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The Palgrave Handbook of Neo-Victorianism
by Brenda Ayres Sarah E. MaierThis handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
by Tiina Rosenberg Sandra D’Urso Anna Renée WingetThe purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuality and race continue to flourish in systems of knowledge, faith and power which are relevant to a new generation of queer and trans feminist performers today.The guiding question for the Handbook is: How do queer and trans feminist theories enhance our understanding of developments in feminist performance today, and will this discussion give rise to new ways of theorizing contemporary performance? As such, the volume will survey a new generation of performers and theorists, as well as senior scholars, who engage and redefine the limits of performance. The chapters will demonstrate how intersectional, queer and trans feminist theoretical tools support new analyses of performance with a global focus. The primary audience will be students of theatre/ performance studies as well as queer /gender studies. The volume’s contents suggest close links between the formation of queer feminist identities alongside recent key political developments with transnational resonances. Furthermore, the emergence of new queer and trans feminist epistemologies prompts a reorientation regarding performance and identities in a 21st-century context.
The Palgrave Handbook of Shakespeare's Queens (Queenship and Power)
by Kavita Mudan Finn Valerie SchutteOf Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.
The Palgrave Handbook of the History of Women on Stage
by Jan Sewell Clare SmoutThis book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.
The Palgrave Handbook of Theatre and Migration
by Yana Meerzon S. E. WilmerThe Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, and educators navigate the complex field of theatre and migration.
The Palgrave Handbook of Theatre and Race
by Tiziana Morosetti Osita OkagbueThe first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
The Palm at the End of the Mind: Selected Poems and a Play
by Wallace Stevens Holly StevensA collection that all the major long poems and sequences, and every shorter poem of lasting value in Stevens' career. Edited by Holly Stevens, it includes some poems not printed in his earlier Collected Works.From the Trade Paperback edition.
Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times (Routledge Advances in Theatre & Performance Studies)
by Kendra Claire CapecePandemic Performance chronicles the many ways that people are surviving/thriving through performance in a global pandemic. Covering artists and events from across the United States: from New York to California and from South Dakota to Texas, the chapters are equal parts theory and practice, weaving scholarship with personal experience from contributors who are interdisciplinary artists, scholars, journalists, and community organizers providing unique and invaluable perspectives on the complicated work of resilience during COVID-19. This study will hold interest for students and scholars in the performing arts, arts, and social justice as well as professional artmakers and creative community organizers.
The Paper Canoe: A Guide to Theatre Anthropology
by Eugenio BarbaFirst published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
paper SERIES
by David YeeAn unhappy orphan who finds solace in paper cut-outs of her parents, an Indian doctor who displays his medical degree in his taxi cab, and waiters who tamper with fortune cookie are some of the vibrant characters who are brought to life in this anthology of six monologues that revolve around paper. From drama to comedy to crime-thriller, Yee brings us a variety of plots and characters in a series of imaginative, thought-provoking vignettes.
Paper Tigers
by Damien Angelica WaltersIn this haunting and hypnotizing novel, a young woman loses everything-half of her body, her fiancé, and possibly her unborn child-to a terrible apartment fire. While recovering from the trauma, she discovers a photo album inhabited by a predatory ghost who promises to make her whole again, all while slowly consuming her from the inside out.Damian Angelica Walters' work has appeared or is forthcoming in Year's Best Weird Fiction Volume One, Nightmare, Strange Horizons, Lightspeed, Shimmer, Apex, and Glitter & Mayhem. She was an associate editor of the Hugo Award-winning Electric Velocipede.
Papers
by Allen StrattonComedy / 1m, 2f / Interior / This inventive romantic comedy with a novel twist is by the author of Nurse Jane Goes to Hawaii and Bingo . Professor Moira Fitzsimmons is lecturing about a novel by her colleague Martin Edwards. Her hilarious version of the love affair that inspired the novel constitutes the bulk of this sophisticated light comedy. Just as the autobiographical characters in the novel reach a loving resolution, it is revealed that Moira and Martin are happily married, and that the preceding lecture actually outlines the novelist latest book.
Para siempre jamás
by Lucy DawsonLa pasión, el entusiasmo y la espontaneidad que definen el comienzo de una relación se desvanecen con el paso del tiempo. Pero a Mia no le preocupa, porque sabe que el amor que siente por Pete será duradero. La experiencia le dicta que las relaciones requieren de un esfuerzo y un cuidado diario; este es el secreto para que una relación adulta funcione.Pero una noche, de camino al baño, encuentra el teléfono de Pete y lee un mensaje de texto que le deja la sangre helada: todo apunta a que tiene una amante. Mia tendrá que ponerse seria y sacar todas sus armas de mujer, incluso algunas que ni tan siquiera sabía que tenía.Después de todo, su felicidad está en juego, ¿no?«Lucy Dawson ha sabido dar forma a la pesadilla de toda mujer. Os identificaréis con el personaje aun a pesar de las decisiones que termine tomando, sentiréis su pesar, os saltaréis páginas por la impaciencia# y os dejará con un nudo en el estómago.»Heat
The Parade's Gone By
by Kevin BrownlowThe magic of the silent screen, illuminated by the recollections of those who created it.
Paradise
by Patti FlatherAfter a traumatic assault in Central America, Rachel returns home, but it isn’t the reprieve she expected. She comes back to turmoil between her parents, and a part-time job in her dad’s medical office. Her father, George, full of endearing blunder, tries unsuccessfully to connect with his daughter, who seems to be reeling. Her childhood friend Khalil isn’t around to provide support. He’s in Afghanistan travelling and volunteering when he is wrongfully arrested. On the periphery is Wally—off work because of a logging injury—who spends a great deal of time in George’s office. Wally struggles to buy food for his dog Lucky, his rent payments are overdue, and the ringing in his ears just won’t stop. He’s looking for help in all the right places, but nobody seems to notice he’s deteriorating until it’s too late.
Paradise Garden
by Lucia FrangioneIn the gold-rush era of the 1850s, the McKinnons settled on an island off the west coast of Canada, where the first thing they did was to turn this "wilderness" into an English country garden complete with vegetables, flowers, fruit trees and an elegant gazebo. After six generations, times and circumstances have changed, the family estate has been subdivided, the flowers have gone wild, the pear-tree has rotted and the heritage house has been carved up into a duplex, the property now divided in two by an ugly hedge.The McKinnons now live in one side of the property, while the other has been sold to an immigrant family recently arrived from Turkey. The heirs apparent to both families, Day McKinnon and Leyla Zeki, fancy themselves to be sophisticated citizens of the world, tolerating with thinly disguised amusement their ancestors' "outdated" formalities and rituals. So alienated are they that they spend much of their time only half-jokingly speaking of themselves in the third person. Yet Leyla recognizes something fundamental and mysterious in the vestiges of the old garden: its tumbled and overgrown ruins remind her of the Paradise Garden of Judeo-Christian/Islamic tradition-its layout in the four cardinal directions, its allusions to the seasons and the elements, and its walls that surround a place of secret love. For Day, however, despite, or perhaps because of the fact that he has discovered a long-buried family secret, "The problem with being born into paradise is: eventually you inherit it. There's something to be said for the bedlam of hell. Heaven is a lot of upkeep." Abandoning their families for their careers, they are reunited years later having discovered that love is not just something that happens to us, but something that we must build by hand in the wilderness of our lives.
Paradise Lost
by John Milton Paul Stevens Erin Shields“The biggest mistake any of us could make would be to underestimate Satan.” The seventeenth century and present day are seamlessly intertwined as Satan vents to an audience about her frustration at being cast out of Heaven and her thoughts on oppression. When she finds out that God has created delicate new creatures called “humans,” she crafts a plan for revenge and betrayal on the Almighty. Erin Shields turns Heaven and Hell upside down in this witty, modern, feminist retelling of John Milton’s epic poem about the first battle between good and evil. Shields’s wickedly smart and funny script questions the reasons of the universe, the slow process of evolution and the freedom of knowledge. The debate over right and wrong has never been so satisfying.
Parallel Public: Experimental Art in Late East Germany
by Sara BlaylockHow East German artists made their country&’s experimental art scene a form of (counter) public life.Experimental artists in the final years of the German Democratic Republic did not practice their art in the shadows, on the margins, hiding away from the Stasi&’s prying eyes. In fact, as Sara Blaylock shows, many cultivated a critical influence over the very bureaucracies meant to keep them in line, undermining state authority through forthright rather than covert projects. In Parallel Public, Blaylock describes how some East German artists made their country&’s experimental art scene a form of (counter) public life, creating an alternative to the crumbling collective underpinnings of the state. Blaylock examines the work of artists who used body-based practices—including performance, film, and photography—to create new vocabularies of representation, sharing their projects through independent networks of dissemination and display. From the collective films and fashion shows of Erfurt's Women Artists Group, which fused art with feminist political action, to Gino Hahnemann, the queer filmmaker and poet who set nudes alight in city parks, these creators were as bold in their ventures as they were indifferent to state power. Parallel Public is the first work of its kind on experimental art in East Germany to be written in English. Blaylock draws on extensive interviews with artists, art historians, and organizers; artist-made publications; official reports from the Union of Fine Artists; and Stasi surveillance records. As she recounts the role culture played in the GDR&’s rapid decline, she reveals East German artists as dissenters and witnesses, citizens and agents, their work both antidote to and diagnosis of a weakening state.
Paratexts in English Printed Drama to 1642
by Thomas L. Berger Sonia MassaiThe paratexts in early modern English playbooks the materials to be found primarily in their preliminary pages and end matter provide a rich source of information for scholars interested in Shakespeare, Renaissance Drama and the History of the Book. In addition, these materials offer valuable insights into the rise of dramatic authorship in print, early modern attitudes towards theatre, notorious literary wrangles and the production of drama both on the stage and in the printing house. This unique two-volume reference is the first to include all paratextual materials in early modern English playbooks, from the emergence of print drama to the closure of the theatres in 1642. The texts have been transcribed from their original versions and presented in old-spelling. With an introduction, user's guide, multiple indices and a finding list, the editors provide a comprehensive overview of seminal texts which have never before been fully transcribed, annotated and cross-referenced. "
Parce que je suis Zeus: Recueil de pièces sur la mythologie grecque.
by Crystal Smith-Connelly Mandy BernardiniParce que je suis Zeus: Recueil de pièces sur la mythologie grecque contient six courtes pièces sur le plus divertissant des dieux grecs. Suivez Zeus lorsqu'il souffre pendant une thérapie de couple, fait une proposition indécente à ses sœurs ou essaie de coucher avec tout ce qui bouge.
Paris and the Musical: The City of Light on Stage and Screen
by Olaf JubinParis and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’. The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.
Paris Blues: African American Music and French Popular Culture, 1920-1960
by Andy FryThe Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons--such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others--what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation--reinvention--in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.
Paris is Out!
by Richard SeffHortense and Daniel, a married couple of over 40 years, plan to embark on their first European vacation, but the two have very different outlooks on travel. Daniel is convinced he will be unimpressed by the other side of the pond. His conditions for the trip are: no Paris, no Venice, no shopping, sightseeing, or speaking in French. Hortense, on the other hand, is full of life and eager to experience Europe fully. When Daniel embarrasses Hortense in front of family and friends, she announces that the trip is cancelled. As her adult children try to convince her to forgive Daniel, Hortense must decide how she feels about the man with whom she has shared a life for 40 years. Daniel, in turn, to save his marriage must show how much he appreciates Hortense.
Park Songs
by R. C. Irwin David BudbillA "tale of the tribe" (Ezra Pound's phrase for his own longer work), Park Songs is set during a single day in a down-and-out Midwestern city park where people from all walks of life gather. In this small green space amidst a great gray city, the park provides a refuge for its caretaker (and resident poet), street preachers, retirees, moms, hustlers, and teenagers. Interspersed with blues songs, the community speaks through poetic monologues and conversations, while the homeless provide the introductory chorus--and all of their voices become one great epic tale of comedy and tragedy. Full of unexpected humor, hard-won wisdom, righteous (but sometimes misplaced) anger, and sly tenderness, their stories show us how people learn to live with mistakes and make connections in an antisocial world. As the poem/play engages us in their pain and joy--and the goofy delight of being human--it makes a quietly soulful statement about acceptance and community in our lives. David Budbill has worked as a carpenter's apprentice, short order cook, day laborer, and occasional commentator on NPR's All Thing Considered. His poems can often be heard on Garrison Keillor's Writer's Almanac and his books include the best-selling Happy Life (Copper Canyon Press) and Judevine, a collection of narrative poems that forms the basis for the play Judevine, which has been performed in twenty-two states. Born in Cleveland, Ohio, Budbill now lives in the mountains of northern Vermont. R. C. Irwin, whose absurdist and nostalgic work provides the set design for Park Songs, teaches at San Francisco City College.