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fox woman get out!
by India Lena GonzálezTake the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out! Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out! is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page. Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.
Fuel (American Poets Continuum)
by Naomi Shihab NyeNaomi Shihab Nye focuses on ordinary people and ordinary situations, which, when rendered through the poems in Fuel, become remarkable. The poet imagines the border families of southern Texas, small ferns and forgotten books, Jews and Palestinians in the Middle East. Nye has written, "Lives unlike mine, you save me."
Good Grief, the Ground (New Poets of America #49)
by Margaret RayMargaret Ray is pulling back the curtains on our societal performance of culture, guiding an exposing light to the daily performance that is life in a woman’s body.Selected by Stephanie Burt as the winner of the A. Poulin Jr. Poetry Prize, Ray’s Good Grief, the Ground interrogates the everyday violences nonchalantly inflicted unto women through personal, political, and national lenses. Moving between adolescence and adulthood, Ray alternates between dark humor and heart-wrenching honesty to explore grief, anxiety, queer longing, girlhood, escape from an abusive relationship, and the dangers of lending language to a thing. With stunning wit and precision and attention, we see Ray show us what it is to be human: the mess of tenderness and darkness and animosity. Out of the heavy Florida dusk, out of peach juice and late-night swimming pool break-ins and glances across grocery store aisles come these completely captivating poems. In the words of Stephanie Burt: “Come and see. Take care. Dive in.”
Good Woman: Poems and a Memoir 1969-1980 (American Poets Continuum #14)
by Lucille CliftonFinalist for the 1988 Pulitzer Prize for PoetryA landmark collection by National Book Award-winning poet Lucille Clifton, Good Woman: Poems and a Memoir 1969-1980 includes the four poetry collections that launched Clifton’s career—Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman—as well as her haunting prose memoir, Generations. In honor of the 30th anniversary of Lucille Clifton's Pulitzer Prize-nominated poetry collection and memoir, Good Woman is now available for the first time as a deluxe eBook edition. Enhanced with previously unpublished photographs from the Lucille Clifton Estate and a special foreword by Aracelis Girmay, this eBook is a must-have for longtime Clifton fans and newcomers alike.
Gospel Night (American Poets Continuum #129)
by Michael Waters"Waters's elegant language suggests that there is grace to be found in facing and speaking of our sorrows. . . . His use of humor creates a tension between the profane and the sublime."—Arts & Letters Among the survivors of the DonnerParty—idiom's black sense of humor—Who developed a secret taste for fleshFlaked between the fluted bones of the wrist? In his tenth poetry collection, Michael Waters tackles the dual (and dueling) natures of our humanity: sin and transgression, isolation and atrocity, love and darkness, and the desire for a language that can illuminate such ordinary yet disturbing spaces.
The Hands of Strangers: Poems from the Nursing Home (American Poets Continuum)
by Janice N. HarringtonAs people live longer, we face the challenges that come with caring for, and living as, an aging population. This collection focuses on the sad, funny, mundane reality of life in a nursing home. In her own words, Janice N. Harrington worked her way through college as a nurses' aide and wrote The Hands of Strangers because she "cannot forget the 'girls' I worked with or the 'residents' under my care. I haven't forgotten what I saw, heard, felt, or learned." Janic N. Harrington's debut Even the Hollow My Body Made is Gone earned teh 2007 Kate Tufts Discovery Award, the A. Poulin Jr. Poetry Prize, and an NEA fellowship for poetry.
The Hawk Temple at Tierra Grande (American Poets Continuum #Vol. 72)
by Ray GonzalezKnown for his superrealism and magical images born of the imagery of the Chicano/South Western culture, Ray Gonzalez gives new imagery and intensity to the mystery and common miracles of that culture, the passionate reclamation of identity.Ray Gonzalez is a poet, essayist, and editor born in El Paso, Texas. He is the author of five books of poetry, including The Heat of Arrivals (BOA 1996), which won the 1997 Josephine Miles Book Award for Excellence in Literature, and Cabato Sentora (BOA 1999). He is the editor of twelve anthologies and serves as Poetry Editor of The Bloomsbury Review.Also available by Ray Gonzalez: The Heat of Arrivals TP $12.50, 1-880238-39-X o CUSA Cabato Sentora TP $12.50, 1-880238-70-5 o CUSA
Holy Moly Carry Me (American Poets Continuum #166)
by Erika MeitnerWinner of the 2018 National Jewish Book Award for Poetry Erika Meitner’s fifth collection of poetry plumbs human resilience and grit in the face of disaster, loss, and uncertainty. These narrative poems take readers into the heart of southern Appalachia—its highways and strip malls and gun culture, its fragility and danger—as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner’s poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.
The Hour Between Dog and Wolf (New Poets of America)
by Laure-Anne BosselaarLaure-Anne Bosselaar's poetry captures the lives of "lost souls roaming"--be they young girls in convents, merchants, whores, widows, soldiers. Old Europe still lives in Bosselaar's rich language: Entre chien et loup, as it's known in Flanders--the time at dusk when a wolf can be mistaken for a dog.
House Inspections (Lannan Translations Selection Series)
by Carsten René Nielsen"These poems do much more than blur the line between illusion and reality: they evoke that vibrant contradiction of dreaming in which the real and unreal exist in perfect simultaneity."—The Georgia Review Theatre A man performs whole days from his life as a drama, each day at home in his apartment. He goes to great lengths to be as realistic as possible, walking around the apartment and tending to day-to-day business. Only at night, when he sits by himself in the kitchen, does he peek now and then at the window to glimpse his audience. He won't completely abandon the notion that someone is out there. It's like when you stand on the landing, in front of a closed door, and you can't help thinking that someone is watching through the peephole. With a dozen poems previously published in The Paris Review, Carsten René Nielsen is already a familiar name to US poetry readers. These dark prose poems—reminiscent of Charles Simic—map out a uniquely European territory with chilling, cinematic clarity. Award-winning Danish poet Carsten René Nielsen is the author of nine books of poetry, including his US debut The World Cut Out with Crooked Scissors (2007). His poems appear in The Paris Review, Agni, Circumference, Mid-American Review, Mississippi Review, and elsewhere. He lives in Aarhus, Denmark. David Keplinger's poetry awards include the Colorado Book Award, T.S. Eliot Prize, an NEA fellowship, and grants from the Danish Arts Council. He directs the MFA program at American University in Washington, DC.
How to Be Better by Being Worse (New Poets of America Series #45)
by Justin JanniseSelected by Richard Blanco as winner of the 2019 A. Poulin, Jr. Poetry Prize, Justin Jannise turns the self-help manual on its head in How to be Better by Being Worse. These poems flout, subvert, question, and ignore the rules with exploratory energy. Queer experiences are celebrated—from crushing on long-dead, sad-eyed poets to drag divas dancing at Halloween parties—gender constructs are questioned, and familial transgressions are laid bare for the world. Delightfully modulating between flippant, sincere, and back again, How to Be Better by Being Worse freely indulges in harmless wickedness as its speaker grows in self-awareness, slowly learning to let go of inherited shame while continuing to seek self-forgiveness for the harms he has caused the outside world.
How to Carry Water: Selected Poems Of Lucille Clifton (American Poets Continuum Series #180)
by Lucille CliftonSelected Poems Of Lucille Clifton
The Human Half (American Poets Continuum #173)
by Deborah BrownThreaded with echoes of familial trauma—a sister’s battle with cancer, a brother’s struggles with depression—the lyric poems in The Human Half reveal an open-hearted speaker who finds solace in the beauties of celestial navigation, the flowers along the railroad tracks, and the brushwork of Vermeer and Van Gogh. Filled with quirks of perception, Deborah Brown holds space for wonder amidst of life’s seasons of longing.
Hunting Down the Monk (A. Poulin, Jr. New Poets of America)
by Adrie KusserowDrawing from her work in comparative religion and cultural anthropology, Adrie Kusserow offers a collection of portraits of Westerners in the East and Easterners in the West struggling to relearn and relive their ideas of culture, religion, and God. These poems expose the human craving for the nourishment of a spiritual life. Celebrated poet Karen Swenson has written the Foreword.Adrie Kusserow received her Ph.D. in social anthropology from Harvard University in 1996 and is currently associate professor of cultural anthropology at St. Michael’s College in Vermont. She continues to do cross-cultural field work on the spread of Eastern philosophies to the West.
I Am Not Trying to Hide My Hungers from the World (American Poets Continuum Series #185)
by Kendra DeColoPunk-rock feminist poems exploring motherhood, pop culture, and resistance with a spirit of defiance, abundance, and irreverent joy Kendra DeColo reaffirms the action of mothering as heroic, brutal, and hardcore. These poems interrogate patriarchal narratives about childbirth, postpartum healing, and motherhood through the lens of pop culture and the political zeitgeist. With references ranging from Courtney Love to Lana Del Rey to Richard Burton to Nicolas Cage, I Am Not Trying to Hide My Hungers from the World revitalizes the way we look at mothering: pushing its boundaries and reclaiming one's spirit of defiance, abundance, and irreverent joy.
I'm No Longer Troubled by the Extravagance
by Rick BurskyI'm No Longer Troubled by the Extravagance is a collection of poems that assign new meanings to the people and things of the past. The book moves in three sections through a fantastic landscape that maps human fragility. The poems in the first section speak to matters of the heart—intimacy and loss—punctuated by lovers who leave. The second section is comprised of prose poems chronicling misadventures and conspiracies: Russian spies on Wilshire Boulevard, artichokes that mate for life, and secret photographs of God. Finally, the third section pans out from individual experience, hosting the collective in fable-like reflections. Together, the poems in Extravagance mark with fragile acceptance the surreal extravagance of being alive.The RelentlessOne day we'll know how longthe dead have to be deadbefore they feel hunger.One day it'll be summer forever.In the meantime, the weather,looking for its cue, keeps an eye on me;and I keep whatever money's in my pocketcrumpled in a ball. A relentlessresponsibility dogs me, and the funny thingis, these are the lyrics to a happy song.Go ahead, tap your foot,snap your fingers.We're roasting a pig in the yard.Rick Bursky is the author of Death Obscura (Sarabande Books, 2010) and The Soup of Something Missing (Bear Star Press, 2004), winner of the Dorothy Brunsman Poetry Prize. He lives in Los Angeles where he works in advertising and teaches poetry in the UCLA Extension Writer's Program.
Improvisation Without Accompaniment (New Poets of America #44)
by Matt MortonSelected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs.
In a Landscape
by John GallaherFalling somewhere between a "diary-poem," a "daybook," "autobiography-in-verse," and an "essay-poem," In a Landscape is noted poet and critic John Gallaher's most personal, straightforward, and revealing book yet. In lyric-prose that continuously circles the questions it raises, Gallaher sloughs off the garb of "poet" to address life questions in a way that few poets of his generation have been willing to risk. Family, death, adoption, children, parents, high school, music . . . Gallaher's subjects carry weight because of their absolute commonness.John Gallaher is assistant professor of English at Northwest Missouri State University, and co-editor of the Laurel Review.
In Country (American Poets Continuum #169)
by Hugh MartinHugh Martin’s second full-length poetry collection moves within and among history to broaden and complicate our understanding of war. These poems push beyond tidy generalizations and easy moralizing as they explore the complex, often tense relationships between U.S. soldiers and Iraqi civilians. The speaker journeys through training to deployment and back again, returning home to reflect on the soldiers and civilians—both memories and ghosts—left behind. Filled with recollected dialogue and true-to-life encounters, these poems question, deconstruct, examine, and reintegrate the myths and realities of service.
The Keys to the Jail (American Poets Continuum)
by Keetje KuipersThe Keys to the Jail asks the question of who is to blame for all we’ve lost, calling us to reexamine the harsh words of failed love, the aging of a once-beautiful body, even our own voracious desires. Keetje Kuipers is a poet of daring leaps and unflinching observations, whose richly textured lyrics travel from Montana’s great wildernesses to the ocean-fogged streets of San Francisco as they search out the heart that’s lost its way.Dolores ParkIn the flattening California dusk,women gather under palms with their bagsof bottles and cans. The grass is featheredwith the trash of the day, paper napkinsblowing across the legs of those who stilldrown on a patchwork of blankets. Shirtlessin the phosphorescent gloom of streetlamps,they lie suspended. This is my one goodlife-watching the exchange of embraces,counting the faces assembled outsidethe ice-cream shop, sweet tinge of urine bythe bridge above the tracks, broken bike lockof the gay couple’s hands, desperate clappingof dark pigeons-who will take it from me?A former Wallace Stegner Fellow in Poetry, Keetje Kuipers's debut collection, Beautiful in the Mouth, won the A. Poulin, Jr. Poetry Prize. She has been the Margery Davis Boyden Wilderness Writing Resident, and is currently an assistant professor at Auburn University.
Kingdom Animalia (American Poets Continuum #131)
by Aracelis GirmayThe poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay's lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth, and language. These are poems about what is both difficult and beautiful about our time here on earth. Aracelis Girmay's debut collection won the Great Lakes Colleges Association New Writers Award. A Cave Canem Fellow, she is on the faculty at Drew University and Hampshire College. She lives in Brooklyn, New York.
Let's Become a Ghost Story (American Poets Continuum #177)
by Rick BurskyRick Bursky’s latest poetry collection reaches into the peculiarities of human relationships with emotional accuracy, charm, and a touch of surrealism. In poems that channel memories of brief encounters and long-lost loves through imagination and half-recalled dreams, Let’s Become a Ghost Story turns nostalgia inside-out to reveal the innate humor of our most intimate connections.
Letters to a Young Brown Girl (American Poets Continuum Series #182)
by Barbara Jane ReyesLetters to a Young Brown Girl
Light and Heavy Things: Selected Poems of Zeeshan Sahil (Lannan Translations Selection Series)
by Zeeshan SahilLight and Heavy Things provides readers in this country an opportunity to discover the work of the late Pakistani poet, Zeeshan Sahil. Although readers of Urdu poetry mourned his passing in 2008, Sahil is a relatively unknown poet in the United States. Sahil's work conveys his post-modern sensibility with plain language, presenting political realities of Pakistan in personal terms.
Lighthouse for the Drowning (Lannan Translations Selection Series)
by Jawdat FakhreddineThis first US publication of Jawdat Fakhreddine-one of the major Lebanese names in modern Arabic poetry-establishes a revolutionary dialogue between foreign, Modernist values and Classical Arabic tradition. Fakhreddine’s unique poetic voice is a remarkable accomplishment-a breakthrough for the poetic language of his generation-that presents poetry as a beacon, a bright light that both opposes and penetrates all forms of darkness.