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The Work of Self-Representation

by Ivy Schweitzer

In The Work of Self-Representation Ivy Schweitzer examines early American poetry through the critical lens of gender. Her concern is not the inclusion of female writers into the canon; rather, she analyzes how the metaphors of "woman" and "feminine" function in Puritan religious and literary discourse to represent both the "otherness" of spiritual experience and the ways in which race and class function to keep the "other" in marginalized positions.Schwetizer argues that gender was for seventeenth-century new England -- and still is today -- a basic and most politically charged metaphor for the differences that shape identity and determine cultural position. To glimpse the struggle between gender ideology and experience, Schweitzer provides close readings of the poetry of four New Englanders writing between the Great Migration and the first wave of the Great Awakening: John Fiske, Edward Taylor, Anne Bradstreet, and Roger Williams.Schweitzer focuses exclusively on lyric poetry, she says, because a first-person speaker wrestling with the intricacies of individual consciousness provides fruitful ground for exploring the politics of voice and identity and especially problems of authority, intertextuality, and positionality. Fiske and Taylor define the orthodox tradition, and Bradstreet and Williams in different ways challenge it. Her treatment of the familiar poetry of Bradstreet and Taylor is solidly grounded in historical and literary scholarship yet suggestive of the new insights gained from a gender analysis, while discussions of Fiske and Williams bring their little-known lyric work to light.Taken together, these poets' texts illustrate the cultural construction of a troubled masculinity and an idealized, effaced femininity implicit in the Puritan notion of redeemed subjectivity, and constitute a profoundly disturbing and resilient part of our Puritan legacy.

Approaches to the Anglo and American Female Epic, 1621-1982

by Bernard Schweizer

Epic has long been regarded as the exclusive domain of the male literary genius and as an incarnation of patriarchal values. This provocative collection of essays challenges such a hegemonic stereotype by demonstrating the ways in which women writers have successfully adapted the masculine epic tradition to suit their own aesthetic needs and to express their own heroic literary, social, and historical visions. Bringing the female epic out of the shadows, the contributors rethink generic boundaries to illuminate this heretofore hidden literary practice. The essays range from Mary Tighe to Rebecca West from Elizabeth Barrett Browning to Gwendolyn Brooks, and from Frances Burney to Virginia Woolf. Bernard Schweizer's introduction, titled 'Muses with Pens,' connects the trajectory of ideas and influences in the individual essays to demonstrate how each participates in reclaiming for women writers a place in the development of a female epic tradition. The volume will be an invaluable resource for scholars working on issues related to genre, canon formation, and the evolution of female literary authority.

Christianity and the Triumph of Humor: From Dante to David Javerbaum (Routledge New Critical Thinking in Religion, Theology and Biblical Studies)

by Bernard Schweizer

This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, be of great interest to scholars of Religious Studies, Humor Studies, and the Sociology of Religion.

Radicals on the Road: The Politics of English Travel Writing in the 1930s

by Bernard Schweizer

In the 1930s, the discourse of travel furthered widely divergent and conflicting ideologies--socialist, conservative, male chauvinist, and feminist--and the major travel writers of the time revealed as much in their texts. Evelyn Waugh was a declared conservative and fascist sympathizer; George Orwell was a dedicated socialist; Graham Greene wavered between his bourgeois instincts and his liberal left-wing sympathies; and Rebecca West maintained strong feminist and liberationist convictions. Bernard Schweizer explores both the intentional political rhetoric and the more oblique, almost unconscious subtexts of Waugh, Orwell, Greene, and West in his groundbreaking study of travel writing's political dimension. Radicals on the Road demonstrates how historically and culturally conditioned forms of anxiety were compounded by the psychological dynamics of the uncanny, and how, in order to dispel such anxieties and to demarcate their ideological terrains, 1930s travelers resorted to dualistic discourses.Yet any seemingly fixed dualism, particularly the opposition between the political left and the right, the dichotomy between home and abroad, or the rift between utopia and dystopia, was undermined by the rise of totalitarianism and by an increasing sense of global crisis--which was soon followed by political disillusionment. Therefore, argues Schweizer, traveling during the 1930s was more than just a means to engage the burning political questions of the day: traveling, and in turn travel writing, also registered the travelers' growing sense of futility and powerlessness in an especially turbulent world.

On Lingering and Literature (Routledge Focus on Literature)

by Harold Schweizer

Lingering and its decried equivalents, such as dawdling, idling, loafing, or lolling about, are both shunned and coveted in our culture where time is money and where there is never quite enough of either. Is lingering lazy? Is it childish? Boring? Do poets linger? (Is that why poetry is boring?) Is it therapeutic? Should we linger more? Less? What happens when we linger? Harold Schweizer here examines an experience of time that, though common, usually passes unnoticed. Drawing on a wide range of philosophic and literary texts and examples, On Lingering and Literature exemplifies in its style and accessible argumentation the new genre of post-criticism, and aims to reward anyone interested in slow reading, daydreaming, or resisting our culture of speed and consumption.

Rarity and the Poetic: The Gesture of Small Flowers

by Harold Schweizer

Rarity and the Poetic.

Rarity and the Poetic: The Gesture of Small Flowers

by Harold Schweizer

Rarity is a quality by which things flowers, leaves, light, sound fleetingly appear and disappear, leaving in their wake a resonance of something we just thought we had glimpsed. Each of the nine chapters in this book pursues such intimations of rarity in poetic ideas, images, and silences.

Rilke’s Hands: An Essay on Gentleness (Routledge Focus on Literature)

by Harold Schweizer

This is a book of meditative reading. Each of the sixty-one aphoristic entries aims to interpret Rilke’s poetry as a musician might play Debussy’s Clair de lune, to transpose into the key of language the song, the melody, and the refrain of Rilke’s gentle disposition: his recognition of the transience of things; his acknowledgment of the vulnerability and fragility of people, animals, and flowers; his empathy toward those who suffer. The cut flowers gently laid out on the garden table "recovering from their death already begun" in one of theSonnets to Orpheus form a thread now visible now faint through most of this book. And because of the flowers, the concept of gentleness forms another thread, and because of gentleness, hands—agents of gentleness throughout Rilke’s poetry—enfold these pages. The German word leise (gentle, tender, quiet) weaves the first thread; the second is woven by flowers, then by girls’ hands, then by angels, the beloved, the poor, the dying and the dead, animals, birds, dogs, fountains, things, vanishings. The purpose of this essay is to experience and to examine gentleness, how it shapes and pervades Rilke’s work, how his poetry might gently inspire us to become more gentle people.

Wer sehen will, muss spüren: Warum uns manche Serien und Filme berühren und uns andere kaltlassen (Über/Strom: Wegweiser durchs digitale Zeitalter)

by Wiebke Schwelgengräber

​Warum berühren uns Serien wie „Game of Thrones“, „Breaking Bad“, „Sex Education“ und Filme wie „Es“, „Sieben“, oder „Mamma Mia!“? Manchmal sind wir gefesselt von einem Film oder einer Serie und vergessen alles um uns herum. Und ein anderes Mal vergeht die Zeit einfach nicht und der Film langweilt uns zu Tode. Wieder andere Filme und Serien können wir gar nicht erst aushalten, weil Gewalt, Ekel, und Demütigungen von Figuren uns unangenehm vereinnahmen und geradezu einschnüren.In diesem Buch erfahren Sie, wie Filme und Serien uns emotional berühren - oder eben auch nicht. Anhand zahlreicher Beispiele lernen Sie, wie Langeweile, Freude, Angst, Empathie, Ekel, Nervosität, Scham, Schrecken oder Sehnsucht beim Film- und Serienschauen geradezu leiblich spürbar werden. Diese philosophischen Betrachtungen werden jeweils psychologisch eingeordnet, um einen umfassenden Blick auf das ‚Spüren beim Sehen‘ zu erlangen. .Der InhaltGeschichten verbinden unsGeschichten berühren unsKatharsis nach AristotelesLeibphänomenologieDas Phänomen Binge-WatchingGeschichten wollen erinnert werdenEntladung von Wut und EnttäuschungEntladung von SehnsuchtGeschichten lassen uns trotzdem manchmal kaltGeschichten verändern unsDie ZielgruppePersonen, die Filme und Serien schauen, Rezensionen/Kritiken lesen, im Alltag über ebenjene mit anderen sprechen

Asemic: The Art of Writing

by Peter Schwenger

The first critical study of writing without language In recent years, asemic writing—writing without language—has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing.Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these &“asemic ancestors&” before moving to current practitioners such as Michael Jacobson, Rosaire Appel, and Christopher Skinner, exploring how asemic writing has evolved and gained importance in the contemporary era.Asemic includes intriguing revelations about the relation of asemic writing to Chinese characters, the possibility of asemic writing in nature, and explanations of how we can read without language. Written in a lively style, this book will engage scholars of contemporary art and literary theory, as well as anyone interested in what writing was and what it is now in the process of becoming.

Phallic Critiques: Masculinity and Twentieth-Century Literature (Routledge Revivals)

by Peter Schwenger

Phallic Critiques, first published in 1984, is a study of ‘masculine’ styles of writing in the twentieth century – an age, according to Virginia Woolf, when ‘virility has become self-conscious’. Writers who carry macho values to their extreme often subscribe to the popular feeling that writing is an effeminate activity for a real man to be engaged in. Consequently they attempt to forge ‘masculine’ style of writing in an effort to redeem language from its sexually suspect nature. These styles reveal much about the ambiguous and paradoxical attitudes of men towards their own masculine role. Peter Schwenger demonstrates the international nature of ‘masculine’ styles. His study ranges from such American authors as Norman Mailer, Ernest Hemingway and Philip Roth, to figures like Yukio Mishima, Alberto Moravia and Michel Leiris. This book should be of interest to students of literature.

Pragmatics of Conditional Marking: Implicature, Scalarity, and Exclusivity (Outstanding Dissertations in Linguistics)

by Scott Schwenter

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Northern Irish Poetry and the Russian Turn

by Stephanie Schwerter

Seamus Heaney, Tom Paulin and Medbh McGuckian are the three most influential poets from Northern Ireland who have composed poems with a link to the Tsarist Empire and the Soviet Union. Through their references to Russia the three poets achieve a geographical and mental detachment allowing them to turn a fresh eye on the Northern Irish situation.

Reading and Writing from Literature: AP Version (3rd edition)

by John E. Schwiebert

Designed for use in literature courses that are also writing courses, Reading and Writing from Literature offers a fresh new approach to reading and writing in those classes. The book invokes a "conversation" model of reading and writing that empowers students to interact proactively and constructively with all texts, both literary and their own. Reading and Writing from Literature presents reading as the primary resource for writing. Rather than only writing about literature, student users of this book write from literature; they use texts to produce texts. Being personally and culturally diverse, students are encouraged to identify and use those aspects of a text that interest them most as starting points for composing. Throughout the book, the guiding assumption is that, by creating, students also become stronger readers of the literature of past and present.

Cambridge Handbooks in Language and Linguistics: The Cambridge Handbook of Bilingual Processing

by John W. Schwieter

How does a human acquire, comprehend, produce and control multiple languages with just the power of one mind? What are the cognitive consequences of being a bilingual? These are just a few of the intriguing questions at the core of studying bilingualism from psycholinguistic and neurocognitive perspectives. Bringing together some of the world's leading experts in bilingualism, cognitive psychology and language acquisition, The Cambridge Handbook of Bilingual Processing explores these questions by presenting a clear overview of current theories and findings in bilingual processing. This comprehensive handbook is organized around overarching thematic areas including theories and methodologies, acquisition and development, comprehension and representation, production, control, and the cognitive consequences of bilingualism. The handbook serves as an informative overview for researchers interested in cognitive bilingualism and the logic of theoretical and experimental approaches to language science. It also functions as an instrumental source of readings for anyone interested in bilingual processing.

The Cambridge Handbook of Language Learning (Cambridge Handbooks in Language and Linguistics)

by John W. Schwieter Alessandro Benati

Providing a comprehensive survey of cutting-edge work on second language learning, this Handbook, written by a team of leading experts, surveys the nature of second language learning and its implications for teaching. Prominent theories and methods from linguistics, psycholinguistics, processing-based, and cognitive approaches are covered and organised thematically across sections dealing with skill development, individual differences, pedagogical interventions and approaches, and context and environment. This state-of-the-art volume will interest researchers in second language studies and language education, and will also reach out to advanced undergraduate and graduate students in these and other related areas.

The Handbook of the Neuroscience of Multilingualism (Blackwell Handbooks in Linguistics)

by John W. Schwieter Michel Paradis

The definitive guide to 21st century investigations of multilingual neuroscience The Handbook of the Neuroscience of Multilingualism provides a comprehensive survey of neurocognitive investigations of multiple-language speakers. Prominent scholar John W. Schwieter offers a unique collection of works from globally recognized researchers in neuroscience, psycholinguistics, neurobiology, psychology, neuroimaging, and others, to provide a multidisciplinary overview of relevant topics. Authoritative coverage of state-of-the-art research provides readers with fundamental knowledge of significant theories and methods, language impairments and disorders, and neural representations, functions, and processes of the multilingual brain. Focusing on up-to-date theoretical and experimental research, this timely handbook explores new directions of study and examines significant findings in the rapidly evolving field of multilingual neuroscience. Discussions on the bilingual advantage debate, recovery and rehabilitation patterns in multilingual aphasia, and the neurocognitive effects of multilingualism throughout the lifespan allow informed investigation of contemporary issues. Presents the first handbook-length examination of the neuroscience and neurolinguistics of multilingualism Demonstrates how neuroscience and multilingualism intersect several areas of research, such as neurobiology and experimental psychology Includes works from prominent international scholars and researchers to provide global perspective Reflects cutting-edge research and promising areas of future study in the dynamic field of multilingual neuroscience The Handbook of the Neuroscience of Multilingualism is an invaluable resource for researchers and scholars in areas including multilingualism, psycholinguistics, second language acquisition, and cognitive science. This versatile work is also an indispensable addition to the classroom, providing advanced undergraduate and graduate students a thorough overview of the field.

The Cambridge Handbook of Working Memory and Language (Cambridge Handbooks in Language and Linguistics)

by John W. Schwieter Zhisheng Wen

Bringing together cutting-edge research, this Handbook is the first comprehensive text to examine the pivotal role of working memory in first and second language acquisition, processing, impairments, and training. Authored by a stellar cast of distinguished scholars from around the world, the Handbook provides authoritative insights on work from diverse, multi-disciplinary perspectives, and introduces key models of working memory in relation to language. Following an introductory chapter by working memory pioneer Alan Baddeley, the collection is organized into thematic sections that discuss working memory in relation to: Theoretical models and measures; Linguistic theories and frameworks; First language processing; Bilingual acquisition and processing; and Language disorders, interventions, and instruction. The Handbook is sure to interest and benefit researchers, clinicians, speech therapists, and advanced undergraduate and postgraduate students in linguistics, psychology, education, speech therapy, cognitive science, and neuroscience, or anyone seeking to learn more about language, cognition and the human mind.

Sacrifice as a Narrative Strategy in May Sinclair, Mary Butts, and H. D.

by Sanna Melin Schyllert

This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials.

The Modern Predicament: Essays and Reviews

by George Scialabba

Essays and reviews concentrating on politics, economics, sociology and culture. With a forward by Barbara Ehrenreich. Most of the essays began as book reviews. As book reviews they were superior when published. As essays they are exceptional for their intelligence and clarity. George’s subjects are politics, religion and society. His subject is what people who are thinking ought to be paying attention to. The current cliché is that America has no public intellectuals. Every sentence George writes gives the lie to this bit of lazy journalese.

Only a Voice: Essays

by George Scialabba

Essays on politics, power, and culture from one of America&’s most eminent criticsIn Only a Voice, George Scialabba examines the chasm between modernity's promise of progress and the sobering reality of our present day through studies of the most influential public intellectuals of our time.In Scialabba's hands, literary criticism becomes a powerful tool for expressing political passion and demonstrating the generative power of argument and an inquisitive mind. Drawing together a diverse group of thinkers, artists, activists, and philosophers-including Edward Said, D. H. Lawrence, Pier Paolo Pasolini, Ellen Willis, and Noam Chomsky-Scialabba tours western intellectual history to find that no matter the stakes, critical thought remains a necessary precondition for politics.Every writer, Scialabba writes, faces the choice of whether "to tilt at the state and capital or ignore them" – and the world now is too dire not to choose the former.

What Are Intellectuals Good For?: Essays & Reviews

by George Scialabba

Essays and reviews concentrating on politics, economics, sociology and culture. When George’s What Are Intellectuals Good For? appeared it was greeted by an NPR review that sang the book’s praises. Pressed Wafer was totally unprepared for the blizzard of orders that came from Amazon. We hustled out and purchased the George Scialabba Two Wheeler to cart the books to the Post Office! The current cliché is that America has no public intellectuals. Every sentence George writes gives the lie to this bit of lazy journalese.

The Italian War on the Eastern Front, 1941–1943: Operations, Myths and Memories (Italian and Italian American Studies)

by Bastian Matteo Scianna

The Italian Army’s participation in Hitler’s war against the Soviet Union has remained unrecognized and understudied. Bastian Matteo Scianna offers a wide-ranging, in-depth corrective. Mining Italian, German and Russian sources, he examines the history of the Italian campaign in the East between 1941 and 1943, as well as how the campaign was remembered and memorialized in the domestic and international arena during the Cold War. Linking operational military history with memory studies, this book revises our understanding of the Italian Army in the Second World War.

The Inflected Infinitive in Romance Languages (Outstanding Dissertations in Linguistics)

by Emily E. Scida

This book investigates two prominent issues with regard to the inflected infinitive-the syntactic distribution of the Portuguese inflected infinitive, and its origin and development from Early Romance. The syntactic analysis offered here differs from traditional descriptions of the inflected infinitive in that it uses a theoretical approach to propose one concise condition which predicts all possible occurrences of the Portuguese inflected infinitive within the framework of relational grammar. While the first section of this book offers a synchronic study of the use of the inflected infinitive, the second section examines the theories previously posited to explain its origin and provides additional evidence from Latin and other Romance languages to support the proposal that the inflected infinitive was a historical development rooted in the Latin imperfect subjunctive. This study presents a detailed comparison of the syntactic environments common to both the imperfect subjunctive and the inflected infinitive, and examines the survival of an inflected infinitive in other Romance varieties as well as the existence of other inflected non-finite forms in these languages.

Guys Write for Guys Read

by Jon Scieszka

This fast-paced, high-energy collection of 92 short works features today's most popular writers and illustrators writing about what it means to be a guy. Contributors include Chris Crutcher, Stephen King, Matt Groening, Daniel Pinkwater, Neil Gaiman, and many more. Includes an all-new foreword by Jon Scieszka and an excerpt from Knucklehead.

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