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Gifts of Her Spirit: Poems
by Mary Brigh CassidyA poignant collection of poems written by a dedicated Franciscan sister and the former hospital administrator of Saint Marys Hospital during a lifetime of dedication, this is a work that celebrates the seasons of life and brings insight—and a smile—to readers everywhere.During her fifty-five-year career at Saint Marys Hospital in Rochester, Minnesota, Sister Mary Brigh Cassidy remained a common person with uncommon capabilities. To whatever position she held, she brought a business acumen that was legendary, though she was quick to dismiss her extraordinary gifts for leadership as ordinary. Even though she worked tirelessly as the hospital administrator, caring for patients and leading the hospital through unparalleled growth, she found time at the end of her busy days to write poetry and reflect on spirituality, nature, and a life dedicated to service. Composed between the years of 1928 and 1968, the poems in Gifts of Her Spirit paint a picture of life through the Great Depression, World War II and post-war events—though, like Emily Dickinson and Jane Austen, Cassidy created her own world of words that was parallel to, but separate from, the great events around her. Her poetry often uses images from nature to capture the beauty and poignancy found in the seasons of the church and in the seasons of life—each with its own purpose, challenges, and rewards. Gifts of Her Spirit is a curation of approximately sixty of Cassidy&’s poems, all arranged according to the Liturgical Calendar of the Catholic Church. From limericks to meditations, they gesture gently to the beauty of nature&’s surroundings, provide strength for life&’s challenges, and encourage the reader to look within themselves and to eternity. For those who knew Cassidy, her life itself was a gift of the Spirit. For those who read these poems, the wonder of that gift is revealed through her words.
Gigantic Cinema: A Weather Anthology
by Alice Oswald & Paul KeeganA luminous, "deliciously playful" (Rishi Dastidar, Guardian) anthology of poems and prose inspired by the weather. In three hundred varied entries, Gigantic Cinema narrates the weather of a single capricious day, from dawn through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night, and back to dawn again. It includes reactions both formal and fleeting—weather rhymes, journals and jottings, diaries and letters—to the imaginary and actual drama unfolding above our heads. Ranging from Homer’s winds and Ovid’s flood to Frank O’Hara’s sun, Pliny’s reportage on the eruption of Vesuvius to Elizabeth Bishop’s “Song for a Rainy Season,” Gigantic Cinema offers an expansive collection of writing inspired by the commotion of the elements. Rather than drawing attention to authors and titles, entries appear as a medley of voices; as editors Alice Oswald and Paul Keegan write in their stunning introduction, the excerpts ask to be read “with no hat, no coat, no preconceptions, encountering each voice abruptly, as an exclamation brought on by the weather.” Assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on the oldest conversation of all.
The Gilded Auction Block: Poems
by Shane McCraeAn incisive new collection of poetry on political and contemporary themesI’m made of murderers I’m madeOf nobodies and immigrants and the poor and a whole / Family the mother’sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.
The Gilded Auction Block: Poems
by Shane McCrae'Beautifully up-to-date, old-fashioned work, where the dignity of English meters meets, as in a mosh pit, the vitality - and often the brutality - of American speech' Dan Chiasson, New Yorker'Shane McCrae is one of our best, a great poet who mines the rhythms and vernacular of America, excavating the most exquisite of poems. His work is risky, not risqué; intelligent, not clever; deep, not jocular surface play. He is sui generis' Rabih AlameddineI'm made of murderers I'm madeOf nobodies and immigrants and the poorand a whole / Family the mother'sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book's four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.
Gilgamesh (G - Reference, Information and Interdisciplinary Subjects #6)
by Gary Beckman"A comprehensive Introduction with a light touch (Beckman), a poetic rendering with verve and moxie (Lombardo): This edition of the colossal Babylonian GilgameshEpic should satisfy all readers who seek to plumb its wealth and depth without stumbling over its many inconvenient gaps and cruxes. A fine gift to all lovers of great literature." —Jack M. Sasson, Emeritus Professor, Vanderbilt University and The University of North Carolina at Chapel Hill
Gilgamesh: A New Rendering In English Verse
by David FerrySince the discovery over one hundred years ago of a body of Mesopotamian poetry preserved on clay tablets, what has come to be known as the Epic of Gilgamesh has been considered a masterpiece of ancient literature. It recounts the deeds of a hero-king of ancient Mesopotamia, following him through adventures and encounters with men and gods alike. Yet the central concerns of the Epic lie deeper than the lively and exotic story line: they revolve around a man's eternal struggle with the limitations of human nature, and encompass the basic human feelings of lonliness, friendship, love, loss, revenge, and the fear of oblivion of death. These themes are developed in a distinctly Mesopotamian idiom, to be sure, but with a sensitivity and intensity that touch the modern reader across the chasm of three thousand years. This translation presents the Epic to the general reader in a clear narrative.
Gilgamesh
by Derrek HinesIn his thrillingly contemporary retelling of the world's oldest epic, award-winning poet Derrek Hines brings us as close as we may ever come to re-creating the power it had over its original listeners more than four thousand years ago in the ancient Near East.Gilgamesh, the semi-divine ruler of Uruk, is a larger-than-life bully and abuser of his people. In order to tame the arrogant king, the gods create the wild and handsome Enkidu. But after Enkidu and Gilgamesh become fast friends, they defy the gods in a series of outsized adventures that brings Gilgamesh face to face with both loss and death itself. Hines energizes this timeless tale with vivid and electrifyingly modern images, from the goddess Ishtar cracking the sound barrier, to a battlefield nightmare of spectral snipers and exploding hand grenades, to the CAT-scan image of a dying friend. The themes of love and friendship, grief, despair, and hope had their first great expression in this story, and this dazzling new interpretation brings us into its thrall again.From the Trade Paperback edition.
Gilgamesh
by John Maier John GardnerThe story of Gilgamesh, an ancient epic poem written on clay tablets in a cuneiform alphabet, is as fascinating and moving as it is crucial to our ability to fathom the time and the place in which it was written. Gardner's version restores the poetry of the text and the lyricism that is lost in the earlier, almost scientific renderings. The principal theme of the poem is a familiar one: man's persistent and hopeless quest for immortality. It tells of the heroic exploits of an ancient ruler of the walled city of Uruk named Gilgamesh. Included in its story is an account of the Flood that predates the Biblical version by centuries. Gilgamesh and his companion, a wild man of the woods named Enkidu, fight monsters and demonic powers in search of honor and lasting fame. When Enkidu is put to death by the vengeful goddess Ishtar, Gilgamesh travels to the underworld to find an answer to his grief and confront the question of mortality.From the Trade Paperback edition.
Gilgamesh: A Verse Narrative
by Herbert MasonHerbert Mason's best-selling Gilgamesh is the most widely read and enduring interpretation of this ancient Babylonian epic. One of the oldest and most universal stories known in literature, the epic of Gilgamesh presents the grand, timeless themes of love and death, loss and reparations within the stirring tale of a hero-king and his doomed friend. A finalist for the National Book Award, Mason's retelling is at once a triumph of scholarship, a masterpiece of style, and a labor of love that grew out of the poet's long affinity with the original.
Gilgamesh
by Stephen MitchellThe hero is 16 feet tall. He is the king of Uruk, in the Iraq of about 2750 BCE, and he is a despot, running afoul of even the gods. The man who is his soul mate, lover and spouse is Enkidu, who was once wild and naked but was tamed by the erotic ministrations of a temple priestess. When their preemptive strike on a monster of evil results in the death of Enkidu, Gilgamesh's desperate mourning and search for a way to avoid a similar fate leads him to understand, at the end of the world, that the best ...
Gilgamesh: The Life of a Poem
by Michael SchmidtReflections on a lost poem and its rediscovery by contemporary poetsGilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today.Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing.In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.
The Gingerbread Man Loose on the Fire Truck (The Gingerbread Man Is Loose #2)
by Laura MurrayA visit to a fire house is always fun, but it's even more exciting when the Gingerbread Man comes along!Guess who gets to go along on a field trip to the firehouse? The Gingerbread Man! But when he falls out of his classmate's pocket, Spot the Dalmatian comes sniffing around. Luckily, this Gingerbread Man is one smart cookie, and he races into the fire truck, up the pole, and all through the station, staying one step ahead of the hungry dog the whole time. Then an emergency call comes in and the Gingerbread Man knows just what to do:&“I&’ll ride to the rescue, as fast as I can.I want to help, too! I&’m the Gingerbread Man!&”With snappy rhymes and fresh illustrations, the Gingerbread Man makes a sweet return in his second school adventure.
The Ginkgo Light
by Arthur Sze"Classically elegant."--The New York Times Book ReviewSze's free verse emphasizes at once how difficult, and how necessary, it is for us to imagine our world as a system whose ecologies and societies require us to care for all their interdependent parts." --Publishers Weekly"Sze's list-laden sequences capture the world's manifold facts one by one, then through discursive commentary exact from them a sense not only of aesthetic order but of universal cause and effect."--Boston Review"Sze...here captures the energy of life in overshadowed daily events....His poems mine everything from geography, history, and biology to philosophy and nature, interweaving them to create a complex and luminous poetic texture....His poetry is an experience of awakening and pleasure that all serious students of contemporary poetry should have." --Library Journal"Whether incorporating nature, philosophy, history, or science, Sze's poems are expansive. They unfold like the time-slowed cinematic recording of a flower's blooming...Sze has a refreshingly original sensibility and style, and he approaches writing like a collagist by joining disparate elements into a cohesive whole." --BooklistA temple near the hypocenter of the atomic blast at Hiroshima was disintegrated, but its ginkgo tree survived to bud and bloom. Arthur Sze extends this metaphor of survival and perseverance to transform the world's factual darkness into precarious splendor. "Each hour teems," Sze writes, as he ingeniously integrates the world's miraculous and mundane--a woodpecker drilling a utility pole or a 1300-year-old lotus seed--into a moving, visionary journey.Mayans charted Venus's motion across the sky,poured chocolate into jars and interred themwith the dead. A woman dips three bowls intohair's fur glaze, places them in a kiln, anticipatesremoving them, red-hot, to a shelf to cool.When samba melodies have dissipated into air,when lights wrapped around a willow have vanished,what pattern of shifting lines leads to Duration?Arthur Sze, one of America's leading poets, is the author of nine books of poetry and translation. He is professor emeritus of creative writing at the Institute of American Indian Arts and just completed a term as Poet Laureate of Santa Fe, New Mexico.
Ginsberg: A Biography
by Barry MilesBarry Miles has accounted the life of one of the most extraordinary poets. Drawing on his long literary association with Ginsberg, as well as on the poet's journals and correspondence, he presents an account of a controversial life.
A Giraffe and a Half
by Shel SilversteinFrom Shel Silverstein, the New York Times bestselling author of Where the Sidewalk Ends and The Giving Tree, comes a riotous rhyming picture book about a boy and his giraffe! Featuring rhythmic verse and iconic illustrations, A Giraffe and a Half will surely leave every reader, young and old, laughing until the very end. Beloved for over fifty years, this classic captures Silverstein’s signature humor and style.If you had a giraffe and he stretched another half, you would have a giraffe and a half. But what happens if you glue a rose to the tip of his nose? Or if you used a chair to comb his hair? Join this giraffe on a rollicking and ridiculous journey that will charm readers from beginning to end. And don't miss Runny Babbit Returns, the new book from Shel Silverstein!
Girl after Girl after Girl: Poems (Barataria Poetry)
by Nicole CooleyThe poems in Girl after Girl after Girl celebrate the connections between mothers and daughters from generation to generation. Through an acknowledgment of mothers’ unconditional love, the memories evoked by physical objects, and the stories mothers pass down, these poems explore the common thread that stretches backward and forward, running through the lives of women and binding them together in an unbroken chain of years.
The Girl and the Goddess: Stories and Poems of Divine Wisdom
by Nikita GillBestselling poet, writer, and Instagram sensation Nikita Gill returns with an innovative novel in verse, exploring Hindu mythology and legend.Let her be a little less human, a little more divineGive her heart armor so it doesn't break as easily as mineMeet Paro. A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.
Girl Coming In for a Landing: A Novel in Poems
by April Halprin WaylandYou walk into class-- my head clears. No kidding. You are my aspirin. One girl. One school year. All poems. From friends to first dates, school dances to family fights, this inspiring collection captures the emotional highs and lows of teen life with refreshing honesty and humor. With an authentic voice full of wit and insight,Girl Coming In for a Landing is just like high school: impossible to walk away from unchanged.
Girl Made of Glass
by Shelby LeighIf you think often about the past or battle with overthinking and self-esteem, girl made of glass is for you. This collection is about finding yourself, forgiving yourself, and loving yourself. It explores the many ways our past haunts us, but will leave you feeling hopeful about your future.girl made of glass is a poetry collection about how our past—past mistakes, relationships, and regrets—can linger into our future. Broken into four parts, this book is about finding, forgiving, and loving ourselves. The Nightmares explores our past and the moments that haunt us. The Mirror delves into insecurity and how we might haunt ourselves. The Shattering investigates relationships and how they can break us. The Enchantment delivers an uplifting conclusion of self-love and growth.
Girl with Death Mask (Blue Light Books)
by Jennifer GivhanThe prize-winning poet &“crafts a clear-eyed narrative of Latina womanhood in this lovely collection ripe with longing, hope, and broken faith&” (Publishers Weekly). Winner of the Pleiades Editors&’ Prize and Miller Williams Poetry Prize, poet Jennifer Givhan now explores the path from girlhood to womanhood through love, tequila, sex, first periods, late nights, abuse, and heartache. She describes a journey brimming with transformative magic that heals even as it shatters. In four rich movements of poems, Givhan profiles the suffering and the love of a Latina girl who enters motherhood while coming to terms with sexual trauma. Her daughter is a touchstone of healing as she seeks to unravel her own emotions and protect the next generation of women. Givhan uses changing poetic forms to expose what it means to mature in a female body swirling with tenderness, violence, and potential in an uncertain world.
Girldom
by Megan PeakMegan Peak's debut collection Girldom chronicles coming of age as a woman: the violence of discovery, the evolution of sexuality, and the demanding yet necessary acts of self-preservation and resistance. Amid landscapes of wasps and nettle, cold moons and icy rivers, daughters navigate trauma and desire, sisters bear witness to each other s trajectories, and girls experience worlds of both rage and tenderness. There is an impounded beauty in Girldom, the beauty of a healing wound. Compressed yet explosive, these poems shake like fists and vibrate with the seeking of voice. "I was a girl before I was anything else," the poet writes. In the midst of the #MeToo movement, Peak's book is timely and timeless in its confrontation of the constraints and concerns bound up in being a girl.
Girls Like Us
by Elizabeth HazenGirls Like Us is packed with fierce, eloquent, and deeply intelligent poetry focused on female identity and the contradictory personas women are expected to embody. The women in these poems sometimes fear and sometimes knowingly provoke the male gaze. At times, they try to reconcile themselves to the violence that such attentions may bring; at others, they actively defy it. Hazen's insights into the conflict between desire and wholeness, between self and self-destruction, are harrowing and wise. The predicaments confronted in Girls Like Us are age-old and universal—but in our current era, Hazen's work has a particular weight, power, and value.
The Girls of Peculiar
by Catherine PierceIn Catherine Pierce's most peculiar second collection, we enter a world of longing and destruction, of death and rebirth, and of wonderfully odd girls--girls who read too much, who drink too much or not enough, who craft necklaces from earwigs and wring nostalgia from Spiro Agnew. These are poems of questions and restlessness, but also of answers of a sort. As Beth Ann Fennelly writes, "[t]he big themes here--self identity, desire, escape--are illuminated with clarity, scored musically, and enlivened with wit. The Girls of Peculiar is a fabulous book."
Girls on the Run: A Poem
by John AshberyJohn Ashbery&’s wild, deliriously inventive book-length poem, inspired by the adventures of Henry Darger&’s Vivian GirlsHenry Darger, the prolific American outsider artist who died in 1973, leaving behind over twenty thousand pages of manuscripts and hundreds of artworks, is famous for the elaborate alternate universe he both constructed and inhabited, a &“realm of the unreal&” where a plucky band of young girls, the Vivians, helps lead an epic rebellion against dark forces of chaos. Darger&’s work is now renowned for its brilliant appropriation of cultural ephemera, its dense and otherworldly prose, and its utterly unique high-low juxtaposition of popular culture and the divine—some of the very same traits that decades of critics and readers have responded to in John Ashbery&’s many groundbreaking works of poetry. In Girls on the Run, Ashbery&’s unmatched poetic inventiveness travels to new territory, inspired by the characters and cataclysms of Darger&’s imagined universe. Girls on the Run is a disquieting, gorgeous, and often hilarious mash-up that finds two radical American artists engaged in an unlikely conversation, a dialogue of reinvention and strange beauty.
Girls That Never Die: Poems
by Safia ElhilloIntimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children &“Endlessly compelling . . . a book that gives us courage, despite all the despairing records of history.&”—Ilya Kaminsky, author of Dancing in Odessa and Deaf RepublicIn Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women&’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]