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Tula: Poems
by Chris SantiagoA debut poetry collection exploring themes of family and identity while examining the experiences of a second-generation Filipino immigrant in America.Tula: a ruined Toltec capital; a Russian city known for its accordions; Tagalog for “poem.”Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago’s debut collection of poems—selected by A. Van Jordan as the winner of the 2016 Lindquist & Vennum Prize for Poetry—begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience. Tula: Santiago reveals to readers a distant land devastated by war. Tula: its music beckons in rhythms, time signatures, and lullabies. Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language?Inspired by the experiences of the second-generation immigrant who does not fully acquire the language of his parents, Tula paints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in Saint Paul—while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife.Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves, Tula introduces a major new literary talent.Praise for Tula“A book that both transports us and transforms us.” —Viet Thanh Nguyen“A debut collection that is a spare, elegant engagement with language. . . . Santiago’s struggles with identity are well-explored, but his linguistic savvy and precision truly stand out.” —Publishers Weekly“Santiago seems to recognize that words will always hold power, even as their meanings evolve. Through everything, Tula delves into these nuances of language: how it is suppressed, how it is weaponized, how it loves, how it informs, and how it is often as fleeting as a birdsong. Tula is therefore a celebration of the ephemeral and the permanent, a lovely testament to the beauty of contradiction.” —Chicago Review of Books
Tumult & Tears: The Story of the Great War Through the Eyes and Lives of Its Women Poets
by Vivien NewmanDuring the First World War and its immediate aftermath, hundreds of women wrote thousands of poems on multiple themes and for many different purposes. Womens poetry was published, sold (sometimes to raise funds for charities as diverse as Beef Tea for Troops or The Blue Cross Fund for Warhorses), read, preserved, awarded prizes and often critically acclaimed. Tumult and Tears will demonstrate how womens war poetry, like that of their male counterparts, was largely based upon their day-to-day lives and contemporary beliefs. Poems are placed within their wartime context. From war worker to parent; from serving daughter to grieving mother, sweetheart, wife; from writing whilst within earshot of the guns, whilst making the munitions of war, or whilst sitting in relative safety at home, these predominantly amateur, middle-class poets explore, with a few tantalising gaps, nearly every aspect of womens wartime lives, from their newly public often uniformed roles to their sexuality.
The Type
by Sarah KaySarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices."Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.
Las últimas páginas
by Zoe Fuentes<P>Poemario de amor de una joven voz de hoy en día. <P>Amor en todas sus formas: ése ha sido el tema elegido por Zoe Fuentes para los versos recogidos en este libro. <P>Desde los enamoramientos más apasionados hasta los limbos entre el amor y el odio o las luchas interminables por olvidar a alguien, la autora logra plasmar todos esos sentimientos en esta colección de poemas que promete hacer revivir al lector sus viejos amores o bien, encontrar desahogo para los actuales. <P> Tiene en sus manos no sólo la obra de una autora joven, sino un escrito lleno de pasión que lo llevará a preguntarse por la profundidad y complejidad de las emociones humanas.
Unbearable Splendor
by Sun Yung Shin"To graph the immigrant, the exile and 'pseudo-exile,' as 'a kind of star.' To perform childhood. 'Descent upon descent.' To write on '[p]aper soaked in milk.' Unbearable Splendor is a book like this, that is this: the opposite or near-far of home. What is the difference between a guest and a ghost? What will you feed them in turn? I was profoundly moved by the questions and deep bits of feeling in this gorgeous, sensing work, and am honored to write in support of its extraordinary and brilliant writer, Sun Yung Shin."-Bhanu Kapil"In Unbearable Splendor, Sun Yung Shin sticks a pin directly into the heart of who we are to reveal that a person is a mystery without beginning or end, borders or documents, complicated by robotics and astrophysics, arrivals and departures, myth and rewriting. A person is divided into multiple, complicated selves, as various and complex as the forms and approaches she employs in these poetic essays. To read Shin's work is to marvel at a rosebud's concealed and silent core and to slowly witness its elegant blooming. It is a delicate and majestic show."-Jenny Boully"Unbearable Splendor is a dazzling collage of biophysical metamorphoses, wherein the 'I' atomizes into multiple and self-replicating new mythologies of what constitutes an authentic being. 'I didn't know I wasn't human. My past was invented, implanted, and accepted. I'm more real than you are because I know I'm not real.' In our vast expanse, where 'every species is transitional,' Shin's lyricism, erudition, and tonal command of loss and indignation harmonize into a singular nucleus that hums and pulsates through each of these wondrous poetic meditations."-Ed Bok Lee
Uncanny Magazine Issue Eight
by Uncanny MagazineFeaturing all–new short fiction by Maria Dahvana Headley, Nghi Vo, Christopher Barzak, Brit Mandelo, and Rose Lemberg, classic fiction by Sarah Rees Brennan, nonfiction by Chris Kluwe, Max Gladstone, Isabel Schechter and L.M. Myles, poems by Kayla Whaley, Leslie J. Anderson, and Bryan Thao Worra, interviews with Maria Dahvana Headley and Christopher Barzak, and Priscilla H. Kim’s “Round Three” on the cover.
Under the Kaufmann's Clock: Fiction, Poems, and Photographs of Pittsburgh
by Angele EllisAngele Ellis’s obsession with remembering the past ...results in a tremendous variety of poems—narrative, lyric, narrative-lyric blur, prose poems—and flash fiction pieces—which differ widely in style, tone, and length... We are privileged to enjoy the writings of such a talented, caring, versatile author. Readers will also want to linger over Under the Kaufmann’s Clock in order to savor the photos by Rebecca Clever. —Eileen Murphy, Crab Fat Magazine <P><P>[T]he city’s many histories, both public and private, emerge in non-linear glimpses and portraits, lyric moments and micro-narratives... The approach to these moments is tender, curious. The poems follow these ghosts, haunt them even, and appear to feel the tenderness is mutual… —Sally Rosen Kindred, Pittsburgh Poetry Review
The Universe of Us (Lang Leav Ser. #4)
by Lang LeavInternational best-selling author of Love & Misadventure, Lullabies (Goodreads Readers Choice Award), and Memories Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us. <P><P>Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav. Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found. Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.
The Unlit Path Behind the House
by Margo WheatonThe day's an old room / stripped of its furniture; there are / never enough beds in winter. / By late afternoon, the shadows / are forming a blue inconsolable hall // as sparrows retreat to makeshift / cots of pine bark and eaves. // Even the parched marsh grass / has stilled, every blade / become an ear. Sensuous, atmospheric, and spare, The Unlit Path Behind the House collects poems that seek light in difficult places. In lines filled with an intense music, Margo Wheaton listens for the lyricism inside the day's blessings and catastrophes. Wheaton's poems sing at the intersections where public and private worlds collide: the steady cadence of a boy carrying an unconscious girl in his arms, the afternoon journey of a woman taking books to prisoners, the rhythmic breathing of a homeless man asleep in a parking lot. In these works, fireflies pulse in the dark, lovers clasp and unclasp, and street signs sing like Blake's angels. Deeply informed by the natural world, Wheaton's writing is marked by great meditative depth; while passionately engaged, these poems evoke a field of mystery and stillness. Whether exploring themes of isolation, spiritual dispossession, desire, or the sanctity of daily rituals, The Unlit Path Behind the House conveys our longing for home and the different ways we try to find it.
The Unlit Path Behind the House (Hugh MacLennan Poetry Series #35)
by Margo WheatonThe day’s an old room / stripped of its furniture; there are / never enough beds in winter. / By late afternoon, the shadows / are forming a blue inconsolable hall // as sparrows retreat to makeshift / cots of pine bark and eaves. // Even the parched marsh grass / has stilled, every blade / become an ear. Sensuous, atmospheric, and spare, The Unlit Path Behind the House collects poems that seek light in difficult places. In lines filled with an intense music, Margo Wheaton listens for the lyricism inside the day’s blessings and catastrophes. Wheaton’s poems sing at the intersections where public and private worlds collide: the steady cadence of a boy carrying an unconscious girl in his arms, the afternoon journey of a woman taking books to prisoners, the rhythmic breathing of a homeless man asleep in a parking lot. In these works, fireflies pulse in the dark, lovers clasp and unclasp, and street signs sing like Blake’s angels. Deeply informed by the natural world, Wheaton’s writing is marked by great meditative depth; while passionately engaged, these poems evoke a field of mystery and stillness. Whether exploring themes of isolation, spiritual dispossession, desire, or the sanctity of daily rituals, The Unlit Path Behind the House conveys our longing for home and the different ways we try to find it.
Unquiet Things: Poems (Goat Island Poetry)
by James Davis MayGrounded in wonder and fueled by an impulse to praise, the poems in James Davis May's debut collection, Unquiet Things, grapple with skepticism, violence, and death to generate lasting insights into the human experience. With compassion and humor, this second and final volume in Claudia Emerson's Goat Island Poets series exposes the unseen tragedies and rejoices in the small, surprising moments of grace in everyday life.May's poems impart sincere astonishment at the natural world, where experiences of nature serve as "stand-ins, almost, / for grace." His poems seek to transcend cynicism, turning often to the landscapes of North Georgia, his native Pittsburgh, and eastern Europe, as well as to his literary forebears, for guidance. For the poet, no force propels that transcendence more powerfully than love: love for his wife and daughter, love for language, and love for the incomprehensible world that he inhabits. These stylistically varied poems are by turns conversational, earnest, self-deprecating, meditative, and often funny, whether they're discussing grand themes such as love and beauty, or more corporeal subjects like fever and food poisoning.Lyrical and strange, tragic and amusing, Unquiet Things traces an experiential journey in the ordinary world, uncovering joys that span from the lingering memories of childhood to the losses and triumphs of adulthood.
Up From the Sea
by Leza LowitzA powerful novel-in-verse about how one teen boy survives the March 2011 tsunami that devastates his coastal Japanese village. <P><P>On that fateful day, Kai loses nearly everyone and everything he cares about. When he's offered a trip to New York to meet kids whose lives were changed by 9/11, Kai realizes he also has a chance to look for his estranged American father. <P><P>Visiting Ground Zero on its tenth anniversary, Kai learns that the only way to make something good come out of the disaster back home is to return there and help rebuild his town. Heartrending yet hopeful, Up from the Sea is a story about loss, survival, and starting anew. <P><P>Fans of Jame Richards's Three Rivers Rising and teens who read Karen Hesse's Out of the Dust as middle graders will embrace this moving story. An author's note includes numerous sources detailing actual events portrayed in the story.
Upwelling: Poems
by Ann ChiappettaGuide dogs, death, and a disturbing dream. Marriage, memories, and intriguing mysteries. Eroticism, abortion, and a wonderfully poetic essay. In this collection of 23 of her short, accessible poems from several decades, Ann Chiappetta explores an enormous range of emotions and topics. "Orbituary" mourns the removal of an eye. "Verona" and "In Those Dark Moments" are tributes to her beloved guide dog. "Appearances" offers reflections on adjusting to blindness. Four of the poems deal with the illness and death of others and her enduring grief. "Root Cellar" is like a miniature horror movie. "The Marriage Pot" employs a much-used spaghetti pot as a symbol for the vicissitudes of a long marriage. "Helium" offers a balloon’s view of its surroundings. "NoneTheWiser" gives us the words of an unconventional little girl. These poems may variously pierce your heart or warm it, surprise you or amuse you. But they will surely move you and make for lasting memories. About the Author Ann Chiappetta holds a Master of Science degree in marriage and family therapy and currently practices as a readjustment counseling therapist for the Department of Veterans Affairs. She lives in New Rochelle, NY with her husband, daughter, and assorted pets. Her poems, articles, and short fiction have appeared in numerous online and print publications.
The Value of Emily Dickinson
by Mary LoeffelholzThe Value of Emily Dickinson is the first compact introduction to Dickinson to focus primarily on her poems and why they have held and continue to hold such significance for readers. It addresses the question of literary value in light of current controversies dividing scholars, including those surrounding the critical issue of whether her writings are best appreciated as visual works of manuscript art or as rhymed and metered poems intended for the inner ear. Mary Loeffelholz deftly incorporates Dickinson's distinctive biography and her historical, religious, and cultural contexts into close readings, tracing the evolution of Dickinson's style. This volume - which considers not only the complex history of Dickinson's poems in print, but also their future in digital formats - will be an invaluable resource for undergraduate and graduate students seeking to better understand the importance of this seminal American poet.
The Value of Milton
by John LeonardIn The Value of Milton, leading critic John Leonard explores the writings of John Milton from his early poetry to his major prose. Milton's work includes one of the most difficult and challenging texts in the English literary canon, yet he remains impressively popular with general readers. Leonard demonstrates why Milton has enduring value for our own time, both as a defender of political liberty and as a poet of sublimity and terror who also exhibits moments of genuine humanity and compassion. A poet divided against himself, Milton offers different rewards to different readers. The Value of Milton examines not only the significance of his most celebrated verse but also the function of biblical allegory, classical culture, and the moods, voice and language that give Milton's writings their perennial appeal.
Verses from Within
by Kingsley Uche-OkaforVerses from Within is an amazing work of poetry and philosophy. It invites the reader to search inside themselves for answers to issues they may be facing. It is soul enriching and amazing to read. It discusses love, power, spirits, vengeance, romance and wisdom amongst other interesting topics. This work invites readers to think deeply in a natural and familiar and yet amazing way. I recommend this awesome book to readers of books involving love, romance, nature, philosophy, classics, fiction and natural science amongst other genres.
Viability
by Sarah VapSelected as a Winner of the National Poetry Series by Mary Jo BangSarah Vap's sixth work of poetry, Viability is an ambitious and highly imaginative collection of prose poems that braids together several kinds of language strands in an effort to understand and to ask questions about the bodies (and minds, maybe even souls) that are owned by capitalism. These threads of language include definitions from an online financial dictionary, samples from an essay on the economics of slavery, quotations from an article about slavery in today's Thai fishing industry, lyric bits and pieces about pregnancy and infants of all kinds, and a wealth of quotations falsely attributed to John of the Cross. The viability that Vap is asking about is primarily economic and biological (but not only). The questions of viability become entwined with the need, across the book, to "increase"--in both a capitalist and a gestational sense. John of the Cross tries, at first with composure, to comment on or to mediate between all the different strands of the collection.
Viento entre mis pasos
by Rosa Montolío Catalán¿Sientes los sueños, el amor, la melancolía o las injusticias sociales? <P><P>Vuela entre estas páginas y descúbrelo. Viento entre mis pasos es un poemario joven, lleno de emociones y sensaciones que se perciben a través de los sueños, de la belleza de los colores, del romanticismo, del amor y del desamor que, a veces, nos hace volar a otros mundos alegres o tristes. <P><P>Como pájaros planeamos por el arcoíris, por los grandes mares, somos animales y hojas que en nuestras alas van dejando huellas. Pero, nuestros pies caminan y el viento los frena: se rebela, y bailan nuestros dedos balanceándonos en las ráfagas. <P><P>Rosa, invita al lector a sentir el viento sobre sus pasos, unas veces suave y soñador, y otras duro y cruel hasta alcanzar el dolor de la muerte.
Virgil’s Eclogues and the Art of Fiction
by Raymond KaniaMany scholars have seen ancient bucolic poetry as a venue for thinking about texts and textuality. This book reassesses Virgil's Eclogues and their genre, arguing that they are better read as fiction - that is, as a work that refers not merely to itself or to other texts but to a world of its own making. This makes for a rich work of art and an object of legitimate aesthetic and imaginative engagement. Increased attention to the fictionality of Virgilian poetry also complicates and enriches the Eclogues' social and political dimensions. The book offers new interpretations of poems like Eclogues 5 and 9, which, according to traditional allegorical readings, concern Julius Caesar and the confiscation of lands under Octavian, respectively. It shows how the Eclogue world stands in a less stable relation to reality; these poems challenge readers at every turn to reimagine the relationship between fiction and the real.
Vivas to Those Who Have Failed: Poems
by Martín EspadaAward-winning poet Martín Espada gives voice to the spirit of endurance in the face of loss. In this powerful new collection of poems, Martín Espada articulates the transcendent vision of another, possible world. He invokes the words of Whitman in “Vivas to Those Who Have Failed,” a cycle of sonnets about the Paterson Silk Strike and the immigrant laborers who envisioned an eight-hour workday. At the heart of this volume is a series of ten poems about the death of the poet’s father. “El Moriviví” uses the metaphor of a plant that grows in Puerto Rico to celebrate the many lives of Frank Espada, community organizer, civil rights activist, and documentary photographer, from a jailhouse in Mississippi to the streets of Brooklyn. The son lyrically imagines his father’s return to a bay in Puerto Rico: “May the water glow blue as a hyacinth in your hands.” Other poems confront collective grief in the wake of the killings at the Sandy Hook Elementary School and police violence against people of color: “Heal the Cracks in the Bell of the World” urges us to “melt the bullets into bells.” Yet the poet also revels in the absurd, recalling his dubious career as a Shakespearean “actor,” finding madness and tenderness in the crowd at Fenway Park. In exquisitely wrought images, Espada’s poems show us the faces of Whitman’s “numberless unknown heroes.”
Voice's Daughter of a Heart Yet To Be Born
by Anne WaldmanComing in the wake of her vast and magnificent epic (The Iovis Trilogy: Colors in the Mechanism of Concealment), this volume brings Anne Waldman’s work into the more intimate, paradoxical folds of poetic (and prophetic) knowledge. This should not suggest that Voice's Daughter of a Heart Yet to Be Born is a book of small things; it is anything but. Juxtaposing lyric arcana, journalism, critical fragments, visions of mythic and mystic beings, narrative, polemics, and even ekphrasis, Waldman has created a work that is simultaneously jeremiad and psalm. It is, then, both fearful and celebratory, an epic of a ‘time before birth.’
Voronezh Notebooks
by Osip Mandelstam Andrew DavisOsip Mandelstam is one of the greatest twentieth-century poets in any language, and his work, which sounds the depths of the Russian language, has presented a fertile and constant challenge to translators. Composed after Mandelstam's unexpected release from Stalin's prisons, Voronezh Notebooks covers two years of his life, from the spring of 1935, when in a state of physical and mental collapse he traveled south into exile with his wife, to May 1937, not long before the couple was allowed to return to Moscow (which was followed by Mandelstam's final arrest), and the poems constitute a single sequence and a kind of last testament. Meditating on death and survival, on the powers that be and the power of poetry, on marriage, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and unapologetic affirmation of poetry as life. The extraordinary concentration, powerful imagery, and strange echoing music of Mandelstam's sequence come forth in English as never before in Andrew Davis's inspired new translation.
Vulture in a Cage: Poems by Solomon Ibn Gabirol
by Raymond P. Scheindlin Solomon Ibn Gabirol"Vulture in a cage," Solomon Ibn Gabirol's own self-description, is an apt image for a poet who was obsessed with the impediments posed by the body and the material world to the realization of his spiritual ambition of elevating his soul to the empyrean. Ibn Gabirol's poetry is enormously influential, laying the groundwork for generations of Hebrew poets who follow him--rocky and harsh, full of original imagery and barbed wit, and yet no one surpassed him for the limpid beauty of his devotional verse. His poetry is at once a record of the inner life of a tormented poet and a monument to the Judeo-Arabic culture that produced him. This book contains the most extensive collection of Ibn Gabirol's poetry ever published in English.From the Trade Paperback edition.
Waiting Room
by Jennifer ZilmYou’re welcome to take a seat in (the) Waiting Room, the first full-length collection of poetry from award-winning writer Jennifer Zilm. Featuring a mélange of styles and forms (sonnets, erasures, unsent emails, footnotes, session notes, CVs, tweets, and other disparate source materials—including, the Gospels and the Dead Sea Scrolls), Waiting Room subverts, shares, and repurposes the vocabularies of psychiatry, dentistry, the Bible, and academia in a humorous investigation of the contained intimacy of appointments and therapeutic relationships. Ultimately interested in how we learn, the experimental and lyrical poems in Waiting Room seek lessons in what it means to wait, to be a patient and to be patient, to be a student and to be a teacher, to be a healer and to be healed. In four unique sections, Zilm invites readers to investigate the curious boundaries of various therapeutic terrains—from an exploration of the esoteric world of graduate school, where the subject is religion, to a mash-up of Dante’s vision of purgatory and Vancouver’s Downtown Eastside (DTES), to the improbable written intersections of van Gogh's doctors and Sylvia Plath's therapist.Lovers of avant-garde and lyrical poetry will immediately connect with Zilm's engaging, observant, and probing work, as will readers familiar with the realms of Vancouver's neighbourhoods, in particular the DTES. And because of its many idiomatic forms (e.g., emails, tweets, recipes, etc.), its integration of a wide range of source materials, and its relatable settings and subject matter, Waiting Room could serve as a "gateway collection" for readers who don’t always connect with poetry, but enjoy other forms of literature.
Walt Whitman and British Socialism: ‘The Love of Comrades’ (Routledge Studies in Nineteenth Century Literature)
by Kirsten HarrisThis is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.