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Documentary Across Platforms: Reverse Engineering Media, Place, and Politics
by Patricia R. ZimmermannEssays “capturing media ecologies as varied as museum installations, film festival showings, photography, and multiple varieties of internet sharing.” —Jump CutIn Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as “documentary” and the way in which they investigate, engage with, and interrogate the world.Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas, just like objects, can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts.Together these essays demonstrate documentary’s role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.
The Girls: From Golden to Gilmore
by Stan Zimmerman&“...the very definition of a page-turner. READ THIS BOOK!&” – Colin Mochrie, &“Whose Line is It Anyway?,&” &“Hyprov&”The Girls: From Golden to Gilmore is the story of Stan Zimmerman, a gawky Jewish boy who dreamed of becoming a wildly successful actor, rich enough to build his own mansion in the Hollywood Hills. While the actor part didn't quite pan out, Stan found success as a writer, producer, director, and playwright, working on such shows as The Golden Girls, Roseanne, and Gilmore Girls. Growing up in a small suburb of Detroit, Michigan, Stan was surrounded by three strong, intelligent women-his mother, his grandmother, and his sister-all of whom supported his imagination and creativity. Instead of playing outside, he spent time in his basement directing and acting in plays with the neighborhood kids. At seven-and-a-half years old, he was the youngest student accepted into a prestige summer theater school program. After high school, he was awarded a work/study scholarship to NY/Circle in the Square, where he met his first serious boyfriend and became Andy Warhol's unwitting photo subject one night at Studio 54. He also met Jim Berg, a journalism student at NYU's University Without Walls, forming a writing partnership that has continues to this day. partnership to this day. Their latest project is naturally an all-star, female ensemble Christmas comedy movie for Lifetime! Throughout his life, most of Stan's friendships have been with females. He credits those friendships and the women in his family with his ability to connect with creative women who have played a part in his career success. Accompanied by journal entries, The Girls details Stan's relationships with some of entertainment's most notable women, including Roseanne Barr, Lily Tomlin, Sandra Bernhard, Lauren Graham and Alexis Bledel, and, of course, all four Golden Girls. The Girls: From Golden to Gilmore is a candid, funny, and sometimes poignant testimony about how a young boy turned his dream into reality.
Alice Cooper, Golf Monster
by Keith Zimmerman Alice Cooper Kent ZimmermanAlice Cooper is hotter than ever, still playing up to 100 gigs a year with his his audiences growing younger. But 300 days a year, he is out on the golf course. That's because Alice credits golf as helping him overcome a self-destructive spiral into alcoholism. It's also because Alice turned out to be almost as good a golfer as he is a rocker. This book blends a rocker's uproarious tales of excess with a no holds-barred account of how Cooper substituted alcohol addiction with the lesser evil of hitting a little white ball. Alice Coopers rock 'n' roll's original misanthrope, the ultimate shock-rock, heavy-metal bad boy. With golf, as in music, he was way ahead of the cultural curve, his passion for the game predating golf's popularity surge among younger folks, hip professional athletes, and indeed Alice's music contemporaries, including Bob Dylan, Neil Young, Iggy Pop and Roger Waters. The nearest Alice Cooper has come to writing his autobiography. He is still a major rock touring artist. This title includes the story of his musical career and of his rehabilitation. It is a fascinating self-help programme by an unlikely role model.
Science and the Skeptic: Discerning Fact from Fiction
by Marc ZimmerFake news, pseudoscience, and quackery have become scourges, spreading through society from social media all the way to Congress. The line between entertainment and reality, between fact and fiction, has become blurred. Some of the most crucial issues of our time—climate change, vaccines, and genetically modified organisms—have become prime targets for nefarious disinformation campaigns. Far too many people have become distrustful of real science. Even those who still trust science no longer know what to believe or how to identify the truth. Not only does this result in the devaluation and distrust of real science, but it is also dangerous: people acting based on false information can hurt themselves or those around them. We must equip ourselves with the knowledge and skills to fight back against all this disinformation. InScience and the Skeptic: Discerning Fact from Fiction, you will learn how science is done, from the basic scientific method to the vetting process that scientific papers must go through to become published; how and why some people intentionally or unintentionally spread misinformation; and the dangers in believing and spreading false information. You'll also find twenty easy-to-follow rules for distinguishing fake science from the real deal. Armed with this book, empower yourself with knowledge, learning what information to trust and what to dismiss as deceit. "We're not just fighting an epidemic; we're fighting an infodemic. . . . This is a time for facts, not fear. This is a time for rationality, not rumors. This is a time for solidarity, not stigma."—Tedros Adhanom Ghebreyesus, director-general of the WHO "Our deepest beliefs should help navigate reality, not determine it."—Michael Gersen, The Washington Post "Journalism is very much about trying to simplify and distribute information about what's new and where advances have been made. That's incompatible with the scientific process, which can take a long time to build a body of evidence."—Kelly McBride, Poynter Institute
Crosby, Stills & Nash: The Biography
by Dave Zimmer Henry DiltzCrosby, Stills & Nash created some of the most indelible songs and beautiful harmonies of the late 1960s and early 1970s: "Suite: Judy Blue Eyes,” "Woodstock,” "Teach Your Children. ” This copiously illustrated account of the trio’s personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L. A. ’s storied Laurel Canyon; from their addition of Neil Young to Woodstock; and through their stormy years of creative conflicts, reunions, and reconciliations. This new edition has been fully reconfigured and updated to celebrate the trio’s 40th anniversary and to accommodate over 300 photos, as well as Crosby, Stills, Nash & Young’s controversial Living with War tour.
Movies and Midrash: Popular Film and Jewish Religious Conversation
by Wendy I. ZierlerFinalist for the 2017 National Jewish Book Award in Modern Jewish Thought and Experience presented by the Jewish Book CouncilMovies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of "inverted midrash": while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God's image), among others.
Olivier
by Philip ZieglerA finalist for the Sheridan Morley Prize that has been called "probably the best Olivier book for general readers" (Kirkus Reviews), Philip Ziegler's Olivier provides an incredibly accessible and comprehensive portrait of this Hollywood superstar, Oscar-winning director, and one who is considered the greatest stage actor of the twentieth century. The era abounded in great actors--Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Ziegler ensures that Olivier's true character--at its most undisguised--shines through as never before.
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
The Audition (Maddie Ziegler #1)
by Maddie ZieglerFrom Dance Moms star and So You Think You Can Dance: The Next Generation judge Maddie Ziegler comes the first novel in a brand-new middle grade trilogy about friendship, dance, and going after your dreams.Twelve-year-old Harper has been dancing practically since she learned to walk. She loves her dance studio and team, and just won her first ever top junior solo in a regional competition. But right before the school year starts, Harper’s parents drop a bombshell—the family has to relocate from their cozy town in Connecticut to sunny Florida for their jobs. That means saying goodbye to her friends, dance team, trips to see shows in NYC—and did she mentioned dance team? While her parents reassure her that they will find her a new studio as soon as they move, Harper is not happy. When she arrives, she realizes that the competition in Florida will be fierce and it doesn’t matter how talented she is—she is the new girl and will have to prove herself. During her very first class, Harper finds it harder than she thought it would be. Even though they are all the same age and have been dancing for roughly the same amount of time, it feels like everyone has better feet, quicker turns, and faster taps than Harper. And it doesn’t help that a group of girls, who nicknamed themselves The Bunheads, wonder how she made the team if she can’t even do a simple turn sequence in front of the class. Thankfully, Harper befriends Lily, a fellow newbie in the studio who is just as eager to make her mark and find a friendly face. With a big competition coming up for the dance team, Harper is determined to show everyone—especially those Bunheads—what she’s made of! And when a very badly timed sprained ankle threatens all of the work they have done, the Bunheads, Lily, and Harper must learn to truly work together to give them their best shot at the top spot!
The Callback: The Audition; The Callback; The Competition (Maddie Ziegler Ser. #2)
by Maddie ZieglerBunheads meets The Kicks in this second novel in a middle grade trilogy from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!After a successful first competition, twelve-year-old Harper is eager to keep on making her mark in Dance Starz. But lately, she&’s having a bit of &“dancer&’s block.&” In her one-on-one with her teacher, Harper is reminded that dancing isn&’t just about the spins and leaps; it&’s about the emotion and passion for dancing, too. And lately, she hasn&’t felt that Harper has been living up to her usual standards. Vanessa will be choosing the first soloist to compete at the next competition for the team, and suggests to Harper that she find a way to figure out how to get that mojo back.Thanks to a chance conversation, Harper joins the school musical. Not only is this an opportunity to polish up her stage presence, but as the newbie at school, Harper is excited to make some more friends.But some of the teammates are not thrilled that Harper is doing something besides the dance team. Plus, their biggest rivals, the Belles, are looking to go toe-to-toe with them in the upcoming competition—and both teams have something to prove. Harper realizes that the musical, dance team, and school might be a little much. Can she figure out how to find her balance—on-stage and off?
The Competition: The Audition; The Callback; The Competition (Maddie Ziegler #3)
by Maddie ZieglerBunheads meets The Kicks in this third novel in this entertaining middle grade series from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!Harper and her fellow Dance Starz are headed to New York City for the big national competition! Not only will they be up against their arch-rivals, the Belles, but Harper will also face off against her old dance team. Does Harper have what it takes to finally prove that she belongs on the big stage?
The Maddie Diaries: A Memoir
by Maddie ZieglerIn this New York Times bestselling memoir, the incredibly talented breakout star of Dance Moms and judge on So You Think You Can Dance brings her uplifting coming-of-age story about following her dreams and working hard to achieve success in both the dance world and in life.Maddie Ziegler knew one day she&’d be a star—she just didn&’t know how soon that day would come.At just eight years old, she was cast on Lifetime&’s hit reality show Dance Moms and quickly won the hearts of fans everywhere with her natural talent and determination. Soon, she was capturing attention from all over—including pop superstar Sia, who cast her as her dance double in the incredibly popular music video for her hit song &“Chandelier.&” The rest, as they say, was history.In this inspirational memoir, Maddie explains the hard work she put into her rise to stardom and how she keeps her balance along the way—starring in music videos, going on tour, and becoming an actress in The Book of Henry with Naomi Watts and Jacob Tremblay. She also answers her fans&’ burning questions with wise advice she&’s learned on her journey. With honesty, charm, and humor, Maddie offers her unique perspective on making her way in the entertainment world as a young teenager, reflecting on the lessons she&’s learned—and preparing for the exciting road ahead.
Kenzie's Rules For Life: How to be Healthy, Happy and Dance to your own Beat
by Mackenzie ZieglerAn inspirational, upbeat collection of relatable lessons from the teen sensation, Mackenzie Ziegler - an award-winning dancer, singer/songwriter and actress.Growing up is hard, but growing up in the spotlight is even harder. However, Mackenzie Ziegler is taking it all in stride, thanks to her positive attitude on life. From getting her start on Dance Moms, to her sold-out tour alongside Johnny Orlando, there’s nothing that she can’t do. In Kenzie’s Rules for Life, the dance prodigy, singer/songwriter, actress and model offers her advice on friendship, family, fitness, style and positivity. For anyone who enjoyed her sister’s Sunday Times bestselling book The Maddie Diaries, this will be the perfect accompaniment. She shares lessons drawn from her own experiences for those navigating through their tween years on how to be happy, healthy and confident in all aspects of their lives.
Representation in Steven Universe
by John R. Ziegler Leah RichardsThis book assembles ten scholarly examinations of the politics of representation in the groundbreaking animated children’s television series Steven Universe. These analyses address a range of representational sites and subjects, including queerness, race, fandom, colonialism, and the environment, and provide an accessible foundation for further scholarship. The introduction contextualizes Steven Universe in the children’s science-fiction and anime traditions and discusses the series’ crucial mechanic of fusion. Subsequent chapters probe the fandom’s expressions of queer identity, approach the series’ queer force through the political potential of the animated body, consider the unequal privilege of different female characters, and trace the influence of anime director Kunihiko Ikuhara. Further chapters argue that Ronaldo allows satire of multiple media forms, focus on Onion as a surrealist trickster, and contemplate cross-species hybridity and consent. The final chapters concentrate on background art in connection with ecological and geological narratives, adopt a decolonial perspective on the Gems’ legacy, and interrogate how the tension between personal and cultural narratives constantly recreates memory.
Queering the Family in The Walking Dead
by John R. ZieglerThis book traces how The Walking Dead franchise narratively, visually, and rhetorically represents transgressions against heteronormativity and the nuclear family. The introduction argues that The Walking Dead reflects cultural anxiety over threats to the family. Chapter 1 examines the destructive competition created by heteronormativity, such as the conflict between Rick and Shane. Chapter 2 focuses on the actual or attempted participation of characters such as Carol and Negan in queer relationships. Chapter 3 interprets zombies as queer antagonists to heteronormativity, while Chapter 4 explores the incorporation of zombies into the lives of characters such as the Governor and the Whisperers. The conclusion asserts that The Walking Dead presents both queer alternatives to and damaging contradictions within the traditional heterosexual family model, helping to question this model and to consider the struggle of queer American families. Overall, this study holds special interest for students and scholars of queerness, zombies, and the family.
The Twilight Zone Companion 2nd Edition
by Marc Scott ZicreeThe Twilight Zone has captivated, teased and haunted the imaginations of countless millions of viewers from 1959 debut through its 156 subsequent episodes and many rebroadcast. This companion is the complete show-by-show guide to one of television's all-time greatest series. Zicree's account of the series from inception to cancellation, through syndication and subsequent offshoots and remakes, is fascinating reading for even the most casual fan. Coverage of each episode includes a plot synopsis, critical commentary, behind-the scenes stories and anecdotes from the original artists who created the series, a complete list of cast and credits and over 200 production photographs.
Teaching Film from the People's Republic of China (Options for Teaching)
by Zhuoyi Wang, Emily Wilcox, and Hongmei YuThis volume brings a diverse range of voices--from anthropology, communication studies, ethnomusicology, film, history, literature, linguistics, sociology, theater, and urban geography--into the conversation about film from the People's Republic of China. Essays seek to answer what films can reveal or obscure about Chinese history and society and demonstrate how studying films from the PRC can introduce students to larger issues of historical consciousness and media representation.The volume addresses not only postsocialist fictional films but also a wide variety of other subjects including socialist period films, documentaries, films by or about people from ethnic minority groups, film music, the perspectives of female characters, martial arts cinema, and remakes of South Korean films. By exploring how films represent power, traditions, and ideologies, students learn about both the complexity of the PRC and the importance of cross-cultural and cross-ideological understanding.
Art, Politics, and Commerce in Chinese Cinema
by Ying ZhuArt, politics and commerce are intertwined everywhere, but in China the interplay is explicit, intimate and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential t
Chinese Independent Animation: Renegotiating Identity in Modern China (Palgrave Animation)
by Wenhai ZhouThis study of ‘independent’ animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with attention paid to the conventional media circle of production, distribution and consumption. The ‘independent’ sector has been largely ignored however, until now. By focusing on distinctive independent artists like Pisan and Lei Lei, and situating their work within the present day media ecology, the author examines the relationship between the genre and the sociocultural transformation of contemporary China. Animation, the author argues, has a special significance, as the nature of the animation text is itself multilayered and given to multiple interpretations and avenues of engagement. Through an examination of the affordances of this ‘independent’ media entity, the author explores how this multifaceted cultural form reveals ambiguities that parallel contradictions in art and society. In so doing, independent animation provides a convenient ‘mirror’ for examining how recent social upheavals have been negotiated, and how certain practitioners have found effective ways for discussing the post-Socialist reality within the current political configuration.
Cinema Off Screen: Moviegoing in Socialist China
by Chenshu ZhouAt a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
The Urban Generation: Chinese Cinema and Society At the Turn of the Twenty-first Century
by Zhang ZhenSince the early 1990s, while mainland China's state-owned movie studios have struggled with financial and ideological constraints, an exciting alternative cinema has developed. Dubbed the "Urban Generation," this new cinema is driven by young filmmakers who emerged in the shadow of the events at Tiananmen Square in 1989. What unites diverse directors under the "Urban Generation" rubric is their creative engagement with the wrenching economic and social transformations underway in China. Urban Generation filmmakers are vanguard interpreters of the confusion and anxiety triggered by the massive urbanization of contemporary China. This collection brings together some of the most recent original research on this emerging cinema and its relationship to Chinese society. The contributors analyze the historical and social conditions that gave rise to the Urban Generation, its aesthetic innovation, and its ambivalent relationship to China's mainstream film industry and the international film market. Focusing attention on the Urban Generation's sense of social urgency, its documentary impulses, and its representations of gender and sexuality, the contributors highlight the characters who populate this new urban cinema--ordinary and marginalized city dwellers including aimless bohemians, petty thieves, prostitutes, postal workers, taxi drivers, migrant workers--and the fact that these "floating urban subjects" are often portrayed by non-professional actors. Some essays concentrate on specific films (such as Shower and Suzhou River) or filmmakers (including Jia Zhangke and Zhang Yuan), while others survey broader concerns. Together the thirteen essays in this collection give a multifaceted account of a significant, ongoing cinematic and cultural phenomenon. Contributors. Chris Berry, Yomi Braester, Shuqin Cui, Linda Chiu-han Lai, Charles Leary, Sheldon H. Lu, Jason McGrath, Augusta Palmer, Brnice Reynaud, Yaohua Shi, Yingjin Zhang, Zhang Zhen, Xueping Zhong
Memoirs from the Beijing Film Academy: The Genesis of China's Fifth Generation
by Ni ZhenAfter graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China's famous "Fifth Generation" of filmmakers. It is the first insider's account of this renowned cohort to appear in English. Covering these directors' formative experiences during China's tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen--who was both their screenwriter and teacher--provides unique insights into the origins of the Fifth Generation's creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films--One and Eight and Yellow Earth.
Chinese Theatre: Volume One: From Exorcism to Entertainment
by Xioahuan ZhaoChinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.
Chinese Theatre: Volume Two: From Storytelling to Story-acting
by Xiaohuan ZhaoChinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.