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Iago: The Strategies of Evil (Shakespeare's Personalities #4)
by Harold BloomFrom one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello&’s Iago, perhaps the Bard&’s most compelling villain—the fourth in a series of five short books about the great playwright&’s most significant personalities.Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him.One of William Shakespeare&’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago&’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism?Bloom is mesmerizing in the classroom, treating Shakespeare&’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. &“There are few readers more astute than Bloom&” (Publishers Weekly), and his Iago is a provocative study for our time.
I wish you a Merry Christmas
by Laurent MoreauAt school, a clan seems great. What to say when you choose someone whom seems weaker than others and it goes wrong? A destroyed life, a malaise... a revenge! They say revenge is a dish best served cold! well, that's just an understatement.
I Was Never Alone, or Oporniki: An Ethnographic Play on Disability in Russia (Teaching Culture: UTP Ethnographies for the Classroom)
by Cassandra HartblayI Was Never Alone or Oporniki presents an original ethnographic stage play, based on fieldwork conducted in Russia with adults with disabilities. The core of the work is the script of the play itself, which is accompanied by a description of the script development process, from the research in the field to rehearsals for public performances. In a supporting essay, the author argues that both ethnography and theatre can be understood as designs for being together in unusual ways, and that both practices can be deepened by recognizing the vibrant social impact of interdependency animated by vulnerability, as identified by disability theorists and activists.
I Was Better Last Night: A Memoir
by Harvey FiersteinA poignant and hilarious memoir from the cultural icon, gay rights activist, and four-time Tony Award–winning actor and playwright, revealing never-before-told stories of his personal struggles and conflict, of sex and romance, and of his fabled careerHarvey Fierstein&’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He&’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows: Hairspray, Fiddler on the Roof, Mrs. Doubtfire, Independence Day, Cheers, La Cage Aux Folles, Torch Song Trilogy, Newsies, and Kinky Boots. While he has never shied away from the spotlight, Mr. Fierstein says that even those closest to him have never heard most of the tales—of personal struggles and conflict, of sex and romance, of his fabled career—revealed in these wildly entertaining pages. I Was Better Last Night bares the inner life of this eccentric nonconforming child from his roots in 1952 Brooklyn, to the experimental worlds of Andy Warhol and the Theatre of the Ridiculous, to the gay rights movements of the seventies and the tumultuous AIDS crisis of the eighties, through decades of addiction, despair, and ultimate triumph. Mr. Fierstein&’s candid recollections provide a rich window into downtown New York City life, gay culture, and the evolution of theater (of which he has been a defining figure), as well as a moving account of his family&’s journey of acceptance. I Was Better Last Night is filled with wisdom gained, mistakes made, and stories that come together to describe an astonishingly colorful and meaningful life. Lucky for us all, his unique and recognizable voice is as engaging, outrageously funny, and vulnerable on the page.
I Wanna Be A Producer: How to Make a Killing on Broadway... Or Get Killed
by John BreglioWhat does a "producer" actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? John Breglio cannot guarantee you a hit, but he does take the reader on a fascinating journey behind-the-scenes to where he himself once stood as a child, dreaming about the theatre. Part memoir, part handbook, I Wanna Be a Producer is a road map to the hows and wherefores, the dos and don'ts of producing a Broadway play, written by a Broadway veteran with more than 40 years of experience. This comprehensive and highly informative book features practical analysis and concepts for the producer and is filled with entertaining anecdotes from Breglio's illustrious career as a leading theatrical lawyer and producer. Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind the scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks. Whether you are a working or aspiring producer, an investor, or are just curious about the backstage reality of the theater, Breglio shares his knowledge and experience of the industry, conveying practical information set against the real-life stories of those who have devoted their lives to the craft.
I Used To Write On Walls
by Bekah BrunstetterDrama \ 1m, 6f \ Unit Set \ Diane, Georgia and Joanne are 3 modern women living very different lives. Unbeknownst to them, they are all pining after the same young man, Trevor: sexy, stoned, oblivious; a surfer on a rad, rad philosophical journey. When a beautiful 11 year old girl named Anna, and Mona (a sexy, widowed astronaut) are thrown into the crosswinds of diverse romantic affairs, hearts will be broken, loves will be lost, and youthful cries of hope, anger, and sadness will be written on walls. Mothers will try to guide their daughters from the promise and beauty of youth through the diminishing opportunities of aging. Daughters will go to the extremes of passion to hold on to their fantasies of love. One man will be in the middle of a romantic storm of graffiti, drugs, sexual asphyxiation, gunshots, explosions, and desire.
I Used to Know That: Shakespeare
by Liz EversCapturing the unbelievable scope of Shakespeare's influence, this book covers the little-known details of Shakespeare's life along with the surprising legacy of the language and phrases inherited from his works. Organized for easy reference, sections include: Shakespeare's Life Who was this man--the playwright, the lover, the family man? Words and Phrases Owed to Shakespeare Did you know we have Shakespeare to thank for words such as "bandit," "fashionable," and "moonbeam" and the phrases "in my mind's eye," "in my heart of hearts," and "to thine own self be true"? His Theater and Plays Synopses of the most famous of his plays Character Glossary All the most memorable, infamous, and beloved characters from Shakespeare's collective works, including Beatrice, Julius Caesar, Ariel, Falstaff, Cleopatra, Othello, and Horatio Index of Famous Lines "Better a witty fool than a foolish wit" from Twelfth Night and "Tempt not a desperate man" from Romeo and Juliet Whether you're planning an appearance on Jeopardy or simply want to become a more interesting conversationalist, I Used to Know That: Shakespeare will provide you with hours of entertainment.
I, the Blue Angel
by Lázaro Droznes Pablo BarrantesLife and Songs of Marlene Dietrich Marlene Dietrich was one of Hollywood's topmost stars and one of the greatest myths in cinema. She was born in Germany but later on, after being discovered by Josef von Sternberg, she migrated to the US to eventually become a citizen. She was the seduction icon, the fatal woman with the eternal femininity. Her intense militancy against Nazism and her participation, as a soldier in the Second World War revealed an extraordinary aspect of her life and personality. In this play, Marlene tells anecdotes, and speaks about intimate experiences of her legendary life interweaved with the famous songs that illustrated it. What is the mystery that Marlene hides and then reveals?
I Take This Man
by Jack SharkeyFarce / 3m, 2f / Interior / When lovely young Gideon Hollis a.k.a. Giddy spots an unconscious man in a tank top and shorts lying in Copley Square just after all other Boston Marathon racers have crossed the finish line, she reasons that since nice guys finish last, this must be Mr. Right! She has a helpful policeman tote him to her nearby apartment, shocking her roommate whose fiance is due for a dinner date. When the comatose dreamboat revives and cannot remember who he is, Giddy tells him they are married and regrets her subterfuge when he tries to be a loving husband. Complications escalate at a furious pace in this outrageous concoction of wild, warm, and lightning paced hilarity that is perfect for the entire family.
I Stand Before You Naked
by Joyce Carol OatesMonologues / 11f / Bare Stage / This extraordinary collection of dramatic monologues by one of America's foremost women of letters rivals Talking With in dramatic intensity, language and sheer weirdness. The evening begins and ends with the title poem, a haunting evocation of woman on the edge of madness and vulnerability. Also included are Little Blood Button; Wife of; Wealthy Lady; The Boy; The Orange; Good Morning, Good Afternoon; Darling, I'm Telling You (Angel Eyes); Nuclear Holocaust; Slow Motion and Pregnant. There is humor here, but mostly the monologues are gripping portraits of the pathetic, the strange, and the horrifying.
I Never Knew What Time It Was
by David AntinAntin explores the experience of time--how it's felt, remembered, and recounted. These free-form talk pieces--sometimes called talk poems or simply talks--began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud.
I miei capelli, a chi non piacciono?
by Iris Albuquerque Martina MorbidiniE a história de Laura, uma ragazza nera, raccontata atrapalhou uma pagina do suo diario. Il libro si concentra sulla sugli episodi traumatici e di discriminazione che marcano la sua vita partire prime esperienze a scuola. Busca livre é uma história de Julio e de Rita, amici inseparabili di Laura. Con ti malinconi ma in episodi spesso divertenti, Laura ci confessa le sue paure, i suoi sogni ei suoi problemi. Momenti marcanti della sua infanzia, adolescenza e della prima fase dell'età adulta. Laura ricerca nuove forme per affareare fatti senza dover rinunciare al suo passato, ma per vivere serena e senza portarsi dietro troppi traumi. E tra lacrime e risate, episodi romantici si avvicendano nella sua storia, rendendo la lettura appassionante e avvolgente. Não é ribellione, è libertà!
I Love You, I Love You Not
by Wendy KesselmanDrama / 2f / Interior / Like Ms. Kesselman's Maggie Magalita , this piece deals with a young woman's coming to terms with her ethnic heritage in this case, her Jewishness. Daisy is visiting her grandmother in the country. Daisy is neurotic and unhappy in her home life and is on the verge of a troubled adolescence. Her grandmother offers her an emotional anchor and she teaches her about being an adult by offering gentle advice, good books, and good cooking and by telling Daisy of her life at Daisy's age when she was in Auschwitz where she lost her two sisters.
I Have AIDS!
by Sky GilbertFollowing Prodon through the five stages of acceptance—Denial, Partying, Loss of Control, Religious Conversion, and Acceptance—the play pops in and out of monologues with Prodon and into scenes with Lady Booty, an outrageous drag queen, Ron, a man who has made AIDS his personal religion, and the ever supportive Vidor, each giving their own advice on how to take the news.A black comedy like no other, I Have AIDS! is a play about gay men who are neither tragic nor sad, and we are led to laugh with them, not at them.
I Figli Di Juan
by Marta Secondi Ronyfer«Per le strade lastricate di quella città lontana, deambulava quella strana donna, abbandonata dagli anni, abbandonata dalla vita. Sulle sue spalle, il peso di tutto un mondo di sofferenze e tradimenti.Il suo, un passo lento, di chi non ha fretta di rincorrere il tempo. Il suo bagaglio, dei vecchi cenci ed una vita piena di dolore.Di notte soleva dormire dove la stanchezza la colpiva, ricevendo dall'elemosina della gente qualche pezzo di pane o qualsiasi altra cosa che le potesse calmare la fame.Si ripeteva più di mille volte: "Sarò la madre di mio nipote o la zia di mio figlio", mentre si accarezzava di continuo la pancia, quella pancia che ospitava, fino ai confini dell'amarezza e del peccato, quel feto pietrificato che aveva rinunciato a nascere.»
I Can Be an Actress/I Can Be a Computer Engineer (Barbie)
by Susan MarencoBarbie can be an actress and a computer engineer! Barbie plays a pretty princess in a play--then saves her sister's school computer project. With two great all-new stories, girls 3-7 will love this I Can Be deluxe storybook!
I Bet Your Life
by Fred CarmichaelComedy / 4m, 4f / Interior / Hilarious situations, clever dialogue, intriguing romance and surprise twists make this breezy comedy a delight. Soap opera author Matthew Stoddard has written a screenplay about a terminally ill man who hires a hitman to kill him and then finds out he was misdiagnosed. Matt's agent and best friend, Greg, thinks the plot is not feasible so Matt contacts a gangster and arranges for an incognito hitman to join them at a dinner party in the country to prove his point. Circumstances place a real hitman among the guests and the action accelerates as they try to find out who it is before the deadline. Stacy, secretary and love interest to both men, does her best to help them solve the identity question as surprise after surprise thwarts them. Is the whole scheme really a con game? And who cons the con man? And who is conning them all? Excellent parts make this play fun to produce and view.
I, Animal
by Daniel Macivor"Man in Scrubs" follows the story of a queer black nurse who is getting awfully tired of being put in a box. He's queer, not gay, and he'll tell you the difference. He's always been an outcast, and constantly finds himself at the bottom of any and every hierarchy. With his patience waning, he confronts what it means to be an outsider, and, more importantly, what it means to take charge of one's own identity. "Boy in Hoodie" is the story of the "Dead Cat Kid," as he’s known by his classmates. He's fascinated by death—curious about it in a philosophical sense—but he's not morbid, and he didn't kill a cat. But which is more important, the truth or perception? "Woman in Prada" centres on an attractive, middle-aged woman who enjoys the finer things in life. And now that she's no longer a suburban housewife, she's finally free to explore her own desires. But what if they are leading her to be with a much younger man? Can she choose to put social optics to the side and do what makes her happy for once?
I Am My Own Wife (Acting Edition for Theater Productions)
by Doug WrightWinner of the 2004 Pulitzer Prize for Drama; From the Obie Award-winning author of Quills comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. <p><p>A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century—the Nazis and the Communists.
I Am For You
by Mieko OuchiFighting words . . . Lainie and Mariam have it out for each other, so it’s no surprise when they finally come to violent blows in the middle of their high school’s drama room. That’s when Caddell Morris, an ex-professional actor and newly minted student teacher, steps in. By teaching the girls the art of stage combat, he hopes to help them understand more about the roots and costs of violence. But when he convinces the drama teacher to let them play Mercutio and Tybalt in their school production of Romeo and Juliet, swords, words, and egos battle and clash. Can they find a way to work together?
Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy (Routledge Advances in Theatre & Performance Studies)
by Olga KekisHypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues. The book’s premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the cultures of which they are a part. Central to this study is the idea that each of these adaptations becomes an entirely new play, redefining its central female figures and invoking reconfigurations of femininity which emphasise individual women’s strengths and female solidarity. Written for scholars of Theatre, Adaptation, Performance Studies, and Literature, Hypertheatre places the Greek classics firmly within a contemporary feminist discourse.
The Hutchinson Dictionary of Ancient and Medieval Warfare
by HutchinsonFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Hutchinson Atlas of World War II Battle Plans: Before And After
by Stephen BadseyThis text contrasts 21 World War II battle plans with their actual outcome. Each in-depth battle essay is complemented by original maps, producing fresh insight into the technical aspects of warfare that drove the last worldwide conflict of the 20th century. An overall introduction gives a strategic overview of the whole of the war, and places the individual battles into context. The battles are presented in seven groups of three, and each group is introduced by a short essay on the common theme for the group.
Hurlyburly and Those the River Keeps: Two Plays (Books That Changed the World)
by David RabeThe landmark American play—and its prequel—from the Tony Award–winning author of Sticks and Bones and In the Boom Boom Room. Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic American drama. This edition is the definitive version of David Rabe&’s most celebrated work, reflecting his continued exploration of the play through several productions—in particular the one he directed in 1988 at the Westwood Playhouse in Los Angeles—and his latest thoughts regarding the text. With Those the River Keeps, the prize-winning playwright embarks on an intense psychological exploration of Hurlyburly&’s most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction. &“Fresh, glittering, entertaining, full of wit and blisteringly funny. A stunning comic drama of contemporary life in the Hollywood hills and beyond.&” —USA Today &“Powerfully written . . . dazzling.&” —The New Republic &“Offers some of Rabe&’s most inventive writing.&” —The New York Times &“Compelling . . . Those the River Keeps&’ strength is its dialogue, which ranges from staccato nonsense to amorphous bursts of palooka philosophy and raw anguish . . . masterfully rendered.&” —The Boston Phoenix Praise for David Rabe &“Few contemporary dramatists have dealt with violence, physical and psychological, more impressively than Rabe.&” —Kirkus Reviews &“A remarkable storyteller.&” —Chicago Tribune &“Rabe&’s mastery of dialogue is the equal of Pinter and Mamet put together.&” —The Boston Globe
Hunters of the White Sheep: A collection of Dall Sheep Hunts, and an assortment of Dall Sheep Hunters
by Lynn SoisethThe experience of an alpine hunt for the golden-crowned King of the Alaska Alpine, can be a life-changing event for both the hunter and the hunted. It is part of the mystique of sheep hunting-that the ‘sport' learns as much about himself and his capabilities, as he learns about the hunt. In Hunters of the White Sheep you will encounter an eclectic collection of hunters and their backstories as they hunt for the golden-horned rams. Read along and you will be transported to base camps in the sheep mountains by foot, airplane, ATV, jet boat, and bicycle. Once at the base camp, the hunters forgo mechanized transportation and revert to shoe leather as they pursue the white rams over wind-swept ridges, frightening chasms, chilly-blue glaciers, and sometimes, surprisingly gentle hills. Although much hunting information, such as techniques and locations can be gleaned by reading the stories carefully, this is not intended to be a how-to-hunt sheep book.