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Tearing the World Apart: Bob Dylan and the Twenty-First Century (American Made Music Series)
by Nina Goss and Eric HoffmanContributions by Alberto Brodesco, James Cody, Andrea Cossu, Anne Margaret Daniel, Jesper Doolard, Nina Goss, Jonathan Hodgers, Jamie Lorentzen, Fahri Öz, Nick Smart, and Thad Williamson Bob Dylan is many things to many people. Folk prodigy. Rock poet. Quiet gentleman. Dionysian impresario. Cotton Mather. Stage hog. Each of these Dylan creations comes with its own accessories, including a costume, a hairstyle, a voice, a lyrical register, a metaphysics, an audience, and a library of commentary. Each Bob Dylan joins a collective cast that has made up his persona for over fifty years. No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contrary—a tireless and enterprising antiquarian; a creator of singular texts and sounds through promiscuous poaching; an artist of innovation and uncanny renewal. This is a Dylan of persistent surrender from and engagement with a world he perceives as broken and enduring, addressing us from a past that is lost and yet forever present. Tearing the World Apart participates in the creation of the postmillennial Bob Dylan by exploring three central records of the twenty-first century—“Love and Theft” (2001), Modern Times (2006), and Tempest (2012)—along with the 2003 film Masked and Anonymous, which Dylan helped write and in which he appears as an actor and musical performer. The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience. The essays in Tearing the World Apart illuminate, as a prism might, their intransigent subject from enticing and intersecting angles.
Tenney Shares the Stage: Tenney Grant, Book 3) (Tenney Grant #3)
by Kellen HertzTenney & Logan are a harmonious match onstage, but behind the scenes, they are totally out of tune. In this third novel, Tenney has signed a recording contract and is ready to make the album of her dreams . . . she just wishes she didn't have to do it with moody Logan Everett! They're supposed to be songwriting partners, but Logan doesn't even seem to be trying. Just when it looks like they've found their harmony, Logan suddenly disappears, and Tenney wonders if he has bailed on their act. A couple of months ago, Tenney would have gladly taken the opportunity to go solo. But as she learns more of Logan's story, she begins to wonder: Do she and Logan need each other--and their music--now more than ever before?
The Beatles
by Manolo Bellon BenkendoerferLas mejores historias de The Beatles. El gran experto en The Beatles tiene nombre propio: Manolo Bellón. En el 2002 Bellón publicó este libro, que recoge una de las historias más completas sobre este cuarteto que se hayan escrito antes en cualquier idioma. Ahora, cuando se cumplen los 51 años del último concierto que dieron The Beatles (29 de agosto de 1966), Manolo vuelve sobre las líneas escritas y presenta una edición totalmente revisada, corregida y sobre todo aumentada: cada detalle, presentación, problema, canción o dato relevante de Lennon y sus amigos se recoge en este libro. Además, cuenta con una completísima discografía que va hasta el año 2016, pues la disquera dueña de los derechos musicales del grupo ha hecho un sin número de remasterizaciones, que son recogidas en detalle por Manolo Bellón, el gran beatlemano lationamericano.
Theatre Aurality
by Lynne KendrickThis book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.
Theorizing Sound Writing
by Deborah KapchanThe study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also in compassionate scholarship.
They Can't Kill Us Until They Kill Us: Essays
by Hanif Abdurraqib<p>In an age of confusion, fear, and loss, Hanif Willis-Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. <p>In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Willis-Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. <p>In essays that have been published by the New York Times, MTV, and Pitchfork, among others―along with original, previously unreleased essays―Willis-Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.</p>
This Beats Perfect (This Beats Perfect #1)
by Rebecca Denton'This Beats Perfect is a fabulous celebration of music, friendship, and following your dreams' Katherine Webber, author of Wing JonesAmelie Ayres has impeccable taste in music. Bowie. Bush. Bob. So when she finds herself backstage at The Keep's only UK gig she expects to hate it; after all they are the world's most tragic band. In fact she feels a grudging respect - not (obviously) for their music, but for the work that goes in to making them megastars. And when lead singer, 'Maxx', is not dressed up as a cross between Elvis and a My Little Pony, he is actually rather normal, talented and has creative struggles not too dissimilar to her own. But the next morning she wakes up and rolls over to discover a million new @'s on social media. Overnight, a photo of her at the gig has made her a subject of global speculation. Suddenly the world needs to know #Who'sThatGirl? - but for all the wrong reasons.All Amelie wants is to play her music. She's got the guitar, the songs, the soul and, in the safety of her bedroom, she's got the voice. But when it comes to getting up on stage, she struggles with self-doubt.Immaculate's a concept. Flawless is fake. But just sometimes music - and hearts - can rock a perfect beat.'A witty exploration into the world of celebrity' The Sun
This Day in Rap and Hip-Hop History
by Chuck DForeword by Shepard Fairey.As featured in Best stocking-filler books of 2017 - The GuardianIf you want to understand our culture. To learn knowledge itself. Truth about the art form of poetry in motion. The struggle of our community through rhyme and rhythm. This is the book that inspired me long before I found my place in hip-hop. The power of self-expression. Unapologetically. Taught by the teacher himself. Chuck D!!!Kendrick LamarThis book is required reading for those who claim to know hip-hop, love hip-hop, and want their information from a true Master and General of the hip-hop culture...Public Enemy #1, Chuck D!Ice-TChuck D wasn't put here to play any games. He created the greatest hip-hop album in my opinion to date, It Takes a Nation of Millions to Hold Us Back. But the very first minute he sonically appeared to us, I knew rap was changed forever. Power, awareness, strength, and militancy is his stance in a world obsessed with punishing poor people. I knew he would righteously and boldly die so that a little young boy he didn't even know from Queensbridge could live. He attacked wickedness head-on being the rappin' rhino terror that he is. He represented for all of us putting his life on the line and making the right music fighting for hip hop, the youth, truth, and justice. Chuck D made the lane for people like me to walk.NasReading this book is like reliving my life all over again. Chuck D is Dope!!!LL Cool JIn the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip-hop and rap have become a billion-pound worldwide cultural phenomenon that reaches well beyond music, into fashion, movies, art and politics. Yet there is no definitive history of the genre - until now.This massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's verse on "Control." Also included are key events in hip-hop history, from Grandmaster Flash's first scratch through to Tupac's holographicappearance at Coachella.Throughout the book, Chuck offers an insider's perspective on the chart toppers, artists and key moments. Illustrating the pages are more than 150 portraits from mADurgency, an artist collective specialising in art and design for the hip-hop community.
This Life I Live: One Man's Extraordinary, Ordinary Life and the Woman Who Changed It Forever
by Rory Feek**NEW YORK TIMES BESTSELLER**Her story. His story. The love story of Joey and Rory.By inviting so many into the final months of Joey&’s life as she battled cancer, Joey and Rory Feek captured hearts around the world with how they handled the diagnosis; the inspiring, simple way they chose to live; and how they loved each other every step of the way. But there is far more to the story.&“My life is very ordinary,&” says Rory. &“On the surface, it is not very special. If you looked at it, day to day, it wouldn&’t seem like much. But when you look at it in a bigger context—as part of a larger story—you start to see the magic that is on the pages of the book that is my life. And the more you look, the more you see. Or, at least, I do.&”In this vulnerable book, he takes us for the first time into his own challenging life story and what it was like growing up in rural America with little money and even less family stability.This is the story of a man searching for meaning and security in a world that offered neither. And it&’s the story of a man who finally gives it all to a power higher than himself and soon meets a young woman who will change his heart forever.In This Life I Live, Rory Feek helps us not only to connect more fully to his and Joey&’s story but also to our own journeys. He shows what can happen when we are fully open in life&’s key moments, whether when meeting our life companion or tackling an unexpected tragedy. He also gives never-before-revealed details on their life together and what he calls &“the long goodbye,&” the blessing of being able to know that life is going to end and taking advantage of it. Rory shows how we are all actually there already and how we can learn to live that way every day.A gifted man from nowhere and everywhere in search of something to believe in. A young woman from the Midwest with an angelic voice and deep roots that just needed a place to be planted. This is their story. Two hearts that found each other and touched millions of other hearts along the way.
Thomas Adès: Asyla (Landmarks in Music Since 1950)
by Edward VennThomas Adès (b. 1971) is an established international figure, both as composer and performer, with popular and critical acclaim and admiration from around the world. Edward Venn examines in depth one of Adès’s most significant works so far, his orchestral Asyla (1997). Its blend of virtuosic orchestral writing, allusions to various idioms, including rave music, and a musical rhetoric encompassing both high modernism and lush romanticism is always compelling and utterly representative of Adès’s distinctive compositional voice. The reception of Asyla since its premiere in 1997 by Sir Simon Rattle and the City of Birmingham Symphony Orchestra (CBSO) has been staggering. Instantly hailed as a classic, Asyla won the 1997 Royal Philharmonic Society Award for Large-Scale Composition. An internationally acclaimed recording made of the work was nominated for the 1999 Mercury Music Prize, and in 2000, Adès became the youngest composer (and only the third British composer) to win the Grawemeyer prize, for Asyla. Asyla is fast becoming a repertory item, rapidly gaining over one hundred performances: a rare distinction for a contemporary work.
TIME-LIFE Rock & Roll: The Stories Behind the Songs
by The Editors of TIME-LIFEFrom iconic love songs and odes to domestic bliss, to bloodcurdling screams and provocative performances, TIME-LIFE presents a history of rock and roll, and the stories behind the songs.
Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents
by Hiromu NagaharaEmerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society.
Toscanini
by Harvey SachsIt may be difficult to imagine today, but Arturo Toscanini--recognized widely as the most celebrated conductor of the twentieth century--was once one of the most famous people in the world. Like Einstein in science or Picasso in art, Toscanini (1867-1957) transcended his own field, becoming a figure of such renown that it was often impossible not to see some mention of the maestro in the daily headlines. Acclaimed music historian Harvey Sachs has long been fascinated with Toscanini's extraordinary story. Drawn not only to his illustrious sixty-eight-year career but also to his countless expressions of political courage in an age of tyrants, and to a private existence torn between love of family and erotic restlessness, Sachs produced a biography of Toscanini in 1978. Yet as archives continued to open and Sachs was able to interview an ever-expanding list of relatives and associates, he came to realize that this remarkable life demanded a completely new work, and the result is Toscanini--an utterly absorbing story of a man who was incapable of separating his spectacular career from the call of his conscience. Famed for his fierce dedication but also for his explosive temper, Toscanini conducted the world premieres of many Italian operas, including Pagliacci, La Boheme, and Turandot, as well as the Italian premieres of works by Wagner, Brahms, Tchaikovsky, and Debussy. In time, as Sachs chronicles, he would dominate not only La Scala in his native Italy but also the Metropolitan Opera, the New York Philharmonic, and the NBC Symphony Orchestra. He also collaborated with dozens of star singers, among them Enrico Caruso and Feodor Chaliapin, as well as the great sopranos Rosina Storchio, Geraldine Farrar, and Lotte Lehmann, with whom he had affairs. While this consuming passion constantly blurred the distinction between professional and personal, it did forge within him a steadfast opposition to totalitarianism and a personal bravery that would make him a model for artists of conscience. As early as 1922, Toscanini refused to allow his La Scala orchestra to play the Fascist anthem, "Giovinezza," even when threatened by Mussolini's goons. And when tens of thousands of desperate Jewish refugees poured into Palestine in the late 1930s, he journeyed there at his own expense to establish an orchestra comprised of refugee musicians, and his travels were followed like that of a king. Thanks to unprecedented access to family archives, Toscanini becomes not only the definitive biography of the conductor, but a work that soars in its exploration of musical genius and moral conscience, taking its place among the great musical biographies of our time.
Towards a Harmonic Grammar of Grieg's Late Piano Music: Nature and Nationalism (Royal Musical Association Monographs)
by Benedict TaylorThe music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life. Grieg was enchanted by what he styled the ’dreamworld’ of harmony, a magical realm whose principles the composer felt remained a mystery even to himself, and he was not alone, in that the complex nature of late-Romantic harmony around 1900 has proved a keen source of debate up to the present day. Grieg’s music forms a particularly profitable repertoire for focusing current debates about the nature of tonality and tonal harmony. Departing from earlier approaches, this study is not simply an inventory of Griegian harmonic traits but seeks rather to ascertain the deeper principles at work governing their meaningful conjunction, how elements of Grieg’s harmonic grammar are utilised in creating an extended tonal syntax. Building both on historical theories and more recent developments, Benedict Taylor develops new models for understanding the complexity of late-Romantic tonal practice as epitomised in Grieg’s music. Such an investigation casts further valuable light on the twin issues of nature and nationalism long connected with the composer: the question of tonality as something natural or culturally constructed and larger historiographical claims concerning Grieg’s apparent position on the periphery of the Austro-German tradition.
The Tragic Fate of Moritz Toth (Peter Owen World Series Season 3: Serbia)
by Dana TodorovicA chain of unlikely events puts a violin back in the hands of ex-punk rocker and down-at-out Mortiz Toth. Tobias Keller—a Moral Issues Advisor and assistant to the Great Overseer—is under investigation for his role in the affair. To escape his certain fate, he will need to make a compelling case for the moral necessity of interfering in Moritz's life. Full of riddles and the Kafkaesque, Todorovic's debut novel is a charming and original tale of divine bureaucracy and the restorative power of Puccini. Part of the Peter Owen World Series: Serbia, in association with Istros Books.
Traveling Soul: The Life of Curtis Mayfield
by Todd Mayfield Travis AtriaCurtis Mayfield was one of the seminal vocalists and most talented guitarists of his era, and his music played a vital role in the civil rights movement: "People Get Ready" was the black anthem of the time. In Traveling Soul, Todd Mayfield tells his famously private father's story in riveting detail. Born into dire poverty, raised in the slums of Chicago, Curtis became a musical prodigy, not only singing like a dream but growing into a brilliant songwriter. In the 1960s he opened his own label and production company and worked with many other top artists, including the Staple Singers. Curtis's life was famously cut short by an accident that left him paralyzed, but in his declining health he received the long-awaited recognition of the music industry. Passionate, illuminating, vivid, and absorbing, Traveling Soul will doubtlessly take its place among the classics of music biography.
Treatise on Musical Objects: An Essay across Disciplines
by Pierre SchaefferThe Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.
Triptych: An Examination of the Manic Street Preachers Holy Bible
by Larissa Wodtke Rhian E. JonesThe UK alternative rock band, Manic Street Preachers, were and remain one of the most interesting, significant, and best-loved bands of the past thirty years. Their third album The Holy Bible (1994) is generally acknowledged to be their most enduring and fascinating work, and one of the most compelling and challenging records of the nineties. Triptych reconsiders The Holy Bible from three separate, intersecting angles, combining the personal with the political, history with memory, and popular accessibility with intellectual attention to the album's depth and complexity.
The Truth about Fania Fénelon and the Women's Orchestra of Auschwitz-Birkenau
by Susan EischeidThis book explores how the women's orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon's memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore investigates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women's history, and questions how we remember the Holocaust today.
The Turkish Psychedelic Explosion: Anadolu Psych 1965-1980
by Daniel SpicerThe long forgotten story of Turkish psychedelic music in the twentieth century, told in relation to the social, political and cultural climate of the time.In the mid-1960s, a new generation of young Turkish musicians combined Western pop music with traditional Anatolian folk to forge the home-grown phenomenon of Anadolu Pop. But that was just the beginning. Through the second half of that turbulent decade, Turkish rock warped and transformed, striking out into wilder and stranger territory – fuelled by the psychedelic revolution and played out over a backdrop of cultural, social and political turmoil. The Turkish Psychedelic Music Explosion tells the story of a musical movement that was brought to an end by a right-wing coup in 1980, largely forgotten and only recently being rediscovered by Western crate-diggers. It’s a tale of larger-than-life musical pioneers with raging political passions and visionary ideas ripe for rediscovery.
Uncommon People: The Rise and Fall of The Rock Stars
by David HepworthNamed one of the best music books of 2017 by The Wall Street JournalAn elegy to the age of the Rock Star, featuring Chuck Berry, Elvis, Madonna, Bowie, Prince, and more, uncommon people whose lives were transformed by rock and who, in turn, shaped our cultureRecklessness, thy name is rock.The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn’t stay the course.In Uncommon People, David Hepworth zeroes in on defining moments and turning points in the lives of forty rock stars from 1955 to 1995, taking us on a journey to burst a hundred myths and create a hundred more.As this tribe of uniquely motivated nobodies went about turning themselves into the ultimate somebodies, they also shaped us, our real lives and our fantasies. Uncommon People isn’t just their story. It’s ours as well.
Under My Thumb: Songs That Hate Women and the Women That Love Them
by Rhian Jones Eli Davies Tamar ShlaimDiscussions and analyses of music – whether on TV, in books or in the music press – have always been full of the stories of men. When female fans appear in these stories it is often through the eyes and from the perspectives of men – as muses, groupies or fangirls – meaning that women’s own experiences, ideas and arguments about the music they love are marginalised or glossed over. Women in music are frequently fetishised and objectified both in song lyrics and in real life, viewed purely in relation to men and through their impact on the male ego. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music – however that music may feel about them.Under My Thumb: The Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It will bring together stories from music writers and fans about artists or songs they love despite their questionable or troubling gender politics, as well as looking at how these issues intersect with race, class and sexuality.The collection explores the joys of loving music and the tensions, contradictions and complexities it can involve. It is intended to be as much celebration as critique - a kind of feminist guilty pleasures.
Under the Silver Moon: Lullabies, Night Songs & Poems
by Pamela DaltonCut-paper artist Pamela Dalton's magically intricate illustrations illuminate a generous collection of lullabies and goodnight poems. Recalling traditional favorites from childhood and embracing a wide range of sources and cultures, this timeless collection makes a lovely addition to any e-bookshelf or bedtime read-aloud ritual. Sure to enchant both children and their parents, Dalton's exquisite detail and sophisticated aesthetic—always informed by warmth and a deep humanity—will speak to anyone looking for the perfect book for a newborn.
Understanding the Music Business: Real World Insights
by Dick WeissmanIn today’s fast-moving music industry, what does it take to build a life-long career? Now more than ever, all those working in music need to be aware of many aspects of the business, and take control of their own careers. Understanding the Music Business offers students a concise yet comprehensive overview of the rapidly evolving music industry, rooted in real-world experiences. Anchored by a wealth of career profiles and case studies, this second edition has been updated throughout to include the most important contemporary developments, including the advent of streaming and the shift to a DIY paradigm. A new "Both Sides Now" feature helps readers understand differing opinions on key issues. Highly readable, Understanding the Music Business is the perfect introduction for anyone seeking to understand how musical talents connect to making a living.
Unfinished History: A New Account of Franz Schubert's B Minor Symphony
by David MontgomeryThis study addresses a long-standing mythology concerning the "Unfinished" Symphony and reviews anachronistic performance practices that prevent listeners from experiencing the work as a product of its own time. David Montgomery’s Unfinished History challenges the traditional story of Franz Schubert’s B-minor Symphony and searches for a more credible account of this great work. Written for all Schubert lovers from lay readers to musicians and musicologists, the book reviews a strangely persistent mythology concerning the symphony, continuing with the first in-depth examination of its manuscript and related documents. Details of handwriting, notation, paper, watermarks, compositional procedures, and stylistic contexts suggest a new year and country of origin for the “Unfinished” Symphony, a possible explanation for the absence of a finale in the sketches, and an alternative account of the score’s disappearance and prolonged sequestration. The author concludes with an essay on performing the work in the context of its own times. The story of the Unfinished has been based partly upon three conflicting letters written in old age by Schubert’s former secretary long after the composer’s death. A fourth document in this insupportable mythology is a photograph of a lost letter purportedly sent from Schubert to the Styrian Music Society in Graz, promising to send them a symphony. Many historians still believe the letter to be genuine, despite the fact that its signature has been traced. David Montgomery’s handwriting analysis finally identifies the real writer of this odd missive, clearing a further path to new research.