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Animal Musicalities: Birds, Beasts, and Evolutionary Listening (Music-culture Ser.)

by Rachel Mundy

Over the past century and a half, the voices and bodies of animals have been used by scientists and music experts as a benchmark for measures of natural difference. Animal Musicalities traces music’s taxonomies from Darwin to digital bird guides to show how animal song has become the starting point for enduring evaluations of species, races, and cultures. By examining the influential efforts made by a small group of men and women to define human diversity in relation to animal voices, this book raises profound questions about the creation of modern human identity, and the foundations of modern humanism.

Appetite for Definition: An A-Z Guide to Rock Genres

by Ian King

“King brings an informative voice that will enlighten all fans of rock music in its many permutations. This encyclopedia of rock is sure to spark many heated conversations.” — Publishers Weekly“Recommended to all interested in the history of rock music, those looking for new music recommendations, and anyone who wants to improve their rock and roll vocabulary.” — Library Journal“Works as casual reading, a handy reference tool, inspiration for listeners stuck in a musical rut, and a welcome addition to library music collections.” — Booklist

Archivo José Agustín: Y otros (muchos) textos sobre rock.

by José Agustín

"José Agustín es una de las más notables manifestaciones del rock mexicano, probablemente mucho más potente y más significativa que buena parte de las bandas que han surgido en este país" RULO, tomado del prólogo José Agustín es una de las plumas más potentes de la literatura mexicana, representante de una generación de escritores cuyas letras fueron el instrumento ideal para dar voz a una época marcada por el rock, la psicodelia y el relajo. Este volumen, primero de una serie de textos poco conocidos del autor, reúne crónicas y ensayos de José Agustín. Del blues del Misisipi a las tornamesas de Tijuana, de la melancolía de José Alfredo al cine de Orson Welles, José Agustín explora con su libertad y estilo característicos los derroteros de la música, las letras y, por qué no, del cine para ofrecer al lector un atisbo a su visión personalísima del mundo. El resultado es un libro ecléctico y desmadroso, cuyo eje es la pasión incansable que su autor tiene por la música y la palabra.

Aretha: The Queen of Soul

by Meredith Ochs

From an award–winning journalist, an illustrated retrospective of Aretha Franklin, celebrating her life, music and legacy. Aretha Franklin’s voice was legendary, unforgettable: deeply rooted in gospel, yet versatile enough to brilliantly interpret R&B, rock, soul, pop, and jazz standards, it fueled a six-decade career. Her vocal wallop was a mix of preaching, rebuke, and elation. From the languorous “I Never Loved a Man (the Way That I Love You),” to the funky “Chain of Fools,” to the fiercely feminist “Think,” to the definitive, demanding version of Otis Redding’s “Respect,” Franklin’s songs played out against the tumultuous sociopolitical backdrop of the late ’60s like a soundtrack meant to set things right. Her accolades were many: she received the Kennedy Center honor in 1994, won 18 Grammys®, was the first woman inducted into the Rock and Roll Hall of Fame, and performed for presidents and the Pope. Illustrated with 85 photos, and with insightful text from noted radio personality and author Meredith Ochs, Aretha explores the diva’s life, from her formative years growing up in Detroit, to her singing and recording career from the 1950s until her untimely death in 2018, to her numerous honors, awards, and causes, including her advocacy for civil rights and the arts.

Arnold Bake: A Life with South Asian Music (SOAS Musicology Series)

by Bob Van Der Linden

Arnold Bake (1899–1963) was a Dutch pioneer in South Asian ethnomusicology, whose research impressed not only the most renowned Indologists of his time but also the leading figures in the emerging field of ethnomusicology. This long overdue biography sheds light on his knowledge of the theory and practice of South Asian music, as well as his legacy on the intellectual history of ethnomusicology. Bake spent nearly seventeen years in the Indian subcontinent and made numerous, irreplaceable recordings, films and photographs of local musicians and dancers. As a gifted Western musician, he studied Indian singing with Bhimrao Shastri, Dinendranath Tagore and Nabadwip Brajabashi, and successfully performed Rabindranath Tagore’s compositions and South Asian folk songs during hundreds of lecture-recitals in India, Europe and the United States. For the last fifteen years of his life, Bake taught Indian music at the School of Oriental and African Studies (SOAS), University of London; he was the first to do so at a Western university. Besides his numerous writings and radio presentations, he advanced his subject through his activities in British and international research associations. The history of ethnomusicology, especially as applied to South Asia, cannot be fully understood without regard to Bake, and yet his contribution has remained, until now, unclear and unknown.

Artania: El grito de los faraones

by Laurie Woodward Pilar Ordaz B.

Bartholomew, de once años, no puede ir a la escuela, jugar afuera o, lo peor de todo, hacer arte – así que dibuja en secreto. Después de que conoce a un pintor en patineta, Alexander DeVinci, ambos son transportados a otro reino de pinturas mágicas. Su propio mundo es muy diferente en comparación con Artania: un mundo con pinturas y esculturas vivientes. Pronto aprenden que Artania está al filo de la destrucción, y el arte de Bartholomew es la única cosa que puede salvarle. Tanto con dioses como diosas a su lado, Bartholomew se enfrenta a batallas, duelos y escapes sobre patinetas. Pero incluso con sus poderes creciendo, ¿puede él derrotar el ejército malévolo de Sickhert y traer el arte de vuelta al mundo?

Arthur Sullivan: A Musical Reappraisal (Music in Nineteenth-Century Britain)

by Benedict Taylor

Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.

Artist Management for the Music Business

by Paul Allen

Anyone managing an artist’s career needs to be well versed and have a savvy understanding of the moving parts of the music business. You’ll learn how and why those moving parts "move," as well as how to manage and navigate a music-based career. Artist Management for the Music Business gives you a comprehensive view of how to generate income through music and how to strategically plan for future growth. The book is full of valuable practical insights. It includes interviews and case studies with examples of real-world management issues and outcomes. Updates to this new edition include the importance of online streaming to music careers, how anyone can effectively network, tools for successful negotiation, ways to identify and manage income sources, and guidance on the ever-changing social media landscape of the music business. This book gives you access to resources about artist management and the music business at its companion website, http://www.artistmanagementonline.com.​ There is no login, and the resources are updated regularly.

Arvo Pärt’s Resonant Texts: Choral and Organ Music 1956–2015

by Andrew Shenton

Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. <P><P>Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.<P> This is the only book to explore the entire career of this extremely popular contemporary composer.<P> Includes numerous musical examples, enabling readers to understand the form, content, and context of individual pieces, as well as key innovative techniques such as tintinnabulation.<P> Suggests broader approaches to Christian texts, making Pärt's work accessible to a wider audience.<P>

Ashes to Ashes: The Songs of David Bowie, 1976-2016

by Chris O'Leary

From the ultimate David Bowie expert comes an exploration of the final four decades of his musical career, covering every song he wrote, performed or produced.From the ultimate David Bowie expert comes this exploration of the final four decades of the popstar's musical career, covering every song he wrote, performed or produced from 1976 to 2016.Starting with Low, the first of Bowie's Berlin albums, and finishing with Blackstar, his final masterpiece released just days before his death in 2016, each song is annotated in depth and explored in essays that touch upon the song's creation, production, influences and impact.

Bach Perspectives, Volume 12: Bach and the Counterpoint of Religion (Bach Perspectives #15)

by Robin A. Leaver

Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.

Back to Amy

by Charles Moriarty

'...it's really quite beautiful' Matt Everitt, BBC Radio 6 MusicHappy, beautiful and full of fun - this is an intimate portrait of the real Amy Winehouse.With over 100 photographs - many seen here for the first time - along with personal stories and recollections from Amy's mother, Janis Winehouse, as well as Amy's band members and others close to her, this is a celebration of a young artist on the cusp of fame. Taken by a friend at a relaxed photoshoot just before she released her debut album, these beautiful images give an early glimpse of the girl who would captivate the world.With a foreword by Asif Kapadia, director of Academy Award-winning documentary Amy, and containing fond memories and insights from the people who knew her best, Back to Amy is a tribute to the enduring spirit of a truly special artist.

The Bakersfield Sound: How a Generation of Displaced Okies Revolutionized American Music

by Robert Price

In California’s Central Valley, two thousand miles away from country music’s hit machine, the hard edge of the Bakersfield Sound transformed American music in the latter half of the twentieth century. It turned displaced Oklahomans like Buck Owens and Merle Haggard into household names, and it aggressively pushed style, instrumentation, and attitude that countered the orchestral country pop churned out from Nashville. In this compelling book, Robert E. Price traces the Sound’s roots from the Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges: to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly Californian country music.

The Bakersfield Sound: How a Generation of Displaced Okies Revolutionized American Music

by Robert E. Price

An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century.In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt.In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music.Praise for The Bakersfield Sound“A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews“This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus

Banjo Roots and Branches (Music in American Life #442)

by Robert B Winans

The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.

Baronial Patronage of Music in Early Modern Rome

by Valerio Morucci

This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage – the support of a person or institution and their work by a patron – in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.

Basic Conducting Techniques (Seventh Edition)

by Joseph A. Labuta Wendy K. Matthews

<p>Basic Conducting Techniques, Seventh Edition, provides a clear and intelligible introduction to the art of conducting an ensemble. Over the course of fourteen chapters, the authors explicate the elements of conducting, supplementing their teachings with an extensive selection of musical examples from the classical repertoire. Practical and innovative, clear and approachable, this text illuminates the essential skills a beginning conductor should develop to lead and rehearse a performing group. <p>This new edition features: <p> <li>chapters rewritten to highlight important information and show connections between different sections <li>a new chapter on expressive conducting, consisting of expanded and updated content <li>select full scores in the "Musical Excerpts" section <li>excerpts with transpositions for each chapter, allowing easy access for class performance <li>a new companion website, which includes the scores and transpositions for all musical excerpts, audio recordings of the excerpts, and demonstration videos modeling specific techniques for each chapter.</li> <p> <p>With the beginning conductor in mind, this hands-on, competency-centered approach is appropriate for mixed classes of choral and instrumental music majors, providing indispensable versatility for students and practicing conductors alike. Rooted in decades of teaching and conducting experience, Basic Conducting Techniques is the essential guide to the principles of conducting.</p>

Battle Of The Bands (The\major Eights Ser. #1)

by Melody Reed

Keyboardist Jasmine, age eight, tries to convince her band mates, Maggie, Becca, and Scarlet, to prove themselves in a Battle of the Bands competition, despite their poor equipment.

Beastie Boys Book

by Michael Diamond Adam Horovitz

A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself—by band members ADROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. <P><P>Here is their story, told for the first time in the words of the band. Adam “ADROCK” Horovitz and Michael “Mike D” Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the debut album that became the first hip hop record ever to hit #1, Licensed to Ill—and the album’s messy fallout as the band broke with Def Jam; their move to Los Angeles and rebirth with the genre-defying masterpiece Paul’s Boutique; their evolution as musicians and social activists over the course of the classic albums Check Your Head, Ill Communication, and Hello Nasty and the Tibetan Freedom Concert benefits conceived by the late Adam “MCA” Yauch; and more. <P><P>For more than thirty years, this band has had an inescapable and indelible influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys’ New York, mixtape playlists, pieces by guest contributors, and many more surprises. <P><b>A New York Times Bestseller</b>

Becoming a Choral Music Teacher: A Field Experience Workbook

by Patrice Madura Ward-Steinman

Becoming a Choral Music Teacher: A Field Experience Workbook, Second Edition is a choral methods textbook that prepares students in Music Education to become middle school and high school choral music teachers. It emphasizes important musical skills, vocal pedagogy and repertoire suitable for secondary school choirs in order to provide future teachers with the critical experiences to be effective. Focusing equally on rehearsal strategies, auditions and classroom management, the book is also a "workbook" that requires the students’ active learning through participation in fieldwork. Students learn in a sequential and practical manner, beginning with the study of the middle school voice and progressing to the high school voice, through practice of theory with adolescents, followed by class reflection on common problems and solutions, and then continued practice. NEW to this Edition Updated references to NAfME, and new national and state standards and licensing rules More on the needs of Special Learners in the choral classroom Latest resources on classroom management theories and practice Expanded vocal warm-ups that incorporate body movement and aural skills training More on gender issues (including LGBT awareness), sociological impact and meanings of choral singing, and emerging knowledge of multicultural choral music Becoming a Choral Music Teacher: A Field Experience Workbook, Second Edition fully integrates the choral field experience for hands-on learning and reflection and allows the student to observe and teach the book’s principles.

Becoming a Garamut Player in Baluan, Papua New Guinea: Musical Analysis as a Pathway to Learning (SOAS Musicology Series)

by Tony Lewis

The garamut is a log idiophone that is found in many of the coastal and island areas of Papua New Guinea. The instrument’s primary use is as a speech surrogate and in some regions the garamut is also used in large ensembles to play complex music for dancing. In Baluan Island, within the Manus Province, this style of garamut playing is comparatively highly developed. This book follows the author’s processes and methods in learning to play the music of the garamut, to the level at which he became accepted as a garamut player by the people of Baluan. Lewis argues that analysis is essential in learning to play the rapid tempi and complex rhythms of Baluan garamut music, in a cultural context where there is no formal teaching process for the music. The transcription and analysis of the Baluan garamut repertoire is the centrepiece of this study, reflecting the cognitive structures of the learning process, and revealing the inner workings of the music’s complexity as well as a striking beauty of form and structure. The book concludes with reflections on the process of a ‘cultural outsider’ becoming a garamut player in Baluan and on the role of musical analysis in that process, on the ethnomusicologist’s role in transmission of the music, and on the nature of continuity and change in a musical society such as Baluan.

Been So Long: My Life and Music

by Jorma Kaukonen

"A modern parable." —from the foreword by Grace Slick“Jorma Kaukonen is a force in American music, equally adept at fingerpicked acoustic folk and blues as he is at wailing on an electric.” – Acoustic Guitar“Jorma Kaukonen lit a fuse and transformed his electric guitar into a firework.” – Live For Live MusicIncludes a CD of live music as a companion to the book!From the man who made a name for himself as a founding member and lead guitarist of Jefferson Airplane comes a memoir that offers a rare glimpse into the heart and soul of a musical genius—and a vivid journey through the psychedelic era in America. “Music is the reward for being alive,” writes Jorma Kaukonen in this candid and emotional account of his life and work. “It stirs memory in a singular way that is unmatched.” In a career that has already spanned a half century—one that has earned him induction into the Rock & Roll Hall of Fame and a Grammy Lifetime Achievement Award, among other honors—Jorma is best known for his legendary bands Jefferson Airplane and the still-touring Hot Tuna. But before he won worldwide recognition he was just a young man with a passion and a dream.Been So Long is the story of how Jorma found his place in the world of music and beyond. The grandson of Finnish and Russian-Jewish immigrants whose formative years were spent abroad with his American-born diplomat father, Jorma channeled his life experiences—from his coming-of-age in Pakistan and the Philippines to his early gigs with Jack Casady in D.C. to his jam sessions in San Francisco with Jerry Garcia, Janis Joplin, Bob Dylan, and other contemporaries—into his art in unique and revelatory ways. Been So Long charts not only Jorma’s association with the bands that made him famous but goes into never-before-told details about his addiction and recovery, his troubled first marriage and still-thriving second, and more. Interspersed with diary entries, personal correspondence, and song lyrics, this memoir is as unforgettable and inspiring as Jorma’s music itself.

Being John Lennon: A Restless Life

by Ray Connolly

An intimate yet unsparing biography of one of the greatest and most mythologized musicians of the twentieth century. What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, and the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world, but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of Imagine legend—because that was only a small part of him. The John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters. He was, of course, funny, often very funny. But above everything, he had attitude—his impudent style somehow personifying the aspirations of his generation to question authority. He could, and would, say the unsayable. Though there were more glamorous rock stars in rock history, even within the Beatles, it was John Lennon’s attitude which caught, and then defined, his era in the most memorable way.

Being John Lennon

by Ray Connolly

John Lennon was a rock star, a school clown, a writer, a wit, an iconoclast, a sometime peace activist and finally an eccentric millionaire. He was also a Beatle - his plain-speaking and impudent rejection of authority catching, and eloquently articulating, the group's moment in history.Chronicling a famously troubled life, Being John Lennon analyses the contradictions in the singer-songwriter's creative and destructive personality. Drawing on many interviews and conversations with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, Ray Connolly unsparingly reassesses the chameleon nature of the perpetually dissatisfied star who just couldn't stop reinventing himself.

Being John Lennon: A Restless Life

by Ray Connolly

John Lennon was a rock star, a school clown, a writer, a wit, an iconoclast, a sometime peace activist and finally an eccentric millionaire. He was also a Beatle - his plain-speaking and impudent rejection of authority catching, and eloquently articulating, the group's moment in history.Chronicling a famously troubled life, Being John Lennon analyses the contradictions in the singer-songwriter's creative and destructive personality. Drawing on many interviews and conversations with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, Ray Connolly unsparingly reassesses the chameleon nature of the perpetually dissatisfied star who just couldn't stop reinventing himself.

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