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Horton Foote: A Casebook (Casebooks on Modern Dramatists #24)
by Gerald C. WoodFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Horrors of Dr. Moreau
by Joel StoneComedy, Melodrama / 4m, 2f, plus an offstage voice / Exterior / Doctor Moreau is a scientist who is creating a race of "Beast people" -- creatures carved and shaped out of living animals, made to resemble and behave like human beings. They populate Moreau's secluded island, worshipping Moreau as their Creator God and obeying his Laws. The appearance of another "real" human being causes confusion, fear and suspicion amongst them, and they soon revert to their original animal traits and instincts! / "Brings the original H. G. Well's story to life more succinctly and literately than Paramount."-- The New York Times
The Horror Plays of the English Restoration (Studies in Performance and Early Modern Drama)
by Anne HermansonA decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone - absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author’s contention is that the genre of horror gains its popularity at times of social dislocation. It reflects deep schisms in society, and English society was profoundly unsettled and in a (delayed) state of shock from years of social upheaval and civil conflict. Through recurrent images of monstrosity, madness, venereal disease, incest and atheism, Hermanson argues that the horror dramatists trope deep-seated and unresolved anxieties - engaging profoundly with contemporary discourse by abreacting the conspiratorial climate of suspicion and fear. Some go as far as to question unequivocally the moral and political value of monarchy, vilifying the office of kingship and pushing ideas of atheism further than in any drama produced since Seneca. This study marks the first comprehensive investigation of these macabre tragedies in which playwrights such as Nathaniel Lee, Thomas Shadwell, Elkanah Settle, Thomas Otway and the Earl of Rochester take their audience on an exploration of human iniquity, thrusting them into an examination of man’s relationship to God, power, justice and evil.
Horrid Massacre in Boston
by Don NigroDark Dramatic Comedy / 4m, 4f / Interior / Jane Lamb, an orphan, finds a home at Mrs. Turley's Bunch of Grapes Inn in Boston during the Revolution. The colorful, eccentric and dangerous regulars she encounters there include a demonic roustabout who is a patriot, a traitor or a bit of both; Ophelia, a mad girl who talks to mice, and the Oyster Man, a street vendor obsessed with the Boston Massacre where he received a wound that has scrambled his brains to an alarming degree. Jane learns a vivid lesson about the dark underside of patriotic mythology in this nightmarish world of murder, secrets, betrayal and lunacy. This savagely funny, robust and haunting play is part of the author's series Pendragon Plays.
Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative
by Kathleen GallagherFor young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose. Collaborating across institutions, theatres, and community spaces, the research in Hope in a Collapsing World mobilizes theatre to build its methodology and create new data with young people as they seek the language of performance to communicate their worries, fears, and dreams to a global network of researchers and a wider public. A collaboration between a social scientist and a playwright and using both ethnographic study and playwriting, Hope in a Collapsing World represents a groundbreaking hybrid format of research text and original script – titled Towards Youth: A Play on Radical Hope – for reading, experimentation, and performance.
Honouring the Strength of Indian Women: Plays, Stories, Poetry (First Voices, First Texts #5)
by Vera ManuelThis critical edition delivers a unique and comprehensive collection of the works of Ktunaxa-Secwepemc writer and educator Vera Manuel, daughter of prominent Indigenous leaders Marceline Paul and George Manuel. A vibrant force in the burgeoning Indigenous theatre scene, Vera was at the forefront of residential school writing and did groundbreaking work as a dramatherapist and healer. Long before mainstream Canada understood and discussed the impact and devastating legacy of Canada’s Indian residential schools, Vera Manuel wrote about it as part of her personal and community healing. She became a grassroots leader addressing the need to bring to light the stories of survivors, their journeys of healing, and the therapeutic value of writing and performing arts. A collaboration by four Indigenous writers and scholars steeped in values of Indigenous ethics and editing practices, the volume features Manuel’s most famous play, "Strength of Indian Women"—first performed in 1992 and still one of the most important literary works to deal with the trauma of residential schools—along with an assemblage of plays, written between the late 1980s until Manuel’s untimely passing in 2010, that were performed but never before published. The volume also includes three previously unpublished short stories written in 1988, poetry written over three decades in a variety of venues, and a 1987 college essay that draws on family and community interviews on the effects of residential schools.
The Honest Whore: With The Humours Of The Patient Man, And The Loving Wife (classic Reprint) (Globe Quartos)
by Thomas DekkerFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Homecoming: The Homecoming; Old Times; No Man's Land (Modern Plays Ser.)
by Harold PinterAfter having lived in the United States for several years, Teddy brings his wife, Ruth, home for the first time to meet his working-class family in North London, where he grew up and which she finds more familiar than their arid academic life in America. Much sexual tension occurs as Ruth teases Teddy's brothers and father and the men taunt one another in a game of oneupmanship, resulting in Ruth's staying behind with Teddy's relatives as "one of the family" and Teddy and their three sons returning home
Homebody/Kabul
by Tony Kushner"Tony Kushner's Homebody/Kabul is the most remarkable play in a decade . . . without a doubt the most important of our time."--John Heilpern, New York Observer"This compelling evening testifies that Mr. Kushner can still deliver his sterling brand of goods: a fusion of politics, poetry and boundless empathy transformed through language into passionate, juicy theater . . . a reminder of how essential and heartening Mr. Kushner's voice remains."--Ben Brantley, New York Times"Homebody/Kabul is a rich and intelligent piece."--Peter Brook"Searing . . . Kushner's use of language and ideas continues to make us think about the deeper questions . . . he makes the political personal . . . a masterful conglomerate of words, ideas and history."--Mary Houlihan, Chicago Sun TimesIn Homebody/Kabul, Pulitzer Prize-winning playwright Tony Kushner, author of Angels in America, has turned his penetrating gaze to the arena of global politics to create this suspenseful portrait of a dangerous collision between cultures. Written before 9-11, this play premiered in New York in December 2001 and has had subsequent highly successful productions in London, Providence, Seattle, Chicago and Los Angeles. This version incorporates all the playwright's changes over the past two years and is now the definitive version of the text.Tony Kushner's plays include A Bright Room Called Day and Slavs!; as well as adaptations of Corneille's The Illusion, Ansky's The Dybbuk, Brecht's The Good Person of Szecguan and Goethe's Stella. Current projects include: Henry Box Brown or The Mirror of Slavery; and two musical plays: St. Cecilia or The Power of Music and Caroline or Change. He recently collaborated with Maurice Sendak on an American version of the children's opera, Brundibar. He grew up in Lake Charles, Louisiana, and he lives in New York.
Home Work: A Memoir of My Hollywood Years
by Julie AndrewsIn this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria. <P><P> In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films--Mary Poppins and The Sound of Music. Andrews describes her years in the film industry -- from the incredible highs to the challenging lows. <P><P>Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. <P><P>The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring. <P><P><b>A New York Times Bestseller</b>
Home Work: A Memoir of My Hollywood Years
by Julie Andrews'The book is filled with that most distinctive of all her qualities: her voice' The TimesHome Work, the second instalment of Julie Andrews' internationally bestselling memoirs, begins with her arrival in Hollywood to make her screen debut in Walt Disney's Mary Poppins. It was closely followed by The Sound of Music, and the beginning of a movie career that would make her an icon to millions all over the world.With her trademark charm and candour, Julie reveals behind-the-scenes details and reflections on her impressive body of work - from the incredible highs to the challenging lows. She shares her professional experiences and collaborations with giants of cinema and television, and also unveils her personal story of adjusting to a new and often daunting world. This included dealing with unimaginable public scrutiny, being a new mother, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including 10, S.O.B and Victor/Victoria.Home Work takes us on a rare and intimate journey into a remarkable life that is funny, heart-breaking and inspiring.
Home Work: A Memoir of My Hollywood Years
by Julie Andrews'Home Work is written with a warm heart and a generous spirit ... an honest attempt to make sense of an often chaotic life' SUNDAY EPXRESS'The book is filled with that most distinctive of all her qualities: her voice ... Mary Poppins may appear only briefly here, but her spirit is alive and well' THE TIMESIn this follow-up to her critically acclaimed and bestselling memoir Home, the enchanting Julie Andrews picks up her story with her arrival in Hollywood, sharing the career highlights, personal experiences and reflections behind her astonishing career, including such classics as Mary Poppins, The Sound of Music, Victor/Victoria and many others.In Home, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. In her new memoir, Julie picks up the story with her arrival in Hollywood and her astonishing rise to fame as two of her early films -Mary Poppins and The Sound of Music- brought her instant and enormous success, including an Oscar. It was the beginning of a career that would make Julie Andrews an icon to millions the world over. In Home Work, Julie describes her years in Hollywood - from the incredible highs to the challenging lows. Not only does she detail her work in now-classic films and her collaborations with giants of cinema and television; she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, moving on from her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, culminating in Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Told with her trademark charm and candour, Julie Andrews takes us on a rare and intimate journey into an astonishing life that is funny, heartbreaking and inspiring.
Home on the Stage
by Nicholas GreneAs a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama.
Home is the Hunter: A Comedy in Two Acts
by Helen MacinnesAfter years of war and still more years of travelling, Ulysses finally returns to his beloved Ithaca, penniless and alone. Rather than the joyous welcome he had hoped for, he finds his palace full of quarrelling suitors, all scheming to possess his wife and his land. Meanwhile the beautiful Penelope is speculating on why it should take any man seven years to get home. As the couple find their way back to each other, Homer becomes increasingly irritated that they are not adhering to the plot of his new book, and Athena, the Goddess of Reason, has had enough of irrational mortal behaviour. Finally, what really happened on that historic day in 1177 BC can be revealed...
Home and Away: Lived Experience in Performative Narratives (Routledge Advances in Theatre & Performance Studies)
by Leigh Anne HowardHome and Away explores how performative writing serve as a process that critically interrogates space/place in relation to personal, social, cultural, and political understanding. By combining aesthetic expression and inquiry with critical reflection, the contributors in this volume use a variety of narrative strategies—autoethnography, mystoriography, creative cartography, the lyric essay, fictocriticism, collage, the screenplay, and poetics—to position place as the starting point for the aesthetic impulse. The anthology showcases the power and potential of performative writing to illustrate the ways we interact with and in place; provides examples of the ways one can express lived experience; and demonstrates the ways discourses overlap while extending our understanding of identity and place, whether one is home or away. Although the chapters are fixed by their literary form in this volume, many of chapters are best realized in a performance or shared publicly via an oral tradition. This collection will be of great interest to students and scholars in performance, communication studies, and literature.
Un hombre como tantos: Un uomo come tanti
by Tomás PoetaPara Greta Moore, el cantante William Stevenson lo es todo. Lo sigue desde que era una niña, colecciona sus discos y, por ese fanatismo, termina descubriendo la verdad que se oculta en las letras de sus canciones. Cuando Greta gana una subasta benéfica que le permite conocer a su ídolo, ella decide revelarle sus descubrimientos, creyendo que, a partir de ese momento, su vida ordinaria daría un vuelco y encontraría la verdadera felicidad. Pero desde entonces, tanto la vida de William como la de Greta se verán envueltas en una aventura de vida… o muerte.
Holy Terrors: Latin American Women Perform
by Diana Taylor Roselyn CostantinoHoly Terrors presents exemplary original work by fourteen of Latin America's foremost contemporary women theatre and performance artists. Many of the pieces--including one-act plays, manifestos, and lyrics--appear in English for the first time. From Griselda Gambaro, Argentina's most widely recognized playwright, to such renowned performers as Brazil's Denise Stoklos and Mexico's Jesusa Rodrguez, these women are involved in some of Latin America's most important aesthetic and political movements. Of varied racial and ethnic backgrounds, they come from across Latin America--Argentina, Brazil, Mexico, Chile, Colombia, Puerto Rico, Peru, and Cuba. This volume is generously illustrated with over seventy images. A number of the performance pieces are complemented by essays providing context and analysis. The performance pieces in Holy Terrors are powerful testimonies to the artists' political and personal struggles. These women confront patriarchy, racism, and repressive government regimes and challenge brutality and corruption through a variety of artistic genres. Several have formed theatre collectives--among them FOMMA (a Mayan women's theatre company in Chiapas) and El Teatro de la mscara in Colombia. Some draw from cabaret and 'frivolous' theatre traditions to create intense and humorous performances that challenge church and state. Engaging in self-mutilation and abandoning traditional dress, others use their bodies as the platforms on which to stage their defiant critiques of injustice. Holy Terrors is a unique English-language presentation of some of Latin America's fiercest, most provocative art. Contributors Sabina Berman Tania Bruguera Petrona de la Cruz Cruz Diamela Eltit Griselda Gambaro Astrid Hadad Teresa Hernndez Rosa Luisa Mrquez Teresa Ralli Diana Raznovich Jesusa Rodrguez Denise Stoklos Katia Tirado Ema Villanueva
Holocaust Theater: Dramatizing Survivor Trauma and its Effects on the Second Generation (Cambridge Studies In Modern Theatre Ser.)
by Gene A. PlunkaFacts about the Holocaust are one way of learning about its devastating impact, but presenting personal manifestations of trauma can be more effective than citing statistics. Holocaust Theater addresses a selection of contemporary plays about the Holocaust, examining how collective and individual trauma is represented in dramatic texts, and considering the ways in which spectators might be swayed viscerally, intellectually, and emotionally by witnessing such representations onstage. Drawing on interviews with a number of the playwrights alongside psychoanalytic studies of survivor trauma, this volume seeks to foster understanding of the traumatic effects of the Holocaust on subsequent generations. Holocaust Theater offers a vital account of theater’s capacity to represent the effects of Holocaust trauma.
Hollywood on Stage: Playwrights Evaluate the Culture Industry (Studies in Modern Drama #9)
by Kimball KingFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Hollywood on Location: An Industry History
by Jennifer Lynn Peterson Sheri Chinen Biesen Noelle Griffis Daniel Steinhart Julian StringerLocation shooting has always been a vital counterpart to soundstage production, and at times, the primary form of Hollywood filmmaking. But until now, the industrial and artistic development of this production practice has been scattered across the margins of larger American film histories. Hollywood on Location is the first comprehensive history of location shooting in the American film industry, showing how this mode of filmmaking changed Hollywood business practices, production strategies, and visual style from the silent era to the present. The contributors explore how location filmmaking supplemented and later, supplanted production on the studio lots. Drawing on archival research and in-depth case studies, the seven contributors show how location shooting expanded the geography of American film production, from city streets and rural landscapes to far-flung territories overseas, invoking a new set of creative, financial, technical, and logistical challenges. Whereas studio filmmaking sought to recreate nature, location shooting sought to master it, finding new production values and production economies that reshaped Hollywood’s modus operandi.
The Hollow Crown: Shakespeare on How Leaders Rise, Rule, and Fall
by Eliot A. CohenWhat Shakespeare&’s plays can teach us about modern-day politics William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe&’s stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity. Henry V&’s inspiring speeches reframe John F. Kennedy&’s appeal, Richard III&’s wantonness illuminates Vladimir Putin&’s brutality, and The Tempest&’s grace offers a window into the presidency of George Washington. An original and incisive perspective, The Hollow Crown shows how Shakespeare&’s works transform our understanding of the leaders who, for good or ill, make and rule our world.
The Hollow
by Agatha ChristieDrama / 6m,6f / Interior Set. An unhappy game of romantic follow-the-leader explodes into murder one weekend at The Hollow, home of Sir Henry and Lucy Angkatell. Dr. Cristow is at the center of the trouble when his mistress Henrietta, ex-mistress Veronica, and wife Gerda, simultaneously arrive at The Hollow. Also visiting are Edward (who is in love with Henrietta) and Midge (who loves Edward). Veronica ardently desires to marry Cristow and succeeds in reopening their affair but is unable to get him to divorce his wife. Veronica unwisely states that if she cannot have him, no one shall. Within five minutes Cristow is dead. Nearly everyone has a motive and most had the opportunity. Enter Inspector Colquhoun and Sergeant Penny to solve the crime.
Hold Me Closer: The Tiny Cooper Story
by David LevithanTIME Magazine’s Top Ten Children’s Books of 2015"Tiny Cooper stole our hearts." —Entertainment Weekly Especially for those of us who ordinarily feel ignored, a spotlight is a circle of magic, with the strength to draw us from the darkness of our everyday lives. Watch out, ex-boyfriends, and get out of the way, homophobic coaches. Tiny Cooper has something to say—and he’s going to say it in song.Filled with honesty, humor, and “big, lively, belty” musical numbers, Hold Me Closer is the no-holds-barred (and many-bars-held) entirety of the beloved musical first introduced in Will Grayson, Will Grayson, the award-winning bestseller by John Green and David Levithan. Tiny Cooper is finally taking center stage . . . and the world will never be the same again.“Tiny will have readers falling out of their chairs laughing. . . . It's big. It's gay. It's outrageous and hilarious.” —Kirkus Reviews ★"Levithan has turned in another star turn with a book that is witty, wise, and well worthy of an encore." —Booklist, starred review★"Tiny’s passion for composing a big, beautiful life and a big, beautiful show overflows in thisthoroughly magical book.” —BCCB, starred review ★"Tiny Cooper . . . gets his own star turn." —Publishers Weekly, starred reviewFrom the Hardcover edition.
Hokkien Theatre Across The Seas: A Socio-Cultural Study
by Caroline ChiaThis book adopts a refreshing approach by examining Hokkien theatre in a region connected by maritime networks, notably southern Fujian, Taiwan, Kinmen and Singapore. It considers how regional theatre is shaped by broader socio-cultural and political contexts and the motivation to stay relevant in an era of modernisation and secularisation. Political domains are often marked out by land boundaries, but the sea concept denotes fluidity, allowing theatrical forms to spread across these ‘land-bounded’ societies and share a common language and culture."This is an insightful theatrical study on the web of Chinese cultural networks in southern China and Singapore, and by extension, between China and Southeast Asia in the twentieth century and beyond. Using diverse sources in multiple languages and extensive field ethnography, this is a ground-breaking study which is both didactic and inspiring."- Lee Tong Soon, author of Chinese Street Opera in Singapore (University of Illinois, 2009)."Focusing on Hokkien theatre, this book offers new insights into how Chinese performing art responds to geographical, temporal, and social changes. Historical sources in different languages are widely used to give access to the cultural characteristics of Hokkien theatre, offering valuable ethnographic reports on the contemporary practices of Hokkien theatre in Taiwan, Kinmen, and Singapore. The book comments on the changing ritualistic significance of Hokkien theatre, and help us understand how societies remember the past of a performing tradition, and shape its present."- Luo Ai Mei, Co-Editor of A Preliminary Survey of the Cantonese Eight Song Cycles in South China: History and Sources (2016)
Hitchcock's Films Revisited
by Robin WoodWhen Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. <p><p>This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic -- including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.