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A Night at an Inn
by Lord DunsanyThose clever ones are the beggars to make a muddle. Their plans are clever enough, but they don't work, and then they make a mess of things much worse than you or me.
Night At The Nutcracker,A
by Billy Van Zandt Ed Alton Jane MilmoreMusical farce / 7m, 5f (2 dancers) / Unit set / Reminiscent of the screwball farces during the golden age of cinema, this romping musical teams Felix T. Filibuster, the greatest detective in the world, up with Pinchie the silent butler, and his Italian friend and coworker, Pepponi. The trio, along with a classic comedic cast, try to prove that Clyde Ratchette is trying to swindle the wealthy Mrs. Stuffington, who has just invested a bundle in the production of The Nutcracker Suite. The mishaps, jokes, musical numbers and mayhem lead to a farcical climax that incorporates elements of The Nutcracker Suite into its craziness. A guaranteed crowd pleaser.
Night is a Room (TCG Edition)
by Naomi Wallace"Naomi Wallace commits the unpardonable sin of being partisan, and, the darkness and harshness of her work notwithstanding, outrageously optimistic. She seems to believe that the world can change. She certainly writes as if she intends to set it on fire."—Tony Kushner"Wallace is that unfashionable thing - a deeply political US playwright who unashamedly writes about ideas rather than feelings."—The GuardianLauded for her topical, searing explorations of the intricate and pressing issues that affect humanity, Naomi Wallace's new work Night is a Room centers around the timeless subject of love and relationships, specifically in their tenuousness. This story of a seemingly ideal married couple is torn apart when the husband's previously unknown birth mother makes a surprise visit for his fortieth birthday. In Night is a Room, Wallace examines the heart of human connections, and the intimate challenges love can create, romantic or otherwise. Naomi Wallace's plays—which have been produced in the United Kingdom, Europe, the United States, and the Middle East—include In the Heart of America, Slaughter City, One Flea Spare, The Trestle at Pope Lick Creek, Things of Dry Hours, The Fever Chart: Three Short Visions of the Middle East, And I and Silence, The Hard Weather Boating Party, and The Liquid Plain. She has been awarded the Susan Smith Blackburn Prize twice, the Joseph Kesselring Prize, the Fellowship of Southern Writers Drama Award, an Obie Award, and the 2012 Horton Foote Award for most promising new American play.
The Night Larry Kramer Kissed Me
by David DrakeDavid Drake's smash hit one-man show tells the story of his call to gay pride and activism through a series of vignettes exploring thoughts and emotions shared by a whole generation of gay men and women.
Night Of The Foolish Moon
by Luigi JannuzziFull length, comedy / 4m, 2f / Interior / Roger, a man obsessed with Don Quixote, falls in love with a witness in a murder trial. She is running for her life and seeks refuge at a beach house belonging to the district attorney, Roger's brother. Meanwhile, Sancho Panza breaks through a time warp to bring Roger the quest he has longed for. Coincidentally, Roger's mother is trying to cast Man of La Mancha for the local theater. Sancho comes to her aid and romance blossoms.
The Night of January 16th
by Ayn RandTo the world, he was a startlingly successful international tycoon, head of a vast financial empire. To his beautiful secretary-mistress, he was a god-like hero to be served with her mind, soul and body. To his aristocratic young wife, he was an elemental force of nature to be tamed. To his millionaire father-in-law, he was a giant whose single error could be used to destroy him.What kind of man was Bjorn Faulkner? Only you, the reader, can decide.On one level, Night of January 16th is a totally gripping drama about the rise and destruction of a brilliant and ruthless man. On a deeper level, it is a superb dramatic objectification of Ayn Rand's vision of human strength and weakness. Since its original Broadway success, it has achieved vast worldwide popularity and acclaim.
The Night of January 16th
by Ayn RandTo the world, he was a startlingly successful international tycoon, head of a vast financial empire. To his beautiful secretary-mistress, he was a god-like hero to be served with her mind, soul and body. To his aristocratic young wife, he was an elemental force of nature to be tamed. To his millionaire father-in-law, he was a giant whose single error could be used to destroy him. What kind of man was Bjorn Faulkner? Only you, the reader, can decide. On one level, Night of January 16th is a totally gripping drama about the rise and destruction of a brilliant and ruthless man. On a deeper level, it is a superb dramatic objectification of Ayn Rand's vision of human strength and weakness. Since its original Broadway success, it has achieved vast worldwide popularity and acclaim. .
The Night of Las Posadas
by Tomie DepaolaChristmas Eve in Santa Fe is celebrated by the traditional procession Las Posadas. Sister Angie arranges for the people of a nearby mountain village to re-enact Mary and Joseph's search for shelter the night baby Jesus was born. This year was going to be extra special. Sister Angie's niece, Lupe, and Lupe's husband, Roberto, were to play the part of Mary and Joseph. The whole village had been practicing for weeks. Everything was going to be perfect. But when sister Angie becomes sick and Lupe and Roberto get stuck in a snowstorm, only a miracle can save Las Posadas.
The Night of the Iguana
by Doug Wright Tennessee WilliamsNow published for the first time as a trade paperback with a new introduction and the short story on which it was based. Williams wrote: "This is a play about love in its purest terms." It is also Williams's robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women's college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin ("the world's oldest living and practicing poet"), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author's original Foreword, the short story "The Night of the Iguana" which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. "I'm tired of conducting services in praise and worship of a senile delinquent--yeah, that's what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this...this...this angry, petulant old man." --The Rev. T. Lawrence Shannon, from The Night of the Iguana
The Night Thoreau Spent in Jail
by Jerome Lawrence Robert E. Lee"If the law is of such nature that it requires you to be an agent of injustice to another, then I say, break the law." In 1849, the young Henry David Thoreau, philosopher, poet, naturalist, penned these timeless words in his book Civil Disobedience.
The Night Thoreau Spent in Jail
by Jerome Lawrence Robert Edwin LeeFolder contains the script with manuscript annotations, notes, and four leaves of scene break down.
Nikolai Demidov
by Nikolai DemidovAt the time of his death, Stanislavsky considered Nikolai Demidov to be ‘his only student, who understands the System’. Demidov’s incredibly forward-thinking processes not only continued his teacher’s pioneering work, but also solved the problems of an actor’s creativity that Stanislavsky never conquered. This book brings together Demidov’s five volumes on actor training. Supplementary materials, including transcriptions of Demidov’s classes, and notes and correspondence from the author make this the definitive collection on one of Russian theatre’s most important figures.
Nine Irish Plays for Voices
by Eamon GrennanA vibrant collection of short plays bringing Irish history and culture alive through an extraordinary collage of documents, songs, poems, and texts.In Nine Irish Plays for Voices, award-winning poet Eamon Grennan delves deep into key Irish subjects—big, small, literary, historical, political, biographical—and illuminates them for today’s audiences and readers. These short plays draw from original material centering on important moments in Irish history and the formation of the Irish Republic, such as the Great Famine and the Easter Rising; the lives of Irish literary figures like Yeats, Joyce, and Lady Gregory; and the crucial and life-changing condition of emigration.The rhythmic, musical, and vivid language of Grennan’s plays incorporates traditional song lyrics, lines of Irish poetry, and letters and speeches of the time. The result is a dramatic collage that tells a story through the voices of characters contemporary to the period of the play’s subject. By presenting subjects through the dramatic rendering of the human voice, the plays facilitate a close, intimate relationship between players and the audience, creating an incredibly powerful connection to the past. Historical moments and literary figures that might seem remote to the present-day reader or audience become immediate and emotionally compelling.One of the plays, Ferry, is drawn entirely from the author’s imagination. It puts unnamed characters who come from the world of twentieth-century Ireland on a boat to the underworld with the philosopher Ludwig Wittgenstein. On their journey the five strangers, played by two voices, tell stories about their lives, raising the question of how language both captures and transforms lived experience. Addressing the Great Famine, Hunger uses documentary evidence to give audiences a dramatic feel for what has been a silent and traumatic element in Irish history. Noramollyannalivialucia: The Muse and Mr. Joyce is a one-woman piece that depicts James Joyce’s wife as an older woman sharing her memories and snippets from the works of her husband. Also included in this rich volume is the author’s adaptation of Synge’s Aran Islands, as well as Emigration Road, History! Reading the Easter Rising, The Muse and Mr. Yeats, The Loves of Lady Gregory, and Peig: An Ordinary Life.
Nine Plays Of The Modern Theater: The Caucasian Chalk Circle - Waiting For Godot - The Visit - The Balcony - The Birthday Party - Rhinoceros - Tango - Rosencrantz And Guildenstern Are Dead - American Buffalo
by Harold ClurmanVladimir, the more “philosophical” of the two vagrants in Beckett’s Waiting for Godot, stiffens their morale by asking, “. . . what’s the good of losing heart now? We should have thought of it a million years ago, in the nineties!” What does this mean in the play’s context? What were the nineties that these bewildered blighters should recall them with regret? It was perhaps a time when they had not yet entered upon their agony. It was a time of certainty, a beautiful time-or so it seemed to them and to most of their contemporaries.
Nine questions every actor of color should consider when tokenism is not enough
by Shanésia DavisThis book confronts and analyzes the systemic racism that confronts actors of color in the USA through interviews with leading performers in the nation’s theatrical epicentre of Chicago.Each chapter deals with a different central question, from how these actors approach roles and the obstacles that they face, to the ways in which the industry can change to better enable actors of color. By bringing together these actors and sharing the ways in which they have functioned within the white theatre world, we can appreciate how theatre needs to embrace their identities so that all voices are heard, understood, and valued. The stories of these actors will reflect the systemic racism of the past and present with the hope of remaking the future.This is an important book for students, teachers, and professionals who engage in theatre work, helping them to understand the lived experiences of actors of color through those actors’ own words.
Nineteen Cent Theat Spain: A Bibliography of Criticism and Documentation
by Margaret A ReesFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Nineteenth Century British Theatre (Routledge Library Editions: Victorian Theatre)
by KENNETH RICHARDS AND PETER THOMSONOriginally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.
Nineteenth-Century Theatre and the Imperial Encounter (Routledge Advances in Theatre & Performance Studies)
by Marty GouldIn this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross-cultural contact in action. But without narrative direction of the sort found in novels and travelogues, theatregoers were left to their own interpretive devices, making imperial drama both a powerful and yet uncertain site for the transmission of official imperial ideologies. Nineteenth-century playwrights fed the public’s interest in Britain’s Empire by producing a wide variety of plays set in colonial locales: India, Australia, and—to a lesser extent—Africa. These plays recreated the battles that consolidated Britain’s hold on overseas territories, dramatically depicted western humanitarian intervention in indigenous cultural practices, celebrated images of imperial supremacy, and occasionally criticized the sexual and material excesses that accompanied the processes of empire-building. An active participant in the real-world drama of empire, the Victorian theatre produced popular images that reflected, interrogated, and reinforced imperial policy. Indeed, it was largely through plays and spectacles that the British public vicariously encountered the sights and sounds of the distant imperial periphery. Empire as it was seen on stage was empire as it was popularly known: the repetitions of character types, plot scenarios, and thematic concerns helped forge an idea of empire that, though largely imaginary, entertained, informed, and molded the theatre-going British public.
El Niño del Nunca
by Federico RomanoEl gran viaje que hará Frederik Jonson en el reino celestial abrirá el camino hacia el origen y la verdad de su vida. A través de una variada galería de personajes y situaciones: fauna humana de víctimas indefensas o verdugos implacables, asesinos siniestros o inocentes, hombres devotos de los excesos y perdiciones o inocentes inconscientes, se logrará una extraordinaria epifanía de grandeza: la revelación del destino de Frederik y el pasaje escatológico. de un "niño del nunca" a un hombre de una existencia generosa hasta el heroísmo.
No Biz Like Show Biz (Katie Kazoo Switcheroo #24)
by Nancy KrulikWhen Miriam gets Suzanne's role in the school play, Katie knows there will be trouble. But she certainly doesn't plan on being involved in it! Unfortunately, the magic wind has plans of its own it turns Katie into Miriam just before the show!
No Exit and Three Other Plays
by Albert Camus Jean-Paul Sartre4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.
No Exit and Three Other Plays
by Jean-Paul SartreFour plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.
No Fear Shakespeare: As You Like It
by William ShakespeareThe complete text of the original play. <P><P>A line-by-line translation that puts the words into everyday language. <P><P>A complete list of characters, with descriptions. Plenty of helpful commentary.
No Fear Shakespeare: A Companion
by Daniel O. WilliamsLet's face it. Hearing people talk about Shakespeare can be pretty annoying. Particularly if you feel like you don't understand him. When people talk about which of Shakespeare's plays they like best, or what they thought of so-and-so's performance, they often treat Shakespeare like membership in some exclusive club. If you don't "get" him, if you don't go to see his plays, you're not truly educated or literate. You might be tempted to ask whether the millions of people who say they love Shakespeare actually know what they're talking about, or are they just sheep?No Fear Shakespeare: A Companion gives you the straight scoop on everything you really need to know about Shakespeare, including: What's so great about Shakespeare? How did Shakespeare get so smart? Five mysteries of Shakespeare's life - and why they matter Did someone else write Shakespeare's plays? Where did Shakespeare get his ideas? Shakespeare's world Shakespeare's theater Shakespeare's language The five greatest Shakespeare Characters.