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Stay with My Heart
by Tashie BhuiyanFrom the author of Counting Down with You and A Show for Two comes a new YA contemporary about a girl who accidentally sabotages an up-and-coming local band and falls for the guitarist while secretly trying to make up for her mistake.Liana Sarkar lives and breathes music, hoping to follow in the footsteps of her A&R coordinator father. Maybe if she succeeds, he&’ll finally give her the time of day instead of drowning himself in work to distract from the grief of her mother&’s passing.When Liana accidentally sabotages an up-and-coming local band, Third Eye, she makes it her mission to steer them towards success—without them discovering her role in their setback. But as she gets closer to Third Eye, especially their enigmatic leader Skyler Moon, it becomes harder to hide the truth.With both her heart and their futures on the line, will Liana be able to undo the damage she&’s caused?Praise for A Show for Two&“You&’ll fall head-over-heels in love with these characters while they fall in love with each other.&” —Chloe Gong, #1 New York Times bestselling author of These Violent Delights&“Tender and bittersweet.&” —Tahereh Mafi, #1 New York Times bestselling author of Shatter MePraise for Counting Down with You&“I. Love. This. Book.&” —Mark Oshiro, award-winning author of Anger Is a Gift&“Steals your heart from start to finish.&” —Emma Lord, New York Times bestselling author of You Have a Match&“Hand to fans of Netflix hit Never Have I Ever.&” —Booklist
Stories between Tears and Laughter: Popular Czech Cinema and Film Critics
by Richard VojvodaWhile histories of Czech cinema often highlight the quality of Czechoslovak New Wave films made in the 1960s, post-socialist Czech cinema receives little attention. Through a methodology of historical reception, Stories between Tears and Laughter explores how attitudes towards post-socialist Czech cinema have shifted from viewing it as radical “art cinema” and more towards popular cinema. By analyzing publicity materials, reviews, and articles, Richard Vojvoda offers a new perspective on the notions of cultural value and quality that have been shaping the history of post-socialist Czech cinema.
The Story of The Bee Gees: Children of the World
by Bob StanleyA dazzling biography of one of the bestselling bands of all time, told with brilliant insight by renowned pop music scholar Bob Stanley.The world is full of Bee Gees fans. Yet for a band of such renown, little is known about Barry, Maurice, and Robin Gibb. People tend to have their favorite era of the Bee Gees's career, but many listeners are also conscious that there is more to uncover about the band. This book will provide the perfect solution, by pulling together every fascinating strand to tell the story of a group with the imagination of the Beatles, the pop craft of ABBA, the drama of Fleetwood Mac, and the emotional heft of the Beach Boys. Uniquely, the Bee Gees's tale spans the entire modern pop era—they are the only group to have scored British top-ten singles in the '60s, '70s, '80s, and &‘90s—and includes world-conquering disco successes like 'Stayin' Alive' and 'More Than a Woman', both from the soundtrack of the hit film Saturday Night Fever. But the Bee Gees's extraordinary career was one of highs and lows. From a vicious but temporary split in 1969 to several unreleased albums, disastrous TV and film appearances, and a demoralising cabaret season, the group weren't always revelling in the glow of million-selling albums, private jets, and UNICEF concerts. Yet, even in the Gibbs' darkest times, their music was rarely out of the charts, as sung by the likes of Al Green, Kenny Rogers and Dolly Parton, and Destiny's Child. Capturing the human story at the heart of the Bee Gees, this book is a lyrical and stylish read, delighting hardcore fans with its details while engaging casual pop readers who simply want to know more about this important and enigmatic group.
Subculture Vulture: A Memoir in Six Scenes
by Moshe KasherA &“hilarious&” (Dax Shepard), &“surprisingly emotional trip&” (The Chainsmokers) through deep American subcultures ranging from Burning Man to Alcoholics Anonymous, by the writer and comedian Moshe Kasher &“Part history lesson, part standup set and, often, part love letter . . . Kasher&’s ability to blend humor with homework works almost too well.&”—The New York TimesAfter bottoming out, being institutionalized, and getting sober all by the tender age of fifteen, Moshe Kasher found himself asking: &“What&’s next?&” Over the ensuing decades, he discovered the answer: a lot.There was his time as a boy-king of Alcoholics Anonymous, a kind of pubescent proselytizer for other teens getting and staying sober. He was a rave promoter turned DJ turned sober ecstasy dealer in San Francisco&’s techno warehouse party scene of the 1990s. For fifteen years he worked as a psychedelic security guard at Burning Man, fishing hippies out of hidden chambers they&’d constructed to try to sneak into the event. As a child of deaf parents, Kasher became deeply immersed in deaf culture and sign language interpretation, translating everything from end-of-life care to horny deaf clients&’ attempts to hire sex workers. He reconnects and tries to make peace with his ultra-Hasidic Jewish upbringing after the death of his father before finally settling into the comedy scene where he now makes his living.Each of these scenes gets a gonzo historiographical rundown before Kasher enters the narrative and tells the story of the lives he has spent careening from one to the next. A razor-sharp, gut-wrenchingly funny, and surprisingly moving tour of some of the most wildly distinct subcultures a person can experience, Subculture Vulture deftly weaves together memoir and propulsive cultural history. It&’s a story of finding your people, over and over again, in different settings, and of knowing without a doubt that wherever you are is where you&’re supposed to be.
Suffering Sappho!: Lesbian Camp in American Popular Culture
by Barbara Jane BrickmanAn ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire. Supplemental images of interest related to this title: George and Lomas; Connie Minerva; Cat On Hot Tin; and Beulah and Oriole.
The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and Their Reclamation of a Groundbreaking History
by Karen ValbyA MOST ANTICIPATED BOOK • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now.&“This is the kind of history I wish I learned as a child dreaming of the stage!&” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy &“Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!&” —Tia Williams, author of A Love Song for Ricki WildeAt the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other&’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet&’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions
by K.J. DonnellyThe Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media – including film, television, and video games – this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.
The Takeover (Fearless Series #4)
by Mandy GonzalezBetter Nate than Ever meets Love Sugar Magic in this fourth and final novel in the Fearless middle grade series from Hamilton and Broadway star Mandy Gonzalez about a young thespian and emerging influencer whose social media gets hacked.Twelve-year-old April DaSilva loves performing—and connecting with fans on her social media accounts. Thanks to her role in the hit Broadway show Our Time, she is close to reaching a huge follower milestone. In celebration, she&’s hosting a contest: three lucky followers will win a special backstage tour and tickets to the show. April feels on top of the world, but her brother isn&’t so thrilled about her attention always being glued to a screen. His warnings don&’t bother April. What&’s wrong with wanting more followers and likes? When meet and greet day arrives, the Squad helps make the event special. All goes without a hitch until April attempts to log into her social media…it&’s gone. Her previous posts have been erased, and a new one that April didn&’t make pops up. It&’s even worse than she thought…she&’s been hacked. The Squad tries to uncover the culprit while April becomes a puppet of her stolen account—desperately trying to keep up with the public appearances promised in her name until she can reclaim ownership of the online presence she&’s worked so hard for. But she suddenly has much more to worry about when it&’s announced that the entire Squad has outgrown their roles in Our Time and may soon be replaced…
Teaching Film from the People's Republic of China (Options for Teaching)
by Zhuoyi Wang, Emily Wilcox, and Hongmei YuThis volume brings a diverse range of voices--from anthropology, communication studies, ethnomusicology, film, history, literature, linguistics, sociology, theater, and urban geography--into the conversation about film from the People's Republic of China. Essays seek to answer what films can reveal or obscure about Chinese history and society and demonstrate how studying films from the PRC can introduce students to larger issues of historical consciousness and media representation.The volume addresses not only postsocialist fictional films but also a wide variety of other subjects including socialist period films, documentaries, films by or about people from ethnic minority groups, film music, the perspectives of female characters, martial arts cinema, and remakes of South Korean films. By exploring how films represent power, traditions, and ideologies, students learn about both the complexity of the PRC and the importance of cross-cultural and cross-ideological understanding.
Television Publics in South Asia: Mediated Politics and Culture
by S.M. Shameem Reza and Ratan Kumar RoyTelevision has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Afghanistan, Bangladesh, India, Nepal, Pakistan and Sri Lanka. With the help of country specific case studies, it captures broad range of themes which foreground the publics and their real-life experiences of television in the region. The essays in this book discuss gendered television spaces; women seeking solace from television in pandemic; the taboo in digital tv dramas; television viewership and localizing publics; changing viewership from television to OTT; news and public perception of death; re-defining ‘the national’; theatrical television; and post truth television news, among other key issues. Rich in ethnographic case studies, this volume will be a useful resource for scholars and researchers of media and communication studies, journalism, digital media, South Asian studies, cultural studies, sociology and social anthropology.
Terrence Malick and the Examined Life (Intellectual History of the Modern Age)
by Martin WoessnerTerrence Malick is one of American cinema’s most celebrated filmmakers. His films—from Badlands (1973) and Days of Heaven (1978) to The Thin Red Line (1998), The Tree of Life (2011), and, most recently, A Hidden Life (2019)—have been heralded for their artistry and lauded for their beauty, but what really sets them apart is their ideas. Terrence Malick and the Examined Life is the most comprehensive account to date of this unparalleled filmmaker’s intellectual and artistic development.Utilizing newly available archival sources to offer original interpretations of his canonical films, Martin Woessner illuminates Malick’s early education in philosophy at Harvard and Oxford as well as his cinematic apprenticeship at the American Film Institute to show how a young student searching for personal meaning became a famous director of Hollywood films. Woessner’s book presents a rich, interdisciplinary exploration of the many texts, thinkers, and traditions that made this transformation possible—from the novels of Hamlin Garland, James Jones, and Walker Percy to the philosophies of Stanley Cavell, Martin Heidegger, and Søren Kierkegaard to road movies, Hollywood Westerns, and the comedies of Jean Renoir. Situating Malick’s filmmaking within recent intellectual and cultural history, Woessner highlights its lasting contributions to both American cinema and the life of the mind.Terrence Malick and the Examined Life suggests it is time for philosophy to be viewed not merely as an academic subject, overseen by experts, but also as a way of life, open to each and every moviegoer.
Theatre Buildings: A Design Guide
by Margaret Shewring David HamerIn 2021, its Diamond Jubilee year, the Association of British Theatre Technicians (ABTT) undertook to revise Theatre Buildings: A Design Guide (Routledge, 2010). This new edition (Routledge, 2023) has substantially re-written text with fresh images and entirely new reference projects, providing essential guidance for all those engaged in the design of theatre buildings. Edited by Margaret Shewring (Emeritus Reader, University of Warwick, former Director of the Postgraduate Diploma and MA in Theatre Consultancy), this new publication is written by a team of international experts, architects, theatre consultants, acousticians, engineers and industry professionals led by Tim Foster (Foster Wilson Size) and Robin Townley (CEO of the ABTT). It provides an invaluable resource for those looking to build, remodel or conserve theatre buildings, taking into account the significant changes which have taken place in the last twelve years in all aspects of theatre design and technical practice. It locates those changes in the wider context of the need for sustainability in the theatre industry in response to the climate emergency, inclusivity, diversity of access, placemaking and concerns for health and wellbeing. This new edition provides guidance for anyone who seeks inspiration and encouragement to create or improve a place of entertainment or who seeks to understand what might be required to accommodate an audience for the presentation of live performance and the successful use, operation and organisation of such a venue. Its generous format and the thirty-two new reference projects, more than 260 high-resolution colour images and 175 diagrams and specially commissioned plans make it accessible and informative both to the general reader and the professional specialist.
Theatre Responds to Social Trauma: Chasing the Demons (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Ellen W. KaplanThis book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.
There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises
by Aviva Dove-ViebahnThere She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart,There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
There's Work to Be Done.: Words to Live (and Die) By from the Dutton Ranch
by Adams MediaFor the millions of Yellowstone fans, the official quote book There&’s Work to Be Done. captures the advice they live by, the exchanges they remember, and the lines they love to recite.&“There&’s work to be done.&” —Rip Wheeler, Season 1, Episode 6, &“The Remembering&” The characters of Yellowstone don&’t mince words. And that&’s just the way fans like it. From John Dutton&’s sage advice to Beth&’s pointed barbs, the show&’s iconic lines and exchanges live on long after each episode ends. There&’s Work to Be Done. captures those famous—and infamous—quotes in a collection that&’ll brand any Yellowstone fan as a true diehard. With more than 75 quotes and stills from Seasons 1 through 5, they&’ll be able to relive and recite lines such as: -&“You are the trailer park. I am the tornado.&” —Beth Dutton, Season 3, Episode 5, &“Cowboys and Dreamers&” -&“You find out real fast who&’s willing to ride for the brand when they learn they gotta wear it.&” —John Dutton, Season 5, Episode 8, &“A Knife and No Coin&” -&“My tomorrows are all yours.&” —Rip Wheeler, Season 3, Episode 4, &“Going Back to Cali&” -&“Gonna go do some cowboy sh*t now.&” —Walker, Season 5, Episode 7, &“The Dream Is Not Me&” Time to get the work done and ride for the brand with this official Yellowstone quote book.
The Third Space: Body, Voice, and Imagination
by Robert LewisThe Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.The theories and practice are balanced throughout by: introducing the practical works theoretical underpinnings through research, related work, and case studies of performances; demonstrating a full program of exercises that helps performers get in touch with their centre, their space, and shape both within and outside the body; and exploring the performers physiovocal instrument and its connection with imagination, energies, and dynamics. This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.
Thunder on the Stage: The Dramatic Vision of Richard Wright
by Bruce Allen DickRichard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.
To Repair the World: Zelda Fichandler and the Transformation of American Theater (ISSN)
by Mary B. RobinsonThis book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years.As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives.Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
Transnational European Cinema: Representation, Audiences, Identity (Palgrave European Film and Media Studies)
by Huw D. JonesThis book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions from across the continent to explain why viewers are attracted to particular European films, nationalities, and genres, including action-adventures, family films, animations, biopics, period dramas, thrillers, comedies, contemporary drama, and romance. It also examines how these films are financed, produced, and distributed, how they represent Europe and other Europeans, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, Asterix & Obelix: God Save Britannia, and Sammy’s Adventures: A Turtle’s Tale to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, The Girl with the Dragon Tattoo, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can sometimes improve people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. While some popular European arthouse films explore a wider range of nationalities, social issues, and historical events, these mainly appeal to urban-dwelling graduates. They can also sometimes accentuate tensions between Europeans instead of bringing them together. The book discusses what these findings mean for the European film industry, audiovisual policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film.
Transnational Memories and Post-Dicatorship Cinema: Brazil, Chile and Argentina (Palgrave Macmillan Memory Studies)
by Tatiana Signorelli HeiseThis book investigates the role that cinemas in Brazil, Chile and Argentina have played in reconstructing memories of the most recent military dictatorships. These countries have undergone a distinctive post-dictatorship experience marked by unprecedented debates about human rights violations, the silencing of victims and accountability for state crimes. Meanwhile, politically committed filmmakers have created an extensive body of work addressing the dictatorship and its aftermath. This book employs a transnational and comparative approach to examine the strategies that these filmmakers have used to render visible what has remained hidden, to make reappear what has disappeared, and to reinterpret historical actors and events from a contemporary perspective. Through attention to the specific properties of the medium and the socio-historical context in which films have been made, it describes the different cinematic modes of remembering that emerged in response to wider memory frameworks in South America.
Trash and Limits in Latin American Culture
by Micah McKayThe ecological, social, and aesthetic functions of garbage in literature and film from Argentina to Mexico This book looks at the role of waste in Latin American cultural texts from the twentieth and twenty-first centuries and makes the case for foregrounding trash as an object of analysis in literary and cultural studies in Spanish America and Brazil. By considering how writers and filmmakers engage with the theme, Micah McKay argues that garbage illuminates key limits related to the region’s experience with contemporary capitalism. Recognizing trash as an important social reality, McKay traces its appearance in a diverse range of products: novels and documentary films with dumps as settings, short stories whose main characters are garbage pickers, and works that portray writing as a process of piecing together found materials. McKay argues that waste and the problems it poses are key to understanding marginalization, political struggle, and the production of aesthetic value. Drawing on insights from material ecocriticism, discard studies, and biopolitics, McKay theorizes that trash opens a space of reflection on what it means to be human, the possibilities for building community amid catastrophe, gendered notions of labor and care, and the pitfalls of neoliberal environmentalism. McKay shows how trash in literature and film helps readers and viewers contemplate the limits of how we inhabit the planet. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Traveling Auteurs: The Geopolitics of Postwar Italian Cinema (New Directions in National Cinemas)
by Luca CaminatiWhat tensions characterized the relationships between cinema, European Leftists, and emerging postcolonial ideologies after World War II? In Traveling Auteurs, author Luca Caminati analyzes the work of influential Italian filmmakers Roberto Rossellini, Pier Paolo Pasolini, and Michelangelo Antonioni as they engaged politically and aesthetically with the global landscapes and politics of the Cold War period. As documentaries, the films considered in this book record specific manifestations of political sensibilities of the twentieth century. As bodies of work, they reveal that the traveling auteurs who made them were symptomatic actors in complex geopolitical networks. As cultural objects reflecting and shaping contemporaneous debates, they provoke a complex afterlife at home and abroad. In the three chapters dedicated to Rossellini in India, Pasolini in Africa and the Middle East, and Antonioni in China, Caminati pays particular attention both to the reception that these films had in the countries where they were shot and to their legacies in Italian film history. As it follows the entanglements of filmmakers, artists, and activists involved as allies or direct witnesses to momentous political change, this book sheds new light on anticolonial struggles, the reaffirmation of the Non-Aligned Movement, and the consolidation of the Chinese Communist Party.
The Travels of Media and Cultural Products: Cultural Transduction (Routledge Studies in Media and Cultural Industries)
by Enrique Uribe-JongbloedThis book presents the Cultural Transduction framework as a conceptual tool to understand the processes that media and cultural products undergo when they cross cultural and national borders. Using a series of examples from pop culture, including films, television series, video games, memes and other digital products, this book provides the reader with a wider understanding of the procedures, interests, roles, assumptions and challenges, which foster or hinder the travels of media and cultural products. Compiling in one single narrative a series of case studies, theoretical debates and international examples, the book looks at a number of exchanges and transformations enabled by both traditional media trade and the internet. It reflects on the increase of cultural products crossing over regional, national and international borders in the form of video games and TV formats, through music and video distribution platforms or via digital social media networks, to highlight discussions about the characteristics of border-crossing digital production. The cultural transduction framework is developed from discussions in communication and media studies, as well as from debates in adaptation and translation studies, to map out the travels of media and cultural products from an interdisciplinary perspective. It provides a tool to analyse the markets, products, people and processes that enable or constrain the movement of products across borders, for those interested in the practical aspects that underlie the negotiation and transformation of products inserted into different cultural market settings. This volume provides a new framework for understanding the travels of cultural products, which will be of use to students and scholars in the area of media industry studies, business studies, digital media studies, international media law and economics.
Triaging the Streaming Wars (Electronic Media Research Series)
by Robert Alan Brookey Jason Phillips Timothy PollardThis volume considers the different implications of the rise of streaming services and their particular acceleration during the COVID-19 pandemic. Exploring the significant disruption caused to the entertainment industries by the rise of these streaming services, a team of international scholars examine changes to labor issues and compensation, which were central to the conflict between the Writers Guild of America members and their agents, the broadening divide between networks and affiliates, the significant consolidation of the media industry resulting from Disney’s acquisition of Fox ahead of the launch of Disney+, and the variety of business models behind these services that defy the traditional advertising models and standard revenue streams. This thorough and multifaceted look at this rapidly growing section of the entertainment industry will be of interest to academics and students working in film and TV studies, media industry studies, digital media studies, business, and communication studies.
Triaging the Streaming Wars (ISSN)
by Robert Alan Brookey Jason Phillips Timothy PollardThis volume considers the different implications of the rise of streaming services and their particular acceleration during the COVID-19 pandemic. Exploring the significant disruption caused to the entertainment industries by the rise of these streaming services, a team of international scholars examine changes to labor issues and compensation, which were central to the conflict between the Writers Guild of America members and their agents, the broadening divide between networks and affiliates, the significant consolidation of the media industry resulting from Disney’s acquisition of Fox ahead of the launch of Disney+, and the variety of business models behind these services that defy the traditional advertising models and standard revenue streams. This thorough and multifaceted look at this rapidly growing section of the entertainment industry will be of interest to academics and students working in film and TV studies, media industry studies, digital media studies, business, and communication studies.