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The History of British Film (Volume 2): The History of the British Film 1906 - 1914
by Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 1): The History of the British Film 1896 - 1906
by Rachael Low Roger Manvell Jeffrey RichardsThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
A History of Breathing
by Daniel MacdonaldTwo boats float aimlessly on an ocean that conceals the remains of civilization and history. One boat carries a father and daughter, the last survivors of an unspeakable catastrophe; the other carries the only hope for a new beginning. Daniel Macdonald crafts a stunning tale of myth and reality at the end of the world and at its creation.
A History of Asian American Theatre (Cambridge Studies in American Theatre and Drama #26)
by Esther Kim LeeIn 1965, the first Asian American theatre company, the East West players, was founded by a group of actors who wanted to find better opportunities in the acting industry. Forty years later, Asian American theatre is one of the fastest-growing theatre sectors with over thirty active theatre companies and numerous award-winning artists such as Frank Chin, Jessica Hagedorn, Ping Chong, David Henry Hwang, Philip Kan Gotanda, Velina Hasu, and B. D. Wong. Based on over seventy interviews, this book surveys the history of Asian American theatre from 1965 to 2005 with focus on actors, playwrights, companies, audiences, and communities. Emphasizing historical contexts, Esther Kim Lee examines how issues of cultural nationalism, interculturalism, and identity politics affect a racially defined theatre. Addressing issues ranging from actor's activism to Asian Diaspora, the book documents how Asian American theatre has become an indispensable part of American culture.
History, Memory, Performance
by David Dean Yana Meerzon Kathryn PrinceHistory, Memory, Performance is an interdisciplinary collection of essays exploring performances of the past in a wide range of trans-national and historical contexts. At its core are contributions from theatre scholars and public historians discussing how historical meaning is shaped through performance.
History is Our Mother: Nixon in China, The Death of Klinghoffer, The Magic Flute
by Alice Goodman James WilliamsThe first appearance of Alice Goodman's two internationally-renowned and controversial libretti, alongside one of her masterful translations.An NYRB Classics Original Nixon in China and The Death of Klinghoffer played a crucial role in bringing opera back to life as a contemporary art form, and they have been popular—and, in the case of Klinghoffer, highly controversial—ever since they were first staged by the director Peter Sellars in the eighties and nineties. Both operas were conceived from the start as collaborations between composer and writer, and their power is due as much to the dazzlingly constructed and deeply felt libretti of the poet Alice Goodman as they are to John Adams’s music. Nixon in China is a story, at once heroic, comic, and unnerving, of men and women making history and of their different conceptions of what history is and what it means to makes it. Klinghoffer, by contrast, has at its center the tragedy of an innocent man condemned at the cost of his life to play a part in history. History Is Our Mother, which takes its title from a line sung by the title character in Nixon in China, brings Goodman’s two libretti together for the first time in book form. Included alongside Goodman’s no less inspired translation of Emanuel Schikaneder’s famous libretto to The Magic Flute, these vivid dramas of character and searching meditations on fate are here revealed as among the most original, ambitious, and accomplished poetic achievements of our time.
History as Theatrical Metaphor
by Ian BrownThis revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers' achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of 'history' and 'myth' and relating these afresh to how dramatists use - and subvert - them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.
The Histories and Poems of Shakespeare
by William ShakespeareThis Modern Library edition presents all ten histories--each complete and unabridged--in the Shakespearean canon, along with notes and glossary. Here are: King John Richard II Henry IV, Part I Henry IV, Part II Henry V Henry VI, Part I Henry VI, Part II Henry VI, Part III Richard III Henry VIII Included also are the Bard's great narrative poems: Venus and Adonis and The Rape of Lucrece, the two works that first established Shakespeare's reputation, plus all 154 of his sonnets. Presented as well are A Lover's Complaint, The Passionate Pilgrim, and The Phoenix and the Turtle.
Histories: Volume 1 (Everyman's Library)
by William Shakespeare Sylvan BarnetShakespeare's histories--containing within their crowded tableaux all of the tragedies, confusions, and beauties of human life--are not only drama of the highest order. They also serve as windows through which generations have made themselves familiar with crucial episodes in English history. Included are: Henry VI, Parts 1, 2, and 3; Richard III; and King John.
Historically Responsive Storytelling: How Contemporary Western Theatre is Rediscovering its Roots (Routledge Advances in Theatre & Performance Studies)
by Eleanor ChadwickThis book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture.Eleanor
Historical Pattern Archive: Women’s Clothing 1837-1969
by Thomas John Bernard Marcy LintonHistorical Pattern Archive: Women’s Clothing 1837–1969 is the first book of its kind to capture such a wide range of women’s period patterns in one book, featuring 83 patterns spanning over a century of clothing. The book offers an accurate pattern of each garment on a 1/8" graph that can be used to scale the pattern up to its original size, drawings of each piece from multiple angles, and instructions about how the original garment was constructed and what materials were used. Capturing research and information about garments that would have otherwise stayed hidden or disappeared permanently due to age, wear, or poor storage conditions, this volume is designed to be a tool to preserve history through documenting vintage clothing. Written for historians, reenactors, costumer makers, and costume designers, Historical Pattern Archive will enable readers to study the history behind each piece, implement their original techniques, and recreate unique garments that are both beautiful and historically accurate.
Historical Affects and the Early Modern Theater (Routledge Advances in Theatre & Performance Studies)
by Ronda Arab Michelle Dowd Adam ZuckerThis collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
Historic Theaters of New York's Capital District (Landmarks)
by John A. MillerFor generations, residents of New York's Capital District have flocked to the region's numerous theaters. The history behind the venues is often more compelling than the shows presented in them. John Wilkes Booth brushed with death on stage while he and Abraham Lincoln were visiting Albany. The first exhibition of broadcast television was shown at Proctor's Theater in Schenectady, although the invention ironically contributed to the downfall of theaters across the nation. A fired manager of the Green Street Theatre seized control of the theater with a group of armed men, but Albany police stormed the building and the former manager regained control. Author John A. Miller charts the entertaining history.
Historic Movie Theaters of Downtown Cleveland (Landmarks)
by Alan F. DutkaThe first movie theaters in Cleveland consisted of converted storefronts with sawed-off telephone poles substituting for chairs and bedsheets acting as screens. In 1905, Clevelanders marveled at moving images at Rafferty's Monkey House while dodging real monkeys and raccoons that wandered freely through the bar. By the early 1920s, a collection of marvelous movie palaces like the Stillman Theater lined Euclid Avenue, but they survived for just two generations. Clevelanders united to save the State, Ohio and Allen Theaters, among others, as wrecking balls converged for demolition. Those that remain compose one of the nation's largest performing arts centers. Alan F. Dutka shares the remarkable histories of Cleveland's downtown movie theaters and their reemergence as community landmarks.
Historic Movie Houses of Austin (Images of America)
by Austin History Center Michael C. Miller Susan RittereiserMotion pictures came to Austin on October 10, 1896, debuting at the Hancock Opera House. Since then, movies have continued to enchant, entertain, and inform the citizens of the capital of Texas. And, the places--the movie houses and theaters--where people saw motion pictures played just as important a role in the moviegoing experience as the movies themselves. As the city's population grew and motion picture technology changed, so too did Austin's movie houses, from the first kinetoscope parlor on Congress Avenue to the city' s first four-plex, the Aquarius 4, in southeast Austin. While most of these places are long gone, some withstood the test of time and are still showing movies or have been repurposed for other uses. Through the rich archival collections of the Austin History Center, Historic Movie Houses of Austin explores the stories of these important historic spaces and of the lives of those who were connected with them.
Historic Jacksonville Theatre Palaces, Drive-ins and Movie Houses (Landmarks)
by Dorothy K. FletcherJacksonville's theatre and performance history is rich with flair and drama. The theatres, drive-ins and movie houses that brought entertainment to its citizens have their own exciting stories. Some have passed into memory. The Dixie Theatre, originally part of Dixieland Park, began to fade in 1909. The Palace Theatre, home to vaudeville acts, was torn down in the '50s. The Alhambra has been everyone's favorite dinner theatre since 1967's debut of Come Blow Your Horn. Local author Dorothy K. Fletcher revives the history of Jacksonville's theatres. Lights, camera, action!
Historic Dallas Theatres
by D. Troy SherrodDallas was the show business capital of Texas and much of the South throughout the 20th century. More than 100 theatres served the city's neighborhoods, and Elm Street once boasted more than 15 vaudeville and movie theatres--second in number to Broadway. The quality of the show houses in Dallas were surpassed by few cities and all major, and most minor, Hollywood studios maintained Dallas offices. Notable names figuring in this history include Margo Jones, "Blind" Lemon Jefferson, Karl Hoblitzelle, Baruch Lumet, Bob Hope, Greer Garson, Linda Darnell, Howard Hughes, Clyde Barrow, Gene Autry, Oliver Stone, Pappy Dolson, Jack Ruby, Lee Harvey Oswald, Nicola Rescigno, Don Henley, and Frank Lloyd Wright.
Historians on Hamilton: How a Blockbuster Musical Is Restaging America's Past
by William Hogeland Elizabeth L. Wollman Jeffrey L. Pasley Michael O'Malley Jim Cullen David Waldstreicher Catherine Allgor Renee C. Romano Andrew M. Schocket Brian Eugenio Herrera Joanne B. Freeman Claire Bond Potter Lyra D. Monteiro Leslie M. Harris Joseph M. Adelman Patricia HerreraAmerica has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim? Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.
His Greatness
by Daniel MacIvorThree men, a great American playwright, his trusted and loyal assistant, and a young Canadian street hustler, find themselves together for two days in a hotel room in Vancouver. This is the story about the nature of life in a created world. Inspired by a potentially true story about the great American playwright...
His And Hers
by Jason MilliganHere are 150 original monologues by the author of the popular collections ACTORS WRITE FOR ACTORS, ENCORE! and GOING SOLO. Each features sharply defined characters with clear-cut objectives, designed to showcase individual talents. (No royalty for audition purposes only.)
Hir: A Play
by Taylor MacDischarged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.
Hippolytus
by EuripidesNo play of Euripides is more admired than Hippolytus. The tale of a married woman stirred to passion for a younger man was traditional, but Euripides modified this story and blended it with one of divine vengeance to create a masterpiece of tension, pathos, and dramatic power. In this play, Phaedra fights nobly but unsuccessfully against her desire for her stepson Hippolytus, while the young man risks his life to keep her passion secret. Both of them, constrained by the overwhelming force of divine power and human ignorance, choose to die in order to maintain their virtue and their good names.
Hippies and Bolsheviks and Other Plays: and Other Plays
by Amiel GladstoneHippies and Bolsheviks and Other Plays collects three works by one of Canada's dramatic luminaries.'Hippies and Bolsheviks' is set in that hotbed of hippie idealism, 1970s British Columbia. Young Star stumbles home from a Led Zeppelin concert with a draft dodger and sets in motion a crisis of love and of faith in their idealism against the Establishment.'In Lena's Car', a woman whose marriage is on the verge of collapse reflects on how it got to that point, harkening back to a youth when things were both more simple and more complicated.'>In The Wedding Pool', a group of dissatisfied single friends decide to each contribute fifty dollars a month to a pool to be collected by the first one to marry. But when one of the friends starts dating the bank teller who opens their account, the others are forced to confront their ideas about loneliness and personal responsibility.'The Wedding Pool is a particularly smart and entertaining example of the thirty-something angst genre.' - The Globe and Mail 'If Hippies and Bolsheviks is any indication of the quality of work at this year's playrites Festival, Calgary theatregoers are in for a phenomenal month.' - Calgary Sun.
Hinduism and Hindi Theater
by Diana DimitrovaThis book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.
Hillbilly Women
by Elizabeth StearnsBased on interviews in Appalachia, this docu drama features seven women who reveal in song and narrative their personal stories of survival against incredible odds.