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Selfie
by Christine QuintanaA new year of high school is full of excitement and potential—but three teens didn’t expect it to bring such a dark change to their lives. After spending a summer reinventing herself in Paris, Emma is ready for her new life to start, while her best friend Lily is eager for them to reconnect. Lily throws a last-minute party fuelled by alcohol and Instagram, which leads to a long-awaited encounter between Emma and Lily’s older brother Chris. But the next day Emma feels that something went terribly wrong. When a doctor’s appointment and a visit from police confirm that there was a sexual assault at the party, and the whole school turns against Emma, the three friends grapple with what actually happened between Emma and Chris. This smart and intense play about the complexities of relationships and community opens up a much-needed conversation about the nature of consent.
Sementes de amor
by Uri J. NachimsonAmor, sexo, ambição, as difíceis relações entre dois países vizinhos com culturas e realidades diferentes, que nunca conseguiram sekar a paz. Um amor impossível... todos os ingredientes em uma estória envolvente da primeira à última palavra.
Seminar
by Theresa RebeckNominee! 2012 Drama League Award for Distinguished Production of a Play. In Seminar, a provocative comedy from Pulitzer Prize nominee Theresa Rebeck, four aspiring young novelists sign up for private writing classes with Leonard (JEFF GOLDBLUM), an international literary figure. Under his recklessly brilliant and unorthodox instruction, some thrive and others flounder, alliances are made and broken, sex is used as a weapon and hearts are unmoored. The wordplay is not the only thing that turns vicious as innocence collides with experience in this biting Broadway comedy. "FIVE STARS! Sexy, savvy and uproarious!" - David Cote, Time Out New York
The Semiotics of Theatre and Drama (New Accents)
by Keir ElamThe late twentieth century saw an explosion of interest in semiotics, the science of the signs and processes by which we communicate. In this study, the first of its kind in English, Keir Elam shows how this new 'science' can provide a radical shift in our understanding of theatrical performance, one of our richest and most complex forms of communication. Elam traces the history of semiotic approaches to performance, from 1930s Prague onwards, and presents a model of theatrical communication. In the course of his study, he touches upon the 'logic' of the drama and the analysis of dramatic discourse. This edition also includes a new post-script by the author, looking at the fate of theatre semiotics since the publication of this book, and a fully updated bibliography. Much praised for its accessibility, The Semiotics of Theatre and Drama remains a 'must-read' text for all those interested in the analysis of theatrical performance.
Semiramis
by VoltaireThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Senator Wore Pantyhose
by Billy Van Zandt Jane MilmoreComedy / 7m, 3f / Interior / Seething with political and religious scandals, this comedy revolves around the failing presidential campaign of "Honest" Gabby Sandalson, a regular guy whose integrity has all but crippled his bid for the White House. His sleazy campaign manager trumps up an implausible sex scandal to garner votes, a scheme that gloriously backfires.
Send in the Clowns: Humanitarian Clowning in Crisis Zones
by David Bridel Mike FuntSend in the Clowns presents interviews with twenty-four pioneering humanitarian and activist clowns and thought leaders working in hospitals, refugee camps, orphanages and war zones, and at the sites of street protests and locations of social unrest across the world.This book is built around interviews with some of the world’s leading practitioners of clowning for change, justice, and health outside of the entertainment mainstream, featuring artists and organizations including Patch Adams (US), the Dream Doctors Project (Israel), Clown Me In (Lebanon), and Doutores da Alegria (Brazil). Situating the topic in relation to indigenous and ritual clowning, investigating the various functions of the clown in early societies, and centering the discourse around interviews with key practitioners, the book explores a wide range of clown applications across the globe. This includes the special significance of the clown archetype in socially, politically, and culturally challenging situations, the successes and challenges of the art activists who are at the forefront of this movement, and the modern humanitarian clown’s relationship to original forms of clowning that can be traced back through history.This is a vital resource for anyone studying, teaching, or practicing clown work in applied contexts, from health care to conflict resolution.
Seneca Selected Letters (Oxford World's Classics)
by Seneca Corporation Staff Elaine FanthamWe often speak of Seneca as the most distinguished of the many Spanish writers and poets of Rome's imperial age, starting from his own father of the same name, and his nephew Lucan, and including Columella, Martial, and Quintilian. But although all of these writers came from Spain, they were Roman (or Italian) in descent, culture, and tradition. Scipio Africanus had taken eastern and southern Spain from the Carthaginians during the Hannibalic war, and most of the Spanish peninsula had been Roman since the second century BCE.
Seneca's Oedipus
by Ted Hughes Lucius Annaeus SenecaSophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl. Balancing poetry and clarity, yet staying scrupulously close to the original texts, Ahl's English versions are designed to be both read and performed, and are alert to the literary and historical complexities of each. In approaching Sophocles anew, Ahl is careful to preserve the richly allusive nature and rhetorical power of the Greek, including the intricate use of language that gives the original its brilliant force. For Ahl, Seneca's tragedy is vastly and intriguingly different from that of Sophocles, and a poetic masterpiece in its own right. Seneca takes us inside the mind of Oedipus in ways that Sophocles does not, making his inner conflicts a major part of the drama itself in his soliloquies and asides. Two Faces of Oedipus opens with a wide-ranging introduction that examines the conflicting traditions of Oedipus in Greek literature, the different theatrical worlds of Sophocles and Seneca, and how cultural and political differences between Athenian democracy and Roman imperial rule affect the nature and conditions under which the two tragedies were composed. This book brings two dramatic traditions into conversation while providing elegant, accurate, and exciting new versions of Sophocles' and Seneca's tragedies.
Senior Follies
by Billy St. JohnComedy / 4m, 5f / Unit set / The rocking is not done in chairs at the Pleasant Valley Retirement Home, especially since Howard discovered Viagra! The feisty divorcee and lovely widow who are constantly scurring out if his reach and refuse to play strip poker or skinny dip in the hot tub breathe a sigh of relief when a new resident actually seems to enjoy Howard's advances. She turns out to be a con artist intent on fleecing Howard and, with the help of her brother, a shy spinster. Other roles for senior actors include a less than energetic wife and her husband, a gardening fanatic. Don't miss the hilarity in this wonderful comedy for a mature cast by the author of The Abduction, The Reunion and other plays.
Senkatana (African Treasury Series #2)
by Sophonia Machabe MofokengSenkatana is a tragic play adapted from Sotho folk narrative. The play is regarded as a classic of Sesotho literature.Seen as one of the greatest essayists and dramatists writing in Southern Sotho, Senkatana was Mofokeng’s first book, published in 1952 in the African (then Bantu) Treasury Series, an imprint of Witwatersrand University Press.
Sensational Devotion: Evangelical Performance in Twenty-First-Century America
by Jill StevensonIn "Sensational Devotion, " Jill Stevenson examines a range of evangelical performances, including contemporary Passion plays, biblical theme parks, Holy Land re-creations, creationist museums, and megachurches, to understand how they serve their evangelical audiences while shaping larger cultural and national dialogues. Such performative media support specific theologies and core beliefs by creating sensual, live experiences for believers, but the accessible, familiar forms they take and the pop culture motifs they employ also attract nonbelievers willing to try out these genres, even if only for curiosity s sake. This familiarity not only helps these performances achieve their goals, but it also enables them to contribute to public dialogue about the role of religious faith in America. Stevenson shows how these genres are significant and influential cultural products that utilize sophisticated tactics in order to reach large audiences comprised of firm believers, extreme skeptics, and those in between. Using historical research coupled with personal visits to these various venues, the author not only critically examines these spaces and events within their specific religious, cultural, and national contexts, but also places them within a longer devotional tradition in order to suggest how they cultivate religious belief by generating vivid, sensual, affectively oriented, and individualized experiences. "
A Sense of Direction: Some Observations on the Art of Directing
by William BallA Sense of Direction represents a life s work at the art and craft of directing. <p><p> Founder and long-time general director of the acclaimed American Conservatory Theatre, Bill Ball engages his audience in a wide-ranging discussion of the director s process from first reading through opening night. Speaking as a director s director, Ball offers a candid, personal account of his method of working including the choice of a play s essential elements, preproduction homework, casting, and rehearsal techniques. Throughout, his discovering and insights guide the director in building the world of the play and bringing it to life.
A Sense of Direction
by Stephanie QuinnStage directions are instructions an actor follows in performing a play. They help the director tell the actors where to go on the stage.
The Senses in Performance (Worlds of Performance)
by Sally Banes André LepeckiThis ground-breaking anthology is the first to be dedicated to assessing critically the role of the human sensorium in performance. Senses in Performance presents a multifaceted approach to the methodological, theoretical, practical and historical challenges facing the scholar and the artist. This volume examines the subtle actions of the human senses including taste, touch, smell and vision in all sorts of performances in Western and non-Western traditions, from ritual to theatre, from dance to interactive architecture, from performance art to historical opera. With eighteen original essays brought together by an international ensemble of leading scholars and artists including Richard Schechner and Philip Zarrilli. This covers a variety of disciplinary fields from critical studies to performance studies, from food studies to ethnography from drama to architecture. Written in an accessible way this volume will appeal to scholars and non-scholars interested in Performance/Theatre Studies and Cultural Studies.
Sensory Experience and the Metropolis on the Jacobean Stage (Studies In Performance And Early Modern Drama Ser.)
by Hristomir A. StanevAt the turn of the seventeenth century, Hristomir Stanev argues, ideas about the senses became part of a dramatic and literary tradition in England, concerned with the impact of metropolitan culture. Drawing upon an archive of early modern dramatic and prose writings, and on recent interdisciplinary studies of sensory perception, Stanev here investigates representations of the five senses in Jacobean plays in relationship to metropolitan environments. He traces the significance of under-examined concerns about urban life that emerge in micro-histories of performance and engage the (in)voluntary and sometimes pre-rational participation of the five senses. With a dominant focus on sensation, he argues further for drama’s particular place in expanding the field of social perception around otherwise less tractable urban phenomena, such as suburban formation, environmental and noise pollution, epidemic disease, and the impact of built-in city space. The study focuses on ideas about the senses on stage but also, to the extent possible, explores surviving accounts of the sensory nature of playhouses. The chapters progress from the lower order of the senses (taste and smell) to the higher (hearing and vision) before considering the anomalous sense of touch in Platonic terms. The plays considered include five city comedies, a romance, and two historical tragedies; playwrights whose work is covered include Shakespeare, Jonson, Webster, Fletcher, Dekker, and Middleton. Ultimately, Stanev highlights the instrumental role of sensory flux and instability in recognizing the uneasy manner in which the London writers, and perhaps many of their contemporaries, approached the rapidly evolving metropolitan environment during the reign of King James I.
Sensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart
by Tim WebbSensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart is an accessible step-by-step guide to creating theatre for inclusive audiences, such as young people on the autism spectrum or affected by other neuro-divergent conditions and children under two. Conventional theatre relies on seeing and hearing to involve its audience; sensory theatre harnesses the power of five or more senses to address its participants who have different ways of relating to the world around them. This book is an insightful history of Oily Cart and its pioneering development of work for the very young, including Baby Theatre, and for neuro-divergent audiences including those on the autism spectrum. It gives a clear introduction to the fundamental concepts of this theatre, suggests a host of practical techniques drawn from over forty years of experience, and describes some of Oily Cart’s most radical innovations, including theatre on trampolines, in hydrotherapy pools, and with flying audiences in the company of aerial artists. The book also includes copious photos from the Oily Cart’s archives and links to videos examples of the company’s work. Readers will learn how to: Research the intended audience while not being led astray by labels. Create a welcoming, immersive sensory space in classrooms, nurseries, school halls, and playgrounds. Devise sensory stories that can be adapted to suit different audiences. Recruit, audition, cast, and run rehearsals. Ensure that the production is truly sensory and interactive. Written for Theatre for Young Audiences, Drama in Education, and specialized Applied Theatre courses, as well as educators and theatre practitioners interested in creating inclusive, interactive productions, Sensory Theatre offers a goldmine of ideas for making work that connects with audiences who can be the hardest to reach.
Sensory Writing for Stage and Screen: An Etude-Based Process of Exploration
by Michael WrightThrough a series of systematic explorations across a wide range of scenarios, Sensory Writing for Stage and Screen offers script writers exercises for attending to their own sensory experiences as a means to exploring the sensory experiences—and worlds—of the characters they create.
The Sensuous Senator
by Michael ParkerComedy / 4m, 5f / Interior / Senator Douglas is running for President on a "morality" platform, but when his wife Lois leaves to attend a conference in Chicago he does not hesitate to invite Veronica, his secretary and lover, over. Finding her unavailable, he has an escort agency send voluptuous Fiona. All seems well until his elderly Congressional colleague and neighbor locks himself out and asks to spend the night. Then Congressman Jack Maguire drops in unexpectedly and Fiona, unsure who her client is, zeros in on him. Meanwhile, Veronica changes her plans and appears on the scene. Before Lois reaches the airport, her fashionable Washington townhouse is swarming with libidinous politicians, scantily dressed women, security police and a muckraking reporter from The National Intruder! When snow closes the airport and she returns home, the bedlam crescendos to a surprise ending in this outrageous farce by the author of The Amorous Ambassador.
Sentence to Hope: A Sa'dallah Wannous Reader (The Margellos World Republic of Letters)
by Sa'dallah WannousThe first major English‑language collection of plays and essays by Syrian playwright Sa'dallah Wannous Sa'dallah Wannous is acknowledged to be one of the Arab world’s most significant playwrights, writers, and intellectuals of the twentieth century. This is the first major English‑language collection that brings together his most significant plays and essays. Selections include the groundbreaking 1969 play An Evening’s Entertainment for the Fifth of June, a scathing indictment of the duplicity of Arab leaders during the 1967 War, as well as Wannous’s most celebrated play, Rituals of Signs and Transformations, a bold treatment of homosexuality, prostitution, clerical corruption, and the quest for female liberation. In addition to his work as a playwright, Wannous, like Brecht, was an astute theatrical and cultural critic, and his essays, some of which are included here, offer shrewd diagnoses of the ills of Arab society and the essential role of theater in ameliorating them.
The Sentient Archive: Bodies, Performance, and Memory
by Linda Caruso Haviland Bill BissellThe Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists.
Sentimental Opera
by Stefano CastelvecchiSentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought to the fore serious contemporary problems including the widespread execution of deserters, the treatment of the insane, and anxieties relative to social and familial roles. They also developed a specifically operatic version of the dominant language of sensibility. This wide-ranging study involves such major cultural figures as Goldoni, Diderot and Mozart, while refining our understanding of the theatrical genre system of their time.
The Sentimental Theater of the French Revolution (Performance In The Long Eighteenth Century: Studies In Theatre, Music, Dance Ser.)
by Cecilia FeillaSmoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
Separate Beds
by Mj CruiseErnie and Twink are in the autumn of their lives. In celebration of their thirtieth wedding anniversary, the couple's children send them on a Caribbean cruise. Free of chores and children, Ernie and Twink are wined, dined, and introduced to exciting people. When they meet the rich, seductive Blake and Beth, who still seem to have a perfect life together after ten years of marriage, Twink becomes infatuated with the glamour of the other couple's lives and seeks to reignite the spark in her own marriage.
Sephardi Religious Responses/M
by StillmanFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.