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The Ultimate Walking Dead and Philosophy

by Wayne Yuen

In The Walking Dead, human beings are pushed to their limits by a zombie apocalypse and have to decide what really matters. <P><P>Good and evil, freedom and slavery, when one life has to be sacrificed for another, even the nature of religion-all the ultimate questions of human existence are posed afresh as the old society crumbles away and a new form of society emerges, with new beliefs and new rules. The Ultimate Walking Dead and Philosophy brings together twenty philosophers with different perspectives on the imagined world of this addictive TV show. How can we keep our humanity when faced with such extreme life-or-death choices? Did Dr. Jenner do the right thing in committing suicide, when all hope seemed to be lost? Does the Governor, as the new Machiavelli, prove that willingness to repeatedly commit murder is the best technique for getting and keeping political power? Why do most characters place such importance on keeping particular individuals alive, especially children? What can we learn about reality from Rick's haunting hallucinations?

Appropriations of Irish Drama in Modern Korean Nationalist Theatre (Routledge Advances in Theatre & Performance Studies)

by Hunam Yun

This book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.

The Unofficial Studio Ghibli Cookbook: 50+ Delicious Recipes Inspired by Your Favorite Japanese Animated Films

by Jessica Yun

Bring some magic into your kitchen with this unofficial collection of Japanese recipes inspired by Hayao Miyazaki&’s most beloved films.Since 1985, Studio Ghibli has enchanted moviegoers with fantastic stories of adventure, magic, friendship, family, and most of all—the most delicious-looking animated food. Now you can create your own mouthwatering dishes with this book full of 50 unofficial, fan-created recipes! From tantalizing breakfasts and lunches to Japanese favorites like yakitori and onigiri, recipes include: Skillet bacon and eggs Ramen with &“haaaam&”! Herring and pumpkin pot pie Steamed red bean bao Salmon with beurre blanc sauce And more! Perfect for fans of Japanese anime, manga, and comfort food cooking!

1000 Hours Outside: Activities to Match Screen Time with Green Time

by Ginny Yurich

Join the global movement and challenge your family to match screen time with outdoor time—with hundreds of fun, fresh-air ideas.Did you know that the average American child spends 1,200 hours a year in front of a screen? And that outside play can boost children in every area of development? This book has everything you need to reset the balance and swap screen time for outdoor fun! Challenge your family to spend 1,000 hours outside this year with this collection of games, crafts, and activities, organized by season to help you find something you can do every day. Play leaf pile games, take a hot chocolate hike, make corn husk dolls, go on an animal home hunt, and much more with hundreds of ideas for all ages, abilities, and family types.No matter how busy you are, this book gives you all the ideas, photos, activity instructions, and inspiration you need to get outdoors with your family all year round.

The Boys of Summer

by Elizabeth Zack

TWO HOT TO HANDLE Thanks to the explosive popularity of Fox's hit television show The O. C. , actors Benjamin McKenzie and Adam Brody are men on the move. Their jaw-dropping good looks and impressive talent have catapulted them to the top of the It-list, making them two of Hollywood's hottest hunks. If you want to know how these gorgeous guys arrived in Orange County, look no further. The Boys of Summer gives you the complete 411 on Benjamin McKenzie and Adam Brody-hometown histories, dating dilemmas, and favorite pastimes. Find out about Ben's adventures in New York City as he pursued his passion for acting. Discover the other projects Adam has tackled, including Gilmore Girls and the horror flick The Ring. And, of course, get all the behind-the-scenes gossip from the set of The O. C. Ben and Adam have just begun to unleash their talent-stay tuned and see what lies ahead!

Chasing the Last Laugh: Mark Twain's Raucous and Redemptive Round-the-World Comedy Tour

by Richard Zacks

From Richard Zacks, bestselling author of Island of Vice and The Pirate Hunter, a rich and lively account of how Mark Twain's late-life adventures abroad helped him recover from financial disaster and family tragedy--and revived his world-class sense of humorMark Twain, the highest-paid writer in America in 1894, was also one of the nation's worst investors. "There are two times in a man's life when he should not speculate," he wrote. "When he can't afford it and when he can." The publishing company Twain owned was failing; his investment in a typesetting device was bleeding red ink. After losing hundreds of thousands of dollars back when a beer cost a nickel, he found himself neck-deep in debt. His heiress wife, Livy, took the setback hard. "I have a perfect horror and heart-sickness over it," she wrote. "I cannot get away from the feeling that business failure means disgrace." But Twain vowed to Livy he would pay back every penny. And so, just when the fifty-nine-year-old, bushy-browed icon imagined that he would be settling into literary lionhood, telling jokes at gilded dinners, he forced himself to mount the "platform" again, embarking on a round-the-world stand-up comedy tour. No author had ever done that. He cherry-picked his best stories--such as stealing his first watermelon and buying a bucking bronco--and spun them into a ninety-minute performance. Twain trekked across the American West and onward by ship to the faraway lands of Australia, New Zealand, Tasmania, India, Ceylon, and South Africa. He rode an elephant twice and visited the Taj Mahal. He saw Zulus dancing and helped sort diamonds at the Kimberley mines. (He failed to slip away with a sparkly souvenir.) He played shuffleboard on cruise ships and battled captains for the right to smoke in peace. He complained that his wife and daughter made him shave and change his shirt every day. The great American writer fought off numerous illnesses and travel nuisances to circle the globe and earn a huge payday and a tidal wave of applause. Word of his success, however, traveled slowly enough that one American newspaper reported that he had died penniless in London. That's when he famously quipped: "The report of my death was an exaggeration." Throughout his quest, Twain was aided by cutthroat Standard Oil tycoon H.H. Rogers, with whom he had struck a deep friendship, and he was hindered by his own lawyer (and future secretary of state) Bainbridge Colby, whom he deemed "head idiot of this century." In Chasing the Last Laugh, author Richard Zacks, drawing extensively on unpublished material in notebooks and letters from Berkeley's ongoing Mark Twain Project, chronicles a poignant chapter in the author's life--one that began in foolishness and bad choices but culminated in humor, hard-won wisdom, and ultimate triumph.From the Hardcover edition.

Chasing the Last Laugh: Mark Twain's Raucous and Redemptive Round-the-World Comedy Tour

by Richard Zacks

From Richard Zacks, bestselling author of Island of Vice and The Pirate Hunter, a rich and lively account of how Mark Twain’s late-life adventures abroad helped him recover from financial disaster and family tragedy—and revived his world-class sense of humorMark Twain, the highest-paid writer in America in 1894, was also one of the nation’s worst investors. “There are two times in a man’s life when he should not speculate,” he wrote. “When he can’t afford it and when he can.” The publishing company Twain owned was failing; his investment in a typesetting device was bleeding red ink. After losing hundreds of thousands of dollars back when a beer cost a nickel, he found himself neck-deep in debt. His heiress wife, Livy, took the setback hard. “I have a perfect horror and heart-sickness over it,” she wrote. “I cannot get away from the feeling that business failure means disgrace.” But Twain vowed to Livy he would pay back every penny. And so, just when the fifty-nine-year-old, bushy-browed icon imagined that he would be settling into literary lionhood, telling jokes at gilded dinners, he forced himself to mount the “platform” again, embarking on a round-the-world stand-up comedy tour. No author had ever done that. He cherry-picked his best stories—such as stealing his first watermelon and buying a bucking bronco—and spun them into a ninety-minute performance. Twain trekked across the American West and onward by ship to the faraway lands of Australia, New Zealand, Tasmania, India, Ceylon, and South Africa. He rode an elephant twice and visited the Taj Mahal. He saw Zulus dancing and helped sort diamonds at the Kimberley mines. (He failed to slip away with a sparkly souvenir.) He played shuffleboard on cruise ships and battled captains for the right to smoke in peace. He complained that his wife and daughter made him shave and change his shirt every day. The great American writer fought off numerous illnesses and travel nuisances to circle the globe and earn a huge payday and a tidal wave of applause. Word of his success, however, traveled slowly enough that one American newspaper reported that he had died penniless in London. That’s when he famously quipped: “The report of my death was an exaggeration.” Throughout his quest, Twain was aided by cutthroat Standard Oil tycoon H.H. Rogers, with whom he had struck a deep friendship, and he was hindered by his own lawyer (and future secretary of state) Bainbridge Colby, whom he deemed “head idiot of this century.” In Chasing the Last Laugh, author Richard Zacks, drawing extensively on unpublished material in notebooks and letters from Berkeley’s ongoing Mark Twain Project, chronicles a poignant chapter in the author’s life—one that began in foolishness and bad choices but culminated in humor, hard-won wisdom, and ultimate triumph.From the Hardcover edition.

Martin McLean, Middle School Queen

by Alyssa Zaczek

In this “fun, inspiring, and delightful” debut, a seventh grader finds his voice—and his inner diva—as he navigates friendship, family, first crushes and more (School Library Journal). Seventh-grader Martin McLean has always been surrounded by people who can express themselves. His mother is an artist, his colorful Tío Billy works in theater, and his best friends Carmen and Pickle are outgoing charmers. But Martin can only find the right words when he’s answering a problem at a Mathletes competition—until his tío introduces him to the world of drag. In a swirl of sequins and stilettos, Martin creates his fabulous drag queen alter ego, Lottie León. As Lottie, he is braver than he’s ever been; but as Martin, he doesn’t have the guts to tell anyone outside of his family about her. Not Carmen and Pickle, not his fellow Mathletes, and definitely not Chris, an eighth-grader who gives Martin butterflies. When Martin discovers that his first-ever drag show is the same night as an important Mathletes tournament, he must find a way to pull off both appearances—and channel his inner drag superstar.

Essential Knowledge for the Aspiring Media Professional

by John Stephen Zaffuto

Essential Knowledge for the Aspiring Media Professional provides readers with the skillset needed to produce professional, high-quality video content in today’s competitive media landscape. The author draws on over two decades of industry experience to offer strategies for how to develop a sense of design, adopt a holistic approach to the media production process, and craft a distinct idea for a project’s intent and form. In five in-depth chapters, the book delves into topics ranging from pre-production and planning processes to technical considerations and post-production methods. It concludes with an overview of career opportunities for aspiring media-makers. This book is an invaluable resource for students and professionals alike looking to hone creative production techniques within a broad range of formats and environments, particularly those requiring effective marketing and advertising-oriented content.

For Your Consideration: Keanu Reeves (For Your Consideration #2)

by Larissa Zageris Kitty Curran

This illustrated collection of humorous essays and fun extras makes the case for one of our most iconic celebrities, from Bill and Ted to John Wick.For an actor who’s been in so many mega-hits and equally mega misses, it can be tough to track Keanu Reeves's accomplishments. But true fans know that Keanu is so much more than his Bill and Ted persona, both onscreen and off. During his long career—over 30 years, though you wouldn’t know it from his immortal looks—he has constantly subverted Hollywood stereotypes and expectations. He's the type to start his own publishing company, reread Hamlet, write a grown-up children’s book, photobomb people’s weddings, eat lunch alone in the park while looking very sad, and give away his salary to the film crew.For Your Consideration: Keanu Reeves examines the ways in which Keanu strives to be kind and excellent in work and in life. The authors also explore various Internet conspiracies about his age, help you identify which Sad Keanu meme you are, give you the Keanu and Winona Ryder fanfic your heart desires, and much, much more.

The Amazing Maurice: The Art of the Film

by Ramin Zahed

The official art book for the animated movie The Amazing Maurice, based on the Carnegie Medal-winning Discworld novel by Terry PratchettMaurice is a streetwise talking tomcat who comes up with a money-making scam by befriending a group of talking rats and finding a dumb-looking kid who plays a pipe. When Maurice and company reach the stricken town of Bad Blintz, they meet a bookworm called Malicia and their scheme soon goes down the drain. The Art of the Film is a coffee table hardback celebration of the creative process of bringing The Amazing Maurice to life, including exclusive concept designs, character sketches, storyboards and production art, alongside insight from the artists, filmmakers and directors.

The Art of Love, Death + Robots

by Ramin Zahed

Immerse yourself in the official collection of artworks from the first three volumes of Love, Death + Robots, and discover the stories and inspirations behind this beloved Netflix series.Love Death + Robots is a Netflix series like no other—a breath-taking journey of mature, high-concept tales told with seductive characters, astounding plots, and explosive action. With each episode crafted by different animation teams across the globe, the thought-provoking anthology covers a vast range of animation styles from edgy 2D to stop-motion to anime to hyper-realistic 3D CG. In this luxury book, discover the wealth of artwork and stories behind the creation of the series&’ first three volumes. Includes interviews with key artists and creatives such as series creators Tim Miller and David Fincher, and is full to the brim with everything from beautiful concept art, character studies, costume sketches, paintings, vehicle designs, storyboards, and early vision decks, through to finished frames. Perfect for any fan of animation.

The Marvelwood Magicians

by Diane Zahler

Eleven-year-old Mattie Marvelwood comes from a family of traveling performers. Her dad is an illusionist; her mom is a fortune-teller; her brother has a vanishing act; and she herself is a mind-reader. But the Marvelwoods have a deep secret. The acts they perform at carnivals, fairs, and circuses are not just acts. Their powers are real. In all their wanderings, the Marvelwoods have never met another performer with gifts like theirs—until they join Master Morogh’s Circus of Wonders! But it turns out that Master Morogh’s true talent is stealing the gifts of others. When he steals Mattie’s brother’s vanishing ability, the family has a big decision to make. Do they run, leaving Bell’s gift behind to save the rest of them, or risk exposure by trying to beat the duplicitous ringmaster at his own game?

The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

by Alexander Zahlten

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University

Media Theory in Japan

by Alexander Zahlten Marc Steinberg

Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

Common Nonsense: Glenn Beck and the Triumph of Ignorance

by Alexander Zaitchik

Who is this guy and why are people listening? Forget Rush Limbaugh, Bill O'Reilly, and Sean Hannity--Glenn Beck is the right's new media darling and the unofficial leader of the conservative grassroots. Lampooned by the left and lionized by the far right, his bluster-and-tears brand of political commentary has commandeered attention on both sides of the aisle. Glenn Beck has emerged over the last decade as a unique and bizarre conservative icon for the new century. He fantasizes aloud about killing his political opponents and encourages his listeners to embrace a cynical paranoia that slides easily into a fantasyland filled with enemies that do not exist, and solutions that are incoherent, at best. Since the election of Barack Obama, Beck's bombastic, conspiratorial, and often viciously personal approach to political combat has made him one of the most controversial figures in the history of American broadcasting. In Common Nonsense, investigative reporter Alexander Zaitchik explores Beck's strange brew of ratings lust, boundless ego, conspiratorial hard-right politics, and gimmicky morning-radio entertainment chops. Separates the facts from the fiction, following Beck from his troubled childhood to his recent rise to the top of the conservative media heap. Zaitchik's recent three-part series in Salon caused so much buzz, Beck felt the need to attack it on his show. Based on Zaitchik's interviews with former Beck coworkers and review of countless Beck writings and television and radio shows. Examines Beck's high-profile obsessions (Acorn and Van Jones) as well as his lesser-known influences (obscure Mormon radicals like Cleon Skousen.) Zaitchik's writing has appeared in the New Republic, the Nation, Salon, Wired, the New York Times, and AlternetBeck, a perverse and high-impact media spectacle, has emerged as a leader in a conservative protest movement that raises troubling questions about the health of American democracy.

The Poetics of Rock: Cutting Tracks, Making Records

by Albin J. Zak III

A fascinating exploration of recording consciousness and compositional process. It examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project.

Four Seasons

by Jane Breskin Zalben

Allegra Katz has been playing piano since she was four. But these aren't just any piano lessons. She studies at the Julliard School in New York, where careers are being formed-or not. Between strict practice schedules, music classes, and regular school, Ally doesn't have time for much else. Sometimes she wishes she could break free, but she's never known any other way. Her parents-a professional violinist and a singer-would kill her if they knew she was thinking about quitting piano, especially her mother. So she keeps on going, but as the months go by, she begins to ask herself, does she even love the piano? Why does she play? And how much longer can she stand the pressure before she breaks? From the Hardcover edition.

Acts: Theater, Philosophy, And The Performing Self

by Tzachi Zamir

Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts: Theater, Philosophy, and the Performing Self sheds light on some of the more evasive aspects of the acting experience— such as the import of the actor's voice, the ethical unease sometimes felt while embodying particular sequences, and the meaning of inspiration. Tzachi Zamir explores acting’s relationship to everyday role-playing through a surprising range of examples of “lived acting,” including pornography, masochism, and eating disorders. By unearthing the deeper mobilizing structures that underlie dissimilar forms of staged and non-staged role-playing, Acts offers a multi-layered meditation on the percolation from acting to life. The book engages questions of theatrical inspiration, the actor’s “energy,” the difference between acting and pretending, the special role of repetition as part of live acting, the audience and its attraction to acting, and the unique significance of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the distinction between what one acts and who one is, and the transition from what one performs into who one is, creating an interdisciplinary meditation on the relationship between life and acting.

Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale (Palgrave Studies in Literature, Science and Medicine)

by Martina Zamparo

This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.

Unrequited Infatuations: A Memoir

by Stevie Van Zandt

'A wonderfully original take on a Rock and Roll autobiography' Paul McCartney'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce SpringsteenWhat story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.The first true heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.By the '90s, Van Zandt had lived at least two lives-one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos-as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

Unrequited Infatuations: A Memoir

by Stevie Van Zandt

'A wonderfully original take on a Rock and Roll autobiography' Paul McCartney'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce SpringsteenWhat story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story.The first true heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison.By the '90s, Van Zandt had lived at least two lives-one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos-as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap.UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

Unrequited Infatuations: A Memoir

by Stevie Van Zandt

Uncover never-before-told stories in this epic tale of self-discovery by a Rock n Roll disciple and member of the E Street Band. <p><p> What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. <p><p> The first true heartbeat of Unrequited Infatuations is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world’s hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of “Sun City,” an anti-apartheid anthem that sped the demise of South Africa’s institutionalized racism and helped get Nelson Mandela out of prison. <p><p> By the '90s, Van Zandt had lived at least two lives—one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos—as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. <p><p> In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. ​Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt’s always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

California's Lamson Murder Mystery: The Depression Era Case that Divided Santa Clara County (True Crime)

by Tom Zaniello

On Memorial Day 1933, Stanford executive David Lamson found his wife, Allene, dead in their Palo Alto home. The only suspect, he became the face of California's most sensational murder trial of the century. After a judge sentenced him to hang at San Quentin, a team of Stanford colleagues stepped in to form the Lamson Defense Committee. The group included poets Yvor Winters and Janet Lewis, as well as the "Sherlock Holmes of Berkeley," criminologist E.O. Heinrich. They managed to overturn the verdict and incite a series of heated retrials that gripped and divided the community. Was Lamson the victim of aggressive prosecutors, or was he a master of deception whose connections helped him get away with murder? Author and Stanford alum Tom Zaniello meticulously examines the details of a notorious case with a lingering legacy.

Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)

by Philip Zapkin

Hellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.

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