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Snapple's "Real Facts" have appeared on more than one billion Snapple caps since the initiative began in 2001. Now, two trivia experts have culled the very best and added a host of other trivia to create The Snapple Aptitude Test. Featuring one thousand questions, it challenges readers to test their knowledge of history, geography, science, pop culture, sports, health, literature, and technology. And when the pencils go down, the scoring begins. Achieve 1,000-point perfection and be forever known as a "Real Genius."
DAVE MATTHEWS BAND has one of the largest and most loyal followings of any band today--after twenty years of constant touring and several acclaimed, multiplatinum albums, the members enjoy a connection with their fans that few other acts can match. Ask DMB devotees and they'll happily tell you tales of amazing sold-out summer shows, the stunning venues they've seen the band play all around the world, classic live show recordings . . . and memories of good times with great friends, old and new. For hundreds of thousands of people, affection for DMB goes far beyond simple fan adulation--it's a way of life. Journalist (and fan) Nikki Van Noy bridges the gap between the band and their followers, looking at the DMB phenomenon from all perspectives--including interviews with the band, Charlottesville insiders who knew them in the early days, and, of course, the DMB fans who witnessed it all. This lively, insider book offers insights into: * The beginnings of the band in Charlottesville, VA--which gave rise to the culture of taping and trading live shows, and the early online networking that laid the groundwork for their later explosive success. * The heady success of their first several albums--when the small "club" of DMB fans suddenly became a lot less exclusive. * Their creative misfires in the early 2000s--including the leaked Lillywhite Sessions. * The crushing sudden loss of saxophonist LeRoi Moore--and how the band emerged stronger than ever. A chronicle of the live Dave Matthews Band experience and what it means to be a part of it, So Much to Say is a comprehensive biography of this incredible group and the fans who helped them achieve such enduring success.
A hilarious inside look at the real business of popular music by the drummer of Semisonic that does for rock and roll what Jim Bouton'sBall Fourdid for baseball. After years of working day jobs and making music in his basement, Jacob Slichter wondered if his dreams of rock stardom were a vain illusion. Then he was recruited by two of his successful musician friends to form a band that became Semisonic. Who could forget the smash single "Closing Time," a runaway hit in 1998 that thrust Jake and his bandmates into the international spotlight and helped them sell over two million albums worldwide? But along the road to fame and success came bewilderment and personal chaos:How will we ever get a record deal? Which record company is the best? The worst? Do I really have to wear these ridiculous boots? Why isn't radio playing our song? What if I have a panic attack right here on stage? What should I write on this fan's CD? Am I famous? Why isn't the video director getting more shots of me? Did I say the wrong thing during that interview? Help! So You Wanna Be a Rock & Roll Staris a telling and witty look at what happens just before and during one's time in the spotlight. Jake takes readers on a step-by-step journey of his evolution from fledgling drummer to globetrotting performer and proves to be the perfect guide--feistyandhumbled--to the inner workings of the music industry and instant celebrity. So You Wanna Be a Rock & Roll Starspeaks to all of us who dream again and again of rock superstardom and shows how one kid can go from picking up a pair of drumsticks to picking up a platinum record.
Few jobs in Hollywood are as shrouded in mystery as the role of the producer. What does it take to be a producer, how does one get started, and what on earth does one actually do? In So You Want to Be a Producer Lawrence Turman, the producer of more than forty films, including The Graduate,The River Wild,Short Circuit, and American History X, and Endowed Chair of the famed Peter Stark Producing Program at the University of Southern California, answers these questions and many more. Examining all the nuts and bolts of production, such as raising money and securing permissions, finding a story and developing a script, choosing a director, hiring actors, and marketing your project, So You Want to Be a Producer is a must-have resource packed with insider information and first-hand advice from top Hollywood producers, writers, and directors, offering invaluable help for beginners and professionals alike. Including a comprehensive case study of Turman's film The Graduate, this complete guide to the movie industry's most influential movers and shakers brims with useful tips and contains all the information you need to take your project from idea to the big screen.
Passion, power, sex, betrayal, and seduction--it's all in a day's work. Having escaped to Hollywood after catching her boyfriend in bed with her best friend, London stage actress Kate McPhee is offered a gig on the popular daytime television series Live for Tomorrow. As Devon Merrick-police detective, car crash victim, and love interest for at least two men-she knows all the secrets and sins pulsating in fictional Hope Canyon. But the real drama is off the set, where the soap is indeed slippery. Enter Meredith Contini, the show's power-wielding diva. Meredith has two rules: Know your place and Stay in it. Kate broke both on day one, which is why she suddenly found her character switching sexual orientation. That brilliant solution came from Daphne del Valle, the show's barking-mad obsessive/compulsive producer, who drives herself and her actors to enthrall the audience. ("Sell the hurt. Sell the rage. Sell the hunger. Sell the looooooove. ") As gay detective Devon Merrick, Kate is a smash. The show is a hit. Kate's private life seems to be becoming something of a drama itself. Especially since everybody thinks she really is gay, which is a problem since she thinks the best cure for her real-life broken heart is to get a man into her bed. But who? Kirk, her sexy, tan, and talented leading man, is boffing Meredith. There's Matt, the magician who makes her tea, but will her fourteen-hour days keep them from the promise of tangled sheets? And there's Wyatt, her handsome new co-star, who Kate believes is the great love of her life. Except that he's married, and his wife, Christine, is Kate's new makeup artist and the one sane friend she has made in Los Angeles. As the line between television and reality blurs with increasing speed, tension tightens and passions surge. Does Wyatt want Kate as much as she wants him? Will Christine find out? Will Kate lose her new friend? Will Meredith finally have Kate fired? Will Kate ever get to "come out" as heterosexual on the set? Are her steamy kiss scenes fated to be only with beautiful women? Emmy Award--winning actress Finola Hughes whips up a frothy, scathingly funny novel worthy of any afternoon time slot in this delicious romp that takes readers through the twists, turns, and dish that drive the madness that is daytime television.
Theatre doesn't have much relevance anymore. Or so acclaimed playwright Darren O'Donnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce.
This is the story of one of the world's great philharmonic societies, told by a distinguished conductor and writer. Holoman chronicles the life of the Societe, from its day-to-day operations to its role in creating the canon of orchestral concert music in our culture. In English.
Grammy Award-winning singer and songwriter Janis Ian's memoir of her more than forty years in the music business. Janis Ian was catapulted into the spotlight in 1966 at the age of fifteen when her soul-wrenching song "Society's Child" became a national hit. An intimate portrait of an interracial relationship, "Society's Child" climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. In this fascinating memoir of her life in the music business, Ian chronicles how she did drugs with Jimi Hendrix, went shopping for Grammy clothes with Janis Joplin, and sang with Mel Torm --all the while never ceasing to create unforgettable music. In Society's Child, Ian shares with readers what it felt like to move in and out of the public eye. In 1975 her legendary song "At Seventeen" earned two Grammy awards and five nominations. But during the 1980s she made a conscious decision to walk away from the often grueling music business to study ballet and acting. She also struggled through a difficult marriage that ended with her then husband's threat to kill her. The hiatus from music lasted for nearly a decade until, in 1993, Ian returned with the release of Breaking Silence. Rather than risk losing artistic control, she took out a second mortgage on her home to fund the record. It paid off as Breaking Silencegained Ian her ninth Grammy nomination. Now in her fifth decade, Ian continues to draw large audiences around the globe. Janis Ian has inspired generations of fans and in this moving book she shares the fascinating story of her life in music.
When reporter Steve Lopez sees Nathaniel Ayers playing his heart out on a 2-string violin in LA's Skid Row, he finds it impossible to walk away. At first, he sees it as fodder for his column, but what Lopez begins to unearth about the mysterious street musician leaves an indelible impression. More than 30 years earlier, Ayers had been a promising classical bass student at Juilliard - ambitious, charming, and one of the few African-Americans at the school - until he gradually lost his ability to function, overcome by a mental breakdown. When Lopez finds him, Ayers is alone, suspicious of everyone, and deeply troubled, but glimmers of brilliance are still there.
For everyone whose heart was touched by the movie Rain Man, here is the inspiring true story of an exceptional autistic savant whose musical gifts thrill audiences the world over. Ever since he was born--blind and weighing less than two pounds--Tony DeBlois has been defying the odds and wildly surpassing others' expectations. Tony's story will hold special appeal for all who have seen him on the Today s how and Entertainment Tonight, etc.
Marlon Brando will never cease to fascinate us: for his triumphs as an actor (On the Waterfront, The Godfather, Last Tango in Paris), as well as his disasters; for the power of the screen portrayals he gave, and for his turbulent, tumultuous personal life. Seamlessly intertwining the man and the work, Kanfer takes us through Brando's troubled childhood, to his arrival in New York in the 1940s, where he studied with the legendary Stella Adler, and at the age of twenty-three became the toast of Broadway in A Streetcar Named Desire. Kanfer expertly examines each of Brando's films - from The Men in 1950 to The Score in 2001 - making clear the evolution of Brando's singular genius, while also shedding light on the cultural evolution of Hollywood itself. And he brings into focus Brando's self-destructiveness, his lifelong dissembling, his deeply ambivalent feelings towards his chosen vocation, and the tragedies that shadowed his final years. This is a never-before-seen portrait of one of the most extraordinary talents of the twentieth century.
Grace Slick was the original "great rock diva." As the lead singer of Jefferson Airplane, which produced classics like "White Rabbit" and "Somebody to Love," she was at the forefront of the sixties and seventies counterculture. Now she offers a revealing portrait of the complex woman behind the rock-outlaw image and delivers a behind-the-scenes, no-holds-barred view of rock's grandest stages. Somebody to Love? tells what it was really like during, and after, the summer of love - and how one remarkable woman survived it all to remain today as vibrant and rebellious as ever.
Born in Kansas City in 1909, tenor saxophonist Ben Webster worked with a number of great jazz orchestras before becoming Duke Ellington's first major tenor soloist. His brilliant and troubled career spanned nearly half a century. This biography is based upon interviews with more than 50 people in the U. S. and Europe as well as excerpts from European periodicals and a study of all of Webster's known recordings. Büchmann-Møller is head of the jazz archive at Carl Neilsen Academy of Music in Odense, Denmark. Annotation ©2006 Book News, Inc. , Portland, OR (booknews. com)
Witticisms from the American humorist.
This is the first full-scale biography of what Time Magazine called a 'made-in-the-USA genius' Jerome Robbins (1918-98) helped change American theatre forever with his choreography for Leonard Bernstein's musical On the Town (the one about the three sailors during the course of twenty-four hours in New York City). On Broadway, Robbins virtually invented the concept musical in which music, action and dancing are woven into a seamless whole. His life reflects the creative format of the post-war years, intersecting with the likes of Arthur Miller, Irving Berlin, W. H. Auden, Leonard Bernstein and George Balachine. His work includes The King and I, Pajama Game, Fiddler on the Roof, Gypsy and, most famously, West Side Story. Robbins was part of other important 20th century narratives: the grim drama of the McCarthy blacklist; the emergence of gay culture; the epic of immigrant assimilation. A guarded and secretive man, Robbins had virtually no magazine profiles and no biography in his lifetime, but in 1998 Amanda Vaill was given unprecedented and unique access to Robbins' letters, diaries and meticulously kept journals. This has resulted in a detailed, densely populated narrative with a strong and charismatic central figure - a book that makes readers feel that they are experiencing an extraordinary time for themselves.
MORE WRETCHED WRITING FROM THE CONTEST THAT PROVES "NOTHING IS SO POWERFUL AS A BAD IDEA WHOSE TIME HAS COME." Scott Rice, organizer of the notorious-- and hilarious-- Bulwer-Lytton "bad" writing contest, has once again collected the best opening sentences of the worst novels never published. Here, penned by the literary vigilantes who prowl the subways of literature, is a sampling of winning entries: "'I want something more in life,' Wesley fumed as the lime-scented Jacuzzi bubbles collected between his secretary's breasts." "The November snow was thin and slushy-- almost as if the angels in Heaven were brushing their teeth and dribbling toothpaste over the earth." "Fall had come to the city; the trees had turned to yellows and the winos had turned to reds." As the Tallahassee Democrat said about It Was a Dark and Stormy Night: "This is a book to be enjoyed one stinky sentence at a time." The great literary tradition continues...
When his grandchildren follow Grandpa up the attic stairs, a dazzling show, better than any on TV, is about to begin! Grandpa opens a dusty trunk, pulls out bowler hat and gold-tipped cane, and suddenly we are back in the good old days, the song and dance days. The lights are twinkling, and a vaudeville man is doing the first slippery steps of the old soft shoe. So sit right back and enjoy the show as Karen Ackerman and Stephen Gammell's warm, wondrous Grandpa brings new life to days gone by.
Music and dance became Malka's life as she began her career as a court singer in the erstwhile princely state of Jammu and Kashmir, going on to become an independent performer, whose voice and words are now familiar to millions in the Indian subcontinent.
"All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do" -Nick Hornby What interests Nick Hornby? Songs, songwriters, everything, compulsively, passionately. Here is his ultimate list of 31 all-time favorite songs. And here are his smart, funny, and very personal essays about them, written with all the love and care of a perfectly mastered mixed tape. . .
"Music is a world within itself, with a language we all understand. " --Stevie Wonder, "Sir Duke." In 2003, young professor Ferentz LaFargue traveled to Paris, where his fiancée, Tricia, declared she wasn't happy with their relationship, ending what he thought was a wonderful engagement. After days of "craying"--"that sorrow-laden blend of crying and praying delivered in perfect pitch by those in mourning"--Ferentz happened upon Stevie Wonder's 1976 classic double album Songs in the Key of Life. Listening to it anew was a healing, spiritual trip down memory lane, helping him to come to terms with his breakup and reflect on how songs in general have been linked to his life. In this book, Ferentz invites us to get cozy and listen as he hits PLAY on meaningful tracks from Wonder and others, including Lauryn Hill, Wyclef Jean, LL Cool J, Beenie Man, Sheryl Crow, Roberta Flack, Donny Hathaway, and Black Sabbath. He recalls: How the fusion of rock and rap in the breakthrough Run-D. M. C. /Aerosmith video "Walk This Way" helped to change an adolescent Ferentz from outcast to authority figure How Michael Jackson'sThriller brought back a traumatic childhood experience How Kanye West's "Jesus Walks" speaks to the tension between his Christian beliefs and his need to rip it up in clubs as a hip-hop head In the tradition of Nick Hornby's Songbook¸ these words paint a portrait of a life framed by sounds, allowing all of us to think about what songs have been key in our own lives.
Songwriting: Methods, Techniques and Clinical Applications for Music Therapy Clinicians, Educators, and Studentsby Felicity Baker Tony Wigram
This resource for music therapy clinicians, educators, and students describes the effective use of songwriting in working with a variety of client populations. Twelve case examples from experienced practitioners demonstrate how to apply therapeutic songwriting to meet the particular needs of (for example) children at a child and family psychiatric unit, teenagers in a mainstream secondary school, adults recovering from traumatic brain injuries, and hospice patients from diverse cultural backgrounds. The text is accompanied by notated examples of songs produced in therapy. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
Led by Il Maestro, the evil Sons of Entropy are assaulting the mansion that holds back the realm of monsters and stealing the life force from the besieged Gatekeeper.
Biography of the famous actress Sophia Loren up to 1979.
Sophocles' Antigone comes alive in this new translation that will be useful for academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatricality. She provides an analytical introduction and comprehensive notes, and the edition includes an essay by director Karen Libman. Antigone begins after Oedipus and Jocasta's sons have killed each other in battle over the kingship. The new king, Kreon, decrees that the brother who attacked with a foreign army remain unburied and promises death to anyone who defies him. The play centers on Antigone's refusal to obey Kreon's law and Kreon's refusal to allow her brother's burial. Each acts on principle colored by gender, personality and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for compromise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today.
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