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Stand By Me RP
by Dave SteeleRetinitis Pigmentosa can be a blessing and a curse. Since losing the majority of my sight in the last 2 years I have and still continue to battle everyday with anxiety, fears for my future and the future of my children, acceptance from a world full of misconceptions and constantly having to adjust as my tunnel of sight continues to shrink. Although RP has also blessed me with the ability to realise the important things in life. I know I am never alone with this and have met the most amazing people within the RP and Usher community. Through my blindness I have discovered a new found gift for talking about the things that a lot of us go through when faced with going blind. I have always believed that music and poetry can make an impact, touch the heart and heal the soul in a way like nothing else. I hope this collection of poems can reach those who struggle sometimes with going blind. Help friends and family understand how it can be for us. I hope my poems can help raise awareness so one day the world understands that there are many different shades of blind.
Standoff: Poems
by David RivardI often feel as though I've entered a standoff between whathappens around me & what's going on inside--& this lifethat goes on & on inside my head goes on & on & on it seemsalmost without me, as it has since childhood . . . --from "Standoff"For three decades, David Rivard has written from deep within the skin of our times. With Standoff, he asks an essential question: In a world of noise, of global anxiety and media distraction, how can we speak to each other with honesty? These poems scan the shifting horizons of our world, all the while swerving elastically through the multitude of selves that live inside our memories and longings--"all those me's that wish to be set free at dawn." The work of these poems is a counterweight to the work of the world. It wants to deepen the mystery we are to ourselves, stretching toward acceptance and tenderness in ways that are hard-won and true, even if fleeting.
Stranger: Poems
by Adam Clay“A heartbreakingly stunning collection dedicated to the unsung suspension of time that occurs when life suddenly goes awry.” —Ada LimónStranger is a book of both great change and deep roots, of the richest elements of the earth and the instability of a darkening sky. The third collection by Adam Clay dives into a dynamic world where the only map available is “not of the world / but of the path I took to arrive in this place, / a map with no real definable future purpose.” Tracing a period of great change in his life—a move, a new job, the birth of his first child—Clay navigates the world with elegance and wonder, staring into the heart of transition and finding in it the wisdom that “Despite our best efforts to will it shut, / the proof of the world’s existence / can best be seen in its insistence, / in its opening up.” By firmly grasping on to the present, the past and the future collapse into the lived moment, allowing for an unclouded view of a way forward.“In language that is circular, stoic, and almost Zen-like, Clay attempts to remain himself in the face of life shifting underneath him.” —Publishers Weekly“In those moments when one rearranges the furniture in a room or leaves the cast-iron skillet in the oven or contemplates an ink stain on the wall, Clay finds a space for deep inquiry.” —Kazim Ali
Streams in the Desert Morning and Evening: 365 Devotions
by L. B. CowmanStreams in the Desert is one of the most popular daily devotionals of all time. Now combined with Cowman's follow-up Springs in the Valley is an everyday morning and evening devotional. Readers will be encouraged by these short devotions that speak to the soul with the ageless truth of the Word of God.Streams in the Desert Morning and Evening includes:More than 900 pages of short, daily devotionsGuidance and hope that encourage a deeper faith walkWisdom and insight into God's characterScripture verses to strengthen the daily messagesBeautiful cover with foil and a ribbon markerStreams in the Desert Morning and Evening is a beautiful gift for readers who want to start their mornings and wind down during their evenings by connecting their hearts to the One who knows it best.
The Sublime in Antiquity
by James I. PorterCurrent understandings of the sublime are focused by a single word ('sublimity') and by a single author ('Longinus'). The sublime is not a word: it is a concept and an experience, or rather a whole range of ideas, meanings and experiences that are embedded in conceptual and experiential patterns. Once we train our sights on these patterns a radically different prospect on the sublime in antiquity comes to light, one that touches everything from its range of expressions to its dates of emergence, evolution, role in the cultures of antiquity as a whole, and later reception. This book is the first to outline an alternative account of the sublime in Greek and Roman poetry, philosophy, and the sciences, in addition to rhetoric and literary criticism. It offers new readings of Longinus without privileging him, but instead situates him within a much larger context of reflection on the sublime in antiquity.
The Substance of Shadow: A Darkening Trope in Poetic History
by John Hollander Kenneth GrossJohn Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of texts--from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens--Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander's account of the substance of shadow lays bare the substance of poetry itself.
Suddenly, the Sight of War: Violence and Nationalism in Hebrew Poetry in the 1940s
by translated by Lisa Katz Hannan HeverSuddenly, the Sight of War is a genealogy of Hebrew poetry written in Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews. In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence.
Survival Media: The Politics and Poetics of Mobility and the War in Sri Lanka (Mobility & Politics)
by S. PereraThrough the narratives and movements of survivors of the war in Lanka these interconnected essays develop the concept of 'survival media' as embodied and expressive forms of mobility across borders.
Swallows and Waves
by Paula BohinceSeated one, loved by the lavishing comband fingers of another woman demon-strating how attention and technique coalesceinto art. Where to gowhen the mother is gone.All occupations form to replace her.What relief to be a girl again for an hour,beneath the practiced wrists of her avatar.Paula Bohince is the author of The Children and Incident at the Edge of Bayonet Woods. Her poems have appeared in the New Yorker, the New York Review of Books, Poetry, Granta, the Nation, and elsewhere.
Syllabus of Errors: Poems
by Troy Jollimore. . . we are fixed to perpetrate the species-- I meant perpetuate--as if our duty were coupled with our terror. As if beauty itself were but a syllabus of errors.Troy Jollimore's first collection of poems won the National Book Critics Circle Award, was hailed by the New York Times as "a snappy, entertaining book," and led the San Francisco Chronicle to call him "a new and exciting voice in American poetry." And his critically acclaimed second collection expanded his reputation for poems that often take a playful approach to philosophical issues. While the poems in Syllabus of Errors share recognizable concerns with those of Jollimore's first two books, readers will also find a voice that has grown more urgent, more vulnerable, and more sensitive to both the inevitability of tragedy and the possibility of renewal. Poems such as "Ache and Echo," "The Black-Capped Chickadees of Martha's Vineyard," and "When You Lift the Avocado to Your Mouth" explore loss, regret, and the nature of beauty, while the culminating long poem, "Vertigo," is an elegy for a lost friend as well as a fantasia on death, repetition, and transcendence (not to mention the poet's favorite Hitchcock film). Ingeniously organized into sections that act as reflections on six quotations about birdsong, these poems are themselves an answer to the question the poet asks in "On Birdsong": "What would we say to the cardinal or jay, / given wings that could mimic their velocities?"
T. S. Eliot: A Friendship (Routledge Library Editions: T. S. Eliot)
by Frederick TomlinFirst published in 1988. Fredrick Tomlin and T. S. Eliot were friends for almost thirty-four years. What emerges from Fredrick Tomlin’s memories and the many letters which passed between them is a private Eliot, seen only by his closest family and a trusted few. Tomlin evokes the man as he was – quite different in his humanity and in his humour from the public image of the ‘great poet’ and the austere sage. With fresh insights and personal testimony, Tomlin directs light onto aspects of Eliot’s character and personality of which the public has been unaware, thereby enhancing the reader’s appreciation of Eliot’s work as a whole. This title will be of interest to students of literature.
T. S. Eliot and the Romantic Critical Tradition (Routledge Library Editions: T. S. Eliot #5)
by Edward LobbEdward Lobb’s study, first published in 1981, is a thorough examination of Eliot’s relation to Romantic criticism. This title also makes extensive use of Eliot’s Clark Lectures on metaphysical poetry. Delivered in 1926, the lectures complete the picture of literary history set out in Eliot’s published work, and are, the author believes, essential to a full understanding of the poet’s ideas and their place in tradition. Drawing on a wide variety of primary sources and earlier scholarship, T. S. Eliot and the Romantic Critical Tradition will be of interest to students of literature.
T. S. Eliot Between Two Worlds: A Reading of T. S. Eliot's Poetry and Plays (Routledge Library Editions: T. S. Eliot #10)
by David WardThe basis of this critical examination of Eliot’s work, first published in 1973, is the investigation of his transmutation of this and other philosophical, mythological and religious motives into the textures of his verse. This book focuses on Eliot’s peculiar eclectic approach to what he described as ‘the Tradition’. It also recognises the fact that Eliot, for all his attempts at universality, was a product of time and place, and gives an account of the way in which his education and experience shaped his most important interests. This title will be of interest to students of literature.
T. S. Eliot's Romantic Dilemma: Tradition's Anti-Traditional Elements (Routledge Library Editions: T. S. Eliot #4)
by Eugenia M. GunnerThe fact that Eliot disapproved of Romanticism is clear from his critical essays, where he often appears to reject it absolutely. However, Eliot’s understanding of the term and his appreciation of literature developed and altered greatly from his adolescence to his years of scholarly study, yet he was never unable to dismiss Romanticism entirely as a critical issue. This study, first published in 1985, analyses Eliot’s approach and criticism to Romanticism, with an analysis of The Waste Land, adding to the layers of its meaning, context and content to the poem. This title will be of interest to students of literature.
Talking to the Gods: Occultism in the Work of W. B. Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune (SUNY series in Western Esoteric Traditions)
by Susan Johnston GrafTalking to the Gods explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwood's work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortune's books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each author's work, including Yeats's major theoretical work, A Vision.
Ted Hughes and Trauma: Burning the Foxes
by Danny O'ConnorThis book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.
Tell Them It Was Mozart
by Angeline SchellenbergLinked poems that uncover the ache and whimsy of raising children on the autism spectrum. Through public judgments, detouring dreams and unspoken prayers, Tell Them It Was Mozart, Angeline Schellenberg’s debut collection, traces both a slow bonding and the emergence of a defiant humour. This is a book that keens and cherishes, a work full of the earthiness and transcendence of mother-love. One of the pleasures of this collection is its playful range of forms: there are erasure poems, prose poems, lists, found poems, laments, odes, monologues and dialogues in the voices of the children, even an oulipo that deconstructs the DSM definition of autism. From a newborn "glossed and quivering" to a child conquering the fear of strange toilets, Tell Them It Was Mozart is bracing in its honesty, healing in its jubilance.
Thackeray in Time: History, Memory, and Modernity (The Nineteenth Century Series)
by Richard Salmon Alice CrossleyAn intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811–1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions--of literary and social norms--in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That's Me Loving You
by Amy Krouse Rosenthal Teagan WhiteFrom the author of the New York Times bestseller I Wish You More comes a book that promises continuous love and makes the perfect gift for fans of Emily Winfield Martin's The Wonderful Things You Will Be and those looking for something new to add to their shelves next to the classic The Runaway Bunny. Wherever you are, Wherever you go, Always remember And always know. . . That feeling you always have in your heart? That's me loving you. Amy Krouse Rosenthal captures parents' desire to be ever-present in this simple and touching poem offering reassurance of their love. Signs of affection can be found in the natural world around us--from a soft breeze to a shimmering star. "Combine this with a kissing hand, and children will be ready to set off on their own to explore the world, safe in the knowledge that they are loved. " --Kirkus Reviews
There Now: Poems
by Eamon Grennan"Few poets are as generous as Eamon Grennan in the sheer volume of delight his poems convey." --Billy Collins . . . there goes the sudden shriek of the blackbird . . . all alive inside the inhumanbreath-pattern of the wind trawling every last leaf and blade of grass and flinging rain like velvet pebblesonto the skylight: nothing but parables in every bristling inch of the out-of-sight unspoken never-to-be-known puresense-startling untranslatable there of the world as we find it.--from "World Word"In these short poems full of patient listening, looking, and responding, Eamon Grennan presents a world of brilliantly excavated moments: watching a flight of oystercatchers off a Connemara strand or the laden stall of a fish market in Manhattan; listening to the silence in an empty room or the beat of his partner's heart; pondering violence in the Middle East or the tenuous, endangered nature of even "the fairest / order in the world." Grennan's philosophic gaze manages to allow the ordinary facts of life to take on their own luminous glow. It is the sort of light he finds in some of his favorite painters--Cézanne, Bonnard, Renoir, the Dutch masters--light that is inside things and drawn out to our attention. There Now is a celebration of the momentary recognition of transcendence, all the more precious for being momentary.
There Was an Old Lady Who Gobbled a Skink
by Tamera Wissinger Ana BermejoThere was an old lady who gobbled a skink. And a worm and a pail and a line and an oar and much more in this hilarious book about a crazy fisherwoman who swallows all the essentials for a successful fishing trip. With the ever looming threat of "perhaps she’ll sink,” readers will hold their breath in anticipation as she gobbles her way through the tackle box and then the boat! With an already impressively full stomach, she reaches for just one last bite . . . but to find out how the story ends, you have to read the book! A wonderfully humorous take on a classic nursery rhyme by Tamera Will Wissinger, accompanied by Ana Bermejo’s fun-filled illustrations, this story will delight children, adults, and all those who like fishing. It’s perfect for reading aloud and sure to be read (and perhaps even sung) again and again. Intended for preschool-aged children, this silly story is sure to be a fun read-aloud both at home or at school/daycare. It's also the ideal gift for kids whose parents or grandparents love to fish or to explore the outdoors and might even inspire a few to try fishing at some point (hopefully without gobbling any of the tackle!).
There Was an Old Lady Who Lived in a Shoe (First Edition)
by Jane CabreraThis variation of the nursery rhyme features a chaotic household of children and pets who live in a shoe, and who know how to repair broken furniture, remake work clothing, and reuse and recycle.
There Was an Old Woman Who Lived in a Shoe (Jane Cabrera's Story Time)
by Jane CabreraFall in love with this bright, ecofriendly take on a favorite rhyme for children. &“There was an old woman who lived in a shoe, and some days were just a big Hullabaloo!&” Readers follow along as a woman and her household of high-spirited children and their pets reuse and recycle everyday items. The crew repair their broken furniture, find alternative modes of transportation when the car breaks down, and remake worn clothing with colorful patches. Jane Cabrera&’s charming acrylic artwork is perfect for sharing with young readers and listeners.
Thief in the Interior
by Phillip B. Williams"This gorgeous debut is a 'debut' in chronology only. . . . Need is everywhere--in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."--Adrian MatejkaPhillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.From "Agenda":I.While two women kissed in their house I watcheda jury hide bullets in a Black boy's body, all rigor mortisand bass line. I landed in Chicago, a lead box.The airport showed CNN and a Black mothercould not be heard over gate changes, bistro jazz.Subtitles gathered and faded like gossipwhile I made my mouth vacant in my hometown.I carried a fever of insufferable noise that skin,illuminated by a hoodie, held close, a forced kin.Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.