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Winter In Paradise: Book 1 in NYT-bestselling author Elin Hilderbrand's wonderful Paradise series (Winter in Paradise)
by Elin Hilderbrand'I just LOVE [Elin Hilderbrand's] books, they are such compulsive reads' -Marian KeyesWarm up for winter on a Caribbean beach with New York Times Bestselling author Elin Hilderbrand.Irene Steele's life is idyllic, until it is rocked by a late-night phone call that brings news of her husband's sudden death. Even in the midst of her crippling grief, Irene cannot get one question out of her head: why was his body found on St. John, a tropical Caribbean paradise far removed from their suburban life?Leaving the cold Nantucket winter behind, Irene flies hundreds of miles to get to the island - only to learn that her husband had a secret second family. As she delves deeper into the mysterious circumstances surrounding the death of the man she loved, she is plunged into a web of intrigue and deceit belied by the pristine white sandy beaches of St. John's. ************** Praise for Elin Hilderbrand: 'Oozes plenty of drama' - Heat 'A page turner' - Coastal Living 'Her imagination is endless' - Book Reporter(P)2019 Hodder & Stoughton Limited
Winter Kept Us Warm (Queer Film Classics)
by Chris DupuisWidely considered to be English Canada’s first queer film, Winter Kept Us Warm explores a romance between two young men at the University of Toronto in the early 1960s, a moment when homosexuality was still a crime in Canada.A true student film, Winter was written and directed by David Secter, a twenty-two-year-old English major, shot with amateur actors and a volunteer crew, and completed on a budget of only $8,000. Against the odds, the film was a huge success. Lauded by critics at home and abroad, it was selected to open the Commonwealth Film Festival, played art house cinemas across the United States and Europe, and became the first Anglo-Canadian fiction feature to screen at Cannes. Influential film journals including Sight and Sound and Cahiers du cinéma covered it, as did mainstream publications such as Variety and the New York Times. David Cronenberg has cited it as influential on his own work. Despite this acclaim, the film has largely vanished from the cultural consciousness and few queer people today have even heard of it, let alone seen it.With this new addition to the Queer Film Classics series, Chris Dupuis looks at the disconnect between the film’s historical importance and its subsequent disappearance, examining how the story of Winter Kept Us Warm can serve as a starting point for intergenerational queer dialogue.
The Wire: Truth Be Told
by Rafael AlvarezWelcome to the critically acclaimed HBO drama series The Wire, hailed as "the best show on television, period" by the San Francisco Chronicle.The New York Times calls it "a vital part of the television landscape...unvarnished realism." Time declares that The Wire, "like its underfunded, workaday cops, just plugged away until it outshone everything else on TV."The Wire stands not only as riveting drama but also as a sociopolitical treatise with ambitions beyond any television serial. The failure of the drug war, the betrayal of the working class, the bureaucratization of the culture and the cost to individual dignity -- such are the themes of the drama's first two seasons. And with every new episode of season three and beyond, another layer of modern urban life will be revealed. Gritty, densely layered, and realistic, The Wire is series television at its very best, told from the point of view of the Baltimore police, their targets, and many of those caught in the middle.Rafael Alvarez -- a reporter, essayist, and staff writer for the show -- brings the reader inside, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters, providing the reader with insights into the city of Baltimore -- itself an undeniable character in the series. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authors George Pelecanos, Laura Lippman, and Anthony Walton, here is an invaluable resource for both fans of the show and viewers who have yet to discover The Wire.Hollywood has long used the cop drama to excite and entertain, and Hollywood has always dictated the terms. But The Wire is filmed entirely in Baltimore, conceived by Baltimoreans, and written by rust-belt journalists and novelists intimately familiar with the urban landscape. It's as close as television has yet come to allowing an American city to tell its own tale.
The Wire: Crime, Law, and Policy
by Adam M. GershowitzThe HBO series, The Wire, provides a springboard for discussing some of the most pressing criminal justice issues of our time. This book explores the law of wiretapping, drug possession, and sentencing. It considers questions beyond basic law, such as whether the police understand or follow the Supreme Court's search and seizure and confession rules. The book also examines broader questions, such as crime statistic manipulation, drug legalization, prisoner reentry, police brutality, the use of informants, mass imprisonment of African Americans, the distribution of limited criminal justice resources, and the media's influence on policing and public policy.
The Wire
by Sherryl VintFrequently described by creator David Simon as a novel for television, The Wire redefined the police serial format by unfolding its narrative across many episodes, constructing themes for each of its seasons, and refusing to portray individual crimes outside of their social context. While it never achieved spectacular ratings or won an Emmy during its 2002-2008 run on HBO, the show was honored with several awards and has been described by critics as the best show on television. In this volume, author Sherryl Vint takes a close look at several episodes of The Wire to argue that the series challenges our understanding of the relationship between entertainment and social critique. Informed by recent work on race, poverty, and the transformation of the American inner city through neoliberalism, Vint provides a compelling analysis of The Wire in four chapters. First, she examines the season 1 episode "The Buys" as an example of the ways in which The Wire diverges from the police procedural format. She continues by considering season 2's "All's Prologue" and season 3's "Middle Ground" to explore in more detail The Wire's critique of the exclusions of the capitalist economy. In the final two chapters, she looks at "Final Grades," the fourth season finale, to highlight the problems with institutional inertia and show both the need for and barriers to reform, and uses the season 5 episode "Clarifications" to consider the failure of the media to adequately reflect the social issues depicted in The Wire. One of the landmark series of recent television history, The Wire is ripe for research and discussion. Fans of the series and those interested in social commentary and the media will appreciate Vint's new analysis in this volume.
Wired: The Short Life & Fast Times of John Belushi
by Bob WoodwardBelushi The outrageous talent, addicted to life, with a huge appetite for drugs, food, and pleasure. Belushi The star who plummeted over the edge. And the friends, wife, agents, and groupies who couldn't stop him.
The Wisdom of Big Bird (and the Dark Genius of Oscar the Grouch): Lessons From a Life in Feathers
by Caroll Spinney J. MilliganMemoir of the man inside Big Bird from Sesame Street.
The Wisdom of Master Nuno Oliveira
by Antoine De CouxThis is the only English translation of 'Paroles du Maitre' by Antoine de Coux Antoine de Coux, a magistrate in the Belgian Congo, was undoubtedly one of the most loyal students of Master Nuno Oliveira. From 1966, when they met and became close friends, until Oliveira's death in 1989, Antoine de Coux participated in the annual two-month training sessions that Nuno Oliveira held in Belgium. De Coux was a fine rider, watched every lesson and took copious notes, filling more than forty notebooks. He faithfully recorded the teachings and remarks of the When Nuno Oliveira passed, Antoine de Coux decided to organize this great "memoir of a life experience," so that all riders could benefit from this knowledge. Nuno Oliveira was an exceptionally talented educator, gladly repeating his concepts with different descriptions to suit the level of understanding of his wide range of students. Antoine de Coux did not live long enough to realize the completion of his work. Madame Suzanne Laurenty, who also followed Oliveira's courses, finished the editing project resulting in this seminal book. Concepts and quotations are organized and punctuated to be faithful to the Master's teaching. This collection of words of advice constitutes the Wisdom of Master Nuno Oliveira, and we trust the reader will find it valuable and practical. This book presents a coherent, rich and outstanding contribution to the equestrian literature and extends Nuno Oliveira's legacy in an extraordinarily life-like manner. This one and only English edition is further enhanced by the expert translation of native Frenchman Jean Philippe Giacomini. A friend of Antoine de Coux and fellow student of Nuno Oliveira, he possesses first hand knowledge of the Master's teaching and is an equestrian scholar and a remarkable dressage trainer.
Wise Young Fool
by Sean BeaudoinTeen rocker Ritchie Sudden is pretty sure his life has just jumped the shark. Except he hates being called a teen, his band doesn't play rock, and "jumping the shark" is yet another dumb cliché. Part of Ritchie wants to drop everything and walk away. Especially the part that's serving ninety days in a juvenile detention center. Telling the story of the year leading up to his arrest, Ritchie grabs readers by the throat before (politely) inviting them along for the (max-speed) ride. A battle of the bands looms. Dad split about five minutes before Mom's girlfriend moved in. There's the matter of trying to score with the dangerously hot Ravenna Woods while avoiding the dangerously huge Spence Proffer--not to mention just trying to forget what his sister, Beth, said the week before she died.This latest offering from acclaimed author Sean Beaudoin is alternately raw, razor-sharp, and genuinely hilarious.
Wishful Drinking
by Carrie FisherThe bestselling author of Postcards from the Edge comes clean (well, sort of) in her first-ever memoir, adapted from her one-woman Broadway hit show. Fisher reveals what it was really like to grow up a product of "Hollywood in-breeding," come of age on the set of a little movie called Star Wars, and become a cultural icon and bestselling action figure at the age of nineteen.Intimate, hilarious, and sobering, Wishful Drinking is Fisher, looking at her life as she best remembers it (what do you expect after electroshock therapy?). It's an incredible tale: the child of Hollywood royalty--Debbie Reynolds and Eddie Fisher--homewrecked by Elizabeth Taylor, marrying (then divorcing, then dating) Paul Simon, having her likeness merchandized on everything from Princess Leia shampoo to PEZ dispensers, learning the father of her daughter forgot to tell her he was gay, and ultimately waking up one morning and finding a friend dead beside her in bed. Wishful Drinking, the show, has been a runaway success. Entertainment Weekly declared it "drolly hysterical" and the Los Angeles Times called it a "Beverly Hills yard sale of juicy anecdotes." This is Carrie Fisher at her best--revealing her worst. She tells her true and outrageous story of her bizarre reality with her inimitable wit, unabashed self-deprecation, and buoyant, infectious humor.
Wishing on a Star: Wishing On A Star (The Cheetah Girls #1)
by Deborah GregoryIn this premier book of the series, the girls meet at Fashion Industries High School, where they live in New York City. It's the first week of school, and they become fast friends. They decide they want to beef up their cash flow. So, to earn some bucks, they form a singing group of their own.
Wit: A Play
by Margaret EdsonWinner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award Margaret Edson's powerfully imagined Pulitzer Prizewinning play examines what makes life worth living through her exploration of one of existence's unifying experiencesmortalitywhile she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw awaya lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit,Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
The Wit and Wisdom of Downton Abbey
by Jessica Fellowes"Come war and peace Downton still stands and the Crawleys are still in it."Downton Abbey is loved the world over for its fabulous costumes, beautiful scenery, wonderful characters and intricate plot lines, but what keeps millions of us coming back time after time is the stellar quality of the writing. With each stroke of his pen Julian Fellowes seems to gift us with a cuttingly dry quip from the Dowager Countess, a perfectly timed word of wisdom from Mrs Patmore or a touchingly nostalgic pronouncement from Carson. Here in The Wit and Wisdom of Downton Abbey, Jessica Fellowes has gathered together her favorite quotes from the complete Downton Abbey oeuvre to take each of us back to the most memorable moments from the show and ensure we are armed with the very best ripostes should we ever need to chastise an impertinent lady's maid.
Witch-Hunt in Hollywood: McCarthyism's War On Tinseltown
by Michael Freedland Barbra PaskinHow political paranoia shaped cinema for a decade: “One of the most readable and damning accounts of that period.” —The GuardianThis is the story of how the politicians took Tinseltown to task in the late 1940s and 1950s. As the Cold War with the Soviet Union began in earnest, the search for “Reds under the bed,” later led by Senator Joseph McCarthy, was felt most keenly in Hollywood, where the investigations were carried out under the full glare of the spotlights.Painstakingly researched and drawing on numerous exclusive interviews, this book charts the generation of actors who found their livelihood ruined by being blacklisted and the writers forced to hire “fronts” to continue to work; it reveals how Arthur Miller was offered the chance to have his hearing dropped in return for a photo opportunity with Marilyn Monroe; and how Kirk Douglas’s naming of Dalton Trumbo as the writer of Spartacus signaled the end of this extraordinary era. Witch Hunt in Hollywood is the definitive account of how political paranoia shaped cinema for a decade.
The Witcher Official Cookbook: Provisions, Fare, and Culinary Tales from Travels Across the Continent
by Anita Sarna Karolina KrupeckaEighty mouthwatering and restorative recipes inspired by the bestselling video game series The Witcher, from hearty tavern fare and fortifying drinks to lavish banquets for feasts with friends—featuring a foreword by Andrzej Sapkowski, author and creator of The Witcher. Take a culinary journey through the fantastical world of The Witcher with thoughtfully imagined, flavorful recipes inspired by The Witcher's expansive settings, characters, and lore. In this beautifully photographed cookbook, Anita Sarna and Karolina Krupecka, the creators of fan-favorite food blogs Nerds&’ Kitchen and Witcher Kitchen, share their meticulously-researched, immersive recipes that give fans a taste of the distinct flavors a witcher might sample as he travels the countryside in search of monsters to slay and coin to earn. These dishes celebrate local and seasonal ingredients while adding unique twists that form a culinary map of the Continent and beyond. Warm up over a bowl of fragrant stew or juicy baked fruit from the namesake trees of White Orchard; end a hard journey to Velen with a hearty, rustic meal at the local tavern; enjoy an aromatic snack as you stroll the markets of Oxenfurt; sample dishes from near and far in the diverse port city of Novigrad; dine on freshly-caught fish and mulled drinks on the islands of Skellige; feast on rich dishes in the sun-drenched climates of Toussaint and Beauclair; or forage on the perilous road to Kaer Morhen to learn the edible secrets of the witcher&’s keep. Transport your kitchen to another world with the tempting scents and flavors in The Witcher Official Cookbook.CD PROJEKT®, The Witcher® are registered trademarks of CD PROJEKT Capital Group. The Witcher game © CD PROJEKT S.A. Developed by CD PROJEKT S.A. All rights reserved. The Witcher game is set in the universe created by Andrzej Sapkowski in his series of books. All other copyrights and trademarks are the property of their respective owners.
Witchfinder General (Devil's Advocates Ser.)
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witch’s Canyon (Supernatural)
by Jeff MariotteSam and Dean Winchester lost their mother to a supernatural force. In the years after, their father, John, taught them about the paranormal evil that lives in the dark corners and on the back roads of America... and he taught them how to kill it.
The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense
by Kara KeelingKara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima's film Sankofa, images of women in the Black Panther Party, Pam Grier's roles in the blaxploitation films of the early 1970s, F. Gary Gray's film Set It Off, and Kasi Lemmons's Eve's Bayou.
With a Crooked Stick--The Films of Oscar Micheaux
by J. Ronald GreenWith a "crooked stick," filmmaker Oscar Micheaux (1884–1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheaux’s 15 surviving films. He presents critical commentary on each film’s plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheaux’s remarkable career and the insight it provides into the African American experience of the 1920s and 30s.
With Billie: A New Look at the Unforgettable Lady Day
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Billie
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday's life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people-piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Dogs at the Edge of Life
by Colin DayanIn this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism.Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction—one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs—and their struggles—take us beyond sentimentality and into a form of thought that can make a difference to our lives.