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Martin pens a warm, funny, and intimate diary of her voyage into the world of therapy, which she calls the strangest journey of my life. Martin's fantastic journey of self-awareness is heartbreaking and hilarious--Julie Klam, author of "Please Excuse My Daughter. "
At the top of her form and topping the charts, Rosemary Clooney looks back at a life of triumph and tragedy more dramatic than any work of fiction. Rosemary Clooney made her first public appearance at the age of three, on the stage of the Russell Theater in her hometown of Maysville, Kentucky, singing, "When Your Hair Has Turned to Silver," an odd but perhaps prophetic choice for one so young. She has been singing ever since: on local radio; with Tony Pastor's orchestra; in big-box-office Hollywood films; at the Hollywood Bowl, the London Palladium, and Carnegie Hall ; on her own television series; and at venues large and small across the country and around the world. The list of Clooney's friends and intimates reads like a who's who of show business royalty: Bing Crosby, Frank Sinatra, Marlene Dietrich, Tony Bennett, Janet Leigh, Humphrey Bogart, and Billie Holiday, to name just a few. She's known enormous professional triumphs and deep personal tragedies. At the age of twenty-five, Clooney married the erudite and respected actor Jose Ferrer, sixteen years her senior and light-years more sophisticated. Trouble started almost immediately when, on her honeymoon, she discovered that he had already been unfaithful. Finally, after having five children while she almost single-handedly supported the entire family and endured Ferrer's numerous, unrepentant infidelities, she filed for divorce. From there her life spiraled downward into depression, addiction to various prescription drugs, and then, in 1968, a breakdown and hospitalization. After years spent fighting her way back to the top, Clooney is married to one of her first and long-lost loves- a true fairy tale with a happy ending. She's been nominated for four Grammys in six years and has two albums at the top of theBillboardcharts. In the words of one of Stephen Sondheim's Follies showgirls, she could well be singing, triumphantly, "I'm still here!"
A plucky "titian-haired" sleuth solved her first mystery in 1930. Eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women's libbers) to enter the pantheon of American girlhood. As beloved by girls today as she was by their grandmothers, Nancy Drew has both inspired and reflected the changes in her readers' lives. Here, in a narrative with all the vivid energy and page-turning pace of Nancy's adventures, Melanie Rehak solves an enduring literary mystery: Who created Nancy Drew? And how did she go from pulp heroine to icon? The brainchild of children's book mogul Edward Stratemeyer, Nancy was brought to life by two women: Mildred Wirt Benson, a pioneering journalist from Iowa, and Harriet Stratemeyer Adams, a well-bred wife and mother who took over as CEO after her father died. In this century-spanning story, Rehak traces their roles-and Nancy's-in forging the modern American woman.
This volume reveals that the many mysteries solved by Nancy Drew, the brainchild of children story mogul Edward Stratemeyer, were written by two women who published under the pseudonym Carolyn Keene. Working from correspondence, articles, and other archival materials, Rehak recreates the lives and careers of Stratemeyer, his daughter Harriet, and writer Mildred Wirt Benson, in an engaging book that grown Nancy Drew fans will enjoy. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
A young British woman-broke and out of luck-does battle with Manhattan's underworld of dancers, drugs, and the sex industry Ruth Fowler is a twenty-five-year-old Brit with a Cambridge degree and a middle-class background who arrives in New York City with dreams of becoming a journalist. But getting a work visa in post-9/11 America proves to be tricky. It doesn't take long for funds and incentive to run out-sending Fowler to the heart of Manhattan's dark underbelly of strip clubs and the sex trade, where as her alter ego "Mimi" she works as a dancer for more than two years. Both raw and shocking, Girl, Undressed tells the harrowing story of her descent into darkness, the young and wealthy Eton-educated Englishman with whom she perilously falls in love, and her revelatory journey back to herself. .
In this side-splitting memoir, the former Saturday Night Live star recounts the hilarious adventures and unexpected joy of dating and becoming a mother when she least expected it-at the age of forty-four. Anyone who saw an episode of Saturday Night Live between 1999 and 2006 knows Rachel Dratch. She was hilarious! So what happened to her? After a misbegotten part as Jenna on the pilot of 30 Rock, Dratch was only getting offered roles as "Lesbians. Secretaries. Sometimes secretaries who are lesbians. " Her career at a low point, Dratch suddenly had time for yoga, dog- sitting, learning Spanish-and dating. After all, what did a forty- something single woman living in New York have to lose? Resigned to childlessness but still hoping for romance, Dratch was out for drinks with a friend when she met John. Handsome and funny, after only six months of dating long-distance, he became the inadvertent father of her wholly unplanned, undreamed-of child, and moved to New York to be a dad. With riotous humor, Dratch recounts breaking the news to her bewildered parents, the awe of her single friends, and the awkwardness of a baby-care class where the instructor kept tossing out the f-word. Filled with great behind-the-scenes anecdotes from Dratch's time on SNL, Girl Walks into a Bar. . . is a refreshing version of the "happily ever after" story that proves female comics-like bestsellers Tina Fey and Chelsea Handler-are truly having their moment. .
From the glittering skyscrapers of Manhattan's media elite to the slacker haven of a fashionably low-rent L.A. bar, Strawberry Saroyan traces her journey from girl- to womanhood, as well as from fantasy to reality. A powerful and profoundly postmodern coming-of-age story, with a voice reminiscent of Liz Phair's one moment and Mary McCarthy's the next, Girl Walks into a Bar explores Saroyan's struggle not only with who she is and who she wants to be but also with who she is in the context of what she's supposed to embody: the iconic, media-promulgated "girl," a twenty-first-century version of Audrey Hepburn standing outside Tiffany's looking at diamonds.
From the book: "I guess we'll have to cancel today's lunch," I tell my father-in-law. "We'd better call the guys." My father-in-law, Moe Turner, looks at me, incredulous. "Why in hell would we do that?" he demands, his west Arkansas accent even sharper than usual. Why in hell would we do that? It is, after all, the morning of September 11, 2001, and as I stand there in my in-laws' sunny living room in Monterey, California, the TV across the room is once again showing the slow-motion collapse of the World Trade Center. "Listen, Moe, I really don't think anyone will feel like coming over." "Sure, they will," he snaps. "We gotta talk about it, don't we?" It's not that I can't see Moe's point. He and the others due here today are part of a luncheon club, informally known as the Girl Watchers, that has been meeting for nearly four decades. Ranging in age from the late seventies to mid-eighties, these men have literally grown old together, and around one another, nothing is off limits. If-make that when-they say things that would leave today's politically correct aghast, no one even seems to notice. The talk ranges free and uncensored, from their thoroughly enjoyable (if frequently misspent) boyhoods to the war-no one has to ask which one-to the annoying particulars of aging and their own impending demise.
For nearly four decades, the Girl Watchers, a group of World War II veterans living in Monterey, California, have gotten together every week to shoot the breeze, solving the world's problems and their own. Now in their late seventies and eighties, the Girl Watchers remain fiercely independent-minded and highly principled. Yet as seriously as they've always taken life's challenges, these men have never taken themselves too seriously. The Girl Watchers' wry wisdom is born of collective experience unique to their generation. Growing up in a far more innocent America, they came of age during the Depression, and by their twenties had helped save the world from tyranny. The lessons they learned in those years -- about human resilience, honest effort, and commitment to ideals larger than oneself -- have continued to serve them, and the country, admirably ever since. In the postwar era they became the first in their families to go to college; then, in a new age in which brains, know-how, and perseverance trumped family connections, they helped create a time of unprecedented prosperity. Finally, in mid life, they weathered perhaps their greatest challenge of all: parenthood in the sixties. Now, as they approach the end, they confront mortality and loss with their typical humor and frankness. The Girl Watchers take nothing for granted, knowing that personal fulfillment, like success, is earned incrementally; and that as there are principles worth dying for, so there are others without which life will always be empty. In a cynical age of endless pop psychologizing and a constant search for contentment in the next new thing, their moral clarity and relentless optimism are nothing short of invigorating. What these men have to teach us has never been more important: that honor is not so much an abstraction as a life plan.
Award-winning filmmaker and writer Sophia Al-Maria's The Girl Who Fell to Earth is a funny and wry coming-of-age memoir about growing up in between American and Gulf Arab cultures. With poignancy and humor, Al-Maria shares the struggles of being raised by an American mother and Bedouin father while shuttling between homes in the Pacific Northwest and the Middle East. Part family saga and part personal quest, The Girl Who Fell to Earth traces Al-Maria's journey to make a place for herself in two different worlds.
Anthony J. LaRette Jr. , had been on a ten-year-long path of violence, murder, and rape. Eighteen-year-old Mickey Fleming had recently graduated high school and had stayed home from her summer job to nurse a migraine headache and a fractured collarbone. THE GIRL WHO HAD NO ENEMIES follows the parallel trajectories of these polar opposites until they meet and then chronicles the emotional damage and rebirth in the aftermath. This book is a rewrite and was formerly titled "She Had No Enemies" (available in Kindle version). This current edition includes a substantial amount of background information on serial killer Anthony J. LaRette Jr. and many of his victims. Also included is more information on the author's sister's activities during the days leading to her death. The story is based on the author's best efforts to remember personal experiences. Information on some people, conversations, and events was gathered from court documents, interviews, research, journals, press accounts, and the memories of friends and acquaintances. Every effort was made to represent events and circumstances as they happened. To protect the identity of some individuals, such as witnesses, their names and identifying characteristics have been changed. No person or event has been fabricated or condensed. THE GIRL WHO HAD NO ENEMIES revisits every aspect of the tragedy, not only by taking the reader to the scene of the crime in visceral detail but by uncovering layers of revelations in a tense and absorbing way. We are allowed access to all of the writer's secret spaces and disillusionment and share with him a profound awareness of the human condition when he witnesses the execution of his sister's killer and finds a way to write about the love he and his Mickey shared. Though the story begins with a horrible murder, it is not a typical work in the true-crime genre. The book's structure lays out, in sound-bite fashion, the killer's life of repeated hospitalization in mental health facilities and incarcerations in penal institutions. LaRette's story is interjected with increasing frequency into the loving relationship between young Mickey Fleming and her older brother until the murderer's ten-year rampage ends with Mickey, his final victim. For nine years, LaRette sat uncooperative on death row at the Missouri State Correctional Center in Potosi, Missouri, until he was introduced to a young detective, Patricia Juhl, from the Pinellas County Sheriff's Department in Florida. After that first meeting, the killer promised to cooperate on other murders and rapes in which he was implicated, but he insisted on being interviewed by Juhl - and no one else. So began a six-year odyssey as Juhl made numerous trips from Florida to Missouri in order to interview LaRette, who would dole out tantalizing murder details-a test to see if Juhl would verify their accuracy-before giving her the rest of the information she needed to solve the case. The investigation eventually led to LaRette's confession to over two dozen rapes in eleven states. In this heart-rending work of nonfiction, a sharp depiction of personal emotional loss, Fleming has crafted a work memorable in its brutal exploration of the author's own odyssey to emerge psychologically anew out of the emotional wilderness created by his sister's murder. The author paints an image of Mickey so vivid that readers feel her powerful influence on a big brother who obsessed on the loss of this special sister to the point of his eventual discovery of his own true direction in life. The book's theme of turning tragedy into personal growth is uplifting.
"She took from me the belief that absolute evil exists in this world, and the belief that I was avenging it and fighting against it. For that girl, I embodied absolute evil ... Since then I have been left without my Holocaust, and since then everything in my life has assumed a new meaning: belongingness is blurred, pride is lacking, belief is faltering, contrition is heightening, forgiveness is being born." The Girl Who Stole My Holocaust is the deeply moving memoir of Chayut's journey from eager Zionist conscript on the front line of Operation Defensive Shield to leading campaigner against the Israeli occupation. As he attempts to make sense of his own life as well as his place within the wider conflict around him, he slowly starts to question his soldier's calling, Israel's justifications for invasion, and the ever-present problem of historical victimhood. Noam Chayut's exploration of a young soldier's life is one of the most compelling memoirs to emerge from Israel for a long time.
Bronia helped her family survive during the occupation of Poland by smuggling goods to trade for food. Then Bronia and her sisters were deported to Auschwitz II-Birkenau concentration camp. With courage and the help of strangers, Bronia became one of the youngest survivors.
Even a short list of Bette Davis's most famous films --Of Human Bondage; Jezebel; Dark Victory; The Private Lives of Elizabeth and Essex; Now, Voyager; All About Eve; What Ever Happened to Baby Jane?-- reveals instantly what a major force she was in Hollywood. Her distinctive voice, her remarkable eyes, her astonishing range and depth of characterization -- all these qualities combined to make Bette Davis one of the finest performers in film history. Drawing on extensive conversations with Bette Davis during the last decade of her life, Charlotte Chandler gives us a biography in which the great actress speaks for herself. (It was she who suggested that Chandler write this book. ) Chandler also spoke with directors, actors, and others who knew and worked with Davis. As a result Davis comes to life in these pages -- a dynamic, forceful presence once again, just as she was on the screen. Though she owed everything to her mother, Ruthie, Bette Davis remained fascinated all her life by her hard-to-please father, who walked out on his family. She remembered the disappointment -- which never left -- over her father's lack of interest in her, and she believed that her resentment of him was probably a major factor in her four failed marriages: she kept putting her men in a position where they would eventually disappoint her. She spoke happily of her love affairs with Howard Hughes and William Wyler; she recalled her leading men, favorite co-stars, and unloved rivals; and she took great care to refute the persistent Hollywood legend that she was difficult to work with. Alone and ill, she faced her last days with bravery and dignity. The Girl Who Walked Home Aloneis a brilliant portrait of an enduring icon from Hollywood's golden age and an unforgettable biography of the real woman behind the star.
Even a short list of Bette Davis's most famous films --Of Human Bondage; Jezebel; Dark Victory; The Private Lives of Elizabeth and Essex; Now, Voyager; All About Eve; What Ever Happened to Baby Jane?-- reveals instantly what a major force she was in Hollywood. Her distinctive voice, her remarkable eyes, her astonishing range and depth of characterization -- all these qualities combined to make Bette Davis one of the finest performers in film history. Drawing on extensive conversations with Bette Davis during the last decade of her life, Charlotte Chandler gives us a biography in which the great actress speaks for herself. (It was she who suggested that Chandler write this book. ) Chandler also spoke with directors, actors, and others who knew and worked with Davis. As a result Davis comes to life in these pages -- a dynamic, forceful presence once again, just as she was on the screen. Though she owed everything to her mother, Ruthie, Bette Davis remained fascinated all her life by her hard-to-please father, who walked out on his family. She remembered the disappointment -- which never left -- over her father's lack of interest in her, and she believed that her resentment of him was probably a major factor in her four failed marriages: she kept putting her men in a position where they would eventually disappoint her. She spoke happily of her love affairs with Howard Hughes and William Wyler; she recalled her leading men, favorite co-stars, and unloved rivals; and she took great care to refute the persistent Hollywood legend that she was difficult to work with. Alone and ill, she faced her last days with bravery and dignity. The Girl Who Walked Home Alone is a brilliant portrait of an enduring icon from Hollywood's golden age and an unforgettable biography of the real woman behind the star.
Being a Girl with Glasses isn't just a style choice; it's a way of life. If you've ever had your specs steam up when walking into a bar, squinted into the sun on the soccer field, or laid eyes on a new haircut only after your locks are strewn across the floor, you know what it's like to be a GWG. Marissa Walsh has worn glasses since third grade. Now -- ten pairs of glasses, one pair of prescription sunglasses, and endless pairs of contacts later -- she has fully embraced her four-eyed fate. As she recounts her optic history through the lenses of each pair of glasses -- from the Sergio Valentes and the Sally Jessy Raphaels to the pseudo John Lennons and the dreaded health plan specs -- at last she found them . . . the perfect pair. Marissa's comic look at a life behind glass is at once a poignant personal journey and a wry, canny exploration of just what it means to be a glasses-wearing kind of girl. Peppered with pop culture references and complete with appendixes of resources, classic GWG moments, and helpful tips on finding the right frames for your face, Girl with Glasses will give you reason to commiserate with your shortsighted sisters and celebrate your less-than-perfect vision.
The poignant story of a girl who overcomes unique hardship and deprivation--growing up with a troop of capuchin monkeys--to find ultimate redemptionIn 1954, in a remote mountain village in South America, a little girl was abducted. She was four years old. Marina Chapman was stolen from her housing estate and then abandoned deep in the Colombian jungle. That she survived is a miracle. Two days later, half-drugged, terrified, and starving, she came upon a troop of capuchin monkeys. Acting entirely on instinct, she tried to do what they did: she ate what they ate and copied their actions, and little by little, learned to fend for herself.So begins the story of her five years among the monkeys, during which time she gradually became feral; she lost the ability to speak, lost all inhibition, lost any real sense of being human, replacing the structure of human society with the social mores of her new simian family. But society was eventually to reclaim her. At age ten, she was discovered by a pair of hunters who took her to the lawless Colombian city of Cucuta where, in exchange for a parrot, they sold her to a brothel. When she learned that she was to be groomed for prostitution, she made her plans to escape. But her adventure wasn't over yet . . .In the vein of Slumdog Millionaire and City of God, this rousing story of a lost child who overcomes the dangers of the wild and the brutality of the streets to finally reclaim her life will astonish readers everywhere.
The riveting account of a girl who was abandoned in the jungle and lived among monkeys.In the early 1950s, in a remote mountain village in South America, a small girl was abducted then abandoned deep in the Colombian jungle. For approximately the next five years she lived with a troop of capuchin monkeys and gradually became feral. Taken from the jungle by a pair of hunters, she was sold as a slave to a couple who beat and tortured her, and then spent several years as a street child before being taken in by a family of criminals. Finally, a sympathetic neighbour arranged for her to go live with her daughter in safety in Bogota. This is a unique and inspiring story of abandonment, despair, and eventual happiness.
This is the true story of a seven-year-old girl's courage and resolve amidst the carnage of the battle for Okinawa.
Casey has been in the post for six months when thirteen-year-old Imogen joins her class. One of six children Casey is teaching, Imogen has selective mutism. She's a bright girl, but her speech problems have been making mainstream lessons difficult. Life at home is also hard for Imogen. Her mum walked out on her a few years earlier and she's never got along with her dad's new girlfriend. She's now living with her grandparents. There's no physical explanation for Imogen's condition, and her family insist she's never had troubles like this before. Everyone thinks Imogen is just playing up - except the member of staff closest to her, her teacher Casey Watson. It is the deadpan expression she constantly has on her face that is most disturbing to Casey. Determined there must be more to it, Casey starts digging and it's not long before she starts to discover a very different side to Imogen's character. A visit to her grandparents' reveals that Imogen is anything but silent at home. In fact she's prone to violent outbursts; her elderly grandparents are terrified of her. Eventually Casey's hard work starts to pay off. After months of silence, Imogen utters her first, terrified, words to Casey: -I thought she was going to burn me. ' Dark, shocking and deeply disturbing, Casey begins to uncover the reality of what Imogen has been subjected to for years.
Just two hours ago, I had been heating up some lentil soup at my mom's in Brooklyn, thinking I'd eat it and maybe read some Edith Wharton before bed. Now here I was at a runaway shelter, staring at a nun's mustache and wondering where I was going to spend the rest of my adolescence.
In October 2007, Nona and Emma embarked on a cross-country road trip, meeting with nearly 200 women from different walks of life to discuss their thoughts and feelings about feminism.
The instant New York Times bestseller, now in paperback: a moving tribute to female friendships, with the inspiring story of eleven girls and the ten women they became, from the coauthor of the million-copy bestseller The Last Lecture <P> As children, they formed a special bond, growing up in the small town of Ames, Iowa. As young women, they moved to eighth different states, yet they managed to maintain an extraordinary friendship that would carry them through college and careers, marriage and motherhood, dating and divorce, the death of a child, and the mysterious death of the eleventh member of their group. Capturing their remarkable story, The Girls from Ames is a testament to the enduring, deep bonds of women as they experience life's challenges, and the power of friendship to overcome even the most daunting odds. <P> The girls, now in their forties, have a lifetime of memories in common, some evocative of their generation and some that will resonate with any woman who has ever had a friend. The Girls from Ames demonstrates how close female relationships can shape every aspect of women's lives-their sense of themselves, their choice of men, their need for validation, their relationships with their mothers, their dreams for their daughters-and reveals how such friendships thrive, rewarding those who have committed to them. With both universal events and deeply personal moments, it's a book that every woman will relate to and be inspired by.
From the co-author of the bestselling "The Last Lecture" comes a moving tribute to female friendships, with the inspiring story of 11 girls and the women they became.
At twenty-three, Wendy Shalit punctured conventional wisdom withA Return to Modesty, arguing that our hope for true lasting love is not a problem to be fixed but rather a wonderful instinct that forms the basis for civilization. Now, inGirls Gone Mild, the brilliantly outspoken author investigates an emerging new movement. Despite nearly-naked teen models posing seductively to sell us practically everything, and the proliferation of homemade sex tapes as star-making vehicles, a youth-led rebellion is already changing course. In Seattle and Pittsburgh, teenage girls protest against companies that sell sleazy clothing. Online, a nineteen-year-old describes her struggles with her mother, who she feels is pressuring her to lose her virginity. In a small town outside Philadelphia, an eleventh-grade girl, upset over a "dirty book" read aloud in English class, takes her case to the school board. These are not your mother's rebels. In an age where pornography is mainstream, teen clothing seems stripper-patented, and "experts" recommend that we learn to be emotionally detached about sex, a key (and callously) targeted audience-girls-is fed up. Drawing on numerous studies and interviews, Shalit makes the case that today's virulent "bad girl" mindset most truly oppresses young women. Nowadays, as even the youngest teenage girls feel the pressure to become cold sex sirens, put their bodies on public display, and suppress their feelings in order to feel accepted and (temporarily) loved, many young women are realizing that "friends with benefits" are often anything but. And as these girls speak for themselves, we see that what is expected of them turns out to be very different from what is in their own hearts. Shalit reveals how the media, one's peers, and even parents can undermine girls' quests for their authentic selves, details the problems of sex without intimacy, and explains what it means to break from the herd mentality and choose integrity over popularity. Written with sincerity and upbeat humor,Girls Gone Mildrescues the good girl from the realm of mythology and old manners guides to show that today's version is the real rebel: She is not "people pleasing" or repressed; she is simply reclaiming her individuality. These empowering stories are sure to be an inspiration to teenagers and parents alike. Reviews: "Here we are, decades after the feminist revolution, and yet crude self-display -- of a kind that makes the daring of the 1960s seem quaint -- is considered something that a "normal" college girl might eagerly choose to do for a stranger with a camera and a release form. What is going on? "We continually malign the good girl as 'repressed,'" notes Wendy Shalit, "while the bad girl is (wrongly) perceived as intrinsically expressing her individuality and somehow proving her sexuality. "Wall Street Journal, reviewed by Pia Catton "What makes the [Girls Gone Mild] movement unique, according to Shalit, is that it's the adults who are often pushing sexual boundaries, and the kids who are slamming on the brakes. "Well-meaning experts and parents say that they understand kids' wanting to be 'bad' instead of 'good'," she writes in her book. "Yet this reversal of adults' expectations is often experienced not as a gift of freedom but a new kind of oppression. " Which just may prove that rebelling against Mom and Dad is one trend that will never go out of style. "Newsweek, reviewed by Jennie Yabroff "The culture has not yet carved out a space for women to indulge their own fantasies rather than to fulfill those of men. Feminism has not finished its job; a version of nonmushy, nonmarital s