common conviction that Shakespeare's poetry conveys a wisdom about politics commensurate with his artistry. Well-known thinkers discuss Shakespeare's understanding of politics, the idea of the best polity, the relationship between character and political life, and the interpenetration of poetry, politics, religion, and philosophy.
Playgrounds: Urban Theatrical Culture in Shakespeare’s England and Golden Age Spain (Studies in Performance and Early Modern Drama)
by David J. AmelangThis book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them. An exercise in multi-focal theatre history research, it deploys a wide range of perspectives and evidence with which to recreate the theatrical landscapes of these two countries and thus better understand how the specific conditions of performance actively contributed to the development of each country’s dramatic literature. This monograph develops an innovative comparative framework within which to explore the numerous similarities, as well as the notable differences, between early modern Europe’s two most prominent commercial theatre cultures. By highlighting the nuances and intricacies that make each theatrical culture unique while never losing sight of the fact that the two belong to the same broader cultural ecosystem, its dual focus should appeal to scholars and students of English and Spanish literature alike, as well as those interested in the broader history of European theatre. Learning from what one ‘playground’ – that is, the environment and circumstances out of which a dramatic tradition originates – reveals about the other will help solve not only the questions posed above but also others that still await examination. This investigation will be of great interest to students and scholars in theatre history, comparative drama, early modern drama, and performance culture.
The High School Theatre Teacher's Survival Guide
by Raina S. AmesA reference for high school theatre teachers covering both curricular and extracurricular problems – everything from how to craft a syllabus for a theatre class to what to say to parents about a student's participation in a school play.
The Theatres of Morocco, Algeria and Tunisia
by Khalid Amine Marvin CarlsonModern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.
Theatre and Postcolonial Desires (Routledge Advances in Theatre & Performance Studies #No.1)
by Awam AmkpaThis book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The struggles it describes unfolded in two cultural settings separated by geography, but bound by history in a common web of colonial relations spun by the imperatives of European modernity. In post-imperial England, as in its former colony Nigeria, the colonial experience not only hybridized the process of national self-definition, but also provided dramatists with the language, imagery and frame of reference to narrate the dynamics of internal wars over culture and national destiny happening within their own societies. The author examines the works of prominent twentieth-century Nigerian and English dramatists such as Wole Soyinka, Femi Osofisan, Davd Edgar and Caryl Churchill to argue that dramaturgies of resistance in the contexts of both Nigerian as well as its imperial inventor England, shared a common allegiance to what he describes as postcolonial desires. That is, the aspiration to overcome the legacies of colonialism by imagining alternative universes anchored in democratic cultural pluralism. The plays and their histories serve as filters through which Ampka illustrates the operation of what he calls 'overlapping modernities' and reconfigures the notions of power and representation, citizenship and subjectivity, colonial and anticolonial nationalisms and postcoloniality. The dramatic works studied in this book embodied a version of postcolonial aspirations that the author conceptualises as transcending temporal locations to encompass varied moments of consciousness for progressive change, whether they happened during the hey day of English imperialism in early twentieth-century Nigeria, or in response to the exclusionary politics of the Conservative Party in Thatcherite England. Theatre and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.
May Irwin: Singing, Shouting, and the Shadow of Minstrelsy
by Sharon AmmenMay Irwin reigned as America's queen of comedy and song from the 1880s through the 1920s. A genuine pop culture phenomenon, Irwin conquered the legitimate stage, composed song lyrics, and parlayed her celebrity into success as a cookbook author, suffragette, and real estate mogul. Sharon Ammen's in-depth study traces Irwin's hurly-burly life. Irwin gained fame when, layering aspects of minstrelsy over ragtime, she popularized a racist "Negro song" genre. Ammen examines this forgotten music, the society it both reflected and entertained, and the ways white and black audiences received Irwin's performances. She also delves into Irwin's hands-on management of her image and career, revealing how Irwin carefully built a public persona as a nurturing housewife whose maternal skills and performing acumen reinforced one another. Irwin's act, soaked in racist song and humor, built a fortune she never relinquished. Yet her career's legacy led to a posthumous obscurity as the nation that once adored her evolved and changed.
Pérola de Lótus: Uma intrusa
by Ana Paula Ruth Lima Mariela SaraviaIshi é uma menina de treze anos, que vê o mundo de uma forma bem particular, vive fechada em sua cabana sob a custódia de sua família. Num descuido, conhece Tian e com ele descobre o primeiro amor junto com um novo mundo, longe dos maus tratos que vive em sua casa. Meses mais tarde, ante de estourar a Guerra do Ópio, seus pais tem a possibilidade de vendê-la a um mercador inglês, quem decide pagá-la como seu maior patrimônio. A chegada de Ishi em Londres será desajeitada e angustiosa. Aprenderá novos trabalhos com muitas dificuldades, mas também descobrirá aí a verdadeira paixão e amor nas mãos de Adolf, um jovem aristocrático de nobre coração. Contudo, o amor entre raças sempre foi um castigo para qualquer família de posse, e Ishi vai pagá-lo com desprezo. Terminada a Guerra do Ópio, Ishi deixa de se sentir parte de Londres e daquele homem que tanto ama, pois seu sangue inglês foi a maldição de seu povo oriental. Poderá o tempo reuni-los outra vez, para que se amem sem rancores?
Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics (Contemporary Performance InterActions)
by Nobuko AnanThis book traces the history of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood, from the modern to the contemporary period and their manifestation in Japanese women's theatrical and dance performance and visual arts including manga, film, and installation arts.
Kurosawa's Rashomon: A Vanished City, a Lost Brother, and the Voice Inside His Iconic Films
by Paul AndererA groundbreaking investigation into the early life of the iconic Akira Kurosawa in connection to his most famous film—taking us deeper into Kurosawa and his world. Although he is a filmmaker of international renown, Kurosawa and the story of his formative years remain as enigmatic as his own Rashomon. Paul Anderer looks back at Kurosawa before he became famous, taking us into the turbulent world that made him. We encounter Tokyo, Kurosawa’s birthplace, which would be destroyed twice before his eyes; explore early twentieth-century Japan amid sweeping cross-cultural changes; and confront profound family tragedy alongside the horror of war. From these multiple angles we see how Kurosawa’s life and work speak to the epic narrative of modern Japan’s rise and fall. With fresh insights and vivid prose, Anderer engages the Great Earthquake of 1923, the dynamic energy that surged through Tokyo in its wake, and its impact on Kurosawa as a youth. When the city is destroyed again, in the fire-bombings of 1945, Anderer reveals how Kurosawa grappled with the trauma of war and its aftermath, and forged his artistic vision. Finally, he resurrects the specter and the voice of a gifted and troubled older brother—himself a star in the silent film industry—who took Kurosawa to see his first films, and who led a rebellious life until his desperate end. Bringing these formative forces into focus, Anderer looks beyond the aura of Kurosawa’s fame and leads us deeper into the tragedies and the challenges of his past. Kurosawa’s Rashomon uncovers how a film like Rashomon came to be, and why it endures to illuminate the shadows and the challenges of our present.
Crazy and a Half
by D. R. AndersenSix comedies / 2m, 2f, to play 12 characters / Interiors / Six insanely hilarious and touching short plays take a sly look at therapists, patients and the way love drives everyone just a little over the edge. The first three, collectively called New York Crazy, deal with two therapists fighting for the only hour left in their shrink's day, a divorced couple struggling over custody of their dog Harry, and a shy Mafia wife demanding, with gun in hand, that her therapist make her happy. California Crazy shifts to the west coast for three equally funny sessions: an annoyed psychiatrist tries to end therapy with a burnt out rock star who can only sleep soundly during his weekly sessions; a wacky young woman teaches a stuffy head doctor a thing or two about love; and a married couple with intergalactic problems seeks treatment with a husband and wife team of marriage counselors who are on the verge of divorce themselves. Whether performed individually or as a two act, full length entertainment, the laughter will be therapeutic.
Funny Valentines
by Dennis R. AndersenComedy / 2m, 3f / Children's book author Andy Robbins has been an unhappy bachelor since his divorce eight months before from his former collaborator, Ellen. On one incredible day, Ellen re enters his life eight months pregnant; his agent arrives with a TV contract that needs both Andy's and Ellen's approval, a beautiful lawyer appears to wrap up the TV deal and seduce Andy, and Ellen's mother makes an unexpected appearance. Completely rattled, Andy lies and introduces the lawyer as his agent's fiancee while he tries to get Ellen to sign a contract she opposes. By the final curtain, Andy has grown up just enough to straighten out the mess and win back his wife.
Ford's Theatre (Images of America)
by Brian Anderson Ford's Theatre SocietyFord's Theatre in downtown Washington, DC, is best known as the scene of Pres. Abraham Lincoln's assassination on April 14, 1865. It is among the oldest and most visited sites of national tragedy in the United States. First constructed in 1833 as a Baptist church, the property was acquired by John T. Ford and converted into a theater in 1861. Presenting almost 500 performances before the assassination, Ford afterward sold the building to the federal government. A century later, the National Park Service reconstructed the theater, and Ford's Theatre Society began presenting live performances there in 1968. Since then, the two organizations have partnered to offer more than 650,000 annual visitors an array of quality programming about Lincoln's presidency and legacy. Today, patrons can explore the Tenth Street "campus," consisting of the theater, interactive museum galleries, the house where Lincoln died, and the Center for Education and Leadership.
Martyrs and Players in Early Modern England: Tragedy, Religion and Violence on Stage (Studies in Performance and Early Modern Drama)
by David K. AndersonFocusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.
Gold in Trib 1: Flying, Hiking and Gold Prospecting - Adventure in Wild Present-Day Alaska
by Douglas AndersonGold in Trib 1 is an account of a flying, hiking, and gold prospecting adventure in wild, present-day Alaska. It is the story of the exploits of two good friends and their adventures while prospecting for gold. It is a factual account where possible and where not factual, it is the way they would have liked it. As a result, readers will enjoy the book for what it is, and will not take it so seriously as to dash off with expectations of finding their fortune. There is still much gold in Alaska, but Douglas may have made discovering the Glory Hole, wherever it may be, sound somewhat easier and more financially rewarding than it really was.
Knucklebones
by Douglas AndersonFull Length, Comedy / 2 m., 2 f. / Int. / Most people laugh at a funny joke, but Professor Evans sees humor as an intricate puzzle to be reduced to brilliant but dry mathematical equations. He is working on probability textbook and has invited the departmental secretary to his kitchen to help prepare the manuscript. She is overweight and romantic; he is gaunt and scientific. Neither has ever been on a date. What are the odds that they will fall in love? Add a pair of eccentrics Eddie's mother, a bingo player who wins with alarming consistency, and a family friend who happens to be a magician and the result is a delight. / "A most thoroughly enjoyable, delightful comedy." Jewish Telegraph.
Mystery in Trib 2: Alaska hiking, flying, and gold mining adventure interwoven with a World War II mystery
by Douglas AndersonAs a sequel to Gold in Trib 1, Doug's new book, Mystery in Trib 2 is an interesting blend of fact and fiction; factual in terms of the flying, hiking, and gold-mining two friends enjoyed; fictional in the form of a cleverly woven mystery concerning the loss of a World War II military aircraft. The story is well researched and so masterfully formulated the reader will be hard pressed to separate historical fact from fiction. Mystery in Trib 2 portrays wilderness Alaska accurately and as it can be experienced by anyone fired with a lust for outdoor adventure.
Representing: Reminiscences; Humorous and Otherwise, of an Alaska Based Company Service Representative
by Douglas AndersonDouglas Anderson, the author, was born in Derbyshire, England. After his father passed away, Douglas went to live on his Grandfather's farm. Never very interested in animal husbandry, he leaned more toward the mechanical aspects of farming: maintaining and operating machinery. After an apprenticeship in the mechanical field, Douglas joined Rolls-Royce and began an interesting and diverse career. In the ensuing years, that career encompassed: jet engines, rocket engines and industrial gas turbines. Douglas immigrated to Canada in 1967, to the USA in 1977 and back to Canada in 2001. An adventurous fourteen years while supporting RR products in Alaska prompted Douglas to write and to become a published author. For many years, Anderson traveled and represented the company. Representing covers those years and some of the situations, humorous and otherwise, that he and his fellow Reps encountered at home base and at far-away places. The characters are real and these events actually happened as described. Most are documented for the first time in Representing.
Lower Rooms (Eliza Anderson)
by Eliza AndersonFull length, drama / 3m, 2f / Interior / In the underground labyrinths of the soul stalk these creatures. A mother and a daughter, both seeking fulfillment from fleeting strangers the mother, from a man who brings her a bottle of wine, and lies abed with her with all his clothes on, and who stays on, perhaps to teach the daughter a lesson; the daughter, from a youth with a penchant for theft and sex and with a comrade dedicated to rapine. Scenes jump with startling alacrity and repositionings, as the harried daughter, with dreams of beauty and song, finds instead the bondages of S & M and evil, amid fugitive males.
Humour in British First World War Literature: Taming the Great War
by Emily AndersonThis book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour.
Shakespeare and the Legacy of Loss
by Emily Hodgson AndersonHow do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.
The Emperor's New Clothes: A Comedy For All Ages (Into Reading, Level K #88)
by Hans Anderson Doug RoyNIMAC-sourced textbook
Defying Gravity
by Jane AndersonDrama / Characters: 3 male, 4 femaleScenery: Exterior with set pieces and projections. This free structured look at the 1986 Challenger disaster places the teacher who died with six others as they hurtled into space at the center of an exploration of our need to reach beyond ourselves and dare the universe. Defying Gravity artfully interweaves the past with the present and the lives of participants and bystanders, drawing parallels among painter Claude Monet's artistic quest, the zest of the teacher selected to the first civilian astronaut, the perspectives of her grieving daughter, the aspirations of elderly tourists who drive their Winnebago to Florida to watch the space shot and dream of hotels in space, the guilt felt by a NASA mechanic and his girl friend's fear of heights. . "Flies high in its attempt to describe man's fascination with space and its conquest.... You will certainly not be bored." N.Y. Post. . "[A] clever and uplifting fantasy ... [with] ear catching musings about art, religion and the outer limits of human possibility." N.Y. Times. . "A lovely piece.... It floats gracefully in the big blue yonder of the imagination ... letting Anderson's delicate, tender and human attitude toward her characters come through.... One by one they rise out of their earthbound selves ... to look down on the world from a new perspective." N.Y. Daily News.
Fatefully Yours
by Misha AndersonKlaus Braun Schneider is a Formula 1 driver at the height of his career. He’s living in glory, rewriting Brazil’s racing history. Beautiful and seductive, he’s the most wanted single man in the country. There’s nothing that Klaus Schneider doesn’t have: success, fame, money, and women. He’s faster than the wind, the world is at his feet, nothing can stop him. Except...fate. Anahí Saraíba is a physical therapist at the start of a promising career, torn between the white man’s culture and the simple way of life of her indigenous roots. She accepts a job caring exclusively for the recovery of a race driver that’s temporarily paraplegic. Klaus is a challenge for Anahi: depressive, rude, the typical problem-patient. At first, Klaus hates the therapist they found for him, Anahí is too bossy, irritating, combative and...gorgeous. But on a second look, love rearranges all around it, without asking, testing all limits.
Elks Opera House, The (Images of America)
by Parker Anderson Elisabeth RuffnerFor over 100 years, the Elks Opera House has been a landmark of the cultural scene in Prescott, Arizona, and the western United States. In 1904, the people of Prescott raised $15,000 toward a performance hall to be included in the Elks Building. The original structure featured opera boxes that were later removed to adapt to the demands of motion pictures, and the entire proscenium arch was covered with wood paneling. In 2010, the Elks Opera House Foundation completed major renovations to restore the original 1905 grandeur of the theater and the 1928 marquee, which was paid for by grants from local charitable foundations, Arizona historic preservation funds, and generous participation by businesses and individuals. The Elks Building was listed in the National Register of Historic Places in 1978.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
by Patrick AndersonIn So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramović, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined.
Echo and Meaning on Early Modern English Stages
by Susan L. AndersonThis book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a character, this study shows how echoic techniques permeated literary, dramatic, and musical performance in the period, and puts forward echo as a model for engaging with sounds and texts from the past. Starting with sixteenth century translations of myths of Echo from Ovid and Longus, the book moves through the uses of echo in Elizabethan progress entertainments, commercial and court drama, Jacobean court masques, and prose romance. It places the work of well-known dramatists, such as Ben Jonson and John Webster, in the context of broader cultures of performance. The book will be of interest to scholars and students of early modern drama, music, and dance.
Barbarian Play: Plautus' Roman Comedy
by William AndersonIn this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus), transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek 'models' and replaces them with a new, confident Roman comedy.
Stars and Spies: The story of Intelligence Operations…
by Christopher Andrew Julius GreenA vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond.'A treasure trove of human ingenuity' The TimesWritten by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business.We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans.'Thoroughly entertaining' Spectator'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph
Roberto Bolaño's Fiction
by Chris AndrewsSince the publication of The Savage Detectives in 2007, the work of Roberto Bolaño (1953--2003) has achieved an acclaim rarely enjoyed in contemporary fiction. Chris Andrews, a leading translator of Bolaño's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction.Andrews provides new readings and interpretations of Bolaño's novels, including 2666, The Savage Detectives, and By Night in Chile while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolaño's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolaño's fictional universe and the political, ethical, and aesthetic values that shape it. Bolaño emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto's Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.
Shakespeare's Guide to Parenting
by James AndrewsTrust father of three William Shakespeare for all the advice you need for any parenting dilemma, in this witty and erudite guide—a handy collection of wisdom drawn from his most beloved works, from Hamlet to King Lear to Much Ado About Nothing.With a series of cunningly extracted lines from his best-loved plays and sonnets, hilariously illustrated in a simple, almost child-like style, James Andrews proves once again that Shakespeare—expert on love, death, vanity, ambition, war, deceit, regret—is the font of all wisdom, including raising children.Your thirsty toddler wakes you up at 3 a.m. Shakespeare describes your thoughts perfectly:What cursed foot wanders this way tonight? (Romeo and Juliet)Your child throws a temper tantrum, clinging to your legs. Shakespeare has the perfect response:Vile thing, let loose, or I will shake thee from me like a serpent. (A Midsummer Night’s Dream)Your son throws a booze party, crashes the car, or commits some other vaguely humiliating infraction or minor illegal act. Shakespeare feels your pain:Good wombs have borne bad sons. (The Tempest)And for your fussy, ungrateful eater? Shakespeare has an answer:I’ll make you feed on berries and on roots, and feed on curds and whey, and suck the goat! (Titus Andronicus)Organized by periods of parenting hell—from the newborn nightmares to the teenage trials—Shakespeare’s Guide to Parenting is the perfect gift book for every literary parent or parent to be. If you want the last word with your children, nothing beats a quote from Shakespeare.
Romeo and Juliet: Critical Essays (Shakespearean Criticism)
by John F. AndrewsOriginally published in 1993. Presenting excerpts and articles on the themes and characters from the most famous story of young lovers, this collection brings together scholarship relating to the language, performance, and impact of the play. Ordered in three parts, the chapters cover analysis, reviews and interpretation from a wide ranging array of sources, from the play’s contemporary commenters to literary critics of the early 1990’s. The volume ends with an article by the editor on the action in the text which concludes the final section of 8 pieces looking at the story as being a product of Elizabethan Culture. It considers the attitude to the friar, to morality and suicide, the stars and fate, and gender differences. Comparisons are made to Shakespeare’s source as well as to productions performed long after the Bard’s death.
Home Work: A Memoir of My Hollywood Years
by Julie AndrewsIn this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria. <P><P> In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films--Mary Poppins and The Sound of Music. Andrews describes her years in the film industry -- from the incredible highs to the challenging lows. <P><P>Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. <P><P>The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring. <P><P><b>A New York Times Bestseller</b>
Home Work: A Memoir of My Hollywood Years
by Julie Andrews'The book is filled with that most distinctive of all her qualities: her voice' The TimesHome Work, the second instalment of Julie Andrews' internationally bestselling memoirs, begins with her arrival in Hollywood to make her screen debut in Walt Disney's Mary Poppins. It was closely followed by The Sound of Music, and the beginning of a movie career that would make her an icon to millions all over the world.With her trademark charm and candour, Julie reveals behind-the-scenes details and reflections on her impressive body of work - from the incredible highs to the challenging lows. She shares her professional experiences and collaborations with giants of cinema and television, and also unveils her personal story of adjusting to a new and often daunting world. This included dealing with unimaginable public scrutiny, being a new mother, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including 10, S.O.B and Victor/Victoria.Home Work takes us on a rare and intimate journey into a remarkable life that is funny, heart-breaking and inspiring.
Home Work: A Memoir of My Hollywood Years
by Julie Andrews'Home Work is written with a warm heart and a generous spirit ... an honest attempt to make sense of an often chaotic life' SUNDAY EPXRESS'The book is filled with that most distinctive of all her qualities: her voice ... Mary Poppins may appear only briefly here, but her spirit is alive and well' THE TIMESIn this follow-up to her critically acclaimed and bestselling memoir Home, the enchanting Julie Andrews picks up her story with her arrival in Hollywood, sharing the career highlights, personal experiences and reflections behind her astonishing career, including such classics as Mary Poppins, The Sound of Music, Victor/Victoria and many others.In Home, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. In her new memoir, Julie picks up the story with her arrival in Hollywood and her astonishing rise to fame as two of her early films -Mary Poppins and The Sound of Music- brought her instant and enormous success, including an Oscar. It was the beginning of a career that would make Julie Andrews an icon to millions the world over. In Home Work, Julie describes her years in Hollywood - from the incredible highs to the challenging lows. Not only does she detail her work in now-classic films and her collaborations with giants of cinema and television; she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, moving on from her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, culminating in Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Told with her trademark charm and candour, Julie Andrews takes us on a rare and intimate journey into an astonishing life that is funny, heartbreaking and inspiring.
Arts Entrepreneurship: Creating a New Venture in the Arts
by Richard AndrewsArts Entrepreneurship: Creating a New Venture in the Arts provides the essential tools, techniques, and concepts needed to invent, launch, and sustain a business in the creative sector. Building on the reader’s artistic talents and interests, the book provides a practical, action-oriented introduction to the business of art, focusing on product design, organizational planning and assessment, customer identification and marketing, fundraising, legal issues, money management, cultural policy, and career development. It also offers examples, exercises, and references that guide entrepreneurs through the key stages of concept creation, business development, and growth. Special attention is paid to topics such as cultural ventures seeking social impact, the emergence of creative placemaking, the opportunities afforded by novel corporate forms, and the role of contemporary technologies in marketing, fundraising, and operations. A hands-on guide to entrepreneurial success, this book is a valuable resource for students of Arts Entrepreneurship programs, courses, and workshops, as well as for early-stage business founders in the creative sector looking for guidance on how to create and sustain their own successful venture.
The Dramaturgy of the Door
by Stuart Andrews Matthew WagnerThe Dramaturgy of the Door examines the door as a critical but under-explored feature of theatre and performance, asking how doors function on stage, in site-specific practice and in performances of place. This first book-length study on the topic argues that doors engage in and help to shape broad phenomena of performance across key areas of critical enquiry in the field. Doors open up questions of theatrical space(s) and artistic encounters with place(s), design and architecture, bodies and movement, interior versus exterior, im/materiality, the relationship between the real and the imaginary, and processes of transformation. As doors separate places and practices, they also invite us to see connections and contradictions between each one and to consider the ways in which doors frame the world beyond the stage and between places of performance. With a wide-ranging set of examples – from Shakespeare’s Macbeth to performance installations in the Mojave desert – The Dramaturgy of the Door is aimed at performance makers and artists as well as advanced students and scholars in the fields of performance studies, cultural theory, and visual arts.
Flowers in the Attic: A Stage Play (Dollanganger)
by V. C. AndrewsThe only official stage play of V.C. Andrews's enduring classic of forbidden love--adapted by Andrew Neiderman (The Devil's Advocate). Experience in this new format the original story that captured the world's imagination and earned V.C. Andrews a fiercely devoted readership.At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . . They were a perfect family, golden and carefree--until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmotherds vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher's point of view in Christopher's Diary: Secrets of Foxworth and Christopher's Diary: Echoes of Dollanganger.
Flowers in the Attic: A Stage Play (Dollanganger)
by V.C. AndrewsA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
Contemporary British Theatre
by Vicky AngelakiThis edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.
Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (Routledge Advances in Theatre & Performance Studies)
by Vicky AngelakiThis book covers playwright Martin Crimp’s recent work showing how it captures the nuances in our interpersonal contemporary experience. Examining the bold and exciting body of writing by Crimp, the book delves into his depiction of intersections between narratives, as well as between private and public, through an honest look at power structures and shifts, marriages and relationships, sexuality, and desire. This book will be of great interest to students and scholars in Drama, Theatre and Performance, English Literature, and Opera Studies.
Theatres of Hawai'i
by Lowell AngellFamous for its lush beauty and inviting beaches, Hawai'i also boasts a rich theatrical history dating back to the mid-19th century and spanning its years as a kingdom, U.S. territory, and a state. Its warm, tropical climate and social, cultural, and ethnic diversity contributed to the variety of theatres unique to the islands--from simple, rural plantation theatres on the neighbor islands, to neighborhood movie houses in exotic styles, to an incomparable tropical moderne jewel near the beach at Waikiki. Most of these theatres are now just a memory, except for those few saved by dedicated individuals and restored for another life. This book celebrates the rich history of these theatrical venues through rare archival photographs and little-known details.
1864 ... Fear About Capital: A series of murders always carries with it a series of investigations ...
by Anna Maria Stratta and Franca Bosco1864 ... Fear About Capital by Anna Maria Stratta and Franca Bosco A series of murders always carries with it a series of investigations ... 1864 ... fear of the capital In an apartment in Piazza Vittorio, a young aristocrat had just taken the life of his mistress. As the nobleman walked away, conflicting emotions within him tormented him but at the same time exalted him. How nice to be masters of the life of another human being. Deciding to end the existence of another person made him feel almost omnipotent. These were the thoughts that crowded his head as an evil grin pursed his lips.
1864 ... Angst vor dem Kapital: Eine Mordserie bringt immer eine Reihe von Ermittlungen mit sich ...
by Anna Maria Stratta und Franca Bosco1864 ... Angst vor dem Kapital von Anna Maria Stratta und Franca Bosco Eine Mordserie bringt immer eine Reihe von Ermittlungen mit sich ... 1864 ... Angst vor dem Kapital In einer Wohnung auf der Piazza Vittorio hatte ein junger Aristokrat gerade seiner Geliebten das Leben genommen. Als der Adlige wegging, quälten ihn widersprüchliche Gefühle in ihm, erhoben ihn aber gleichzeitig. Wie schön, Herr über das Leben eines anderen Menschen zu sein. Die Entscheidung, die Existenz einer anderen Person zu beenden, ließ ihn sich fast allmächtig fühlen. Das waren die Gedanken, die ihm durch den Kopf gingen, als ein böses Grinsen seine Lippen spitzte.
Circus and the Avant-Gardes: History, Imaginary, Innovation (Routledge Advances in Theatre & Performance Studies)
by Anna-Sophie Jürgens and Mirjam HildbrandThis book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.
Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama
by Mariko AnnoWhat does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by Yeats. Her ethnographic approach draws on interviews with performers and case studies, as well as her personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. She argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition.
Everyman
by AnonymousThe old English morality play, without intermission. Anonymous. 11 m., 6 f., but these may be taken by all male or female cast. The most beautiful of all the old English religious plays. Especially recommended to churches and schools.
Everyman
by AnonymousWestern drama, having all but disappeared during the Dark Ages, reemerged spontaneously in the liturgy and life of the medieval church. Vernacular miracle plays of England's Middle Ages were performed by lay people -- many by trade guilds -- unschooled in church Latin, but familiar with the biblical events upon which the dramas were based. Morality plays provided moral instruction, their principal characters vivid personifications of virtue and vice. The most durable of the morality plays has proven to be Everyman, whose central character, summoned by Death, must face final judgment on the strength of his good deeds. This venerable drama is reprinted here along with three other medieval classics: The Second Shepherds' Play, Noah's Flood, and Hickscorner.
King Leir (Globe Quartos)
by AnonymousPerformed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
The Merry Devil of Edmonton (Globe Quartos)
by AnonymousThe Merry Devil of Edmonton lay unperformed from the early seventeenth century until the 1980s. Dating from around 1604, it was first published in 1608 and was performed at the Globe Theatre by the King's Men. With its scenes of magic, deer poaching, and abduction from a nunnery, The Merry Devil of Edmonton combines romance and comedy in a highly entertaining way, and was a favorite production on the seventeenth century stage.
Becket
by Jean Anouilh Lucienne Hill André AcimanFrom its powerful opening scene, of a naked King Henry II praying at the tomb of Thomas Becket, to the final wrenching act of ultimate self-sacrifice, Jean Anouilh's Becket remains a towering achievement in the history of the theatre. Winner of the Antoinette Perry Award for Best Play of the Season, Anouilh's monumental work—introduced in this edition by the acclaimed writer and critic Andre Aciman—draws from historical events in the Norman conquest of England to paint a profound and enduring portrait of the saint and martyr.
One Minute Plays: A Practical Guide to Tiny Theatre
by Steve Ansell Rose Burnett BonczekCan you really write a play that lasts a minute? The one minute play offers a unique challenge to actors, directors and writers: how do you create a whole world, where actors have room to perform and where audiences have a true experience all in 60 seconds? One Minute Plays: A Practical Guide to Tiny Theatre demystifies the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance. This handbook includes: An anthology of 200 one-minute plays selected from the annual Gone in 60 Seconds festival. A toolbox of exercises, methodologies and techniques for educators, practitioners and workshop leaders at all levels. Tips and advice on the demands of storytelling, inclusivity and creative challenges. Detailed practical information about creating your own minute festival, including play selection, running order, staging and marketing. Drawing on a wealth of experience, Steve Ansell and Rose Burnett Bonczek present an invaluable guide for anyone intrigued by the art of creating, producing and performing a one minute play.
The Heresy of Wu Han: His play 'Hai Jui's Dismissal' and its role in China's Cultural Revolution
by Clive AnsleyAt the centre of China's Cultural Revolution in its first stages stands the ambiguous figure of Wu Han. Occupying until the mid-sixties a favoured position among the intellectual elite of the People's Republic, he was the eighth-ranking figure in the Chinese Communist Party, and his Peking Opera Hai Jui's Dismissal was performed all over China. Gradually it became apparent that Wu Han was using Hai Jui to lampoon Chairman Mao Tse-tung and the core policies of the CPP. Other dissidents began to pen articles and plays on similar themes. For several years Mao chafed under these literary attacks, but in late 1965 he retaliated. A sudden, scathing attack on Wu Han and his play by an obscure newspaper editor marked the beginning of the Cultural Revolution, a cataclysm in which the Party leadership was decimated while Mao regained full supremacy. This volume presents the first translation of Wu Han's plays and helps to clarify the obscure origins of a national phenomenon that was at once intellectual, social, and political.
'da Kink in my hair: Voices of Black Womyn
by Trey AnthonySet in a West Indian hair salon in Toronto, da Kink in my hair gives voice to a group of women who tell us their unforgettable, moving, and often hilarious stories. Mixing laughter and tears—and told in words, music, and dance—the stories explore the hardship, struggles, and joys of black women's lives.
How Black Mothers Say I Love You
by Trey AnthonyClaudette still can’t forgive her mother for leaving. For six years of her childhood, Claudette and her sister Valerie were left with their grandmother while their mother, Daphne, moved from Jamaica to the United States to start a new chapter for their family. But in that time, Daphne remarried and had another daughter. Claudette, now in her late thirties, travels to visit her dying mother in Brooklyn, but that doesn’t stop her anger and abandonment issues from bubbling up. It doesn’t stop Daphne from voicing her opinions on how Claudette lives her life, either. With Daphne, Claudette, and Valerie all under one roof again, each family member is forced to confront their emotions while there’s still time. Though rooted in buried strife and sadness, How Black Mothers Say I Love You is full of humour, love and tenderness as it explores the complicated perceptions of immigrant mothers.
I Never Knew What Time It Was
by David AntinAntin explores the experience of time--how it's felt, remembered, and recounted. These free-form talk pieces--sometimes called talk poems or simply talks--began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud.
Upward Panic: The Autobiography of Eva Palmer-Sikelianos (Choreography and Dance Studies Series #Vol. 4.)
by John P. AntonFirst Published in 1993.A complete autobiography of Evalina Palmer-Sikelianos (1874-1952), a woman of immense spiritual strength who fought for the arts against the background of war. She contributed impressively throughout her life to the revival of interest in classical Greece, the theatre and choral dance, and advocated an adherence to mythical authenticity rather than a romanticised view of Greek tragic drama.
Brothers in Blood (Zaq & Jags)
by Amer AnwarTHE TIMES BOOKS OF THE YEAR 2018 GUARDIAN BEST BOOKS OF THE YEAR 2018BOOKS IN THE MEDIA BEST CRIME BOOKS OF 2018FEATURED ON CRIME TIME BEST OF THE YEAR 2018 WINNER OF THE CWA DEBUT DAGGER'[A] brilliant debut' Sunday Times Crime Club'A fresh and exciting new voice to the genre' Ann Cleeves'Gritty, compelling and authentic' Daily Express'Fascinating' CJ Carver'Enjoyable. Fast-paced. Recommended.' Observer'Raw! Authentic! The crime thriller that I've been waiting for' Khurram Rahman'Terrific' The Times'One of the best books I've read this year' The Crime Novel Reader'Impressive, Brutal, Convincing' Mail on Sunday 'You won't be putting this book down' Hardeep Singh Kohli'A satisfying slice of action-led crime . . . readers (will be) hooked from the off' Skinny***THEY'RE NOT BOUND BY FAMILY. BUT A FAMILY COULD TEAR THEM APART.Southall, West London. After being released from prison, Zaq Khan is lucky to land a dead-end job at a builders' yard. All he wants to do is keep his head down and put the past behind him. But when Zaq is forced to search for his boss's runaway daughter, he quickly finds himself caught up in a deadly web of deception, murder and revenge. With time running out and pressure mounting, can he find the missing girl before it's too late? And if he does, can he keep her - and himself - alive long enough to deal with the people who want them both dead?
Brothers in Blood (Zaq & Jags)
by Amer AnwarTHE TIMES BOOKS OF THE YEAR 2018 GUARDIAN BEST BOOKS OF THE YEAR 2018BOOKS IN THE MEDIA BEST CRIME BOOKS OF 2018FEATURED ON CRIME TIME BEST OF THE YEAR 2018 WINNER OF THE CWA DEBUT DAGGER'[A] brilliant debut' Sunday Times Crime Club'A fresh and exciting new voice to the genre' Ann Cleeves'Gritty, compelling and authentic' Daily Express'Fascinating' CJ Carver'Enjoyable. Fast-paced. Recommended.' Observer'Raw! Authentic! The crime thriller that I've been waiting for' Khurram Rahman'Terrific' The Times'One of the best books I've read this year' The Crime Novel Reader'Impressive, Brutal, Convincing' Mail on Sunday 'You won't be putting this book down' Hardeep Singh Kohli'A satisfying slice of action-led crime . . . readers (will be) hooked from the off' Skinny***THEY'RE NOT BOUND BY FAMILY. BUT A FAMILY COULD TEAR THEM APART.Southall, West London. After being released from prison, Zaq Khan is lucky to land a dead-end job at a builders' yard. All he wants to do is keep his head down and put the past behind him. But when Zaq is forced to search for his boss's runaway daughter, he quickly finds himself caught up in a deadly web of deception, murder and revenge. With time running out and pressure mounting, can he find the missing girl before it's too late? And if he does, can he keep her - and himself - alive long enough to deal with the people who want them both dead?
Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Jackie Apodaca Michael KostroffFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.
Making Another World Possible: 10 Creative Time Summits, 10 Global Issues, 100 Art Projects
by Corina L. Apostol Nato ThompsonMaking Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art.
Hat Tricks
by Dori AppelDramatic Comedy / Flexible casting, 3-12 f / Unit Set / 2008 Finalist for the Oregon Book Awards, Angus Bowmer Award in Drama / Hat Tricks is an exciting compilation of six scenes and three monologues designed for performance by mature actresses. Covering a range of women's experiences in the second half of life, these nine pieces range from the purely comedic to those that combine humor with thoughtful and sometimes poignant explorations. This is a richly varied collection featuring a single intriguing commonality: Every scene or monologue includes the presence and compelling use of a HAT!
Hot Flashes
by Dori AppelComedy \ Flexible casting, 2f - 20f \ Unit set \ What previously forbidden subject is now a hot topic for baby boomers and beyond? Hot Flashes is a fast-paced, highly original comedy about menopause which has been delighting audiences throughout the United States. A main stage hit at the 2004 Senior Theatre Festival in Las Vegas, its nine lively scenes also include a finalist in the Eileen Heckart Drama for Seniors competition and a slam poetry winner. Flexible casting possibilities allow from two to twenty actresses to perform nine scenes about the unique challenges and comic adventures of menopause. \ "Firmly on the pulse of local Baby Boomers . . .should appeal to men and women of all ages."- Ashland Daily Tidings, Ashland, Oregon
Japanese No Masks: With 300 Illustrations of Authentic Historical Examples
by Stanley Appelbaum Friedrich PerzynskiCombining elements of dance, drama, music and poetry, the performances of Japanese No theater are a highly stylized form of entertainment. Accompanying the sumptuous costumes worn during performances are elaborately carved No and Kyogen wooden masks--major works of art in their own right. This book, based on a classic two-volume German study, presents a wealth of illustrations and information relating to these magnificent theatrical devices.A new, informative introduction and extensive captions derived from the original text and newly translated, accompany the heart of the book--more than 120 full-page plates depicting museum-quality masks worn by actors playing gods, warriors, demons, and monsters, beautiful women, feudal lords, mad characters, and supernatural beings. All 303 illustrations from the original two-volume work are included.A unique introduction to classic Japanese theater for Western theatergoers, this volume will also serve as an excellent reference for students, scholars, and enthusiasts of No drama.
Drafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction Integrating Hand Drafting, Vectorworks, and SketchUp
by Eric AppletonDrafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction to Hand Drafting, Vectorworks, and SketchUp guides students through a syllabus-formatted semester of integrated drafting concepts and skills. This book links beginner visualization practices with fundamental software knowledge through step-by-step exercises and examples. By presenting hand drafting and Vectorworks through incremental exercises, students not only gain an understanding of the tools used in drafting but also learn why the tools, practices, and standards exist in the first place. SketchUp, a user-friendly 3D modeling program, is integrated into the various exercises to help readers visualize concepts and begin modeling their own ideas. By the end of the book, students will understand drawing construction techniques, United States Institute for Theatre Technology (USITT)-recommended graphic standards, and the typical drawings created for entertainment design, preparing them to dive more deeply into the further complexities and opportunities of Vectorworks and SketchUp. Drafting Fundamentals for the Entertainment Classroom is written to complement a 14- or 15-week semester of an Entertainment Drafting course. The book’s format also provides structure for independent and self-directed study.
Teaching Introduction to Theatrical Design: A Process Based Syllabus in Costumes, Scenery, and Lighting
by Eric Appleton Tracey LyonsTeaching Introduction to Theatrical Design is a week-by-week guide that helps instructors who are new to teaching design, teaching outside of their fields of expertise, or looking for better ways to integrate and encourage non-designers in the design classroom. This book provides a syllabus to teach foundational theatrical design by illustrating process and application of the principals of design in costumes, sets, lights, and sound.
Musical Theatre for the Female Voice: The Sensation, Sound, and Science, of Singing
by Shaun AquilinaFemale musical theatre singers produce some of the most exciting and expressive singing an audience can experience. They also face a unique and specific set of issues when approaching their craft, from negotiating the registers of their voice to enable them to belt, to vocal health challenges such as premenstrual voice syndrome. This is the only book that offers a full and detailed guide to tackling those issues and to singing with full expression and technical excellence. Musical Theatre for the Female Voice covers the origin of singing in musicals, from the bel canto style of 300 years ago through to the latest developments in high belting, in shows such as Wicked and Waitress. It offers the reader exercises and methods that have been used to train hundreds of singers at some of the UK’s leading musical theatre training institutions and are underpinned by the latest academic research in journals on singing, psychology, and health. Every element of a singer's toolkit is covered from a female perspective, from breath and posture to character work and vocal health. This is an essential guidebook for female singers in musical theatre productions, either training at university or conservatory level or forging a career as professional triple-threat performers.
Stanislavsky and Pedagogy (Stanislavsky And...)
by Stefan AquilinaStanislavsky and Pedagogy explores current thinking around the pedagogical implications of Stanislavsky’s work. The volume depicts the voices of a number of practitioners, teachers, and scholars who are themselves journeying with Stanislavsky, and who in his work find a potent instigator for their own pedagogical practice and study. This book outlines instances in which updated interpretations of Stanislavsky’s pedagogy are adapted to cater for contemporary needs and scenarios. These include the theatre industry, new digital technologies, the need to develop playfulness, application to a broad repertoire, performance as pedagogy, university managerialism, and interdisciplinary crossovers with dance and opera. The pedagogies that emerge from these case-studies are marked by fluidity and non-fixity and help to underscore the malleability of Stanislavsky’s system. Stanislavsky And... is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
Historical Affects and the Early Modern Theater (Routledge Advances in Theatre & Performance Studies)
by Ronda Arab Michelle Dowd Adam ZuckerThis collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
Intersectionalities of Class in Early Modern English Drama
by Ronda Arab Laurie EllinghausenDefining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality. This collection of essays – featuring a range of international contributors – explores a broad range of questions about the intersectional factors influencing class status in early modern England, including how cultural behaviors and non-class social categories affected status and social mobility, in what ways hegemonies of elite prerogatives could be disrupted or entrenched by the myriad of intersectional factors that informed social identity, and how class position informed the embodied experience and expression of affect, gender, sexuality, and race as well as relationships to place, space, land, and the natural and civic worlds.
Affects in 21st-Century British Theatre: Exploring Feeling on Page and Stage
by Mireia Aragay Cristina Delgado-García Martin MiddekeThis book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Ethical Speculations in Contemporary British Theatre
by Mireia Aragay Enric MonforteThis volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers.
Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre (Routledge Advances in Theatre & Performance Studies)
by Cecilia Josephine AragónThis book chronicles the child performer as part of the Chicana/o/Mexican-American theatre experience. Borderlands Children’s Theatre explores the phenomenon of the Chicana/o/Mexican-American child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Chicana/o/Mexican-American child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Chicana/o/Mexican-American children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
The Ballad-Drama of Medieval Japan
by James T. ArakiThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature (Routledge Studies in Renaissance Literature and Culture)
by Anthony ArchdeaconThis book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship. In early modern literature, there were expressions of humanistic self-congratulation that sometimes verged on narcissism, and at the same time expressions of self-doubt and anxiety that verged on nihilism. The themes of self-love and self-negation had a long history in western thought, and this book shows how the medieval treatments of the themes developed into something distinctive in the sixteenth century. The two themes, either individually or combined, encompass such topics as poverty, unrequited love, transgressive sexuality, sexual violence, suicidality, self-worth, authorship, religious penitence, martyrdom, courtly ambition and tyranny. Archdeacon uses over 100 texts from the sixteenth and early seventeenth centuries to show how the early modern writer existed in a culture of contrary forces pulling towards either self-affirmation or self-erasure. Writers attempted to negotiate between the polarised extremes of self-love and self-negation, realising that they are fundamental to how we respond to each other, our selves and the world.
Technically Alive
by John Michael ArcherDrawing on the later writings of Martin Heidegger, the book traces the correspondence between the philosopher's concept of technology and Shakespeare's poetics of human and natural productivity in the Sonnets.
Theatre: Its Art and Craft
by Stephen Archer Cynthia M. Gendrich Woodrow B. HoodTheatre: Its Art and Craft is an introductory theatre text focusing on theatre practitioners and their processes. Using an accessible tone and a focused exploration of how theatre artists work, the book covers playwrights, directors, actors, designers of sets, costumes, props, lights, sound, and new technology, as well as the varying roles of scholars, critics, and dramaturgs. Appropriate for beginning theatre majors, minors, or non-majors, Theatre: Its Art and Craft helps students understand how theatre happens, who makes it, and what they do. Updated with new statistics, references, and photographs, the sixth edition now features an overhauled design section: the authors have divided the design chapter into two parts: one focused on the tactile elements of design (sets, costumes, props) and the second on the temporal elements (lights, sound, and new technologies).
The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
by Elise ArchiasOffering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body's reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community's embrace of all things ordinary through work that explored the abstraction born of the body's materiality. Rainer's task-like dances, Schneemann's sensuous appropriations of popular entertainment, and Acconci's behaviorist-inflected tests highlight the body's unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era.