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Surprise was a key characteristic of Picasso's art, and it was the most persistent emotion evoked in me during the years this book has been in the making. I was brought up, like so many of my generation, to see Picasso as the most extraordinary, the most compelling, the most original, the most protean, the most influential, the most seductive and certainly the most idolized artist of the twentieth century.
Briefly examines the life and work of the renowned twentieth-century artist, describing and giving examples from his various periods or styles.
Featuring over 1,500 engravings that originally graced the pages of Webster's dictionaries in the 19th century, this volume is an irresistible treasure trove for art lovers, designers, and anyone with an interest in visual history. Meticulously cleaned and restored by fine-press bookmaker Johnny Carrera, the engravings in Pictorial Webster's have been compiled into an alluring and unusual visual reference guide for the modern day. Images range from the entirely mysterious to the classically iconic. From Acorns to Zebras, Bell Jars to Velocipedes, these alphabetically arranged archetypes and curiosities create enigmatic juxtapositions and illustrate the items deemed important to the Victorian mind. Sure to inspire and delight, Pictorial Webster's is at once a fascinating historical record and a stunning jewel of a book.
Harold needs a picture for his bedroom wall. So he takes his purple crayon and begins to create a whole new world around him. But then he notices he has gotten very small-half the size of a daisy! Only a very clever artist can find his way home now.
Picturing the City takes a fresh look at the well-loved Ashcan School artists, a group of artists who sought to document everyday life in turn-of-the-century New York City, capturing it in realistic and unglamorized paintings and etchings of urban street scenes.
This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier & Ives printmaking firm. Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts.CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.
The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq.
Michael Pollan's unmatched ability to draw lines of connection between our everyday experiences- whether eating, gardening, or building-and the natural world has been the basis for the popular success of his many works of nonfiction, including the genre-defining bestsellers The Omnivore's Dilemma and In Defense of Food. With this updated edition of his earlier book A Place of My Own, readers can revisit the inspired, intelligent, and often hilarious story of Pollan's realization of a room of his own-a small, wooden hut, his "shelter for daydreams"-built with his admittedly unhandy hands. Inspired by both Thoreau and Mr. Blandings, A Place of My Own not only works to convey the history and meaning of all human building, it also marks the connections between our bodies, our minds, and the natural world.
Gibson focuses on Haarlem between 1600 and 1635, in his interpretation of Dutch landscapes and emphasizes prints, the medium in which the rustic view was first made available to the general art-buying public. Gibson begins by looking at the origins of the rustic landscape in the sixteenth-century Flanders and its later reformation by Dutch artists, a legacy very much alive today.
A HISTORY-RICH LOOK at the coins in your pocket-the fifty state quarters-and what they tell us about "changing" America Our past is all around us-even in the spare change jangling in your purse or pocket. For the past decade, the United States Mint has offered America a pocketful of history through its popular 50 State Quarters® Program. When the final quarters are released, thousands of us will have collected these commemorative coins, one for each state and territory in the Union. But what can we learn about our country's stories and lore from a mere $12.50 in state quarters? Jim Noles's fascinating book, A Pocketful of History, looks at each quarter in turn to answer these curious questions . . . * Who is Caesar Rodney and why is he riding a horse on Delaware's quarter? * What is the real history behind Abraham Lincoln's political career in his home state Illinois? * What happened to New Hampshire's symbol, the "Old Man in the Mountain," three years after its quarter was minted? * What famous racecourse is memorialized on the quarter from the state known as the "Crossroads of America"? Congress recently extended the program to include six additional quarters for Washington, D.C., and the affiliated territories of the United States, to be released in 2009. Why is Pennsylvania known a the Keystone State? Why did California choose to honor preservationist John Muir rather than a mining '49er? . . . and many, many more. A Pocketful of History tells the story behind each state's quarter-how each state chose its design; what is important about the people, scenes, and themes depicted on the coins; and what the collection tells us about ourselves. It's an entertaining and enlightening journey through four hundred years of America in twenty-five-cent doses.
In The Poetics of Slumberland, Scott Bukatman celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. Bukatman begins with Winsor McCay's Little Nemo in Slumberland to explore how and why the emerging media of comics and cartoons brilliantly captured a playful, rebellious energy characterized by hyperbolic emotion, physicality, and imagination. The book broadens to consider similar "animated" behaviors in seemingly disparate media--films about Jackson Pollock, Pablo Picasso, and Vincent van Gogh; the musical My Fair Lady and the story of Frankenstein; the slapstick comedies of Jerry Lewis; and contemporary comic superheroes--drawing them all together as the purveyors of embodied utopias of disorder.
"Pop culture is often maligned as fleeting, but history shows that sometimes what is pop in one culture has time-honored resonance in later ones. This book is an attempt to show that pop culture, especially as seen through the lenses of design, illustration, satiric and political art (and other things), is integral to a broader understanding of who we are and where we are going. "-Steven Heller, from the Introduction. How do popular culture and graphic design influence one another? What are the goals of design? Are they to sell? To package? To entertain? The answers to these questions are complicated and are intimately tied to the effect design has on the overall culture. POP is the first book to analyze the role of graphic design in the broader culture, as well as the impact of design on other art and entertainment forms, from album covers to baseball stadiums. Author Steven Heller addresses such subjects as: --pop icons --viral and guerrilla advertising --political satire --the history of Interview, Monocle, Mad,and other magazines --illusionism and three-dimensional design --art for art's sake --design vs. decoration --the return of hand lettering --art for the masses. POP spans over 150 years during which popular culture has influenced mass perception and behavior.
Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary -- sensuous flowers, bleached bones against red sky and earth -- had a stunning, profound, and lasting influence on American art in this century. O'Keeffe's personal mystique is as intriguing and enduring as her bold, brilliant canvases. Here is the first full account of her exceptional life -- from her girlhood and early days as a controversial art teacher...to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz...to her seclusion in the New Mexico desert, where she lived until her death. And here is the story of a great romance -- between the extraordinary painter and her much older mentor, lover, and husband, Alfred Stieglitz. Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O'Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history modern art in America.
This book, with in-depth perspectives on art and artists in the former Soviet Union, captures a singular period in the history of world art, and a critical moment in the cultural and political transition from the last century to our own.
For almost two thousand years, the pottery made by the Indians of America's Southwest has remained a vital art. Today, more than twenty Pueblos and tribes make pottery within the tradition, each with a distinctive style. Many of those local styles have persisted for hundreds of years. In prehistory, beautiful pieces had high trade value, and the finest contemporary pieces command prices appropriate to fine art of any type. Potters like Nampeyo, Maria Martinez and Juan Quezada achieved worldwide fame. Yet despite its history and the skill of its artists, Southwestern Indian pottery remains surprisingly easy to collect. This book introduces the art from its beginnings to the present and displays examples that describe how America's first important art form grew into one of the world's most accessible treasures.
Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz.
Banish boring watercolors forever! This guide gives you the "power tools" you need to transform dull, flat landscapes into robust, colorful expressions of your artistic vision. Each chapter focuses on a specific strategy for tackling tough challenges, complete with inspiring examples, hands-on demonstrations and instructional diagrams to make these strategies easy and fun to learn. Following this guide's masterful visual instruction, you'll learn how to:See beyond "what you see" to develop strong foundations in every compositionAvoid repainting, overworking and frustration by focusing on a composition's unifying elementsBecome decisive with your values for heightened interest and impactQuickly and easily mix a huge range of clean, rich colors-including vibrant grays and greens-with no more mud!Put it all together following detailed step-by-step demonstrations of complete paintings from start to finishWhether you're new to watercolor painting or not, this guide will empower you to push shape and color into exciting new territory. Experience the satisfaction of painting with "power tools" and enjoy immediate results in your work.
Prebles' Artforms continues to lead the field with its steadfast focus on contemporary art, global artists, and cutting edge technology for the art appreciation classroom. We form Art. Art forms us. The title of this book has a dual meaning. Besides the expected discussion of the various forms of art, the title also reflects the fact that art does indeed help to form us as people. As we create forms, we are in turn formed by what we have created. Several years ago, the title was changed to Prebles' Artforms, acknowledging the pioneering contribution of the original authors, Duane and Sarah Preble, to the study of art. Their vision and spirit have touched hundreds of thousands of students who have studied this book. Artforms grew out of a desire to introduce art through an engaging visual experience, and to expose students to a culturally diverse canon of work. It is written and designed to help readers build an informed foundation for individual understanding and enjoyment of art. By introducing art theory, practice, and history in a single volume, this book aims to draw students into a new or expanded awareness of the visual arts. Beyond fostering appreciation of major works of art, this book's primary concern is to open students' eyes and minds to the richness of the visual arts as unique forms of human communication and to convey the idea that the arts enrich life best when we experience, understand, and enjoy them as integral parts of the process of living.
Prefab Houses is a handy, portable guide to the 21st century's most stylish, affordable, innovative, and adorable prefabricated homes. Design editor and architectural expert Marta Serrats provides an eye-opening compendium of prefabricated living spaces that are miles above mobile homes and other less desirable home life options-a valuable resource featuring breathtaking, cost-effective possibilities for anyone interested in building an attractive, affordable first or a second home.
What were the leaders of the free world really doing during all those meetings? As the creators of Cabinet magazine reveal here for the first time, they were doodling. Our Founding Fathers doodled, and so did Andrew Jackson. Benjamin Harrison accomplished almost nothing during his time in the White House, but he left behind some impressive doodles. During the twentieth century--as the federal bureaucracy grew and meetings got longer--the presidential doodle truly came into its own. Theodore Roosevelt doodled animals and children, while Dwight Eisenhower doodled weapons and self-portraits. FDR doodled gunboats, and JFK doodled sailboats. Ronald Reagan doodled cowboys and football players and lots of hearts for Nancy. The nation went wild for Herbert Hoover's doodles: A line of children's clothing was patterned on his geometric designs. The creators of Cabinet magazine have spent years scouring archives and libraries across America. They have unearthed hundreds of presidential doodles, and here they present the finest examples of the genre. Historian David Greenberg sets these images in context and explains what they reveal about the inner lives of our commanders in chief. Are Kennedy's dominoes merely squiggles, or do they reflect deeper anxieties about the Cold War? Why did LBJ and his cabinet spend so much time doodling caricatures of one another? Smart, revealing, and hilarious --Presidential Doodlesis the ideal gift for anyone interested in politics or history. And for anyone that doodles!
A selection of writings about color.
From art in printing to binding, the author explores the printers role in graphic arts. The author answers such questions as: how does one decide which typeface to use? Why do some margins look better than others? What is the purpose of white space? How big should the book be? What is the best way to bind it? What is the best material for the cover? An easy-to-read, interesting, informative book.
An introduction to the ideas of computer programming within the context of the visual arts that also serves as a reference and text for Processing, an open-source programming language designed for creating images, animation, and interactivity.
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