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Alice Cooper is hotter than ever, still playing up to 100 gigs a year with his his audiences growing younger. But 300 days a year, he is out on the golf course. That's because Alice credits golf as helping him overcome a self-destructive spiral into alcoholism. It's also because Alice turned out to be almost as good a golfer as he is a rocker. This book blends a rocker's uproarious tales of excess with a no holds-barred account of how Cooper substituted alcohol addiction with the lesser evil of hitting a little white ball. Alice Coopers rock 'n' roll's original misanthrope, the ultimate shock-rock, heavy-metal bad boy. With golf, as in music, he was way ahead of the cultural curve, his passion for the game predating golf's popularity surge among younger folks, hip professional athletes, and indeed Alice's music contemporaries, including Bob Dylan, Neil Young, Iggy Pop and Roger Waters. The nearest Alice Cooper has come to writing his autobiography. He is still a major rock touring artist. This title includes the story of his musical career and of his rehabilitation. It is a fascinating self-help programme by an unlikely role model.
This book is about musical instruments, the orchestra, and the nature of music through an Alice-like nonsense narrative.
"The Sopranos is the one [show] that made the world realize something special was happening on television. It rewrote the rules and made TV a better, happier place for thinking viewers, even as it was telling the story of a bunch of stubborn, ignorant, miserable excuses for human beings" (From All Due Respect...The Sopranos Changes Everything). In this chapter from the critically acclaimed book The Revolution Was Televised, Alan Sepinwall explores why The Sopranos was critical to ushering in a new golden age in television. Drawing on a new interview with creator David Chase, Sepinwall weaves fascinating behind-the-scenes details about the show with his trademark incisive criticism--including his theory on the controversial series finale.
From the book: His father's ancestors invented the Gatling gun. There were poets on his mother's side. Out of this marriage of machine guns and poetry came Larry Gatlin, a hard-driving, risk taking perfectionist with an appetite for destruction and a gift for writing songs that touched the heart of America. As lead singer for The Gatlin Brothers, he rode on a wave of success that included chart, Ding singles, sold out concerts, and music awards. "I was a hero," he says, "because hardworking, God-fearing, honest-to-goodness, dyed-in-the-wool country music fans said I was, and I loved it. My problem was, I loved it too much." With his phenomenal success came controversy. He was brash and outspoken, dogged by the press and continually at odds with the music industry. He would disappear for days, bingeing on cocaine and alcohol. In the mid-1980's, the reckless lifestyle finally caught up with him. "I went from hero to zero in a matter of minutes, it seems," he recalls.
The world according to David Ives is a very add place, and his plays constitute a virtual stress test of the English language -- and of the audience's capacity for disorientation and delight. Ives's characters plunge into black holes called "Philadelphias," where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which "hello" translates as "velcro" and "fraud" comes out as "freud."At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes "Sure Thing," "Words, Words, Words," "The Universal Language," "Variations on the Death of Trotsky," "The Philadelphia," "Long Ago and Far Away," "Foreplay, or The Art of the Fugue," "Seven Menus," "Mere Mortals," "English Made Simple," "A Singular Kinda Guy," "Speed-the-Play," "Ancient History," and "Philip Glass Buys a Loaf of Bread."
The author recalls how he and his young friends broke into vaudeville and made it to stardom on radio, in films and on TV. He laces his story with anecdotes about his fellow performers.
Forty years ago, when Susan Lucci first joined the cast of one of America's best loved soaps, All My Children, she had only expected to appear on the show every other Tuesday. But she quickly endeared herself to America playing the beautiful, mercurial, and often controversial character of Erica Kane. All this time, Lucci has held viewers' rapt attention as Erica underwent the first daytime television abortion, married and divorced more times than Elizabeth Taylor, became one of daytime's first working mothers, dealt with her AMC daughter's coming out and survived many of life's greatest tragedies as well as conducted many of TV's most fun-to-watch escapades. The secret to Erica's appeal is undoubtedly her ability to live life and reinvent herself in ways that the audience wishes they could too. Now in her long-awaited autobiography, Susan Lucci not only shares some of her favorite behind-the scenes moments on the show, she shares stories about her own personal metamorphosis off-camera, from an aspiring actress to a superstar. For the first time ever, she candidly opens up about the devastating car accident that could have cost her career And The heartache she endured after her miscarriage. She reveals the life lessons longtime friends taught her on her rise to fame, The secret to remaining youthful and what she has learned about love, romance, and partnership through a marriage that has spanned four decades. She also recalls the great joy that came with finally winning an Emmy in 1999 after eighteen previous nominations as well as the pressure and angst she felt before her epic win, The pleasure of taking Broadway by storm in Annie Get Your Gun And The test of her stamina and endurance that came with cha-cha-ing on prime time in Dancing with the Stars. Susan will also share how she has successfully balanced the needs of her family with the grueling demands of her career. Nicknamed "LaLucci" by her nightclub co-star Regis Philbin and named one of Barbara Walters's "Ten Most Fascinating People," Susan Lucci gives readers a rare and intimate look into life as a wife, mother, daughter, grandmother, singer, entrepreneur, seductive sensation, and iconic actress in what is destined to be the most uplifting memoir of year!
In this revealing autobiography, Canada's first lady of song, for the first time, tells the whole story of her astonishing 40-year career in show biz. It is a candid retrospective of the extraordinary success achieved, and the prices that had to be paid."After 'Snowbird' hit, I was swept up like Dorothy in The Wizard of Oz, and catapulted into a strange new universe ... If I thought for a moment that I was really in control of events, I was deluded." Anne Murray. An unflinching self-portrait of Canada's first great female recording artist, All of Me documents the life of Anne Murray, from her humble origins in the tragedy-plagued coal-mining town of Springhill, Nova Scotia, to her arrival on the world stage. Anne recounts her story: the battles with her record companies over singles and albums; the struggle with drug- and alcohol-ridden band members; the terrible guilt and loneliness of being away from her two young children; her divorce from the man who helped launch her career, Bill Langstroth; and the deaths of two of her closest confidantes. The result is a must-read autobiography by Canada's beloved songbird.
Born on January 8, 1935, in Tupelo, Mississippi, Elvis Aaron Presley was destined to rewrite the history of music almost from the moment he picked up a guitar.
On the folklore and oral history of mumming within a small community in the border area of Ireland and Ulster,this book provides insightful study of Irish folklife, and a fine presentation of mumming's memory culture.
This revised and updated edition provides crucial information on the industry's adaptations to today's technological advances and uncertain economy.
Through the stories of gaming's greatest innovations and most beloved creations, journalist Harold Goldberg captures the creativity, controversy--and passion--behind the videogame's meteoric rise to the top of the pop-culture pantheon. Over the last fifty years, video games have grown from curiosities to fads to trends to one of the world's most popular forms of mass entertainment. But as the gaming industry grows in numerous directions and everyone talks about the advance of the moment, few explore and seek to understand the forces behind this profound evolution. How did we get from Space Invaders to Grand Theft Auto? How exactly did gaming become a $50 billion industry and a dominant pop culture form? What are the stories, the people, the innovations, and the fascinations behind this incredible growth?Through extensive interviews with gaming's greatest innovators, both its icons and those unfairly forgotten by history, All Your Base Are Belong To Us sets out to answer these questions, exposing the creativity, odd theories--and passion--behind the twenty-first century's fastest-growing medium.Go inside the creation of: Grand Theft Auto * World of Warcraft * Bioshock * Kings Quest * Bejeweled * Madden Football * Super Mario Brothers * Myst * Pong * Donkey Kong * Crash Bandicoot * The 7th Guest * Tetris * Shadow Complex * Everquest * The Sims * And many more!
Ronnie Milsap, a legend in country music, shares the story of his life including the obstacles and opportunities created by his blindness. He describes his childhood in the rural south and gives an insider's view of life at a school for the blind. He chronicles his entry into country music and shares stories about his travels.
MARTIN SHEEN was born (and still is) Ramon Antonio Gerardo Estevez. Sheen is perhaps best known for his unforgettable performances in Badlands, Apocalypse Now, Wall Street, and as President Josiah Bartlet on television's The West Wing. A longtime activist for social justice and human rights, he resides in Malibu, California, with Janet, his wife of fifty years. EMILIO ESTEVEZ is known for his roles in The Outsiders, The Breakfast Club, St. Elmo's Fire, and The Mighty Ducks and as writer and director of The War at Home, Bobby, and The Way, films with substantive social subjects. He is coproprietor of Casa Dumetz vineyards in Malibu, where he lives. HOPE EDELMAN is the author of five prior books, including the international bestseller, Motherless Daughters. She lives with her husband and two daughters in Topanga Canyon, California. n this remarkable dual memoir, film legend Martin Sheen and accomplished actor/filmmaker Emilio Estevez recount their lives as father and son. In alternating chapters-and in voices that are as eloquent as they are different-they tell stories spanning more than fifty years of family history, and reflect on their journeys into two different kinds of faith. At twenty-one, still a struggling actor living hand to mouth, Martin and his wife, Janet, welcomed their firstborn, Emilio, an experience of profound joy for the young couple, who soon had three more children: Ramon, Charlie, and Renée. As Martin's career moved from stage to screen, the family moved from New York City to Malibu, while traveling together to film locations around the world, from Mexico for Catch-22 to Colorado for Badlands to the Philippines for the legendary Apocalypse Now shoot. As firstborn, Emilio had a special relationship with Martin: They often mirrored each other's passions and sometimes clashed in their differences. After Martin and Emilio traveled together to India for Gandhi, each felt the beginnings of a spiritual awakening that soon led Martin back to his Catholic roots, and eventually led both men to Spain, from where Martin's father had emigrated to the United States. Along the famed Camino de Santiago pilgrimage path, Emilio directed Martin in their acclaimed film, The Way, bringing three generations of Estevez men together in the region of Spain where Martin's father was born, and near where Emilio's own son had moved to marry and live. With vivid, behind-the-scenes anecdotes of this multitalented father and son's work with other notable actors and directors, Along The Way is a striking, stirring, funny story-a family saga that readers will recognize as universal in its rebellions and regrets, aspirations and triumphs. Strikingly candid, searchingly honest, this heartfelt portrait reveals two strong-minded, admirable men of many important roles, perhaps the greatest of which are as fathers and sons.
Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern California's School of Cinematic Arts, together with newly-commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. The resulting diverse and multi-voiced collection is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas.
Describes the life, dancing, and choreography of Alvin Ailey, who created his own modern dance company to explore the black experience. Alvin Ailey is a biography of a brilliant dancer/choreographer as well as the story of the creation of Revelations, his modern dance masterpiece which premiered in New York City in 1960
A brief biography of American dancer Alvin Ailey.
This popular new line of books follows your favorite Queer as Folk characters on a riveting journey of sexual self-discovery with stories about the beloved characters from the record-breaking Showtime series. USA Today raves, "There's never been anything else like it on TV" -- and there's never been a book series like this. Life after college brings a lot more freedom -- and a lot of new problems. Brian must trade his status as BMOC for the bottom rung of the corporate ladder, while Michael, who has long given up on college, now wonders if he's also given up on his dreams. Emmett visits Pittsburgh to celebrate the spectacular launch of his fashion marketing company in Los Angeles (or so everyone thinks), while Deb adds gay rights advocacy to her juggling act of working at the diner and taking care of her ailing brother, Vic. Like Lindsay -- who experiences life as a struggling artist and true love for the first time -- Deb's about to get more than she bargained for. Add in a secret romance, sexually charged office politics, an over-the-top drag ball, and the arrival of new friends and lovers, and our little gang is tested enough to qualify for postgraduate credit. More than ever before, Michael and Brian find their friendship challenged. As their choices tear them apart, Brian sees that it's Michael he's always loved, and that he always will. But will he tell him before it's too late?
There are many words to describe Michael J. Fox: Actor. Husband. Father. Activist. But readers of Always Looking Up will soon add another to the list: Optimist. Michael writes about the hard-won perspective that helped him see challenges as opportunities. Instead of building walls around himself, he developed a personal policy of engagement and discovery: an emotional, psychological, intellectual, and spiritual outlook that has served him throughout his struggle with Parkinson's disease. Michael's exit from a very demanding, very public arena offered him the time--and the inspiration--to open up new doors leading to unexpected places. One door even led him to the center of his own family, the greatest destination of all. The last ten years, which is really the stuff of this book, began with such a loss: my retirement from Spin City. I found myself struggling with a strange new dynamic: the shifting of public and private personas. I had been Mike the actor, then Mike the actor with PD. Now was I just Mike with PD? Parkinson's had consumed my career and, in a sense, had become my career. But where did all of this leave Me? I had to build a new life when I was already pretty happy with the old one. Always Looking Up is a memoir of this last decade, told through the critical themes of Michael's life: work, politics, faith, and family. The book is a journey of self-discovery and reinvention, and a testament to the consolations that protect him from the ravages of Parkinson's. With the humor and wit that captivated fans of his first book, Lucky Man, Michael describes how he became a happier, more satisfied person by recognizing the gifts of everyday life.
America Ferrera may play Ugly Betty on TV, but she's anything but ugly in real life! Down to earth, determined, and proud of her accomplishments, Ferrera has become a role model for Latina women everywhere. This fun-to-read book offers juicy quotes, personal stories, and accessible features such as a timeline and glossary.
America on Film: Representing Race, Class, Gender, and Sexuality in the Movies is a lively introduction to issues of diversity as represented within the American cinema. Introduces issues of diversity as represented within the American cinema in a lively and accessible manner. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. Is designed specifically for students and includes 101 illustrations, a glossary of key terms, questions for discussion, and lists for futher reading and further viewing. Includes case studies of a number of films, including The Lion King, The Jazz Singer, Smoke Signals, The Grapes of Wrath, and The Celluloid Closet. Each chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film.
The American Film Institute Desk Reference is the most comprehensive book on filmmaking. It provides detailed information on the world of film, its history and its personalities.
A thoughtful, hilarious, and compulsively readable memoir by an Ivy League graduate-turned-pornographer who sets out to bring sophistication and equality to sexual cinema--only to find that he can't change porn, but porn can certainly change him.American Gangbang heralds the arrival of a profound and gifted new voice in narrative nonfiction. In 1999, after four years of studying at Brown University, Sam Benjamin heads to California in a twenty-year-old Volvo, dead set on turning himself into an artist, despite his complete lack of talent. There, stoned, he has an epiphany--he will make progressive porn. And so begins his turbulent journey. . . .In whip-smart, lyrical prose, Benjamin traces his three-year immersion into the world of Hollywood's bleak, screen glow-lit doppelganger: the southern California sex industry. His rapid ascent from the dingy storefront rental of a starving artist to the multimillion-dollar Malibu villa of a full-fledged porn producer confronts him with the uncomfortably alluring realities of America's strangest industry: gun-toting actors, high on terrible, drug-induced potency; giggling actresses battling internal demons in wobbly heels and pink fishnets; the insatiable consumer demands to sink ever lower, more exploitative, nastier. The result is the titillating, dramatic chronicle of a young man who invites the deepest, most troubling parts of himself to rise to the surface in order to get a good look at them--only to find that what he sees makes his world seem suddenly very small.A provocative, universal coming-of-age story, American Gangbang explores with unflinching honesty the darkly rich junction of sex and self-discovery.
Klezmer,the Yiddish word for a folk instrumental musician, today flourishes in the United States and abroad in the world music and accompany Jewish celebrations. The essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life.