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African American Arts: Activism, Aesthetics, and Futurity (The Griot Project Book Series)
by Sharrell D. Luckett Carmen Gillespie Rikki Byrd Amber Lauren Johnson Doria E. Charlson Florencia V. Cornet Daniel McNeil Lucy Caplan Genevieve Hyacinthe Sammantha McCalla Nettrice R. Gaskins Abby Dobson J. Michael Kinsey Shondrika Moss-Bouldin Julie B. Johnson Jasmine Eileen Coles Tawnya Pettiford-Wates Rickerby HindsSignaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society? Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Ready, Freddy! Thanksgiving Turkey Trouble (Ready, Freddy! #(#15))
by Abby KleinWould you believe being a turkey for the first grade Thanksgiving play will get Freddy locked up in jail? Freddy believes it. In fact he believes all kinds of terrible things will happen if he has to dress up as a turkey for the play. <P><P> At school there's teasing, bullying, copy-catting, tattling, joking, arguments, laughing, time-outs and all kinds of kid and teacher stuff you've had in your own school. At home, there's teasing from Freddy's sister and understanding from his mom, but they don't help him get over having to be the turkey. <P><P>Finally, just in time, Freddy learns a trick that will make being a turkey fun! At the end of the story are some ideas for Thanksgiving crafts.
Theatres of Compost: Performance and Ecology for the Anthropocene (Routledge Studies in Theatre, Ecology, and Performance)
by Abby SchroeringTheatres of Compost places ecology at the center of performance scholarship and criticism, and it positions performance as a key cultural process for bringing about a more just and sustainable future.Examining a unique archive of agricultural performances—plays, theatre collectives, and activist rituals that engage questions of how humans use the land and produce food—this book lays out a framework for how theatre and performance contribute to a cultural shift toward ecological awareness. Theatre of compost is performance that directly engages ideologies of exploitation, mass production, and accumulation. Instead of discarding the forms, themes, methodologies, and histories that have perpetuated ecological destruction, the case studies in this book show that what has come before can be composted: broken down and reconstituted as the fertile foundation for a more livable life in the Anthropocene. Theatres of Compost will appeal to the new but quickly growing subfield of performance and ecology. As the climate and ecological crises worsen, more scholars and students in theatre and performance will be searching for ways to make their work meaningful and relevant.This book will be a helpful resource for graduate-level courses in performance studies, performance and ecology, and the environmental humanities.
Applied Theatre and the Sustainable Development Goals: Crises, Collaboration, and Beyond (ISSN)
by Bobby Smith Taiwo Afolabi Abdul Karim HakibThis book is the first definitive publication to consider the intersections of applied theatre and the Sustainable Development Goals (SDGs) – a series of goals which have shaped development and social justice initiatives from 2015 to 2030.It brings together emerging and leading scholars and practitioners engaged in creative and community contexts globally. In so doing, the book offers critical insights to explore the convergences, complexities, and tensions of working within development frameworks, through theatre. Divided into three thematic areas, it maps out the ways in which applied theatre has related to the SDGs, examines issues with global collaborations, and, as 2030 approaches and the SDG era draws to a close, interrogates such practices, envisioning what the role of applied theatre might be in the post-SDG era. The book provokes reflection about this specific era of applied theatre and global development, as well as discussion regarding what comes next.This volume will be of importance to students, artists, scholars, practitioners, and policymakers working in applied theatre and the field of development.
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
El sueño imposible
by Abdulrazzak Alsssoukiel sueño imposible es una novela corta de fantasía romántica que habla sobre un sueño que le sucedió a un chaval desde sus primeros años, el sueño se hizo cada vez más real con el tiempo.
Rabindranath Tagore's Theatre: From Page to Stage
by Abhijit SenThis book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Odyssey Works: Transformative Experiences for an Audience of One
by Rick Moody Abraham Burickson Ayden LerouxOdyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art--is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.
This Is Not My World: Art and Public Space in Socialist Zagreb
by Adair RounthwaiteA close-up history of the Yugoslav artists who broke down the boundaries between public and private In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb took to using the city&’s public spaces as a platform for radical individual expression. This Is Not My World presents a detailed account of the Group of Six Authors and their circle in the prolific and experimental period from 1975 to 1985, highlighting the friction between public and private that underlied their innovative practices. Looking to circumvent the rigid bureaucracy of official art institutions, this freewheeling group of conceptual artists and their peers brought artistic activities directly to an unwitting public by staging provocative performances, exhibiting artworks, and interacting with passersby on the streets. Exploring artworks such as Vlasta Delimar&’s act of tying herself to a tree in a busy pedestrian area, Željko Jerman&’s production of a giant banner declaring &“Intimate Inscription&” in the city&’s central square, and Vlado Martek&’s creation of an artwork on a seaside beach using women&’s underwear, Adair Rounthwaite examines the work of these artists as a site of tension between the intimacy of artistic expression and the political structure of the public sphere under state socialism. Whereas many histories of modern and contemporary art in formerly socialist countries tend to be dominated by discussions of ideology and resistance, This Is Not My World focuses its attention on the affective aspects of the group&’s activities, using artist interviews and extensive documentation to bring the reader closer to the felt experience of their public interventions. Situating the group&’s work within the context of broader developments in conceptualism and theories of the avant-garde, Rounthwaite provides a fresh consideration and newly detailed account of this marginalized episode in global art history.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
by Adam AlstonImmersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What's involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience's empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics - a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers
by Adam BenjaminMaking an Entrance is the first ever practical introduction to teaching dance with disabled and non disabled students. This clearly written, thought provoking and hugely enjoyable manual is essential reading whether you're just starting out or are already active in the field.Taking improvisation as his focus and as the starting point of choreographic exploration, Adam Benjamin asks what it has to offer as an art form and how it can be better used to meet the changing needs of dance education.In the theoretical section Benjamin explores the history of a disintegrated dance practice, placing it within the wider context of cultural and political movements. He questions what is meant today when we talk about 'inclusive' or 'integrated dance' and what we might expect of it.The book includes over 50 exercises and improvisations designed to stimulate and challenge students at all levels of dance. Benjamin also includes useful hints on the practicalities of setting up workshops covering issues as diverse a class size, the safety aspects of wheelchairs and the accessibility of dance spaces.
Plato: Protagoras and Meno
by Plato Adam Beresford Lesley BrownPlato's finest dramatic work, an entertaining tale of goodness and knowledge Exploring the question of what exactly makes good people good, Protagoras and Meno are two of the most enjoyable and accessible of all of Plato's dialogues. Widely regarded as his finest dramatic work, the Protagoras, set during the golden age of Pericles, pits a youthful Socrates against the revered sophist Protagoras, whose brilliance and humanity make him one the most interesting and likeable of Socrates' philosophical opponents, and turns their encounter into a genuine and lively battle of minds. The Meno sees an older but ever ironic Socrates humbling a proud young aristocrat as they search for a clear understanding of what it is to be a good man, and setting out the startling idea that all human learning may be the recovery of knowledge already possessed by our immortal souls.
Mama
by Adam CassIn August 2017, Melbourne's La Mama Theatre celebrates 50 years since the premiere of its first production, Jack Hibberd's 'Three Old Friends'. La Mama commemorates the rich life story of the theatre so far, tracking the history and chronology of the work that has been made and the many careers that have been born, raised and cherished there. Complemented by hundreds of wonderful photographs, the book is woven together through a series of rowdy yarns spun by the La Mama community, capturing a sense of the magic that has been inspiring audiences for fifty years.
Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe (Routledge Advances in Theatre & Performance Studies)
by Katalin Cseh-Varga Adam CzirakPerformance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances. The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.
Give My Swiss Chards to Broadway: The Broadway Lover's Cookbook
by Adam D. Roberts Gideon GlickAn exhilarating, pun-filled love letter to musicals, with 50 Broadway-inspired recipes. Good food and trivia and authors who sing—these are a few of our favorite things! Tony-nominated actor Gideon Glick and food writer Adam Roberts have teamed up to write the ultimate cookbook for theater lovers. This collection of musical-inspired recipes includes dishes like Yolklahoma!, Clafoutis and the Beast, Yam Yankees, Dear Melon Hansen, and more. And while readers are sure to be charmed by the names, the recipes themselves will have them sticking around for the food, glorious food! Thoughtfully assembled by two veritable Broadway experts, this book is sure to result in some enchanted eating. Each dish comes with a brief history of the show that inspired it, a summary of the plot, and “Listening Notes” chock-full of behind-the-scenes trivia. Complete with lively illustrations from celebrated theatrical illustrator Justin “Squigs” Robertson, Give My Swiss Chards to Broadway makes every meal feel like a night at the theater.
Good Night Broadway (Good Night Our World)
by Adam Gamble Mark JasperGood Night Broadway highlights theaters, musicals, dancers, plays, actors and actresses, writers and directors, costumes, scripts, rehearsals, playbills, stagehands, and so much more. This adorable board book captivates young audiences as they tour one of the country's most electric and exciting destinations. In these colorful pages, readers receive a front-row ticket to the best of what Broadway has to offer. This book is part of the bestselling Good Night Our World series, which includes hundreds of titles exploring iconic locations and exciting themes.
The Light in the Piazza
by Craig Lucas Adam Guettel"The Light in the Piazza beautifully captures the eternal allure of Italy. . . . The story wraps itself around your heart."--Chicago Sun-Times"Guettel's music and lyrics take nothing from the razzle-dazzle bargain basement of feeling; they represent, instead, a genuine expense of spirit. . . . The Light in the Piazza doesn't want to make theatre-goers feel good; it wants to make them feel deeply."--The New Yorker"With Adam Guettel's gorgeous melodies, a compelling narrative hook from Craig Lucas, and moving themes about happiness and risk, there's no question that The Light in the Piazza is Broadway worthy."--Daily VarietyComposer Adam Guettel, best known for his Floyd Collins, has teamed with Prelude to a Kiss playwright Craig Lucas to create a passionate and soaring new musical based on Elizabeth Spencer's 1960 novella, which was first published as an entire issue of The New Yorker. It is the story of an American ingénue abroad, whose chance meeting of a charming young Italian in a Florentine piazza sets off a whirlwind romance--with an unsettling revelation. The Light in the Piazza opens on Broadway at the Lincoln Center Theater this spring after major productions already in Seattle and Chicago.Adam Guettel wrote music and lyrics for Floyd Collins, produced across the country and in London. His other works include Love's Fire, a collaboration with John Guare, and Saturn Returns, a concert at The Public Theater/New York Shakespeare Festival that was recorded by Nonesuch Records under the title Myths and Hymns.Craig Lucas won this year's Obie Award for Best American Play for Small Tragedy and the New York Film Critics Award for Best Screenplay for The Secret Lives of Dentists. His other plays include Reckless, Blue Window, Prelude to a Kiss, God's Heart, The Dying Gaul, Missing Persons, Stranger, and Singing Forest.
Shakespearean Echoes
by Jr Adam Hansen Kevin J. WetmoreShakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife. Shakespearean echoes appear in diverse genres and cultural forms, from pop music of the seventies through the writing of Toni Morrison, to the book and film of Let the Right One In. Chapters deal with digital Shakespeare, Shakespeare on the web, and the powerful echoes of Shakespeare to be found in such seemingly unrelated texts as the television program Lost, sports broadcasts, and Game of Thrones. Within those discussions certain Shakespearean texts (such as Othello or Romeo and Juliet) recur; likewise certain modes of popular culture (such as science fiction) reappear. The collection helps readers navigate the diversity of Shakespeare's legacy.
Odin Teatret: Theatre in a New Century
by Adam J. LedgerFocusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book offers a reassessment of Odin's actor training. Its community work and legacy are discussed and Barba's intercultural practice is viewed alongside two major Theatrum Mundi productions.
Sleep Deprivation Chamber
by Adrienne Kennedy Adam KennedyBased on an actual experience, Sleep Deprivation Chamber depicts the emotional devastation of police brutality and the criminal justice system on a highly educated, middle class black family.
Wonder in Shakespeare
by Adam Max CohenIn the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.
Mime Very Own Book
by Josh Poncemime" Perry Scott Allen Perry Eric Curtis Adam Mock Doug JonesA hilarious visual smorgasbord, this vibrant photo narrative offers a quiet, introspective look into life as a silent emoter. Replete with images of actor and mime artist Doug Jones shot against an array of artistic and real-world backdrops, this social commentary spoofs pop culture and fairy tale favorites. Witty photo parodies include Frank 'n mime, Marilyn Mime-roe, Mime-hammad Ali, Mime a Llama ding-dong, and Mimeageddon, as well as the "Once Upon a Mime" tales in which the big bad wolf gets bested in a series of mime encounters based on Little Red Miming Hood and the Three Little Pigs-poking fun at legendary personalities, characters, and moments while showcasing photographer Eric Curtis's trademark vision.
Second Chances: Shakespeare and Freud (The Anthony Hecht Lectures in the Humanities Series)
by Stephen Greenblatt Adam PhillipsA powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud In this fresh investigation, Stephen Greenblatt and Adam Phillips explore how the second chance has been an essential feature of the literary imagination and a promise so central to our existence that we try to reproduce it again and again. Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter. Both Shakespeare and Freud believed that we can narrate our life stories as tales of transformation, of momentous shifts, constrained by time and place but often still possible. Ranging from The Comedy of Errors to The Winter&’s Tale, and from D. W. Winnicott to Marcel Proust, the authors challenge readers to imagine how, as Phillips writes, &“it is the mending that matters.&”
The Black Drum
by Adam PottleHailed as the world’s first Deaf musical—told entirely in American Sign Language and Signed Music—The Black Drum revolves around Joan and her journey to healing after the death of her wife, Karen. Since Karen’s passing, Joan has been unable to share her music with the world, anguish snatching her desire to perform. Joan’s grief pulls her into a bizarre, black-and-white world where her two beautiful tattoos come to life as guides and together they confront a monster called the Minister. But the only way to defeat the Minister and begin to heal is for Joan to embrace her own voice.An epic fantasy about grief and healing, The Black Drum questions the concept of music we are conditioned to believe, suggesting that music is not just something you hear, it is something you see and feel.
The Celtic Revival in Shakespeare’s Wake
by Adam PutzThis book reconsiders the Celtic Revival by examining appropriations of Shakespeare, using close readings of works by Arnold, Dowden, Yeats and Joyce to reveal the pernicious manner in which the discourse of Anglo-Irish cultural politics informed the critical paradigms that mediated the reading of Shakespeare in Ireland for a generation.