- Table View
- List View
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
In this new work, prizewinning author, professor, and Slate architecture critic Witold Rybczynski returns to the territory he knows best: writing about the way people live, just as he did in the acclaimed bestsellers Home and A Clearing in the Distance. In Makeshift Metropolis, Rybczynski has drawn upon a lifetime of observing cities to craft a concise and insightful book that is at once an intellectual history and a masterful critique. Makeshift Metropolis describes how current ideas about urban planning evolved from the movements that defined the twentieth century, such as City Beautiful, the Garden City, and the seminal ideas of Frank Lloyd Wright and Jane Jacobs. If the twentieth century was the age of planning, we now find ourselves in the age of the market, Rybczynski argues, where entrepreneurial developers are shaping the twenty-first-century city with mixed-use developments, downtown living, heterogeneity, density, and liveliness. He introduces readers to projects like Brooklyn Bridge Park, the Yards in Washington, D.C., and, further afield, to the new city of Modi'in, Israel--sites that, in this age of resource scarcity, economic turmoil, and changing human demands, challenge our notion of the city. Erudite and immensely engaging, Makeshift Metropolis is an affirmation of Rybczynski's role as one of our most original thinkers on the way we live today.
A Man and His Ship: America's Greatest Naval Architect and His Quest to Build the S.S. United Statesby Steven Ujifusa
THE STORY OF A GREAT AMERICAN BUILDER At the peak of his power, in the 1940s and 1950s, William Francis Gibbs was considered America's best naval architect. His quest to build the finest, fastest, most beautiful ocean liner of his time, the S.S. United States, was a topic of national fascination. When completed in 1952, the ship was hailed as a technological masterpiece at a time when "made in America" meant the best. Gibbs was an American original, on par with John Roebling of the Brooklyn Bridge and Frank Lloyd Wright of Fallingwater. Forced to drop out of Harvard following his family's sudden financial ruin, he overcame debilitating shyness and lack of formal training to become the visionary creator of some of the finest ships in history. He spent forty years dreaming of the ship that became the S.S. United States. William Francis Gibbs was driven, relentless, and committed to excellence. He loved his ship, the idea of it, and the realization of it, and he devoted himself to making it the epitome of luxury travel during the triumphant post-World War II era. Biographer Steven Ujifusa brilliantly describes the way Gibbs worked and how his vision transformed an industry. A Man and His Ship is a tale of ingenuity and enterprise, a truly remarkable journey on land and sea.
With emphasis on the tribes in North America, this book uses the art and artifacts of various Indian cultures to illustrate events affecting their history from earliest times through 1973.
Novelist and critic Jonathan Wilson clears away the sentimental mists surrounding an artist whose career spanned two world wars, the Russian Revolution, the Holocaust, and the birth of the State of Israel. Marc Chagall's work addresses these transforming events, but his ambivalence about his role as a Jewish artist adds an intriguing wrinkle to common assumptions about his life. Drawn to sacred subject matter, Chagall remains defiantly secular in outlook; determined to "narrate" the miraculous and tragic events of the Jewish past, he frequently chooses Jesus as a symbol of martyrdom and sacrifice. Wilson brilliantly demonstrates how Marc Chagall's life constitutes a grand canvas on which much of twentieth-century Jewish history is vividly portrayed. Chagall left Belorussia for Paris in 1910, at the dawn of modernism, looking back dreamily on the world he abandoned. After his marriage to Bella Rosenfeld in 1915, he moved to Petrograd, but eventually returned to Paris after a stint as a Soviet commissar for art. Fleeing Paris steps ahead of the Nazis, Chagall arrived in New York in 1941. Drawn to Israel, but not enough to live there, Chagall grappled endlessly with both a nostalgic attachment to a vanished past and the magnetic pull of an uninhibited secular present. Wilson's portrait of Chagall is altogether more historical, more political, and edgier than conventional wisdom would have us believe-showing us how Chagall is the emblematic Jewish artist of the twentieth century. Visit nextbook. org/chagall for a virtual museum of Chagall images. From the Hardcover edition.
Discusses the life and work of the artist Chagall, from his birth in Russia to his death at the age of ninety-seven.
Editors Heller (MFA/Designer as Author Department, School of Visual Arts) and Arisman (MFA Illustration as Visual Essay program, School of Visual Arts) use interviews, essays and work samples to provide a comprehensive picture of today's illustration market, providing students and artists with a thorough review of media environments for graphic novels, animation, Web games, toys, fashion and textiles. Contributors address the current shifts in these marketplaces due to technology, software applications and versatility and outline blueprints that will help readers to launch careers in their chosen fields. A chapter also describes the steps for creating both a computer-generated and traditional portfolio from the perspectives of illustrators and art directors. Annotation ©2009 Book News, Inc. , Portland, OR (booknews. com)
Take a stroll through the City by the Bay with renowned artist Wendy MacNaughton in this collection of illustrated documentaries. With her beloved city as a backdrop, a sketchbook in hand, and a natural sense of curiosity, MacNaughton spent months getting to know people in their own neighborhoods, drawing them and recording their words. Her street-smart graphic journalism is as diverse and beautiful as San Francisco itself, ranging from the vendors at the farmers' market to people combing the shelves at the public library, from MUNI drivers to the bison of Golden Gate Park, and much more. Meanwhile in San Francisco offers both lifelong residents and those just blowing through with the fog an opportunity to see the city with new eyes.
First published in 1967, this text is now more relevant than ever, as McLuhan's foresights about the impact of new media is actualized at unprecedented speeds via the Internet. It portrays technologies as an extension of man, illustrating how our senses are massaged and our preceptions altered as these devices become integral parts of our lives.
Winner of the First-Ever QED (Quality, Excellence, Design) award by Digital Book World This is the unrivaled, comprehensive, and award-winning reference tool on graphic design recognized for publishing excellence by the Association of American Publishers. Now, this Fifth Edition of Meggs' History of Graphic Design offers even more detail and breadth of content than its heralded predecessors, revealing a saga of creative innovators, breakthrough technologies, and important developments responsible for paving the historic paths that define the graphic design experience. In addition to classic topics such as the invention of writing and alphabets, the origins of printing and typography, and postmodern design, this new Fifth Edition presents new information on current trends and technologies sweeping the graphic design landscape-such as the web, multimedia, interactive design, and private presses, thus adding new layers of depth to an already rich resource. With more than 1,400 high-quality images throughout-many new or newly updated-Meggs' History of Graphic Design, Fifth Edition provides a wealth of visual markers for inspiration and emulation. For professionals, students, and everyone who works with or loves the world of graphic design, this landmark text will quickly become an invaluable guide that they will turn to again and again.
I knew almost immediately why the towers collapsed the way they did. And I sat there and cried. I wept for the thousands I knew must have died. And I wept because we built the damn things. Like millions of people around the world, Karl Koch III watched in disbelief as the World Trade Center collapsed right before his eyes on the morning of September 11, 2001. But the sadness that tormented him in the days and weeks that followed was fueled not only by the compassion and anger that most of us felt but also by his intimate connection with every beam and column in the Twin Towers. In 1966, the Karl Koch Erecting Company, founded by the author's grandfather and father in the 1920s, had been awarded the contract to erect the 200,000 tons of steel and more than 6 million square feet of floor that would turn a grand idea more than a decade in the making into the world's two tallest buildings. It would be the crowning achievement for a proud family enterprise that had built many of America's most important buildings, from Washington landmarks such as the U. S. Supreme Court and the Library of Congress buildings to such fabled New York hotels as the Pierre and the New Yorker to the half-mile-long, 42-acre plant in Oak Ridge, Tennessee, that was the birthplace of the hydrogen bomb. But none of those projects could prepare this company of fathers and sons and brothers and uncles for the challenges confronting them on erecting the Twin Towers. In Men of Steel, Koch and award-winning author Richard Firstman tell the complete and fascinating story of the creation of the World Trade Center: the politics behind its conception, the innovative thinking that went into its design, the drama of its construction, and the truth behind its destruction. But the story of the Twin Towers is the climax to a saga that starts a century earlier, when the author's grandfather, the son of a German immigrant, drove his first rivets by hand into our nation's earliest steel structures. It brings to life the rough-and-tumble iron working culture, a world where men with names like Toots Garrity and Hole in the Head Himpler climbed hundreds of feet into the air, erecting steel with great pride despite the very real threat of death and injury they faced every day. Men of Steel is a brilliant evocation of a family dynasty inextricably intertwined with the steel that makes up many of our nation's most prominent landmarks. In the tradition of David McCullough's The Great Bridge, this rich, multilayered narrative exposes the heart and soul that goes into making these remarkable structures. And, most poignantly, in recounting the making and unmaking of the World Trade Center, Men of Steel is at once a lament and a tribute, both to the illustrious buildings and to the country whose strength they symbolized.
This booklet introduces a scout to the world of working with metals. It also teaches the history of metal work. It includes instruction on the use and collection of metal working tools.
Lopez, a metalsmith and educator, has compiled an encyclopedia that focuses on the processes, people, places, cultures, and materials of metalworking. While this reference does not provide instructions for metalworking techniques, it does give the reader enough information to appreciate the skills required to both acquire the raw materials and to transform them into useful or symbolic objects of art. Entries are followed by suggestions for further reading which may include books, Web sites, and journals. Entries also include bibliographies. A helpful timeline also is included. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
METAMAUS is built around a series of taped conversations with Hillary Chute. (She is currently Neubauer Family Assistant Professor in the English Department at the University of Chicago and was previously a Junior Fellow in Literature in the Society of Fellows at Harvard University.)
A biography profiling the career of Michael Graves, the modernist-trained architect whose major commissions include the Walt Disney World Swan and Dolphin hotels in Orlando, Florida.
When he was born, Michelangelo Buonarroti was put into the care of a stonecutter's family. He often said it was from them that he got his love of sculpture. It certainly didn't come from his own father, a respectable magistrate who beat his son when he asked to become an artist's apprentice. But Michelangelo persevered. His early sculptures caught the attention of Florence's great ruler, Lorenzo de' Medici, who invited the boy to be educated with his own sons. Soon after, Michelangelo was astonishing people with the lifelike creations he wrested from marble--from the heartbreaking Pietd he sculpted when he was only twenty-five to the majestic David that brought him acclaim as the greatest sculptor in Italy. Michelangelo had a turbulent, quarrelsome life. He was obsessed with perfection and felt that everyone--from family members to his demanding patrons--took advantage and let him down. His long and difficult association with Pope Julius II yielded his greatest masterpiece, the radiant paintings in the Sistine Chapel, and his most disastrous undertaking, the monumental tomb that caused the artist frustration and heartache for forty years.
The mills at Wicksbridge are imaginary, but their planning, construction, and operation are quite typical of mills developed in New England throughout the nineteenth century.
This book covers photography from a minimalist perspective, proving that it is possible to take very good photographs with relatively cheap equipment. The minimalist process emphasizes the importance of first knowing what you want to achieve as a photographer and then choosing the most effective equipment, subject matter, and general approach to meet your goals. The minimalist photographer works with the idea that the brain and the eye are far more important than the camera. Author Steve Johnson begins by asking you, the reader, to look inward and make the connections between your nature and your photography. Why do you want to take photographs and what subject matter are you attracted to? What type of photographer are you now and what type of photographer would you like to become? These are important questions to consider when deciding what approach works best for you. In subsequent chapters, you'll learn about the equipment and workflow of a minimalist photographer as Johnson discusses the strengths and weaknesses of various types of cameras and explains why the biggest or most expensive piece of equipment is not always the best. He also addresses the importance of lighting and teaches you how to achieve effective lighting without spending a lot of money. Also included are discussions about aesthetics and composition, as well as a brief history of photography and the future of the art form.
Eric Rentschler, America's leading scholar of National Socialist cinema, has produced a compact compendium of everything you wanted to know about Nazi filmdom but were afraid to ask. This extensively researched and well written book contains fascinating anecdotal information. It provides a delightful browsing in bits and pieces.
This highly acclaimed study analyzes the various trends in English criticism during the first four decades of this century.
Color is the key to a successful painting, and this comprehensive guide to color mixing provides all the information that both beginners and experienced artists will need. In a concise format with easy-to-read charts, this book introduces the basics of color theory and then presents detailed descriptions for mixes of every major color group, complete with full-color examples of finished paintings. It is a reference tool you'll refer to again and again.
Recycle, Reuse, Reinvent! With Mixed Media Revolution, you'll learn how to leverage your art and take your paintings and transfers to the next level! Leftovers, little bits and scraps, pieces of art that didn't turn out quite right...we all have them. And it hurts to have to throw them away. But what if someone could suggest another way? Another way, perhaps, to get one more use out of that transparency. Or cut up a piece of art and put it back together differently. Or use leftover paint to create one-of-a-kind transfers? Darlene Olivia McElroy and Sandra Duran Wilson, in their groundbreaking third book, will show you how to do all those things and more! Inside You'll Find: 10 themed chapters More than 50 fully stepped-out, photographic mixed media techniques More than 80 additional fast and easy techniques Dozens of troubleshooting tips and variations More than 70 big, beautiful finished pieces of art illustrating the techniques Links to online bonus content You'll find something new and exciting on every page--add Mixed Media Revolution to your creative toolbox and expand your artistic horizons today!
The untold story of Stirling Dickinson, the shy Chicago millionaire who made San Miguel de Allende, Mexico, a famous art colony. The book describes Dickinson's philanthropy and his love for Mexico and its people.
This disturbing but illuminating classic is a brilliant perspective on the cultural turmoil of the radical sixties and its impact on today's world, especially as reflected in the art of the time. Rookmaaker's enduring analysis looks at modern art in a broad historical, social, and philosophical context, laying bare the despair and nihilism that pervade our era. He also shows the role Christian artists can play in proclaiming truth through their work.
In honour of the Modern Art Museum's 110th anniversary and the inauguration of the striking new building in Fort Worth, designed by the famous Japanese architect, Tadao Ando, 110 artists have been specifically chosen for inclusion in this highly illustrated publication.