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Plays and Fragments

Menander (c. 341-291 BC) was the foremost innovator of Greek New Comedy, a dramatic style that moved away from the fantastical to focus upon the problems of ordinary Athenians. This collection contains the full text of 'Old Cantankerous' (Dyskolos), the only surviving complete example of New Comedy, as well as fragments from works including 'The Girl from Samos' and 'The Rape of the Locks', all of which are concerned with domestic catastrophes, the hazards of love and the trials of family life. Written in a poetic style regarded by the ancients as second only to Homer, these polished works - profoundly influential upon both Roman playwrights such as Plautus and Terence, and the wider Western tradition - may be regarded as the first true comedies of manners.

Plays and Petersburg Tales (Oxford World's Classics)

This volume brings together Gogol's Petersburg Tales with his two most famous plays, all of which guide us through the streets of St. Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions. This new translation by Christopher English brings out the unique vitality and humor of Russia's finest comic writer. <p><p> About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Plays and Poems of Nicholas Rowe, Volume I: The Early Plays (The Pickering Masters)

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

The Plays and Poems of Nicholas Rowe, Volume II: The Middle Period Plays (The Pickering Masters)

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this second volume the middle plays, The Biter, Ulysses, and The Royal Convert are presented, along with a newly written explanatory introduction by Michael Caines which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

The Plays and Poems of Nicholas Rowe, Volume III: The Late Plays (The Pickering Masters)

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this third volume the late plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey are presented, along with a newly written explanatory introduction by Claudine van Hensbergen which precedes the full edited text. Appendices covering performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

The Plays and Poems of Nicholas Rowe, Volume IV: Poems and Lucan’s Pharsalia (Books I-III) (The Pickering Masters)

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this fourth volume his poetry and the first part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented. A newly written explanatory introduction by Stephen Bernard to the poems, and by Robin Sowerby to the Pharsalia, precedes each of full edited texts. The second part of the text and textual apparatus are included with the fifth volume of this edition. A consolidated bibliography is also included with the final volume for ease of reference.

The Plays and Poems of Nicholas Rowe, Volume V: Lucan’s Pharsalia (Books IV-X) (The Pickering Masters)

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.

Plays and Puritans

Plays and their Makers up to 1576

This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.

Plays By American Women, 1930-1960

Includes: Clare Booth's The Women; Lillian Hellman's The Little Foxes; Shirley Graham's It's Morning; Gertrude Stein's The Mother of Us All; Fay Kanin's Goodbye, My Fancy; Jane Bowles' In the Summer House; Alice Childress' Trouble in Mind; Halle Flanagan and Margaret Ellen Clifford's Can You Hear Their Voices?

Plays By and About Women

Eight plays, all written in this century, in which leading women dramatists present their own pictures of their sex.

Plays Extravagant: Too True to be Good, The Simpleton of the Unexpected Isles, The Millionairess

This is a collection of the plays of George Bernard Shaw that includes "The Millionairess", "Too True to be Good" and "The Simpleton of the Unexpected Isles".

Plays for Three

PLAYS FOR THREE is a unique anthology of 23 outstanding plays for three actors by an exciting mix of established and emerging playwrights. Everyone's heard that "Two's company, three's a crowd." That may be true on a date, but on stage, three is a magic number. Add a third character to any interaction and the dramatic possibilities increase exponentially: suddenly there's competition, intrigue, shifting allegiances, comic misunderstandings, secrets and lies. Triangles make excellent drama, and three-handers offer the kind of substantial and challenging roles that actors love. Plays for Three offers six full-length and seventeen short plays featuring dramatic trios of every sort. Rob AckermanPete BarryStephen BelberCesi DavidsonAdrienne DawesPhilip DawkinsCatherine FillouxMadeleine GeorgeAmlin GrayFrank HigginsCory HinkleWendy KesselmanEric LaneKitt LavoieMark Harvey LevineMatthew LopezDonald MarguliesAnna MoenchA. Rey PamatmatDavid Riedy Nina ShengoldStephen WebbCraig WrightFrom the Trade Paperback edition.

Plays for Two

Plays for Two is a unique anthology of twenty-eight terrific plays for two actors, by a mix of celebrated playwrights and cutting-edge new voices.It takes two to tango--or to perform a duet, fight a duel, or play ping-pong. The two-character play is dramatic confrontation stripped to its essence. These four full-length and twenty-four short plays feature pairs of every sort--strangers, rivals, parents and children, siblings, co-workers, friends, and lovers--swooning or sparring, meeting cute or parting ways. In a dizzying range of moods and styles, these two-handers offer the kind of meaty, challenging roles actors love, while providing readers and audiences with the pleasures of watching the complex give-and-take dynamics of two keenly matched characters.Plays by: Billy Aronson, David Auburn, Pete Barry, Naveen Bahar Choudhury, Anthony Clarvoe, Steven Dietz, Halley Feiffer, Simon Fill, Frank Higgins, David Ives, Jacob Juntunen, Ean Miles Kessler, Neil LaBute, Eric Lane, Kitt Lavoie, Jacqueline E. Lawton, Mark Harvey Levine, Elizabeth Meriwether, Michael Mitnick, Daria Polatin, Marco Ramirez, Kelly Rhodes, Jose Rivera, Paul Rudnick, Edwin Sanchez, Nina Shengold, Cori Thomas, Doug Wright From the Trade Paperback edition.

Plays from the Contemporary American Theater

Includes eight full-length, award-winning plays: Streamers by David Rabe Marco Polo Sings a Solo by John Guare Wings by Arthur Kopit Sister Mary Ignatius Explains It All for You by Christopher Durang Crimes of the Heart by Beth Henley The Dining Room by A. R. Gurney Painting Churches by Tina Howe Ma Rainey's Black Bottom by August Wilson

Plays: Egmont, Iphigenia In Tauris, Torquato Tasso (German Library #20)

Johann Wolfgang von Goethe Plays Egmont, Iphigenia in Tauris, Torquato Tasso. This volume will serve to illustrate the range of Goethe's long and unparalleled career.

Plays, Movies, and Critics

This exceptional collection explores the mutual concerns of dramatic theater, film, and those who comment on them. Plays, Movies, and Critics opens with an original play by Don DeLillo. In the form of an interview, DeLillo's short play works as a kind of paradigm of the theatrical or cinematic event and serves as a keynote for the volume.DeLillo's interview play is accompanied in this collection by interviews with theater director Roberta Levitow, Martin Scorsese, and film/theater critic Stanley Kauffmann. Other contributions include a critical look at the current American theater scene, analyses of the place of politics in the careers of G. B. Shaw and Luigi Pirandello, a compelling reading of Chekhov's "The Seagull", a detailed inquiry into the obsessions that energize the works of Sam Shepard, provocative reinterpretations of the films Mean Streets and The Sheltering Sky, and a translation of André Bazin's important piece on theology and film.Contributors. André Bazin, Robert Brustein, Bert Cardullo, Anthony DeCurtis, Don DeLillo, Jesse Ward Engdhal, Richard Gilman, Jim Hosney, Mame Hunt, Jonathan Kalb, Stanley Kauffmann, Jody McAuliffe, Mary Ann Frese Witt, Jacquelyn Wollman, David Wyatt

The Plays of Anton Chekhov

These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor. Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate. Schmidt's translations of Chekhov have been successfully staged all over the U. S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.

The Plays of Ernst Toller: A Revaluation

This book is the fullest and most detailed study yet published in English of Ernst Toller's plays and their most significant productions. In particular the productions directed by Karl-Heinz Martin, Jurgen Fehling and Erwin Piscator are closely analyzed and the author demonstrates how, brilliant though they were, they obscured or even distorted Toller's intentions. The plays are seen as eminently stage-worthy while worth lies in Toller's use of language, both in prose and inverse. The neglected puppet-play The Scorned Lovers' Revenge is analyzed from a new perspective in the light, both of its language and its sexual theme, so important in Toller's writings as a whole. The reader is led to appreciate why Toller was regarded as the most outstanding German dramatist of his generation until, after his death in 1939 his reputation was overlaid by that of Brecht. This book should do much to restore Toller to his proper place in theatre history.

The Plays of Eugene O'Neill: A New Assessment

Virginia Floyd draws on her extensive knowledge of the playwright Eugene O'Neill's work and of his notebooks at Yale University to examine the composition and significance of all the plays, including those unpublished. In chronological order she deals with the significance of each play, assessing its autobiographical as well as literary aspects.

The Plays of Georgia Douglas Johnson: From the New Negro Renaissance to the Civil Rights Movement

Recovering the stage work of one of America's finest black female writers This volume collects twelve of Georgia Douglas Johnson's one-act plays, including two never-before-published scripts found in the Library of Congress. As an integral part of Washington, D.C.'s, thriving turn-of-the-century literary scene, Johnson hosted regular meetings with Harlem Renaissance writers and other artists, including Countee Cullen, Langston Hughes, May Miller, and Jean Toomer, and was herself considered among the finest writers of the time. Johnson also worked for U.S. government agencies and actively supported women's and minorities' rights. As a leading authority on Johnson, Judith L. Stephens provides a brief overview of Johnson's career and significance as a playwright; sections on the creative environment in which she worked; her S Street Salon; "The Saturday Nighters," and its significance to the New Negro Theatre; selected photographs; and a discussion of Johnson's genres, themes, and artistic techniques.

Plays of Gods and Men

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany was an Anglo-Irish writer and dramatist, notable for his work in fantasy published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes hundreds of short stories, as well as successful plays, novels and essays. Born to one of the oldest titles in the Irish peerage, he lived much of his life at perhaps Ireland's longest-inhabited home, Dunsany Castle near Tara, received an honourary doctorate from Trinity College, and died in Dublin.

Plays of Near & Far

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany was an Anglo-Irish writer and dramatist, notable for his work in fantasy published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes hundreds of short stories, as well as successful plays, novels and essays. Born to one of the oldest titles in the Irish peerage, he lived much of his life at perhaps Ireland's longest-inhabited home, Dunsany Castle near Tara, received an honourary doctorate from Trinity College, and died in Dublin.

Plays of Oscar Wilde (Vintage Classics)

This Vintage edition of The Plays_of Oscar Wilde contains the plays that made Wilde one of the most important dramatists of his time, including The Importance of Being Earnest, one of the great works of modern literature.Oscar Wilde's plays demonstrate once again why their author must be seen as both an inaugurator and a master of modernism. In his best work, the subversive insights embedded in his wit continue to challenge our common assumptions. Wilde's ability to unsettle and startle us anew with his radical vision of the artifice inherent in the self's construction makes him our contemporary.This edition is introduced by John Lahr, author of Prick Up Your Ears: The Biography of Joe Orton. The plays included are Lady Windermere's Fan, Salome, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest.From the Trade Paperback edition.

Plays of Our Own: An Anthology of Scripts by Deaf and Hard-of-Hearing Writers (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)

Plays of Our Own is the first anthology of its kind containing an eclectic range of plays by Deaf and hard-of-hearing writers. These writers have made major, positive contributions to world drama or Deaf theatre arts. Their topics range from those completely unrelated to deafness to those with strong Deaf-related themes such as a dreamy, headstrong girl surviving a male-dominated world in Depression-era Ireland; a famous Spanish artist losing his hearing while creating his most controversial art; a Deaf African-American woman dealing with AIDS in her family; and a Deaf peddler ridiculed and rejected by his own kind for selling ABC fingerspelling cards. The plays are varied in style – a Kabuki western, an ensemble-created variety show, a visual-gestural play with no spoken nor signed language, a cartoon tragicomedy, historical and domestic dramas, and a situation comedy. This volume contains the well-known Deaf theatre classics, My Third Eye and A Play of Our Own. At long last, directors, producers, Deaf and hearing students, professors, and researchers will be able to pick up a book of "Deaf plays" for production consideration, Deaf culture or multicultural analysis, or the simple pleasure of reading.