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The Book You Read to Teach Your Children: 8 Ways to Keep Learning at Home Fun
by Katie Tollitt"Really useful, positive and reassuring. Just what parents need right now!" Lizzie Loves HealthyAre you worried your child has fallen behind while schools have been closed? Do you want to support your child's learning at home but worry that everyone just ends up stressed and switches off?Could this be doing more harm than good? It's time to let primary school teacher and education influencer Katie Tollitt take the sting out of home learning. Covering eight key principles for how to approach learning in way that maximises fun, and minimises stress, this short accessible book emphasises the need for flexibility, conversation and openness.It will help you ask the right questions and understand how your attitude towards learning impacts your children. Full of practical tips, suggestions and judgment-free advise, it's the closest thing to having a teacher with you at home.
Booking and Tour Management for the Performing Arts
by Rena ShaganThis third edition of Booking and Tour Management for the Performing Arts has been updated to include information about the revolutionary new ways that performers, managers, and presenters are using the Internet to transform the business of booking live performing events. Special chapters by outside experts provide in-depth information about what presenters need from artists, the technical aspects of touring, the unique demands of touring abroad, and touring through the eyes of the artist. The book includes a Tour Manager's Resource Kit and numerous other ready-to-use sample materials, including a contract, letter of agreement, technical information questionnaire, performance checklists, calendars, schedules, tour budget model, technical glossary, and much more.
Booking Performance Tours
by Tony MicocciBooking Performance Tours is the quintessential guide for anyone involved in the touring of live arts and entertainment-as a producer, artist, presenter, agent, manager, or attorney. Industry insider Tony Micocci shares keen insights on: --Relationships among producers, agents, managers, and presenters --Negotiating styles --Taxation --Technology --Ethics in professional dealings --Booking strategies --Nonprofit versus commercial touring --Special considerations for booking Broadway and popular music --International touring --External factors affecting the field Booking Performance Tours includes nearly 100 pages of appendixes containing engagement contracts, technical riders, deal memos, and representation contracts, with extensive point-by-point analyses of all provisions. This book is destined to become the classic reference for the industry.
Booking Performance Tours: Marketing and Acquiring Live Arts and Entertainment
by Tony MicocciPack up the costumes and the instruments! It's time to take your show on the road. For anyone who manages, produces, represents, or works in a repertory theater, dance company, or next-hot-thing band, Booking Performance Tours presents all the information needed to book live shows. The process is complex--presenters, agents, lawyers, board members, investors, funders, transporters, freight companies, and artists are all involved--but this book makes it simple by breaking it all down into manageable pieces, explained in a straightforward, readable style. Full information on riders, negotiating, documents, taxes, tech, media, and many more essential details is included. Get this book, and hit the road!
Booky Wook 2: This Time It's Personal
by Russell BrandPicking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).
Boolar’s Big Day Out
by Sally GardnerAfter Boolar is asked to join a puppet theater he forgets about the dolls and mice who have been his family, until a crisis helps him regain perspective.
Boom Chicago Presents the 30 Most Important Years in Dutch History
by Andrew Moskos Pep RosenfeldAn exciting history of the improv group you've never heard of that changed comedy in America—this is the story of Boom Chicago in Amsterdam as told by its founders and most famous alumni. "It’s kind of crazy, the impact on culture so many Boom Chicago alums have had. Boom was where I became my best comedic self: the excitement of Amsterdam, the freedom of that environment, the letting loose—it's magic. There's no better training ground." —Jordan Peele "Boom Chicago should have ended up on the scrap heap of 'Terrible Ideas Americans Have While Stoned in Amsterdam.' But when you stubbornly love one thing (comedy) as much as another thing (Amsterdam), you just believe they should be together. And here we are—thirty years later, Boom Chicago is alive and kicking." —Seth Meyers "Working at Boom Chicago was an unbelievable experience. Thank goodness someone was smart enough to write it all down! You're lucky 'cause you get to read about THE most exciting, fun, and illegal time I've ever had!" —Amber Ruffin Featuring interviews with: Meyers, Peele, Ruffin, Jason Sudeikis, Ike Barinholtz, Greg Shapiro, Kay Cannon, and many more; and a sixteen-page, full-color insert with both behind-the-scenes snapshots and images from live performances. What do Ted Lasso, Get Out, Late Night with Seth Meyers, 30 Rock, A Black Lady Sketch Show, Breaking Bad, Saturday Night Live, Girls5Eva, The Colbert Report, Inside Amy Schumer, Pitch Perfect, Key & Peele, The Daily Show, MADtv, Rick and Morty, The Amber Ruffin Show, Horrible Bosses, Portlandia, It's Always Sunny in Philadelphia, Suicide Squad, Superstore, How I Met Your Mother, Wicked, The Pee-Wee Herman Show, Brooklyn Nine-Nine, and Broad City all have in common? They all feature writers, creators, directors, or stars who got their start at Boom Chicago. Having risen roughly to the middle of Chicago's cutthroat comedy scene, Andrew Moskos and Pep Rosenfeld decamped the Midwest for Amsterdam, Netherlands in 1993 to start their own improv comedy troupe, Boom Chicago. In a foreign land with zero tradition of English-language humor, Moskos and Rosenfeld unwittingly created the finishing school for some of today's most groundbreaking comedic talents. They (along with coauthors Matt Diehl and Saskia Maas) document this journey in the definitive oral history Boom Chicago Presents the 30 Most Important Years in Dutch History. From its stages, Boom Chicago went on to launch cultural game changers like Seth Meyers, Jordan Peele, Amber Ruffin, Jason Sudeikis, Brendan Hunt, Ike Barinholtz, Kay Cannon, and Tami Sagher (and that's just a partial list). At Boom, these young upstarts honed their craft in front of unsuspecting foreign audiences and visiting dignitaries like Burt Reynolds, Run-DMC's Jam Master Jay, Dutch royalty, and the Netherlands's prime minister—all while navigating a world with legal weed and prostitution, annual holiday celebrations involving blackface, cookies with weird racist names, and football that has nothing to do with the NFL. From this culture shock, this collective created a more topical, inclusive, tech-savvy humor that would become the dominant comedy style of our time. Praise for Boom Chicago: "The Groundlings. The Harvard Lampoon. Second City. These comedy institutions have been supplying Hollywood with a steady stream of talent for decades. Well, there's another name—almost as influential—that you've never heard of: Amsterdam's Boom Chicago. Huh?"—G.Q. "A small theater in Amsterdam became the most influential American comedy factory you've never heard of . . . Boom alums have had a significant hand in many of the shows that defined the past two decades of comedy." —New Yor
Boomi's Boombox
by Shanthi SekaranAcclaimed author Shanthi Sekaran delivers a powerful story about grief, family, dance, and friendship that follows a young girl who accidentally travels back in time to meet her dad as a child that will change her life forever. Perfect for fans of The Thing About Jellyfish and The Ethan I Was Before. A Junior Library Guild Selection! When Boomi’s dad dies of Covid, the rest of her life topples like a row of dominoes. First her best friend, Bebe, stops talking to her. Then she gets kicked out of her ballet academy. Her mom becomes hyper focused on her weight. Her grandmother sinks further into the shadows of her mind.Then Boomi is given one last gift from her dad: his old boombox. Inside it, she finds a mix tape and a note: You can change your life. When she presses play on the boombox, her life really does change: she’s magically transported to Thumpton-on-Soar, England, 1986. And her dad’s there!But he doesn’t know he’s her dad—he’s twelve, just like Boomi. Boomi starts to see what being twelve was like for her dad, growing up Indian in a town that wanted to silence people like him. She starts to understand why he never went back. But why is Boomi sent back to Thumpton? Is she supposed to save her dad? Or change her life?
Boot Camp: Book 2 (Rock War #2)
by Robert MuchamoreJay, Summer, Dylan and their bands are headed for boot camp at uber-glamorous Rock War Manor. It's going to be six weeks of mates, music and non-stop partying as they prepare for stardom.But the rock-star life of music festivals and glitzy premieres isn't all it's cracked up to be. Can the bands hold it together long enough to make it through the last stage of the competition, or will there be meltdown?The second book in this spectacular series by the bestselling Robert Muchamore, author of CHERUB.
Boot Camp: Book 2 (Rock War #2)
by Robert MuchamoreJay, Summer, Dylan and their bands are headed for boot camp at uber-glamorous Rock War Manor. It's going to be six weeks of mates, music and non-stop partying as they prepare for stardom.But the rock-star life of music festivals and glitzy premieres isn't all it's cracked up to be. Can the bands hold it together long enough to make it through the last stage of the competition, or will there be meltdown?(P) Hodder Children's Books 2016
The Bootlace Magician
by Cassie BeasleyWelcome back to Circus Mirandus . . . a place with magic so wondrous, you need to believe it to see it.Micah Tuttle--magician in training--lives and works at Circus Mirandus alongside his guardian, the ancient and powerful Lightbender. The circus is a place filled with dazzling fire shows, stubborn unicorns, and magicians from every corner of the world. And Micah is doing everything he can to prove he belongs there. When a dangerous enemy from the past threatens his new home, Micah will have to untangle the mystery of his own potent magic, and he'll have to do it fast. With trouble this deadly on its way, every magician will need to be ready to fight. Even the youngest.
Bootleg
by Damon WayansNothing is too outrageous for Damon Wayans. Whether he's talking about family, celebrities, racism, relationships, politics, or sex, Damon takes no prisoners. And in Bootleg, he brings it all on, uncut and uncensored:Marriage...What are the scariest words known to man? "Till death do us part." Why not until my car breaks down? Or until I run out of money?I hate marriage counselors. This is the biggest scam in the world. Someone figured out a way that women can do the things they love best at the same time: talk and spend money.Thoughts on celebrities, like Oprah, Mike Tyson, Dr. Kevorkian, Gary Coleman, and...There's something worse than having HIV, ask 0.J.Imagine being alienated from the world, totally alone with no one wanting to have anything to do with you. I'll take the Ebola virus over what he got.When I found out that Steven Spielberg has two black kids, I was amazed. Where did he get these kids from? Were they props left over from The Color Purple?"The Dozens, a Favorite Childhood Game..."Damon, your mother is so fat she has to take her pants off just to get into her pockets.""Yeah, well, your mother's so poor she can't even pay attention.""Oh, yeah, well your sister is so ugly, they have to tie a pork chop around her neck so that the dog will play with her.""Yeah, well, your mother is so black every time she goes to night school the teachers mark her absent."Living in LA...I'm afraid of earthquakes, especially because I have kids to think about. I remember once after a big earthquake I was standing outside my house, butt-naked, thinking, "Man, I hope them kids make it out here. And I hope they're smart enough to wake up their mama, `cause this place is shaking."Black Leaders...I must have been asleep the day they elected Al Sharpton as the black representative. He is the only leader in history to show up to a rally wearing a tight red velour sweat suit with a roller in the front of his hair.Filled with laughs, craziness, and lots of truth, Bootleg will leave you hurting for more!Who went and told Magic Johnson that he should do a talk show? Anybody who repeatedly says "bassetball" doesn't have any business doing a talk show. I'm sure that sometimes in his life someone tried to correct him. When he was a little boy his mom must've tried:Magic's Mother: Hey, Earvin, what are you going to be when you grow up?Magic: I wanna play BASSETBALL.Magic's Mother: Now, Earvin, its called BAS-KET-BALL. BASKETBALL.Magic: That's what I said, BASSETBALL. BASSETBALL, BASSETBALL.Magic's Mother: Well, baby, I hope you can play it, 'cause you sure can't say it.
Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution (The History of Media and Communication)
by Eleanor PattersonHow fan passion and technology merged into a new subculture Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries. Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.
Bootsie Barker Ballerina (I Can Read! #My First Guided Reading)
by Barbara BottnerLisa asks her friend Bernie to come to ballet class. She is afraid to go alone. Bootsie Barker might be there! Bernie figures ballet can't be that bad--it might even help him improve his jump shot. Besides, Lisa is his friend. Sure enough--Bootsie Barker turns up at ballet class, yelling, "I hate ballet. I hate boys even more." And she means it! Will she make Lisa and Bernie wish they knew how to outsmart her? You bet, you bet, you double bet! Ballet class will never be the same after Bootsie Barker, ballerina.
Border Bandits: Hollywood on the Southern Frontier
by Camilla FojasThe southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U. S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts. Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core "American" values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U. S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as Duel in the Sun, The Wild Bunch, El Norte, The Border, Traffic, and Brokeback Mountain, Fojas demands that we reexamine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas.
Border Cinema: Reimagining Identity through Aesthetics (Global Media and Race)
by Frederick Luis Aldama José Capino Rosa-Linda Fregoso Nurith Gertz Jennifer Harford Vargas Marina Hassapopoulou Elena Lahr-Vivaz Yael Munk Anita Pinzi Anat ZangerThe rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
Border-Crossing and Comedy at the Théâtre Italien, 1716–1723 (Transnational Theatre Histories)
by Matthew J. McMahanHow do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.
Border Crossings and Mobilities on Screen (Routledge Studies in Development, Mobilities and Migration)
by Ruxandra TrandafoiuBorder Crossings and Mobilities on Screen explores the movement, fluidity and change characterizing contemporary life, as represented on screen media, from mobile devices, to television, film, computers, video art and advertising displays. People have never moved around more, and increasingly migration and mobility has come to shape both our understandings of ourselves, and the ways in which we interpret and mediate the world we live in. As people move, media plays a key role in shaping and reshaping identity and belonging, opening the doors to transnational and transcultural participation. Drawing on screen media case studies from around the world, this book demonstrates how screen mobilities reconfigure notions of space, place, network and border regimes. The increasing ease of consumption and production of media has allowed for an unprecedented fluidity and mobility of class, gender, sexuality, nation and transnation, individual freedoms and aspirations. Putting people at the core of the book, this book shows the many ways in which people are using screen media to create identity, participation and meaning. The rich picture built up over the many chapters of this interdisciplinary volume raise important questions about the nature of contemporary media experiences. At a time of great change in the ways in which people move and connect with each other, this book provides an important global snapshot for researchers across the fields of media, communication and screen studies; sociology of communication; global studies and transnationalism; cultural studies; culture and identity; digital cultures; travel, tourism and place.
Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition
by Gene Fowler Bill Crawford&“Border Radio tells the 50,000-watt clear-channel story of the most outrageous and audacious phenomenon to ever hit the airwaves.&”—Los Angeles Times Before the Internet brought the world together, there was border radio. These mega-watt &“border blaster&” stations, set up just across the Mexican border to evade U.S. regulations, beamed programming across the United States and as far away as South America, Japan, and Western Europe. This book traces the eventful history of border radio from its founding in the 1930s by &“goat-gland doctor&” J. R. Brinkley to the glory days of Wolfman Jack in the 1960s. Along the way, it shows how border broadcasters pioneered direct sales advertising, helped prove the power of electronic media as a political tool, aided in spreading the popularity of country music, rhythm and blues, and rock, and laid the foundations for today&’s electronic church. The authors have revised the text to include even more first-hand information and a larger selection of photographs. &“The magic of [a] wildly colorful chapter in broadcast history lives on in this entertainingly informative look at the forces and the people who contributed to the rise of the medium.&”—Chicago Tribune &“Characters like Wolfman Jack, Reverend Ike, Norman Baker, &“Dr.&” J. R. Brinkley, Pappy O&’Daniel and others were master showmen and tremendously successful salesmen. Secret-formula medicines, magic prayer cloths, Crazy Water Crystals, and goat-gland rejuvenations are just part of this often hilarious telling of this outrageous period in broadcast history.&”—Variety &“If you&’re wondering where Herbalife, Home Shopping Network, No-Money-Down Seminars, and Jim and Tammy Bakker found their inspiration and techniques, look no further than this superb book.&”—Dallas Morning News
Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves
by Gene Fowler Bill CrawfordBefore the Internet brought the world together, there was border radio. These mega-watt "border blaster" stations, set up just across the Mexican border to evade U. S. regulations, beamed programming across the United States and as far away as South America, Japan, and Western Europe. This book traces the eventful history of border radio from its founding in the 1930s by "goat-gland doctor" J. R. Brinkley to the glory days of Wolfman Jack in the 1960s. Along the way, it shows how border broadcasters pioneered direct sales advertising, helped prove the power of electronic media as a political tool, aided in spreading the popularity of country music, rhythm and blues, and rock, and laid the foundations for today's electronic church. The authors have revised the text to include even more first-hand information and a larger selection of photographs. Gene Fowler and Bill Crawford are freelance writers in Austin, Texas.
Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves (Revised Edition)
by Gene Fowler Bill CrawfordThis book traces the eventful history of border radio showing how border broadcasters pioneered direct sales advertising, helped prove the power of electronic media as a political tool, aided in spreading the popularity of country music, rhythm and blues, and rock, and laid the foundations for today's electronic church.
Border Witness: Reimagining the US-Mexico Borderlands through Film
by Michael DearWhat a century of border films teaches about the real and imagined worlds of the US-Mexico borderlands—and how this understanding helps build better relations across boundaries. Border Witness is an account of cultural collision and fusion between Mexico and the United States, as seen on the ground and in films from the past hundred years. Blending film studies with political and cultural geography, Michael Dear investigates the making of cross-border identity and community in the territories between two nations. Border Witness introduces a new "border film" genre just now entering its golden age. A geographer and activist, Dear adopts an accessible and engaged perspective, combining the stories told by these films with insights drawn from his own decades-long research and travel. From early silent films to virtual reality, and from revolution to the present global crisis, border films provide fresh evidence for real and imagined politics and for envisioning future transborder architectures carved from in-between spaces. In an era of global geopolitics that favors walls and war over diplomacy, Dear's insights have relevance for borders around the world.
Borderland Films: American Cinema, Mexico, and Canada during the Progressive Era
by Dominique Brégent-HealdThe concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large.Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Brégent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States’ relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.
Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre (Routledge Advances in Theatre & Performance Studies)
by Cecilia Josephine AragónThis book chronicles the child performer as part of the Chicana/o/Mexican-American theatre experience. Borderlands Children’s Theatre explores the phenomenon of the Chicana/o/Mexican-American child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Chicana/o/Mexican-American child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Chicana/o/Mexican-American children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
Bored Games: 100+ In-Person and Online Games to Keep Everyone Entertained
by Adams MediaMake your next party a hit and keep all your guests entertained with these 100 fun and easy party games like Fishbowl, Guess that Tune, and more! Planning a party can be stressful and hosting a bad party can ruin your social life! There&’s nothing worse than inviting people over and having nothing planned for them to do. With Bored Games you can make sure that never happens again! This book has everything you need to make your next get together a success! With 100 classic party games, including ice breakers, truth or dare variations, races and relays, trivia games, contests of strength and speed, minute challenges, and so much more, you can avoid awkward small talk and get your guests laughing, interacting, and having fun in no time! Games include: -How&’s Yours? -Improv in a Bag -Back-to-Back Sumo -Broom Spin and Dodge -And more!